Basic Folk – Anna Tivel and Jeffrey Martin

Fun times with our favorite non-duo duo Anna Tivel and Jeffrey Martin. The pair met in the early 2010’s in Portland, bonded over songwriting and have been together ever since. They got together at a time when they were both learning how to tour and they were able to figure it all out as a pair. And yes, they have toured and do tour together and have sung on each other’s records, but there has never been an interest in an official collaboration. In this special interview, they discuss their thoughts and feelings on their partner’s musical style: from how each learned music, to the way they each write songs. They discuss the space they give each other to be alone in creativity and how that space is key to their success as partners.

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Anna released her latest album, the acclaimed Outsiders, in 2022 and Jeffrey is currently working on a new record. In fact, Jeffrey is recording his upcoming release in a small shack he built on their property in Portland. He completed the structure just in time for the pandemic to start, which was perfect timing since it meant he had his own space to work outside of his house, and they both had a place to perform their weekly livestreams. Jeffrey is also quite handy and has agreed to build a house for me and don’t think I won’t hold him to it. We have it on tape, Jeffrey. Please enjoy this fun interview with two of my favorite people and musicians.


Photo Credit: Matt Kennelly

Basic Folk – SistaStrings

WHOA! SistaStrings is the real life sister duo of Monique (cello) and Chauntee (violin) Ross. Currently tearing it up on the road with Brandi Carlile and Allison Russell, The Ross sisters’ musical roots began with their intense classical training, family gatherings and in church. All five of their siblings played music, toured around with their minister parents and even had their own family band, Sisters of Praize, with older sisters Charice Ross on violin and Rickena Johnson on viola. After Chauntee was done with college, she and Monique teamed up again and ventured out in the Milwaukee music scene where they cut their teeth and tried their hand at all sorts of different styles: hip-hop, jam bands, electronic music and singer-songwriters. There, they met a kindred spirit in Peter Mulvey, who they started performing with in 2016.

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SistaStrings officially made the move to Nashville in the summer of 2021. Once there, they started playing gigs with Allison Russell. Monique’s encounter with Brandi Carlile at Newport Folk Fest led them to both touring with her band. In our conversation, Lizzie and Cindy talk to Monique and Chauntee about being romantic string players thanks to their classical background, which also gave them very thick skin. They also talk about the decision to pursue a musical path into the folk and Americana world, which is a notoriously white space. Spoiler alert: it wasn’t an easy decision, but it’s one they have not come to regret.


Photo Credit: Samer Ghani

Basic Folk – Eliza Edens

Growing up in the Berkshires, Massachusetts-born Eliza Edens grew up in a family with strong musical roots. Getting her first guitar at 16, she was moved to write songs as her chosen form of expression. After some time in Philly, Eliza took on New York, choosing Brooklyn as her home base. There she found community and began to thrive creatively, especially in embracing her queer identity, Eliza uses she/they pronouns.

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She released her second album We’ll Become the Flowers in 2022 seeking to understand what happens after the end. She had a lot of processing to do after a breakup and her mother being diagnosed with a neurodegenerative disease. Her mother has been a central figure in her songwriting recently, especially in her love of gardening and flowers. Eliza’s music, like the person, is thoughtful, unpredictable, serious and silly. Hope you enjoy getting to know this cool musician!


Photo Credit: Juliet Farmer

Basic Folk – Mark Erelli

Mark Erelli is slowly going blind. In August 2020, he noticed he couldn’t see his fingers during a show. After that, as he was driving in a tunnel, everything went black. Mark went to the doctor and was diagnosed with retinitis pigmentosa, or RP. Since then, his life has changed in ways he could never have imagined. He doesn’t drive at night, he carries a flashlight everywhere he goes, his relationship with his family, his writing and career have been pushed to the brink. All the processing he’s done over the last three years has led him to his latest album, Lay Your Darkness Down.

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In our conversation, we talk about Mark’s new challenges he’s faced while living with RP. He shares what it was like for him to tell friends and how he constantly has to advocate for himself. One aspect he did not expect was being able to use his white male privilege to speak up about his disability in hopes to help the community of people with disabilities. Once he realized that, he recognized that it was his responsibility to speak up for the greater good.

One hilarious note: my 6 month old puppy decided she wanted to interrupt and tear apart a book during the interview. I tried to get her out of the room, but in the end, she insisted that she remain. I apologize for the occasional rustling and background noise. If you listen hard enough at one point, you can hear Dottie the cat growling at her. Yay puppies.


Photo Credit: Joe Navas

Basic Folk – Ruthie Foster

Originally from a small town – Gause, Texas – Ruthie Foster came from a family of gospel singers. Singing gospel music acted as a prime method of communication in her life, strongly enough that it ended up being her career. Along the way, Ruthie studied audio engineering in college, which ended up giving her invaluable knowledge to support her artistic expression, especially as a woman in a male dominated field. She quit music for about a year and joined the Navy, wanting to do something other than music. In the Navy, stationed in San Diego, she worked around helicopters, giving her even more of a technical mindset. While in the Navy, she also learned how to be chill AF, thanks to her recruiting officer who led by example and taught Foster and fellow recruits how to relax in their work.

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One aspect of Ruthie’s story that blows my mind is her time in New York City. In the post-Tracy Chapman era, she was swept up and signed by a major label looking for the next Chapman carbon copy. During her years with Atlantic, Ruthie took the time to learn how to be a songwriter and performer, while never recording a single thing. It was a genius move and gave her an essential education for a young musician! She moved back to Texas to be with her ailing mother and spend the remaining years of her life together. Ruthie Foster is an impressive artist and person who has learned the lesson of where to be and when to be there. Of her new album Healing Time she says, “There’s always time for healing, if you give it time.” Enjoy!


Photo Credit: Jody Domingue

Basic Folk – Tom Wilson

By the mid-2010’s, Canadian rock legend Tom Wilson’s life was already pretty epic: he had perfected his blue collar roots rock sound in his bands Blackie and The Rodeo Kings and his seminal 90’s outfit Junkhouse. He was a home-grown rock and roller with humble Hamilton, Ontario roots. In addition to his musical output, he had overcome addiction, he was a father, grandfather and painter. However, his life completely changed when, by chance, he discovered he had been adopted and that he was actually of full blood Mohawk descent and not Irish like he was raised to believe. His birth-mother was actually a “cousin” of his, who had been forced into Canada’s cruel residential schools. The people he thought were his parents, had actually been his great aunt and uncle. At 53 years old, his world was about to get 100% more wild.

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Ever since then, Tom has been on a path to identity. He’s written a memoir, made a documentary, an album as his musical alter-ego Lee Harvey Osmond and his latest project, collaborating with fellow Canadian, the Cree-Métis musician iskwē | ᐃᐢᑫᐧᐤ. Tom’s new mission at this point in his life is to tell his story. “Our greatest job as storytellers is to open up the door to the next person and let them know they can tell their stories, too.”


Photo Credit: Heather Pollock

Basic Folk – Anthony D’Amato

When I first moved to New York City in 2015 to make my fortune as a singer-songwriter, Anthony D’Amato was already crushing it. Fresh off his New West Records debut The Shipwreck From the Shore, Anthony’s career was taking off in a way many young artists dream of. He was kind enough to meet me for coffee, and Jersey kid to Jersey kid, gave me some invaluable advice on how to turn your dream into your job. I never forgot the generosity of that moment and it was such a joy to bookend that conversation seven years later with an in-depth interview with Anthony here on Basic Folk.

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Anthony’s new album, At First There Was Nothing, is his first in six years, and showcases much of what makes him special as an artist — neat wordplay, a visual language of the American West bolstered by his skills as a photographer, and some signature production touches that have been consistent across all of his albums. Don’t worry, I was sure to investigate those. The album was produced by indie folk star Joshua James.

Listen all the way through to the end if you want to hear me get into a fight on-air with my friend Anthony. There would be no folk music without bloodshed.


Photo Credit: Vivian Wang

Basic Folk – Courtney Marie Andrews

Courtney Marie Andrews seems anciently wise in general, but on her new album Loose Future, she’s particularly tapped into some cosmic intelligence. Growing up, CMA spent a lot of time alone, so we naturally started our conversation there. People have been isolated in the last few years, which can be sad and scary, but also offer certain gifts. Courtney was able to quarantine during the first summer of the pandemic on Cape Cod. She grounded herself by walking six to eight miles daily and exploring herself “forever against the backdrop of summer.” She painted, reconnected with nature and wrote a song a day. Those songs resulted in the new record.

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She made the album at Flying Cloud Recordings in New York, taking a dip in the creek every morning before getting to work in order to embody the feeling of letting love in: “Sometimes you plunge, and sometimes you walk slowly in,” she says. We discuss how that practice got her ready for the day and the ins and outs of several of the songs. We also get into the intentionality she put into the beat for Loose Future. She wanted to make something modern with a driving percussive beat, but Graceland was also an inspiration. CMA ended up at a few distanced drum circles during the pandemic that felt very healing and communal. Enjoy Courtney Marie! She’s brilliant and offers so much foresight.


Photo Credit: Alexa Viscius

Basic Folk – Zach Williams of The Lone Bellow

The latest from Nashville-based, New York-bred and Georgia-born trio The Lone Bellow, Love Songs for Losers, was recorded at Roy Orbison’s creepy former house in Hendersonville, TN. The house’s vibe bled its way into the vibe of the album, which was co-produced by band members Brian Elmquist and Kanene Pipkin, producing vocals. The band went for a bombastic sound and they did it with no adult supervision (read: no outside producer influence). Frontman Zach Williams expounded on the experience along with his affinity for the house’s architect, the eccentric Braxton Dixon.

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We talk about a few standout songs from album including “Gold,” which takes a look at new small town life heavily impacted by the opioid crisis, “Honey,” a sort of poking love song to his wife and “Homesick,” which serves as the theme song for his new renovation program The Williams Family Cabin. The TV show features Zach and his wife Stacy flipping a cabin outside of Nashville and all the antics that come with it. Zach is familiar with the world of home renovation shows thanks to his close friend and home reno personality, the designer Leanne Ford. He actually got some good advice from Leanne prior to starting the show, but neglected to listen (LOL).

Zach’s a really fun person to watch on stage, he’s a remarkable showman. Catch The Lone Bellow live if you can. Their new album is fantastic! The creepy old matchstick house must have really worked wonders.


Editor’s Note: Basic Folk is currently running their annual fall fundraiser! Visit basicfolk.com/donate for a message from hosts Cindy Howes and Lizzie No, and to support this listener-funded podcast.

Photo Credit: Eric Ryan Anderson

Basic Folk – John Calvin Abney

A lot of people like to claim the title “Hardest Working Person In Music” but John Calvin Abney might take the crown from them all. John has made a name for himself as a shit-hot guitar player, accompanying John Moreland, Samantha Crain, Margo Cilker, and many others (including Lizzie No herself!) But the reason we wanted him to join us as a guest on Basic Folk is that his own catalog is poetic and beautifully produced.

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John grew up in Nevada and Oklahoma, and you can hear the restless desert highways in all the soundscapes he creates. His latest album, Tourist, asks the question of how a person can feel at home when they spend their life on the road. It also finds resolution after the death of John’s father, through found recordings and thoughtful lyrics. Listening to Tourist feels like catching up with an old friend. You might hear Elliott Smith in “Good Luck and High Tide” or J.J. Cale in “Call Me Achilles,” but the stories are John Calvin to the core.

We dug into recording techniques, John’s high school identity as “guitar guy,” touring with Hanson, Christian camp, and how running off to Europe as a romantic gesture helped launch John’s career.


Editor’s Note: Basic Folk is currently running their annual fall fundraiser! Visit basicfolk.com/donate for a message from hosts Cindy Howes and Lizzie No, and to support this listener-funded podcast.

Photo Credit: Rebecca Sarkar