AMERICANAFEST 2022 Preview: Check Out These Panels, Parties and Showcases

Even if you’re from Nashville or you’ve visited Music City many times, AMERICANAFEST always offers something new. This year, the annual event encompasses more than a dozen places to hear live music, as well as an impressive slate of industry panels and a near-endless list of parties. Where to begin? Although this story is by no means definitive, here are some promising highlights from the 2022 Americanafest daily schedule.

Tuesday, September 13

If you’re in town early, come say hello to BGS at Station Inn, where Jason Carter & Friends will take the stage. Doors at 8. Although it’s not open to the public, all conference and festival passholders are welcome. To pick up your pass, you’ll need to swing by City Winery or the Westin (the host hotel) earlier that day. An exploration of East Nashville might also be in order, with The Old Fashioned String Band Throwdown from 6-9 p.m. at Dee’s Country Cocktail Lounge.

Wednesday, September 14

A plethora of panels awaits conference registrants at the Westin, along with a couple of notable interview sessions. The Indigo Girls will be interviewed by NPR Music’s Ann Powers at 10 a.m. (They’ll be honored with a Lifetime Achievement recognition at the Americana Music Honors & Awards later that night too). Stick around for a conversation between Dom Flemons and Asleep at the Wheel’s Ray Benson, presented by WSM’s American Songster Radio. After that, Stax Records’ Al Bell and Deanie Parker will discuss the historic Wattstax festival in 1972.

You can count on BGS for another party as we celebrate our 10-year anniversary with a happy hour at City Winery Lounge from 3 – 5 p.m. Conference and festival passholders welcome. Special performers include Kyshona, Rainbow Girls, and Willie Watson. And after the awards show, there’s an abundance of awesome shows to consider, including a rare solo set by Angel Olsen (our BGS Artist of the Month in August) at Riverside Revival, a set from Bill Monroe acolyte Mike Compton and a surprise headliner at Station Inn, and an acoustic showcase from members of North Mississippi Allstars at Analog at Hutton Hotel immediately followed by Texas great Joshua Ray Walker.

Thursday, September 15

One of the most intriguing panels on Thursday is titled The Narrators: How Jake Blount, Leyla McCalla and Kaia Kater Re-Mapped the Past, Present and Future With Concept Albums. As the Americanafest app points out, all three artists are students of musical and cultural traditions, as well as Black banjo players. The conversation takes place at noon with moderator Jewly Hight. Coincidentally, these three performers are showcasing at the exact same time later that night, so here’s your chance to catch them all at once.

Ishkōdé Records will celebrate Indigenous voices from Turtle Island at Dee’s Country Cocktail Lounge from 1-4 p.m., with performers such as Amanda Rheaume, Aysanabee, Digging Roots and Evan Redsky. If you’re lucky enough to get into the Bluebird Cafe for a 6 p.m. show, you can enjoy a songwriting round with Gabe Lee, Tristan Bushman and British artist Lauren Housley. A Tribute to Levon Helm with an all-star cast closes out the night at 3rd & Lindsley, following an evening of music with Arkansas roots.

Several of the most buzzed-about showcases of AMERICANAFEST will take place at the Basement East, with a strong lineup boasting Rissi Palmer, Molly Tuttle & Golden Highway, Trousdale, Bre Kennedy and Jade Bird. If you’re up for bluegrass, the City Winery Lounge lineup includes Tammy Rogers & Thomm Jutz alongside rising talent like the Tray Wellington Band and Troubadour Blue. If honky-tonk is more your style, stay up late for Jesse Daniel at 6th & Peabody, with original music that pays homage to the Bakersfield Sound without losing its contemporary appeal.

Friday, September 16

Diversity is a common theme on Friday’s daytime events, with panels like Booking With Intent: How Curating the Stage Impacts Industry Diversity and How Americana Music Is Embracing Minority Representation. Of particular note, British artist Lady Nade speaks on the influence of Black music in country and Americana in a panel titled You Can’t Be What You Can’t See: Why Representation Is Vital for the Americana Genre. Look for a conversation and performance at the Country Music Hall of Fame and Museum at noon with rising artists from the Black Opry Revue.

To list all the parties on Friday would take up this whole page. To socialize, you’ve got options ranging from songwriting rounds to label parties to multiple happy hours. (If you’re a craft beer drinker who loves to linger on the deck, it’s worth a visit to Tennessee Brew Works, where Hear Fort Worth is setting up shop.) As for BGS, you’ll find us at the Basement for a party presented with Nettwerk Records and Taylor Guitars. The public may RSVP through the invitation below.

This might be a good time to mention one of the festival’s new venues, The Well at Koinonia. This cozy coffee shop on Music Row played a crucial role in the development of contemporary Christian music, once lending its small stage to a then-unknown Amy Grant. For AMERICANAFEST, it’s providing a listening room environment for a number of quieter artists who still deserve to be heard, such as Nashville songwriter-producer Alex Wong, award-winning acoustic guitarist Christie Lenée, mesmerizing folk duo Ordinary Elephant, Australian troubadour Colin Lillie, and the accomplished Mexican-American musician Lisa Morales on Friday night. If you’re interested in early shows (starting at 6 p.m.), easy parking, and/or enjoying music in a non-alcoholic environment, make an effort to get refueled here.

Not far away lies one of Nashville’s musical landmarks, The Basement (a.k.a. “The Basement O.G.”), and if you’re in town to discover some overlooked voices, this might be an ideal spot to start. Drawing on blues and rock, Chicago musician Nathan Graham is making his AMERICANAFEST debut this year, followed by Southern slide guitarist-songwriter Michelle Malone, who’s touring behind new material like “Not Who I Used to Be.” At Exit/In at 9 p.m., Michigan Rattlers are among Americana music’s best storytellers, with a vibe that’s kind of brooding but still has some rock ‘n’ roll swagger. Hang around for 49 Winchester, a Virginia ensemble that’s been DIY for most of its career. However, 2022’s Fortune Favors the Bold is garnering some much-deserved attention. Listen closely for the Exit/In reference in standout track, “Damn Darlin’.”

For something more mellow, you can zoom over to City Winery for a late set by Milk Carton Kids. It wouldn’t even feel like AMERICANAFEST without seeing these guys. Earlier in the evening, longtime festival favorite Ruston Kelly will play alongside his dad, Tim Kelly, performing exquisite songs that they recorded together (with Ruston serving as producer). Gaby Moreno, Henry Wagons and Rainbow Girls are also on the well-rounded bill. Go ahead, order a bottle.

Saturday, September 17

By the time the weekend arrives, the panels have wrapped and the parties are well underway. You can peruse the Americanafest app for all the options, but first, settle in at City Winery for the Thirty Tigers Gospel Brunch from 11 a.m. to 1 p.m. (It’s on Saturday this year, rather than Sunday.) Artists appearing include Alisa Amador, Brent Cobb, Emily Scott Robinson, Stephanie Lambring, The Fairfield Four and The McCrary Sisters. Musicians Corner in Centennial Park also features free afternoon sets from Nashville mainstay Josh Rouse, Brooklyn’s own Bandits on the Run, Los Angeles songwriter Chris Pierce, Canadian banjo player Ryland Moranz, and more.

Over at The 5 Spot, Alabama bluesman Early James anchors a lineup with Theo Lawrence (a French songwriter-guitarist who opened dates for Robert Plant and Alison Krauss in Europe), Canadian musician Megan Nash, and new ATO Records signing Honey Harper. The night concludes with an 11 p.m. showcase titled Luke Schneider & Friends: A Pedal Steel Showcase. For something similarly atmospheric, consider a one-night-only event, Phosphorescent Performing Songs From the Full Moon Project, also at 11 p.m. at Brooklyn Bowl. He’s promising to play more songs than just the covers he’s chosen for this unique album, so you can bask in the afterglow of an incredible week of music.

For more information about these events and countless more, visit AMERICANAFEST.COM.


Artists featured at top (L-R): Phosphorescent, Molly Tuttle, Dom Flemons, Angel Olsen

BGS 5+5: Lisa Morales

Artist: Lisa Morales
Hometown: Grew up in Tucson. Live in Austin, TX/San Antonio, TX
Latest Album: El Amor No Es Cobarde

What was the first moment that you knew you wanted to be a musician?

I always say music chose me, not the other way around. It was always around me. The family got together all the time and sang Mexican music, mostly rancheras since before I walked. My grandmother played classical piano at a performing level; my great-aunt was first chair violinist in the very first Tucson Symphony and my brother had a band in high school that was quite popular. When my father died I was 14 years old. I came home for lunch during school and wrote songs to grieve. I’m very lucky I had that release mechanism through music because it’s so hard to communicate at that age, let alone understand that the depression you are going through is grieving.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I did that in the past to hide but for the most part it’s just me naked in front of the world. I’ve learned that I’m not alone in going through life and its challenges, and in turn I can also help people know THEY are not alone in going through something similar.

What other art forms — literature, film, dance, painting, etc. — inform your music?

All of them! Poetry was my communication with my mother since I can remember. She would quote all different Latin poets and writers to me: Garcia Lorca, Cervantes and stories about Juana La Loca. To Kill a Mockingbird and Little Women were books that influenced me in third grade. I went to Del Prado every Saturday as a kid living in Madrid — so yes (!) Art was fortunately pushed on us as children. Lyrics and music are the colors of my palette. My mother also owned bookstores. One of them was called the Antiquariat. It was rare books and she often had book signing parties there with authors and playwrights from all over the world. They would stay at our house and my sister and I would sing for them.

What has been the best advice you’ve received in your career so far?

I was 14 or 16, I had been so nervous sitting in on stage and asked when the nervousness will go away. Shep Cooke from the Stone Poneys told me, “It won’t! If it goes away then you don’t care about the audience!” So I learned how to channel it into energy.

What’s your favorite memory from being on stage?

I have had many, but one that stands out at this moment: I was on stage with my sister, Roberta, and we were singing a very old Mexican song. We looked to the side of the stage and every single member of Los Lobos was standing there watching us. Cool moment! There was a similar moment when we were playing a Country Jam, singing a country song I wrote, and off to the side of the stage watching our show was Alan Jackson. When artists stop to listen to you it feels as though you’ve moved them and possibly done something right. It’s wonderful to get a nod of approval from those you respect.

Oh, but last month was a beautiful moment. I was opening for Rodney Crowell. We had written a duet together last year but (due to Covid) recorded it separately in different cities. We worked it up backstage in Berkeley and performed it for the audience. That was special. My sister passed away in August so I’m sitting here recalling these wonderful moments on stage with her like when we were playing a festival in Colorado and the power went out. She looked at me and said, “Let’s go!” We became mariachis and went into the crowd — just us and our guitar player, David. That was unforgettable for all of us and the crowd. You could hear a pin drop and see the joy on people’s faces… well, I can still see that in my mind. Another was where we unconsciously swapped vocal parts and didn’t know it until it had passed then turned to each other and laughed. That’s magic on stage.


Photo Credit: Enrique Garza

WATCH: Lisa Morales, “Flyin’ and Cryin'”

Artist: Lisa Morales
Honmetown: Tucson, Arizona
Song: “Flyin’ and Cryin'”
Album: Rain In the Desert
Release Date: March 11, 2022
Label: Zaino Records

In Their Words: “Making this video was just hanging with the boys, sharing stories, laughs, and music. Hayes Carll is a dear friend; we both used to live in the Houston area and I produced his first album, Flowers and Liquor. I introduced him to Texas audiences early on.” — Lisa Morales

“With her talent and her generosity Lisa Morales changed the trajectory of my life. I heard Lisa a few hours before I actually saw her. The Sisters Morales show in Galveston, Texas, was sold out so I sat on the sidewalk and listened to them perform through the windows. Afterwards — when I could finally squeeze into the club — we were introduced by the club owner. When she heard that I was a singer-songwriter, Lisa offered to let me open the next time they came through town. I happily accepted. Eventually she offered more shows across the state. These were my first opportunities to travel for music and to play in front of audiences who had bought a ticket to listen and witness a show. It was all game-changing for me. Some time later Lisa offered to produce my first record and that offer changed the trajectory of my life. I’ll always be grateful to her for her kindness, wisdom, and mentorship.” — Hayes Carll

“I’ve known Lisa for years. When she asked if I’d find a harmony part to sing on a track for a new album, I couldn’t find a suitable part. So I took the liberty of assuming she wouldn’t mind if I wrote a few lines that would make the song a duet. She didn’t bat an eye, even gave me a songwriting credit. At least I think she did. What’s not to love about Lisa Morales?” — Rodney Crowell

“I’ve been a fan of Lisa Morales for such a long time. It was such a treat to get be in this video of this very fine song that she and Rodney wrote. It was a joy to get to spend some time with her, Rodney, and Hayes, and be in their presence!” — Jim Lauderdale