You Gotta Hear This: Jonah Kagen, Bre Kennedy & Tenille Townes, and More

Every Friday, BGS shines a light on some of our favorite new tracks in bluegrass, folk, Americana and beyond. Then we ask the artist about the inspiration behind the music and pass their wise words along to you.

This week from Nashville native Rayland Baxter, we have “Bolly Plateau,” inspired by his little cabin where he likes to reminisce. Emory Duncan uses “Halifax” as the backdrop to a beautiful song about love, connection and forgiveness. Dom Flemons, also known as The American Songster, tips his hat to groundbreaking musician Arnold Shultz in “Shultz’s Blues,” a preview of his new album coming out in 2027. Meanwhile, the singer, songwriter, and ukulele player Charissa Hoffman captures all the moments she and her boyfriend could have possibly crossed paths before they actually met; it’s a quite pleasant and thoughtful way to conclude her brand new album, Horizon.

Jonah Kagen continues his deserving ascent as a troubadour in the folk-rock world. New songs like “Do Better” confirm that he’s one to watch. In addition, good friends Bre Kennedy and Tenille Townes use the craft of songwriting as a metaphor for life’s various stages in “The Pen.” There’s a natural and biblical element to bluegrass fiddler Andy Leftwich’s wonderful new instrument, “Cedars of Lebanon,” a tune that turned out differently than he expected. As for relationships, Anna Shoemaker’s indie music video for “Already Low” brings the whole family into her dating woes, while The Tallest Man on Earth gets all warm and fuzzy with special guest Sofia HK on the lovely “Overboda.”

As we say every week, You Gotta Hear This!

Rayland Baxter, “Bolly Plateau”

Artist: Rayland Baxter
Hometown: Nashville, Tennessee
Song: “Bolly Plateau”
Album: True Violet
Release Date: October 23, 2026
Label: ATO Records

In Their Words: “I refer to the hilltop on which I live as Bolly Plateau, my little cabin at the near end of a dead end street. It’s quiet up here. I wave to my neighbors and keep to myself, just like everyone else. And I go through the emotions mostly alone up here. Looking out to the street, I reminisce and I feel everything on Bolly Plateau. I sure am grateful to have this place. I write here and I dream here and I take it all in the best way I know how. Lately the reminiscing I’ve been doing is mostly focused on the last 5 years of my life and my transformation.” — Rayland Baxter


Emory Duncan, “Halifax”

Artist: Emory Duncan
Hometown: Houston / Santa Cruz
Song: “Halifax”
Album: Semicircles & Half-Written Songs EP
Release Date: October 9, 2026

In Their Words: “‘Halifax’ is about choosing love over certainty, connection over escape, forgiveness over pride, and a person over a past life. It’s a weary road song, but the journey is emotional – leaving behind an old identity and heading toward self-forgiveness, belonging, and home – even if it’s risky and imperfect. Home isn’t geography – it’s a person, and love is salvation, but it’s not that simple. ‘Halifax’ is a confession at a literal and spiritual crossroads – I’m tired of running, I know this might break me, but I’m coming anyway.” — Emory Duncan


Dom Flemons, “Shultz’s Dream”

Artist: Dom Flemons
Hometown: Phoenix, Arizona; now the Chicago area
Song: “Shultz’s Dream”
Album: Making American Music: The Smithsonian Sessions
Release Date: January 22, 2027

In Their Words: “I wrote this song to pay tribute to Arnold Shultz (1886-1931), a lesser-known Black musician who is a key influence on bluegrass music through his musical virtuosity, advanced ideas of musical harmony, and his direct influence on Bill and Charlie Monroe, ‘the founders of bluegrass.’ In 2022, I received a grant from the Arnold Shultz Scholarship Fund to write this original song, ‘Shultz’s Dream,’ which premiered along with the musicians on this recording at the International Bluegrass Music Association conference. In 2025, the IBMA inducted Arnold Shultz into the Bluegrass Hall of Fame, the first Black person to be given that honor.” — Dom Flemons


Charissa Hoffman, “Parallel Lines”

Artist: Charissa Hoffman
Hometown: Nashville, Tennessee
Song: “Parallel Lines”
Album: Horizon
Release Date: October 16, 2026

In Their Words: “I met my boyfriend at a cat’s birthday party and before long we were sitting on the floor in the kitchen telling each other our life stories. We both dropped out of college and got jobs at Barnes & Noble in the same year (though I was closing the cafe in Boston while he unpacked shipments in Murfreesboro). He got recruited to my high school’s baseball team but he graduated a couple years ahead of me and we never met.

“There were so many moments where the lines almost crossed, but they never did until we had both lived and learned enough to be right for each other. While I was living those tough years I was afraid the broken parts of me would be too hard to love—but it turned out he was out there feeling the same way. I hope anyone listening can believe there are people out there who will see their WHOLE story, messy parts and all, and love them for exactly who they are.” – Charissa Hoffman


Jonah Kagen, “Do Better”

Artist: Jonah Kagen
Hometown: Savannah, Georgia
Song: “Do Better”
Album: Eternity of Everything
Release Date: October 30, 2026
Label: Arista Records

In Their Words: “I think ‘Do Better’ speaks for itself. It’s a song to make you move in a real dramatic fashion when you’re feeling like somebody would do better if they wanted you as bad as they say they do. Maine gave us such a unique and full setting for all of the album’s creative. I love that all the settings we shot in are all so visually distinct yet thematically connected. The variety in the creative reflects the sonic variety in the album.” — Jonah Kagen


Bre Kennedy and Tenille Townes, “The Pen”

Artists: Bre Kennedy and Tenille Townes
Hometown: Nashville, Tennessee
Song: “The Pen”
Release Date: October 2, 2026

In Their Words: “Tenille Townes and I wrote for the first time last year and realized how parallel our stories are as now independent artists and light-seekers. We both spent years following a pull to our craft of song and wrote our stories as we walked them and then things out of our control started taking a toll on our hearts: heartbreak, letdowns, broken promises from an ever-changing industry, truths of growing up and into ourselves. Our lights were flickering low when we met and we realized that the only thing we had control over in this wild walk of life is how we choose to write about it. ‘The Pen’ is a reminder that we get to be the authors of our life and our story no matter what we go through. After we performed this song at the sold-out release show for my new album The Alchemist at the Blue Room we felt inspired to sing it together as a reminder to ourselves as now independent artists that we have the power in our hands to write our own story.

“I am releasing collaboration songs this fall and spring with artists who I believe are Alchemists of their stories. ‘The Pen’ with Tenille is an evolution of my walk through grief in the valley of my life after losing my grandmother the week The Alchemist came out. I am learning that grief is an important part of the story I am writing. It can be a superpower, not a downfall.” — Bre Kennedy

“‘The Pen’ is all about remembering the power we have in our own stories. Bre has become a dear friend of mine in the past couple years, and writing this was so healing for me in taking back my autonomy. Every day we get to keep picking up the pen and choosing what our experience is going to be. Saying that out loud with Bre felt so good.” — Tenille Townes


Andy Leftwich, “Cedars of Lebanon”

Artist: Andy Leftwich
Hometown: Carthage, Tennessee
Song: “Cedars of Lebanon”
Release Date: October 16, 2026
Label: Mountain Home Music Company

In Their Words: “Sometimes you write a song and you know immediately how it’s going to turn out. Other times, it comes together in a way you weren’t expecting. That was the case with this song. As it came together, it reminded me of something majestic, something very special and unique. The cedar tree is very significant in scripture. The cedar trees of Lebanon were the most suitable, dependable, resilient…you can even say ‘faithful’ resource that Solomon had to build the temple of God. It might be a stretch, but I can’t help but wonder what it must’ve been like to gaze upon the majestic sight of Solomon’s temple and the cedar trees of Lebanon holding it together as I listen to this song.” — Andy Leftwich


Anna Shoemaker, “Already Low”

Artist: Anna Shoemaker
Hometown: Philadephia, Pennsylvania
Song: “Already Low”
Album: Back to Pennsylvania
Release Date: October 16, 2026
Label: +1 Records

In Their Words: “‘Already Low’ is a juxtaposition of sorts. It’s about being at your lowest but sonically it’s really fun and upbeat. I love that contrast between what’s going on internally and what’s happening around you. I wanted the video to play with that idea as well, like the stuff your family makes you do when you’re actively being ghosted. You’re going through it but the world keeps moving, and sometimes all you can do is go along with it. I have a really big family and there’s always a lot going on; I feel like they’re a big reason why I still have my head screwed on. For me, this felt like the perfect representation of Back to Pennsylvania as a whole. Back to basics, baby!” — Anna Shoemaker


The Tallest Man on Earth, “Overboda”

Artist: The Tallest Man on Earth
Hometown: Dalarna, Sweden
Song: “Overboda” (ft. Sofia HK)
Album: Just Beyond Endless Mountain
Release Date: October 9, 2026
Label: ANTI-

In Their Words: “My friend Rolf, who’s also my fly-fishing buddy, was marrying Ida, so I wrote the song for their wedding. It was a beautiful day in northern Sweden, but I could barely get through it because I was crying so hard for half the song. In the studio the Swedish folk singer Sofia HK sings the duet with me, and our voices really melt together. It’s a true love song.” — Kristian Matsson (The Tallest Man on Earth)


Photo Credit: Olivia Bee (Jonah Kagen), Cooper Smith (Bre Kennedy and Tenille Townes)

You Gotta Hear This: New Music From Max McNown, Miss Tess, and More

Wherever you are on this wintry week, we hope our collection of roots music premieres warms you all the way up. We expect it will!

In this edition of our premiere roundup, don’t miss a brand new track from stupendous string trio, The Devil Makes Three, who debuted “Ghosts Are Weak” from their upcoming album on Wednesday on BGS. Plus, there’s straight-ahead bluegrass to be found, too, from Tyler Grant, who pays homage to a towering train bridge on “Goat Canyon Trestle.”

Singer-songwriter Bre Kennedy has reimagined “Before I Have a Daughter,” a song co-written with Lori McKenna about breaking generational cycles, healing, and motherhood. (A theme shared with another premiere this week.) And, Tobacco & Rose repurpose a love song infused with a Buddhist twist with their new track, “Tara.”

In the mood for some music videos? Catch Leslie Jordan’s new video for a Sarah McCracken co-write, “The Fight,” that also grapples with parenthood, discipline, and family. And, the sensational Max McNown brings us the video for the title track for his brand new album, Night Diving, which releases today.

Just in time to shepherd out the once-in-a-lifetime blizzards across the Deep South, Miss Tess showcases her music video for “Louisiana,” a centerpiece of her upcoming album, Cher Rêve. Then Sarah Quintana, who calls New Orleans home, brings us down the road to the Big Easy with an artful music video made with Kat Sotelo for the title track of her soon-to-be-released project, BABY DON’T.

It’s all right here on BGS and, you know the drill – You Gotta Hear This!

The Devil Makes Three, “Ghosts Are Weak”

Artist: The Devil Makes Three
Hometown: Santa Cruz, California
Song: “Ghosts Are Weak”
Album: Spirits
Release Date: January 22, 2025 (single); February 28, 2025 (album)
Label: New West Records

In Their Words: “‘Ghosts Are Weak’ is about breaking free from destructive habits and patterns. It reflects on how leaving behind a substance or lifestyle often comes with losing certain friends along the way…” – Pete Bernhard

Read more here.


Tyler Grant, “Goat Canyon Trestle”

Artist: Tyler Grant
Hometown: Boulder, Colorado
Song: “Goat Canyon Trestle”
Album: Flatpicker
Release Date: January 24, 2025 (single); March 28, 2025 (album)
Label: Grant Central Records

In Their Words: “The largest wooden trestle ever built still stands in the Mojave Desert of eastern San Diego County. I wrote this uptempo bluegrass song to tell the story of the trestle and the ‘Impossible Railroad,’ which was conceived by sugar and shipping magnate John D. Spreckels in 1906 and completed in 1919. History songs are tricky and I am very proud of this one. It will tickle the ears of any enthusiast of the classic railroad songs. I furnish some Doc Watson-style flatpicking and Michael Daves delivers on the hot tenor vocal part. The moral of the story is, if you take on the desert, it will always win.” – Tyler Grant

Track Credits:
Tyler Grant – Guitar, lead vocal
Andy Thorn – Banjo
Adrian “Ace” Engfer – Bass
Dylan McCarthy – Mandolin
Andy Reiner – Violin
Michael Daves – Harmony vocal


Leslie Jordan, “The Fight”

Artist: Leslie Jordan
Hometown: Johnson City, Tennessee
Song: “The Fight”
Album: The Agonist
Release Date: April 25, 2025

In Their Words: “‘The Fight’ was written with Sandra McCracken on her back porch in September of 2023. When I read the piece that my grandfather wrote with the same title, I knew I had to save it for my co-write with Sandra. I have long admired Sandra’s ability to tell a story in her songs with honesty and raw vulnerability. I knew she could help me capture the true intention of this piece. It is heartbreaking. Gut-wrenching. A mother’s internal dialogue after she loses control and hits her son. We sat for a while and chatted through what we thought was really happening in the story, how it made us feel, and then I started playing the chord progression you hear. The story my grandfather wrote begins with these two lines:

‘The rebellion was over, and she had sent him to wash-up.
There comes a time when children must be made to realize limitations and authority.’

“Sandra immediately started scribbling in her notebook and turned it around to show me.

‘The rebellion was over
She sent him to wash his hands
She tried to reason with him
But he could not understand
There comes a time when you find the limit’

“I started singing the words along to the chords and it felt like we had caught lightning in a bottle. I was also very excited to have my friend Brittney Spencer lend her incredible vocals on this song! When she heard it, she immediately had an idea that would lift the chorus. She really brought the song to another level.” – Leslie Jordan

Track Credits:
Leslie Jordan – Acoustic guitar, vocals
Brittney Spencer – BGVs
Kenneth Pattengale – Guitar
Harrison Whitford – Resonator guitar
Daniel Rhine – Upright bass
Joachim Cooder – Drums, percussion
Evan Vidar – Pump organ

Video Credit: By Jake Dahm. Edited by Leslie Jordan.


Bre Kennedy, “Before I Have A Daughter” (featuring Lori McKenna)

Artist: Bre Kennedy
Hometown: Nashville, Tennessee
Song: “Before I Have a Daughter” featuring Lori McKenna
Release Date: January 24, 2025
Label: Nettwerk Music Group

In Their Words: “I am so excited to share this version of my song ‘Before I Have a Daughter’ with the one and only Lori McKenna. I wrote this song with Lori a few years back after small talk that led to a conversation about me not knowing my mother, who struggled with addiction as I grew up, and wanting to get to know her and heal with her before I have a daughter. Writing this song was the beginning of a healing journey with not only my mother, but with myself. [It’s] how I have learned to have grace and appreciation for my journey, as well as hers. This song continues to grow with me in real time and I am so honored I get to share this version with Lori with you all from where I am on my journey now.” – Bre Kennedy


Max McNown, “Night Diving”

Artist: Max McNown
Hometown: Bend, Oregon
Song: “Night Diving”
Album: Night Diving
Release Date: January 24, 2025
Label: Fugitive Recordings x The Orchard

In Their Words: “We stepped into the writing room and Erin [McCarley] asked, ‘What’s something in your life that you keep fighting and can’t seem to overcome?’ ‘Night Diving’ became the answer to that question – it’s a song that addresses addiction and I think it’ll resonate with people on a lot of different levels. The ‘Night Diving’ song and video contain the deepest waters of symbolism I’ve created to date.” – Max McNown

Track Credits:
Jedd Hughes – Electric guitar
Todd Lombardo – Acoustic guitar, mandolin, additional electric guitar
Jamie Kenney – Bass, acoustic guitars, additional electric guitars, drum programming
Aaron Sterling –Drums
Max McNown – Lead vocals, background vocals


Miss Tess, “Louisiana”

Artist: Miss Tess
Hometown: Nashville, Tennessee
Song: “Louisiana”
Album: Cher Rêve
Release Date: January 24, 2025 (single); February 7, 2025 (album)

In Their Words: “‘Louisiana’ was the first song inspiration for my new album Cher Rêve, coming out February 7. It was deep in the pandemic and I had reached a point where I was really missing traveling, friends, live music, and dancing. I became fixated on my memories of basking in the Cajun culture of South Louisiana (Lafayette & Eunice, mainly during the Blackpot Festival and music camp), and started to write a song about it.

“My excellent co-writer friend and fellow Blackpot visitor, Maya de Vitry, helped me work on it for about six hours one day while she was house-sitting. Since it was a challenging time to hang out with people in person, we finished it over the next month via email. It is one of my favorite songs on the album and really sums up my feelings and nostalgia for being down there, playing and enjoying music beneath the tall Louisiana pines. I am thankful this recording includes the talents of so many amazing Lafayette-area musicians, including Joel Savoy (fiddle + studio engineer), Trey Boudreaux (bass), and our dear friend Chris Stafford (Wurlitzer), who passed away tragically this past May.” – Miss Tess

Track Credits:
Thomas Bryan Eaton – Electric guitar, vocals
Joel Savoy – Fiddle
Miss Tess – Vocals, guitar
Kelli Jones – Vocals
Chris Stafford – Wurlitzer
Trey Boudreaux – Bass
Matt Meyer – Drums


Sarah Quintana, “baby, don’t”

Artist: Sarah Quintana
Hometown: New Orleans, Louisiana
Song: “baby, don’t”
Album: BABY DON’T
Release Date: January 24, 2025 (single); March 28, 2025 (album)

In Their Words: “Kat Sotelo is the amazing performance artist and videographer behind this video. She designed and executed the concept, built the set, and asked the band to wear blue jeans. We wanted the first single to feel like something off The Ed Sullivan Show in the ’60s with a live performance lip-sync and vintage transitions. Silly moments of stop-motion animation flaunt Adrienne Battistella’s stunning band photos.

“I love Kat Sotelo’s work. She is a longtime friend and collaborator and my muse. She is a lovely human, creative powerhouse and inspiration to us all! She and I have been working together since my first project, Mama Mississippi, in 2012. Thanks for this adorable video, Kat!” – Sarah Quintana

Track Credits:
Cello: Chris Beroes-Haigis – Cello
Drums: Rose Cangelosi – Drums
Saxophone: Rex Gregory – Saxophone
Sousaphone: Jason Jurzak – Sousaphone
Recorded by Justin Tockett at Dockside Studios

Video Credit: Video and set design by Kat Sotelo, photography by Adrienne Battistella.


Tobacco & Rose, “Tara”

Artist: Tobacco & Rose
Hometown: Victoria, British Columbia, Canada
Song: “Tara”
Release Date: January 31, 2025 (single)

In Their Words: “‘Tara’ is a repurposed love song. The initial melody and lyrics were inspired by a crush that subsided as quickly as it appeared, but I was inspired to revive the song after following along to some guided Tara meditations. The Buddhist deity, Tara, is known for her compassion, but also for her encouragement to action. So I dedicate it to her, and, in fact, the writing of this song spurred into action the completion of my record, as it was the last song I wrote for it, and a standout track at that. I love this song, in part for the unusual wide guitar voicings that I got from my viola studies as a teenager, and for the melody that soars into head voice at the end of the chorus. And lyrically, I treat this song as a Buddhist-themed reminder for myself to stay awake and aware, and to treat all challenges, afflictions, and aversions as opportunities to get better at human being.” – Richard Moody

Track Credits:
Richard Moody – Guitar, vocals, strings, keyboards
Joey Smith – Bass


Photo Credit: Max McNown by Nate Griffin; Miss Tess by Jo Vidrine.

A Bluegrass Family Reunion at AmericanaFest: Photo Recap

Ahh it was good to be back at AmericanaFest this year. While last year’s conference felt a bit lighter than normal years, with the pandemic bringing a tentative air, 2022 felt like a bit of a family reunion as we came back in full swing, especially as BGS gathered through the week with so many of those closest to us to celebrate our 10th year. After all, BGS is nothing without our community. BGS is the community! Take a look at the gallery below for a photo recap of our week in Nashville.

We started things off on Tuesdat at a packed Station Inn for a night of bluegrass with Jason Carter and Friends, featuring special guests like Ronnie and Rob McCoury, Michael Cleveland, Ketch Secor, Bronwyn Keith-Hynes, Shelby Means, Kyle Tuttle, Vince Herman, and David Grier.

Wednesday brought a happy hour at the City Winery Lounge ahead of the Americana Honors and Awards that evening, as we officially celebrated 10 years of BGS (featuring a ton of birthday cake – thanks to the Cupcake Collection!) and an afternoon of music from Rainbow Girls, Willie Watson, and Kyshona.

Finally, on Friday we gathered at the Basement with our friends at Nettwerk Music Group and Taylor Guitars, with performances from Lullanas, Phillip LaRue, Brooke Annibale, Mark Wilkinson, Old Sea Brigade, and Bre Kennedy.


Photos by Steve Lowry

WATCH: Bre Kennedy, “Before I Have A Daughter”

Artist: Bre Kennedy
Hometown: Nashville
Song: “Before I Have a Daughter”
Release Date: September 23, 2022
Label: Nettwerk

In Their Words: “‘Before I Have A Daughter’ is a really special song to me. It’s the next single off my upcoming EP that I’m releasing in the next few months. I wrote this song with one of my absolute favorite songwriters, Lori McKenna, during our first conversation upon meeting and writing together. A simple ‘getting to know each other’ chat led to a question, ‘Do you have kids?’ To which I responded, ‘Not yet … before I have a daughter …’ and this song helped me process that phrase. This is a coming-of-age song for me about growing up and into the woman I am, about finding acceptance and beauty in the mess of life and about celebrating how far I’ve come through my failures and growth to acknowledge that in my desire to want to make a good life for my future self … I have already started making one.” — Bre Kennedy


Photo Credit: Tabitha Turner

AMERICANAFEST 2022 Preview: Check Out These Panels, Parties and Showcases

Even if you’re from Nashville or you’ve visited Music City many times, AMERICANAFEST always offers something new. This year, the annual event encompasses more than a dozen places to hear live music, as well as an impressive slate of industry panels and a near-endless list of parties. Where to begin? Although this story is by no means definitive, here are some promising highlights from the 2022 Americanafest daily schedule.

Tuesday, September 13

If you’re in town early, come say hello to BGS at Station Inn, where Jason Carter & Friends will take the stage. Doors at 8. Although it’s not open to the public, all conference and festival passholders are welcome. To pick up your pass, you’ll need to swing by City Winery or the Westin (the host hotel) earlier that day. An exploration of East Nashville might also be in order, with The Old Fashioned String Band Throwdown from 6-9 p.m. at Dee’s Country Cocktail Lounge.

Wednesday, September 14

A plethora of panels awaits conference registrants at the Westin, along with a couple of notable interview sessions. The Indigo Girls will be interviewed by NPR Music’s Ann Powers at 10 a.m. (They’ll be honored with a Lifetime Achievement recognition at the Americana Music Honors & Awards later that night too). Stick around for a conversation between Dom Flemons and Asleep at the Wheel’s Ray Benson, presented by WSM’s American Songster Radio. After that, Stax Records’ Al Bell and Deanie Parker will discuss the historic Wattstax festival in 1972.

You can count on BGS for another party as we celebrate our 10-year anniversary with a happy hour at City Winery Lounge from 3 – 5 p.m. Conference and festival passholders welcome. Special performers include Kyshona, Rainbow Girls, and Willie Watson. And after the awards show, there’s an abundance of awesome shows to consider, including a rare solo set by Angel Olsen (our BGS Artist of the Month in August) at Riverside Revival, a set from Bill Monroe acolyte Mike Compton and a surprise headliner at Station Inn, and an acoustic showcase from members of North Mississippi Allstars at Analog at Hutton Hotel immediately followed by Texas great Joshua Ray Walker.

Thursday, September 15

One of the most intriguing panels on Thursday is titled The Narrators: How Jake Blount, Leyla McCalla and Kaia Kater Re-Mapped the Past, Present and Future With Concept Albums. As the Americanafest app points out, all three artists are students of musical and cultural traditions, as well as Black banjo players. The conversation takes place at noon with moderator Jewly Hight. Coincidentally, these three performers are showcasing at the exact same time later that night, so here’s your chance to catch them all at once.

Ishkōdé Records will celebrate Indigenous voices from Turtle Island at Dee’s Country Cocktail Lounge from 1-4 p.m., with performers such as Amanda Rheaume, Aysanabee, Digging Roots and Evan Redsky. If you’re lucky enough to get into the Bluebird Cafe for a 6 p.m. show, you can enjoy a songwriting round with Gabe Lee, Tristan Bushman and British artist Lauren Housley. A Tribute to Levon Helm with an all-star cast closes out the night at 3rd & Lindsley, following an evening of music with Arkansas roots.

Several of the most buzzed-about showcases of AMERICANAFEST will take place at the Basement East, with a strong lineup boasting Rissi Palmer, Molly Tuttle & Golden Highway, Trousdale, Bre Kennedy and Jade Bird. If you’re up for bluegrass, the City Winery Lounge lineup includes Tammy Rogers & Thomm Jutz alongside rising talent like the Tray Wellington Band and Troubadour Blue. If honky-tonk is more your style, stay up late for Jesse Daniel at 6th & Peabody, with original music that pays homage to the Bakersfield Sound without losing its contemporary appeal.

Friday, September 16

Diversity is a common theme on Friday’s daytime events, with panels like Booking With Intent: How Curating the Stage Impacts Industry Diversity and How Americana Music Is Embracing Minority Representation. Of particular note, British artist Lady Nade speaks on the influence of Black music in country and Americana in a panel titled You Can’t Be What You Can’t See: Why Representation Is Vital for the Americana Genre. Look for a conversation and performance at the Country Music Hall of Fame and Museum at noon with rising artists from the Black Opry Revue.

To list all the parties on Friday would take up this whole page. To socialize, you’ve got options ranging from songwriting rounds to label parties to multiple happy hours. (If you’re a craft beer drinker who loves to linger on the deck, it’s worth a visit to Tennessee Brew Works, where Hear Fort Worth is setting up shop.) As for BGS, you’ll find us at the Basement for a party presented with Nettwerk Records and Taylor Guitars. The public may RSVP through the invitation below.

This might be a good time to mention one of the festival’s new venues, The Well at Koinonia. This cozy coffee shop on Music Row played a crucial role in the development of contemporary Christian music, once lending its small stage to a then-unknown Amy Grant. For AMERICANAFEST, it’s providing a listening room environment for a number of quieter artists who still deserve to be heard, such as Nashville songwriter-producer Alex Wong, award-winning acoustic guitarist Christie Lenée, mesmerizing folk duo Ordinary Elephant, Australian troubadour Colin Lillie, and the accomplished Mexican-American musician Lisa Morales on Friday night. If you’re interested in early shows (starting at 6 p.m.), easy parking, and/or enjoying music in a non-alcoholic environment, make an effort to get refueled here.

Not far away lies one of Nashville’s musical landmarks, The Basement (a.k.a. “The Basement O.G.”), and if you’re in town to discover some overlooked voices, this might be an ideal spot to start. Drawing on blues and rock, Chicago musician Nathan Graham is making his AMERICANAFEST debut this year, followed by Southern slide guitarist-songwriter Michelle Malone, who’s touring behind new material like “Not Who I Used to Be.” At Exit/In at 9 p.m., Michigan Rattlers are among Americana music’s best storytellers, with a vibe that’s kind of brooding but still has some rock ‘n’ roll swagger. Hang around for 49 Winchester, a Virginia ensemble that’s been DIY for most of its career. However, 2022’s Fortune Favors the Bold is garnering some much-deserved attention. Listen closely for the Exit/In reference in standout track, “Damn Darlin’.”

For something more mellow, you can zoom over to City Winery for a late set by Milk Carton Kids. It wouldn’t even feel like AMERICANAFEST without seeing these guys. Earlier in the evening, longtime festival favorite Ruston Kelly will play alongside his dad, Tim Kelly, performing exquisite songs that they recorded together (with Ruston serving as producer). Gaby Moreno, Henry Wagons and Rainbow Girls are also on the well-rounded bill. Go ahead, order a bottle.

Saturday, September 17

By the time the weekend arrives, the panels have wrapped and the parties are well underway. You can peruse the Americanafest app for all the options, but first, settle in at City Winery for the Thirty Tigers Gospel Brunch from 11 a.m. to 1 p.m. (It’s on Saturday this year, rather than Sunday.) Artists appearing include Alisa Amador, Brent Cobb, Emily Scott Robinson, Stephanie Lambring, The Fairfield Four and The McCrary Sisters. Musicians Corner in Centennial Park also features free afternoon sets from Nashville mainstay Josh Rouse, Brooklyn’s own Bandits on the Run, Los Angeles songwriter Chris Pierce, Canadian banjo player Ryland Moranz, and more.

Over at The 5 Spot, Alabama bluesman Early James anchors a lineup with Theo Lawrence (a French songwriter-guitarist who opened dates for Robert Plant and Alison Krauss in Europe), Canadian musician Megan Nash, and new ATO Records signing Honey Harper. The night concludes with an 11 p.m. showcase titled Luke Schneider & Friends: A Pedal Steel Showcase. For something similarly atmospheric, consider a one-night-only event, Phosphorescent Performing Songs From the Full Moon Project, also at 11 p.m. at Brooklyn Bowl. He’s promising to play more songs than just the covers he’s chosen for this unique album, so you can bask in the afterglow of an incredible week of music.

For more information about these events and countless more, visit AMERICANAFEST.COM.


Artists featured at top (L-R): Phosphorescent, Molly Tuttle, Dom Flemons, Angel Olsen