LISTEN: Sara Petite, “Missing You Tonight”

Artist: Sara Petite
Hometown: San Diego, California
Song: “Missing You Tonight”
Album: Rare Bird
Release Date: February 26, 2021
Label: JTM Music

In Their Words: “‘Missing You’ is a cool California country song about a broken heart. It takes place at sunset in Ocean Beach with a cotton candy pink sunset and the palm trees swaying… just like the hippies dancing on Newport Avenue to Michael Franti. Trying to enjoy yourself in the beauty while nursing a broken heart. Here’s the lyric: ‘We can’t be together, it’s hell being apart, it’s ripping through my soul and tearing up my heart. I try to move through the pain and wonder how you are? Do you think of me when I think of you or am I just scar? I’m missing you, missing you baby tonight.'” — Sara Petite


Photo credit: Sara Petite

BGS 5+5: The Steel Wheels

Artist: The Steel Wheels
Hometown: Harrisonburg, Virginia
Latest album: Everyone a Song, Volume 1
Personal nicknames (or rejected band names): Trent Wagner and The Steel Wagler

Answers by Trent Wagler

What’s your favorite memory from being on stage?

I remember a festival finale performance of “The Weight” in northern Alberta where we were thrust (last minute) into leading the song. Isn’t “The Weight” some sort of Canadian anthem? I don’t know, we felt a little like impostors, but it became even more hilarious when a whole bunch of volunteers and other musicians hopped on stage and we were given conflicting accounts of who was singing what verses. In the end Michael Franti surprised us by appearing on the drum kit and singing a verse that included a little change of lyrics name-checking the festival. It was memorable.

What was the first moment that you knew you wanted to be a musician?

When I was about 9 years old, I played Duffy the Fluffy in a small church Christmas play called Baa, Baa, Bethlehem. I slicked my hair back and wore sunglasses and sang a song that went, “Duffy the Fluffy is who I’m gonna be, come to the city you’ll be waiting to see me.” And the rest of the sheep sang, “Get a job, baa baa baa, baa, baa baa baa baa baa.” But I had a guitar strapped around my neck and I sang with confidence. Wait, maybe THAT was my favorite memory from being on stage!

What rituals do you have, either in the studio or before a show?

In the studio, I always tape a sheet of paper on the wall with the title of each song we are recording. On that paper, we keep a running list of notes, ideas, or whatever that song still needs. It’s helpful to have a visual representation of notes, and when things are dragging along, there’s a sense of accomplishment to crossing off each note. When the song is finished, it’s ceremoniously taped on a different wall.

Which elements of nature do you spend the most time with and how do those impact your work?

I try to ride bike everyday. Recently, I’ve been most excited about gravel road rides, a bit easier than mountain biking, but with a similar feeling of distance from civilization. I love the way riding a bike gives you respect for a mountain. The bicycle also turns you into a different kind of an animal. Sometimes a mule, sometimes a bird, but I usually feel transformed after a good bike ride. And the whole process, of getting away, being in nature, and riding is a great reset for my creativity. I live in the Shenandoah Valley and the beauty of the landscape finds a way into my writing all the time. There is a reason that rivers and mountains are cliché metaphors, because there is an undeniable depth and power to them.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

It seems like I should say I’d eat a fistful of cigarettes and a barrel of red wine and listen to Tom Waits and Leonard Cohen, but I can’t think of a better pairing than Brandi Carlile and some wild-caught salmon. There are musicians that garner praise from critics and others that have an easy-listening popular songs for the masses, but very few thread the needle like Brandi Carlile. She might be the only music my wife, 16-year-old daughter, and I can all passionately agree on. You know how salmon looks like it’s just a layer of pure pink muscle? Brandi’s songs are all muscle.


Photo credit: Josh Saul

BGS 5+5: Laura Cortese & the Dance Cards

Artist: Laura Cortese & the Dance Cards
Hometown: Boston, MA (pining for San Francisco)
Latest Album: California Calling
Rejected Band Names: The LC Sass Factory, LC & the Bangs, LC & the gonnabegreats

What’s your favorite memory from being on stage?

Not surprisingly, this moment took place when I was playing for Pete Seeger’s 90th birthday at Madison Square Garden. I was playing on a song called “Dear Mr. President” sung by Michael Franti and Patterson Hood. As you can imagine, there was an immense crew making sure the entire night went off without a hitch. They came to get me in my dressing room. I felt good and relaxed. They walked me down the long maze of hallways to wait for my entrance on the stairs. When they said, “go,” I started to walk up the stairs and peed the tiniest bit in my own pants. Apparently, I was more nervous than I thought.

What was the first moment that you knew you wanted to be a musician?

It wasn’t so much about realizing that I wanted to be a musician, as much as it was about learning that being a musician was possible. I was a 16-year-old fiddler in the front row of fiddle class, when I saw a female fiddler in a position of power for the first time. That was Catriona Macdonald, Shetland fiddler. The moment of realizing that a life in music was possible for a woman was huge for me. We recently made a music video showcasing about 65 other female, female-identifying, and femme musicians. I hope this video gives many young women the encouragement to follow their dreams.

If you had to write a mission statement for your career, what would it be?

In the words of Fleetwood Mac, “You can go your own way. Go your own waaaaay.”

Which elements of nature do you spend the most time with and how do those impact your work?

Water is big for me. Looking out over it, putting my feet in it, or submerging myself in it. If someone dares me to jump in, I rarely resist. Water brings me back to center and manages to weasel its way into more than half of the songs on California Calling.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I haven’t been giving much thought to this. Should I be? (Classic self-doubt sets in.) But seriously, I’ve been giving much more thought to not imposing my cis-gendered hetero privilege on my audience. I want to connect with people on an emotional level. I want to make space for other truths to be heard.