Tag: Sam Blasucci

MIXTAPE: Sam Blasucci’s Life Forms in Live Performance

Posted on by Justin Hiltner

Coming early 2025, I will be releasing a live concert film of my new record, Real Life Thing. The film runs like a play of sorts, including different set changes and moods for each song as we run down the entire track list of the album. To me, live performance is the reason for making music. It’s the best way for me to tap into something deep in myself with those that have come out to do the same. It’s also the way that I make my trade as a human; I think live performance already brings an honest and vulnerable energy since it is our livelihood.

Songs evolve each time they’re performed live and each instrument reflects a current mood. It’s an endless mixed bag of potential outcomes. So much of a performance is pulled from all of the energies involved – the crowd, the band, the venue and the ghosts that live there, the time of year, etc. It’s the most exciting part of music to me and that’s why I decided to make my playlist all live performances of some of my favorite songs. – Sam Blasucci

“If I Was Your Girlfriend” Live In Utrecht (2020 Remaster) – Prince

I could have made this entire playlist just live Prince recordings that blow my mind, but that might only be fun for me. I especially love this version because it’s a song he wrote as his alter ego persona Camilla, who sang it on the album (Prince pitched his voice up to sound higher). But in this version, you just get Prince in Europe with his natural voice and it’s one of my favorite recordings of his ever.

“Hey That’s No Way to Say Goodbye” Live in London – Leonard Cohen

I think this is Leonard Cohen’s best album of any, live or in the studio. He was better and better with age. This is the cute version of Leonard as an old man finally, singing this song in the way it feels like it should have always been sung. Of any live performance on this list, this is the one I would have loved to see most in person.

“LA FAMA” Live en el Palau Sant Jordi – Rosalía

Some live versions I think are better than the studio versions and this is one of those cases, although I love the studio versions of all the MOTOMAMI songs. When Rosalía released this on the deluxe version of the album, it gave the song another side and clicked with me even more.

“Hunter” (Live) – Björk

If the purpose of a live performance is to tap in to something, Björk never missed. She’s the hunter.

“Knock On Wood” Live; 2005 Mix; 2016 Remaster – David Bowie

This is my favorite era of David Bowie (Cracked Actor). I especially love his vocal performance in this version. It’s not easy to cover a classic song like this and have it feel tastefully ramped up, but I think he brought it and crushed it.

“Voices Inside (Everything Is Everything)” – Donny Hathaway

Willie Weeks may be my favorite bass player and his solo section toward the end of this is widely known as one of the coolest bass moments, and with good reason. I suppose it shouldn’t be that hard to tap in when Donny Hathaway is leading the band.

“17 Days” Piano & A Microphone 1983 Version – Prince

When you can strip it all down to a single instrument and a voice and come through with so much power and spirit, that must be the true peak of live performance. When there is nothing else in the pot, all the secret parts of the music come out and make magic.

“Hot Burrito #2” Live at Lafayette’s Music Room – Big Star

I always thought Alex Chilton had some similarities with Gram Parsons. They sort of sing in a similar way and they both show so much emotion in their songs. I think that’s why he could make this version hit so hard. Chilton is at the top of my list of guitar players as well, and this song is a reason why.

“Ventura” Live 2003/The Fillmore, San Francisco – Lucinda Williams

This was recorded on my birthday in 2003. Although I was in 3rd grade and not in attendance for the show, I’d like to think I helped with the vibes. This one sounds like November in SF to me. Another amazing thing about live performance is capturing the energy surrounding the show.

“Woman of Heart and Mind” Live at Universal Amphitheatre, Los Angeles, CA, 8/14-17, 1974 – Joni Mitchell

Another version that I prefer to the studio cut. The sound of the night and the live acoustic guitar; Joni’s semi-confrontational and conversational writing style seem to be designed for an in-person type of listening.

“Angel Eyes” Live In Toronto/1975 – Jim Hall

Jim Hall is another one of my favorite guitar players. I learned about this song years ago on tour in Colorado and it has ever since remained one of my favorites.

“Stay a Little Longer” Live at Harrah’s Casino, Lake Tahoe, NV April 1978 – Willie Nelson

This feels like a good burning ender to this playlist, although it is the very opening of the concert it was taken from. Willie’s recipe is 3x the speed of the original, a couple out of control solos, and likely some exotic mood modifiers.

Photo Credit: Jo Anna Edmison

BGS 5+5: Mapache

Posted on by Editor

Artist: Mapache (Sam Blasucci and Clay Finch)
Hometown: Glendale, California
Latest Album: From Liberty Street
Rejected band names: La Cabañita, Sam & Clay, Clam. Not sure why we thought Mapache was any better than the rest.

What other art forms — literature, film, dance, painting, etc — inform your music?

All of the above really. Everything going in and out of the psyche is what we tend to be writing in our songs. The books we read play a big role in what we write, things like Sy Montgomery’s The Soul of an Octopus, Kon-Tiki, Charlotte’s Web, Christian Wiman’s Joy anthology. Lots of films, too, like young Kiefer Sutherland in The Lost Boys, Wim Wenders’ Paris, Texas, Frozen II, The Umbrellas of Cherbourg, Seems Like Old Times, and lots of others.

Other art forms like gardening and painting as well. I’ve only recently started painting and I know that it looks dreadful to anyone else who sees my finished products, but they look nice to me and allow me to open up in other ways that eventually come back around in their turn to our music as well. — Sam

What was the first moment that you knew you wanted to be a musician?

Not until after our second record was recorded and we had been traveling and playing music for about four years. It’s a lot of questioning constantly of whether or not this is really what I want to do and I’m happy about that. I think it has taken time for me to realize that it is actually something I can do. I feel like now I’m committed to it and that I really do want to do it because it feels right. But I won’t ever really stop wondering. I think the wondering is what gives you the reason to do it anyway.

Many musical moments in the past have lead me to love music the way I do now. Raffi in my crib, hearing my dad’s guitar solos, our first battle of the bands in high school, our first time recording anything or trying to learn how to sing harmonies — those are all growing pains for me musically. Painful in some ways looking at the level of our talent back then but definitely key in figuring out our taste and what we want to do with music. — Sam

What’s your favorite memory from being on stage?

I think my favorite moment on stage happens fairly often: It’s when Sam and I look at each other and start laughing, usually mid-song, and I think it’s because in the same weird moment we sort of realize how strange and funny and awesome playing music on a stage is. Some other favorite moments were playing in Spain and having the crowd sing along to our songs in Spanish, having Jonathan Richman watch us play a set, sharing the stage with Beachwood Sparks, and anytime we get to play in Big Sur. — Clay

Which elements of nature do you spend the most time with and how do those impact your work?

I spend a lot of time in the ocean. This leaves me pretty sunburned and sleepy a lot of the time, and when it’s really good I see waves rolling when I close my eyes. Feeling like this and playing music is the best. — Clay

Since food and music go so well together, what is your dream pairing of a meal and a musician?

The best pairing of food and music is at El Compadre in Echo Park where you can watch Trio Los Principes and eat beans and chips and drink flaming margaritas. The trio is truly one of the most badass bands in LA. Sam and I like to go like to meet up with our buddy Tim Hill there and plot world domination and watch Dodgers games. — Clay

Photo courtesy of Mapache