BGS 5+5: Ellie Turner

Artist: Ellie Turner
Hometown: Nashville, Tennessee
Latest Album: When the Trouble’s All Done
Personal Nicknames: El

Which artist has influenced you the most … and how?

I don’t think any other artist has influenced so many different aspects of my musical career as Bob Dylan. From lyrical content and song structure, to sonic preferences and even performance mindsets, I can trace and feel the imprint of his influence in almost everything I do. In the weeks just prior to starting to write for this album, I listened to Dylan’s entire catalog from start to finish per the recommendation of my friend Jack Schneider who produced the album. I think the thing that captivates me most about Dylan’s artistry is his ability and willingness to change. There’s a freedom in the way he approaches art and music that I certainly seek to emulate. I think Bob is really good at listening, and more than anything, that is the skill I seek to hone along my creative journey.

What other art forms — literature, film, dance, painting, etc. — inform your music?

Over the last couple of years, I have really enjoyed exploring the art of block-printing. It’s such an honest medium. Nothing is hidden. The very nature of it requires the artist to pull out and focus on the most essential pieces of an image — the pieces that make the image that image. For that reason, every block, every layer, every color serves a very specific purpose in bringing that image to life. If you think about it, it’s not too dissimilar to writing a folk song — every line is essential, the words are simple and clear, the message is honest and true.

When writing a song, I always like to challenge myself to say the thing in the simplest way possible, cutting away all the fluff and finery I might be tempted to hide behind. I approach block-printing in the same way. And further, when it comes to actually printing an edition of a print or tracking a song live, these two mediums are even more kindred in spirit and nature. Every edition is different just like every take of a song is different. They cannot be replicated. They stand alone as something totally unique. Like little moments in time and space. That’s exactly what we wanted to tap into in recording this record and it’s why we tracked every song live.

If you had to write a mission statement for your career, what would it be?

As an artist, I always want to be honest. I want to keep my eyes open and listen. I want to make the thing that’s asking to be made, even if it requires me to find new tools or step into a different medium. I want to be willing and brave.

What was the first moment that you knew you wanted to be a musician?

When I was maybe 18 years old, my family and I came to Nashville to visit some family for Thanksgiving. I remember stopping into an old antique shop that had a bunch of guitars on the wall. I couldn’t help but grab one to play. My dad grabbed one, too. We casually started playing “Landslide” together just to have some fun, but after a few moments, I looked up to find that everyone in the store had stopped what they were doing to listen. I was shocked and overwhelmed in the best possible way. That was the first time I really understood the power music had to move people. From that point on, I knew all I wanted to do was sing songs for people. I had discovered a new medium, a new tool, and I was desperate to use it.

What’s your favorite memory from being on stage?

Oh man, so many great memories… I think one show that really stands out though is the first show I played after the pandemic. The show was on July 1, 2021, at The Basement in Nashville. I remember the room felt so alive. It was packed, and you could just feel people’s gladness for being together again, sharing a unified experience. This was also the first time that we got to play the songs from this record live since they had been written and recorded in isolation. The album was done and mastered at this point, and Jack (Schneider) and I were just so thrilled to finally share these songs with people. To let them live and breathe. We stepped off the mic to play the last song, just to be with the people in the room, and to this day, it is one of my favorite musical memories. It felt as though we were all of one spirit, sharing the same set of lungs, breathing in and out together. One of those moments that makes you realize how lucky you are to get to do the thing you’re doing. I’ll treasure it forever.


Photo Credit: Jim Herrington

A Bluegrass Family Reunion at AmericanaFest: Photo Recap

Ahh it was good to be back at AmericanaFest this year. While last year’s conference felt a bit lighter than normal years, with the pandemic bringing a tentative air, 2022 felt like a bit of a family reunion as we came back in full swing, especially as BGS gathered through the week with so many of those closest to us to celebrate our 10th year. After all, BGS is nothing without our community. BGS is the community! Take a look at the gallery below for a photo recap of our week in Nashville.

We started things off on Tuesdat at a packed Station Inn for a night of bluegrass with Jason Carter and Friends, featuring special guests like Ronnie and Rob McCoury, Michael Cleveland, Ketch Secor, Bronwyn Keith-Hynes, Shelby Means, Kyle Tuttle, Vince Herman, and David Grier.

Wednesday brought a happy hour at the City Winery Lounge ahead of the Americana Honors and Awards that evening, as we officially celebrated 10 years of BGS (featuring a ton of birthday cake – thanks to the Cupcake Collection!) and an afternoon of music from Rainbow Girls, Willie Watson, and Kyshona.

Finally, on Friday we gathered at the Basement with our friends at Nettwerk Music Group and Taylor Guitars, with performances from Lullanas, Phillip LaRue, Brooke Annibale, Mark Wilkinson, Old Sea Brigade, and Bre Kennedy.


Photos by Steve Lowry

TEN QUESTIONS FOR: The Defibulators

 

The Defibulators are an anomaly in New York. Their country/bluegrass/rockabilly sound fits the Texas roots of founding member Bug Jennings. Curiously enough, it was not until he and cofounder Erin Bru (an LA native) met in New York that The Defibulators became a reality. Since 2005 they’ve been gaining a steady following  and today they’re one of New York’s most popular country acts.

This month, Erin and Bug bring their act to the west coast, playing San Diego on Tuesday night and Los Angeles on Wednesday and Thursday.  To celebrate, The Sitch is giving away TWO FREE PAIRS OF TICKETS to their Thursday, September 13 show at The Satellite (where they’re appearing with The Dustbowl Revival).  Just email [email protected] with your name and contact info for a chance to win.

What was the genesis of The Defibulators?

Bug:  The short version is that Erin and I met in college at NYU, and we got the band together at a BBQ restaurant I was working at about six years ago, where we met our guitarist. Had to open up for a punk band and get the group together in a week —

Erin:  We basically did it on a dare.  Can you put a band together in four days?  And we did it.  Just for fun.  And suddenly it became real.

Bug:  It’s just addictive.  Country music is addictive.

What are your biggest influences?

Bug:  I grew up in Texas, and I did not like country music at all.  All you heard was Nashville pop, and that did not appeal to me.  It wasn’t until I actually moved to New York and bought my first Hank Williams album that I started getting into it — I was almost angry that I hadn’t heard this music before!  It was right under my nose the whole time!  So I started playing catchup — learning as many songs as we could.

Erin:  And hearing that influence in other artists — Bob Dylan, Grateful Dead — that was pretty amazing.  But George Jones, Buck Owens….

Bug:  Oh yeah, those are the biggest two for me.

How would you describe the band’s sound?

Bug:  Classic country is the foundation.  But when we started we wanted to be three different types of bands.  We wanted to be a swing band, we wanted to be a bluegrass band, we wanted to be a rockabilly band.  So it’s a mixture of all those different styles.

Erin:  But then obviously living in New York gives a different flavor to it.

Bug:  I think I’d call it short attention span music.  New York has that effect on you.  You tend to think more short term than long term…

If you weren’t based in New York, where do you think you’d be living?

Bug:  You know, our band wouldn’t have happened if we hadn’t met there.  I never in a hundred million years thought I’d move from Texas to New York to start a country band.

Erin:  Along our travels, we’re always getting to different towns, talking about ‘Could we live here?’ but ultimately the answer is no.

Bug:  We throw Knoxville, Tennessee a lot.  It’s beautiful down there, and it’s got a great scene.

Erin:  I love Austin too.

Bug:  I used to think we could to Austin — I love it down there — but the scene there is changing so fast.  It’s exploding very quickly, and kind of oversaturated.  But that’s happening in Brooklyn too.  We used to be so proud to say ‘We’re a country band from Brooklyn!’ but now….

Erin:  Every band is from Brooklyn.

What is your favorite venue in LA to play or see music?

Erin: Growing up in LA, I was actually too young to go to a lot of venues out here.  But when I’d be home from college, I’d go to Largo — the original one, on Fairfax — and Spaceland [which is now The Satellite, where the band plays this Thursday night].

Bug:  And the Echo!  We saw some good country shows there too.  But the best is Pappy and Harriets in Pioneertown.  That has got to be one of the best places in the world.  We played there once and have visited two other times.  That is one of the best.

What’s your favorite drink?

Bug:  Bourbon.  Whiskey.

Erin:  Give me some Jameson with a spash of water.  Neat.  That’s what I do.

Bug:  We definitely are a bourbon based band.  Actually we work with Buffalo Trace a lot.  They sponsor parties with us, and are really involved in the music scene.  And they’re good.

If you could live in any decade, when would it be?

Erin:  Man, that is one I’d have to think about.

Bug:  You strike me as like, a 60s gal… you would do the whole hippy thing.

Erin:  Really?  Really???

Bug:  I would love to be a part of the 50s country scene…. to see the early days of Nashville.

What would be your last meal in Los Angeles?

Erin:  I feel like I kind of have to say Yuca’s Tacos or Senor Fish — those are just part of my childhood.  Ooh, or what about Roscoe’s Chicken and Waffles??

What’s next for the band?

Erin:  A new album!  We’ve been working on it for quite some time.  Actually, we’re about to release a book of sheet music, full of old and new songs, which is really cool.

Bug:  And I’m hoping to start restoring our 1977 Dodge ambulence, which we used to tour in.  Lot’s of good trips in that van.

 

The Defibulators are in LA for two performances: Wednesday, September 12 at The Basement in Santa Monica, and Thursday, September 13 at The Satellite in Silverlake.  You can learn more about the band here.