MIXTAPE: Front Country, How Did We Get Here?

“For our 2017 record Other Love Songs, we made the decision to record using only acoustic instruments and our voices with almost no additional production. That’s how we’d been playing live up until that point and we wanted to capture the sound we’d been working on as an acoustic unit. Soon after we found ourselves stepping outside the acoustic box and experimenting with the overall sonic picture of what we were presenting live. Roscoe (Adam Roszkiewicz) and I began using more effects pedals and started playing through amps. Melody began playing percussion and after the addition of the pandeiro (a handheld Brazilian percussion instrument that can sound very much like a small drum kit), “Front Country music,” as we like to call it, began to evolve.

“As we began writing and arranging for the album that would become Impossible World, we made the decision not to put any limitations on production in the studio and found a producer (Dan Knobler) who could help us realize the sonic vision we were working on. This was basically a 180 from our previous record and it was very exciting! However, when any band takes a big leap forward musically, I often wonder what were some of the musical influences that helped inspire this transformation. So here is a collection of music each of us was listening to during the process and how these tracks helped inspire what we all brought to this record. For anyone who’s been following us for a while or maybe had a different impression of the band before hearing this new music this will help answer the question: ‘How did they get there!?'” — Jacob Groopman, Front Country

Brandi Carlile – “The Joke”

One of the most undeniably heartrending songs of the last decade, this song encapsulates Carlile’s emotionally earnest yet epic songwriting style. The way she wears her heart on her sleeve and doesn’t mince words has really inspired me to try and cut to the core with my own songwriting in the past few years. — Melody

Peter Gabriel – “Sledgehammer”

This track actually came up several times while we were arranging the songs for the new album, for the neo-soul vibes, the approach to instrumental hooks and, you guessed it: counterpoint. — Adam

HAIM – “If I Could Change Your Mind”

This first album from HAIM is full of throwback ’80s pop perfection and super catchy songwriting. I think their approach to dense, multi-layered backing vocal parts really influenced the harmony arrangements I did for the poppier tunes on Impossible World. — Melody

King Crimson – “Three of a Perfect Pair”

Intertwining themes and counterpoint have always been a big part of the FroCo sound and that approach was directly influenced by King Crimson and this track in particular; also we covered it on our Mixtape EP in 2016. — Adam

Los Colognes – “Flying Apart”

I came across this album randomly right as we were about to start working on the music for Impossible World and fell in love with the ’80s-meets-modern vibe. The use of electric guitar on this track had direct influence on what I brought to the table for a few of the tracks on Impossible World, especially “Miracle.” — Jacob

Paul Simon – “She Moves On”

From Graceland‘s Brazilian-themed follow up album The Rhythm of the Saints, this track is smooth and spooky in its trance-inducing worship of the dark, sacred feminine. The verse vibe of the song “Mother Nature” was loosely inspired by this one. — Melody

Lau – “Toy Tigers”

Lau is a band from Scotland that has successfully melded electronic elements with Scottish folk music and the result is something truly mind-blowing. They have become one of my all-time favorite bands. — Jacob

Muna – “Never”

I was also listening to a lot of electro-pop and aside from Muna’s production being on point, the level of risk they take in the instrumental section of this track is excellent. — Adam

Tame Impala – “Yes I’m Changing”

Kind of an ironic title for the purpose of this article, but the Tame Impala album Currents from 2015 was a big influence on creating a big sonic landscape that still completely serves the song and doesn’t overshadow it. I’d like to think we achieved this on a few tracks on the record. — Jacob

Queen – “I Want To Break Free”

I grew up on Queen’s tight aesthetic and Freddie’s vocal virtuosity, and while this is may be their most compact pop track ever, it’s edited economy inspired our arrangement of our song, “Real Love Potion.” — Melody

Squarepusher – “Welcome to Europe”

Continuing with the counterpoint theme, I was listening to a ton of electronic music while we were making the new album and this track exemplifies how you can have multiple hooks supporting each other throughout a track. Also, I love big jumps between notes in my hooks and get a lot of inspiration from tracks like this. — Adam

Dawes – “Telescope”

After we recorded the first half of our record early in 2019 I found myself listening to the Dawes’ Passwords from 2018 a lot and particularly this track. I love how the song has this slow build and new musical elements are constantly introduced throughout to keep it moving forward. It could be something really tiny that has a big impact on how the song moves. — Jacob


Photo credit: Michael Weintrob

MIXTAPE: Derek Hoke’s Tunes from $2 Tuesday

Back in 2010, the 5 Spot in Nashville was known for two things — the Monday night dance party and the Wednesday night Old Time Jam. They were both very popular weekly events.
But Tuesdays were a dead zone. Either the venue was closed or a haphazard show or writer’s night was thrown together. Most of the time it was just me and a few other local musicians hanging out at the bar.

Those musicians just hanging out? Caitlin Rose, Margo Price, and Ricky Young (The Wild Feathers).

So, I tried to think of a way to get those people on stage and do something fun, without making it a big deal. Take the “business” out of the music business. It took a while to catch on, but over time, we all started having fun with the opportunity to play music with zero pressure.

The key was to do this every week. I booked five acts who each got to play five songs each. I tried focusing on booking a diverse set of acts — I really wanted it to be a variety of styles. That was the hard part. I had to get new people involved. I had to get musicians to come to the 5 Spot to play a few songs for no money and a very small audience. So I made it about the neighborhood: East Nashville. It was something for “us.” I had to get people to think about it like a live rehearsal for their new band — a place to try out some new tunes — and it had to be fun. I’d play a set every week with my newly formed band and act as emcee. Co-owner Todd Sherwood and I came up with the name “$2 Tuesday.” Local brewery Yazoo got on board as a sponsor, and we were off and running. I saw it as an East Nashville night club act that happened every week.

Who’s on the bill doesn’t matter. $2 Tuesday is the show. There’s no opener and no headliner. I just want the music to be good. Now that we can charge $2 at the door, I can pay everyone a little something for their time and talent. That feels good.

Two things eventually happened that solidified the format of each Tuesday: A band called the Clones (now Los Colognes) moved to town and started playing a lot of late-night sets on Tuesdays. Also, my friend Tim Hibbs brought his turntables to play records in between acts. Now I had an Ed McMahon to my Johnny Carson …

The first few years saw acts like Corey Chisel (who was living in Nashville at the time) and a virtually unknown Jason Isbell play some tunes. Peter Buck of R.E.M. sat in on bass one night. The newly termed “Late Night” slot gave an opportunity for longer sets. Folks like Hayes Carll would take that slot to run through a tour set. Shovels & Rope packed the place for a sneak peak of their new material. Over the years, we’ve hosted Nikki Lane, Sunday Valley (Sturgill Simpson), Bobby Bare Jr., Nicole Atkins, Lydia Loveless, All Them Witches, Lloyd Cole, Robyn Hitchcock, Margo Price, and on and on. All of this done without posters or fanfare. No Facebook invites or business contracts. Just word of mouth. A “you had to be there” type of show. Tuesdays have become a night to get turned on to new music of all kinds. Songwriters from all over the country, bluegrass acts, touring and local rock bands looking for a show. We’ve even had hip-hop and comedy acts. That’s what I’ve always loved about Tuesdays. It’s just this little thing that grew into something really special. All of this for just two bucks.

People from all over the world have come to $2 Tuesdays at The 5 Spot. I never imagined that. When I travel to other cities, people there have heard of it. It still blows my mind. Each week, with a big smile on my face, I ask the audience, “Are you getting your $2 worth?” After seven years, I’d say the answer is, “Yes.” — Derek Hoke

Cory Chisel — “Never Meant to Love You”

Cory lived in Nashville for a short time. Couch surfing in between tours. He came by $2 Tuesday to show us all how it’s really done. Still one of my favorite songs. 

Jason Isbell — “Alabama Pines”

I was working with Jason’s manager at the time. She brought him by a $2 Tuesday, and I asked him if he’d like to do a couple of tunes. Pretty sure the bartender was the only other person that knew who he was. A couple of years later, the whole world would know. 

Buffalo Clover — “Hey Child”

Before she was “Margo Price,” she and her husband Jeremy were rocking soulful tunes like this one. This song really floored me the first time I heard it. Powerful. Margo was (and still is) part of the little 5 Spot crew that makes the East Nashville music scene so special. 

Shovels & Rope — “Birmingham”

I first met Cary Ann Hearst at a $2 Tuesday. We were talking about South Carolina, where I’m from. Had no idea she lived in Charleston. I thought she lived down the street! Little did I know that Charleston had a killer burgeoning music scene going on. They played the Late Night slot a few weeks later. Still one of the best sets I’ve ever seen. So much beauty and soul. You wouldn’t think just two people could make a sound so strong. 

Robyn Hitchcock — “Somebody to Break Your Heart”

First time I ever did a double take at $2 Tuesday was when Robyn walked in. He’s just so unmistakably “Robyn Hitchcock.” I grew up listening to his records. He’d come by and sit in with bands. Do some Dylan tunes. My band and I would back him on some Elvis stuff. He’d do his own tunes. He quickly became a fixture around the neighborhood. Now I see him at the coffee shop down the street all the time. Always makes my day. Such a unique talent and very kind person. East Nashville is lucky to have him. 

Lloyd Cole — “Myrtle and Rose”

Another blast from my musical past. Lloyd came on board via $2 Tuesday DJ Tim Hibbs. Lloyd had been on Tim’s radio show earlier that day and he asked him to stop by. We all had the pleasure of hearing him play some new tunes, as well as guest DJing the night. A very memorable evening. 

The Wild Feathers — “If You Don’t Love Me”

Ricky Young is one of the most talented people I know. In typical music biz fashion, he would sell out the Exit/In, then two months later be waiting tables again. Then he went to California. When he came back, he brought the Wild Feathers with him. Sweet harmonies and killer tunes. They played $2 Tuesday before their debut record was released. Great live band. And great guys, too. 

Adia Victoria — “Mortimer’s Blues”
Adia made her $2 Tuesday debut accompanied by local pianist Micah Hulscher. A quiet, captivating performance. Stark. Raw. Beautiful. Retro, yet modern. A true artist. 

Los Colognes — “Working Together”
When they moved from Chicago to East Nashville, they were calling themselves the Clones. A group of super-talented and endearing dudes, they quickly became a $2 Tuesday staple. Playing the Late Night sets and garnering attention. Their brand of bluesy rock ‘n’ roll was just what this singer/songwriter town needed. A breath of fresh air. 

Nicole Atkins — “If I Could”
Nicole’s backing band consists of a lot of former 5 Spot employees. That goes for numerous other acts, too, now that I think about it. Nicole kind of has it all. Great singer, wonderful performer, and an amazing songwriter. She put on a stellar show for her $2 Tuesday Late Night set. 

Hayes Carll — “Hard Out Here”
Hayes was in town writing for his new record, at the time. He was also getting ready for a tour. His band met him in East Nashville, and they put on a killer set at $2 Tuesday for those lucky enough to be there that night. 

Hey Nashville, Get Off Your Ass and Go See Some Live Music in September

Summer's winding down. Kids are back in school. And AmericanaFest is coming right up. Get Off Your Ass, America.

September 2, 3, 24 // Rosanne Cash // Country Music Hall of Fame and Museum
Rosanne Cash is doing a residency at the Hall of Fame. Three nights, three completely different performances. See you there!

September 4 // Los Colognes // The Basement East
Want to know where the cool kids will be tonight? At the BEast with Los Colognes.

September 10 // Farewell Drifters // Station Inn
The Farewell Drifters have a few shows on the books, including one last month with Julie Lee. Catch them while you can.

September 12 // Ralph Stanley & the Clinch Mountain Boys // Centennial Park
We'll just leave this right here. 

September 12 // Jimmy Webb, Bobby Whitlock // City Winery
How do you celebrate seeing Ralph Stanley? By seeing Jimmy Webb, for Pete's sake. Oh, and Bobby Whitlock, too. 

September 14 // Kevin Gordon // City Winery
If you like tales of Southern living done up with the just-right balance of grit and grace, check out Kevin Gordon.

September 15-20 // Americana Fest // All Over Town
Sam Outlaw, Nathaniel Rateliff, Ryan Culwell, Lee Ann Womack, Lera Lynn, HoneyHoney, Whitey Morgan, Patty Griffin, JD McPherson, and a whole bunch of other great artists will be playing shows all over town. Get you some.

September 22 // Indigo Girls // Ryman Auditorium
It's the Indigo Girls. How can you not go see the Indigo Girls?!

September 22 // BB King Birthday Tribute // City Winery
It must be nice to have your birthday celebrated by Claudette King, Gary Nicholson, Mike Farris, T. Graham Brown, Stacy Mitchhart, Derek St. Holmes, Crystal Shawanda, and more, right BB?

September 30 // George Ezra // Ryman Auditorium
This George Ezra kid … he's got something. His record and his live show are both thoroughly charming. You should maybe go.

September 30 // Cory Chisel Celebrates City Winery's One-Year Anniversary // City Winery
And yet another birthday party happening at City Winery … their own!

LISTEN: Los Colognes, ‘Baby You Can’t Have Both’

Artist: Los Colognes
Hometown: Nashville, TN
Song: “Baby You Can't Have Both”
Album: Dos
Release Date: September 4

In Their Words: "The song was inspired by the amazingly common experience of seeing someone you love move on to some other person, but then come back to you like nothing ever happened." — Jay Rutherford

Instructions: Shimmy and shake, baby. Shimmy and shake.

Tour Dates
9.4 – Nashville @ Basement East – Album Release Show
9.5 – Knoxville, TN @ Barley's Taproom
9.11 – Chattanooga, TN @ JJ's Bohemia
9.12 – Huntsville, AL @ Salty Nut Brewery
9.17 – Nashville @ Americana Fest (Mercy Lounge)
9.18-20 – Bristol, TN @ Bristol Roots & Rhythm
9.22 – Brooklyn, NY @ Knitting Factory
9.24 – Philadelphia, PA @ World Cafe
9.25 – York, PA @ Sign of the Wagon
9.26 – Dayton, OH @ Oddbody's Music Room
9.29 – Detroit, MI @ PJ's Lager House
10.1 – Chicago @ Schuba's
10.2 – Burlington, WI @ Tall Tales Music Fest