You Gotta Hear This: William Beckmann, Denitia, and More

Every Friday, BGS shines a light on some of our favorite new tracks in bluegrass, folk, Americana and beyond. Then we ask the artist about the inspiration behind the music and pass their wise words along to you.

First off, Jack Barksdale’s “Battleground” is a compelling tale of class warfare that comes to life in an eerie and original music video. The Fort Worth folk/Americana artist is joined by Canadian singer-songwriter Julian Taylor on the track. Another Texas native, William Beckmann, adds a dash of mystery to his latest single, “You Only Love to Break My Heart.” Roy Orbison fans, take note. In addition, Grey DeLisle explains how one of her favorite public radio shows inspired “Don’t Break the String,” a thoughtful track from her just-released album, Don’t Turn Around. Meanwhile, Denitia is previewing her 2027 album with a country-tinged tune, “Can’t Leave You Alone,” which showcases not only the range but also the emotion in her vocals. And if you’re into bluegrass, you’ll want to spend time with DownRiver Collective’s “The Fool” and The Fretliners’ “Hard Times Made Me.”

With one of the finest honky-tonk songs in recent memory, Pug Johnson’s “Just to Love You” is bound to satisfy true-blue country fans, with bonus points for a recitation. And leave it to Nashville musician Josh Rouse to bring a pleasant bossa nova vibe to “Sunday in the Country,” which echoes the vibes of his earliest albums. Another Nashville artist, Runner of the Woods, sings in French on “Le 6 Octobre,” though the music video takes a creative approach to translating the lyrics. Of course, the sentiment of the song–recovering from a tough breakup–is universal. Finally, we wrap up with Hunter Watts’ “I’m Lost Without You,” an evocative folk/country tune that sounds like a deep cut out of Lauren Canyon.

As we say every week … You Gotta Hear This!

Jack Barksdale, “Battleground” (Feat. Julian Taylor)

Artist: Jack Barksdale
Hometown: Fort Worth, Texas
Song: “Battleground” (Feat. Julian Taylor)
Album: Battlegrond EP
Release Date: October 16. 2026

In Their Words: “‘Battleground’ is about how we, as a society, let people and companies with lots of money, power, and influence get away with things that we would otherwise be very wary of. The music video is more of a symbolic gesture to capture the overall feel of the song. Taking the idea of class warfare and letting the eye and ear travel and search through the song in a symbolic manner. I met Julian Taylor at the You Got Gold John Prine Tribute in 2025 and have since become a big fan of his music. I was very excited Julian was able to lend his voice to the song.” – Jack Barksdale

“‘Battleground’ is a stellar song from an artist who continues to break new ground lyrically.” – Julian Taylor


William Beckmann, “You Only Love to Break My Heart”

Artist: William Beckmann
Hometown: Del Rio, Texas, and Nashville, Tennessee
Song: “You Only Love to Break My Heart”
Release Date: September 25, 2026
Label: Gatsby Records/MCA

In Their Words: “To me, this song evokes a sense of heartbreak and lust. I wanted it to sound kind of like Roy Orbison and I knew it had to have a mysteriousness to it. I wrote it about an experience of being infatuated with a person that didn’t necessarily reciprocate the same level of interest but that’s okay. That’s kind of the point. It’s almost as if I like the way you play with my heart.” — William Beckmann


Grey DeLisle, “Don’t Break the String”

Artist: Grey DeLisle
Hometowns: Los Angeles/Nashville
Song: “Don’t Break the String”
Album: Don’t Turn Around
Release Date: October 23, 2026
Label: Hummin’bird Records

In Their Words: I’ve always been a public radio junkie, especially for my local Nashville station, WMOT! I got hooked on Craig Havighurst’s show The String. I binged almost the whole thing on a long drive through the Smoky Mountains one summer. When I heard that funding for public radio was being severely cut, my first thought was ‘DON’T BREAK THE STRING! My heart was in the right place but it was pretty hokey lyrics-wise, so after many revisions, it sort of morphed into a song about universal human connection and never taking the things we love for granted!” – Grey DeLisle


Denitia, “Can’t Leave You Alone”

Artist: Denitia
Hometown: Baytown, Texas, and Nashville, Tennessee
Song: “Can’t Leave You Alone”
Album: Texas Angel
Release Date: February 5, 2027
Label: Thirty Tigers

In Their Words: “When I was writing this song, I wanted to pull from a time in my life where I was drawn to situations that weren’t so good for me. So much of the material on this album has this undertone of having learned my lesson and I wanted to reach back to a time where I knew better, but I still wanted to do bad. It felt right to have it all set against this dreamy sonic backdrop – a place you can’t resist getting pulled into.” — Denitia


DownRiver Collective, “The Fool”

Artist: DownRiver Collective
Hometown: Nashville, Tennessee
Song: “The Fool”
Album: Give It All Away (Deluxe)
Release Date: September 5, 2026
Label: Kettleridge Records

In Their Words: “‘The Fool’ is our latest single, and is the final chapter of our album, Give It All Away. After we had released the album in 2025, we knew there were a couple stones that we hadn’t turned, so we set out to release a few new songs as a deluxe version of the record, which came out in September of this year. ‘The Fool’ added an essential ingredient to the album: a touch of heavy metal. The song came to us from a place of frustration, and we tried to channel that energy into the record. The video captures it perfectly; dark, intense, and real. The crew at Film Haus did an amazing job bringing the song to life on the screen.” — DownRiver Collective


The Fretliners, “Hard Times Made Me”

Artist: The Fretliners
Hometown: Lyons, Colorado
Song: “Hard Times Made Me”
Album: When The Kettle Sings
Release Date: October 23, 2026
Label: Hook Set Records

In Their Words: “Tom [Knowlton] has this incredible vocal dynamic range, and when we were recording around a single microphone, there was a moment where we needed him to maintain the same intensity, but with a little less volume. Instead of just telling him to sing quieter, T Bone said, ‘Think about a kettle right at the boiling point. All that pressure building, but don’t quite let it out yet.’ That was the wisdom in his approach to producing. Rather than telling us what to do, he gave us imagery that allowed us to stay creative. It was a moment that stuck with all of us, and with ‘When the Kettle Sings’ already being a lyric on the record, the album title just made sense.” — Sam Parks, mandolin, The Fretliners

Pug Johnson, “Just to Love You”

Artist: Pug Johnson
Hometown: Beaumont, Texas
Song: “Just to Love You”
Album: From a Beaumont Bar
Release Date: October 23, 2026
Label: Thirty Tigers

In Their Words: “I wrote ‘Just to Love You’ trying to capture the denial phase of a failed relationship and the notion that breakups are rarely clean cut. I’ve learned from experience that when you’ve spent years of your life with someone, they often hang around your dreams after they’ve left. This was the second song that I wrote for the album. Once I finished this one, the floodgates opened and the rest of the original tunes were finished 48 hours later. I wanted to make sure I put at least one stone-cold hurting song on the record, and this is still one of my favorites.” – Pug Johnson


Josh Rouse, “Sunday in the Country”

Artist: Josh Rouse
Hometown: Nashville, Tennessee
Song: “Sunday in the Country ”
Album: Museums and Women
Release Date: October 23, 2026
Label: New West Records

In Their Words: “A lovely bossa nova progression I came up with while watching a film of the same name. I imagined a New Yorker escaping the city for a weekend in upstate New York, reflecting on his life and wondering whether it might be time to slow down and embrace a simpler way of living.” — Josh Rouse


Runner of the Woods, “Le 6 Octobre”

Artist: Runner of the Woods
Hometown: Nashville, Tennessee
Song: “Le 6 Octobre”
Release Date: October 6, 2026

In Their Words: “Everyone seems desperate for fall to arrive, but I feel differently. I’ve always felt the season marked the beginning of losing something wonderful–summertime. Years ago, I moved from New Orleans to Montreal. In my mind, I was trading one old French town for another, but it was a shock to go from sweaty south Louisiana, with its joie de vivre, to a snowy, more reserved cosmopolitan city. The chorus asks, ‘Who are these people who love the fall?’ which I sing in my native French.

“In Nashville, I take enormous pride in packing dancefloors with Cajun music, but I routinely sneak in more lyric-oriented, original French songs too. ‘Le 6 Octobre’ recalls an early snowstorm in Montreal colliding with a painful breakup. The video evokes the experience of closing my eyes and seeing those people and places again – but with the English lyrics written on the back of each photograph so viewers can follow along as we remember together.” – Nicolas Beaudoing, Runner of the Woods


Hunter Watts, “I’m Lost Without You”

Artist: Hunter Watts
Hometown: Orange, California
Song: “I’m Lost Without You”
Album: Hunter Watts
Release Date: October 23, 2026
Label: Valentine Record Studios

In Their Words: “It started off as my music theory final in high school, funny enough. After I gradually rearranged the chords and melody, I ended up with the two different songs. I was unsure of which version to finish and somewhat stuck on them until showing the songs to my bandmates (and roommates) at the time, who suggested that I just bridge the two together. While lyrically the song is intentional in its introspection, the process of writing it also somewhat serves as a snapshot of my early independence.” — Hunter Watts


Photo Credit: Edward Stockwell (William Beckmann), Weird Candy (Denitia)

AMERICANAFEST 2022 Preview: Check Out These Panels, Parties and Showcases

Even if you’re from Nashville or you’ve visited Music City many times, AMERICANAFEST always offers something new. This year, the annual event encompasses more than a dozen places to hear live music, as well as an impressive slate of industry panels and a near-endless list of parties. Where to begin? Although this story is by no means definitive, here are some promising highlights from the 2022 Americanafest daily schedule.

Tuesday, September 13

If you’re in town early, come say hello to BGS at Station Inn, where Jason Carter & Friends will take the stage. Doors at 8. Although it’s not open to the public, all conference and festival passholders are welcome. To pick up your pass, you’ll need to swing by City Winery or the Westin (the host hotel) earlier that day. An exploration of East Nashville might also be in order, with The Old Fashioned String Band Throwdown from 6-9 p.m. at Dee’s Country Cocktail Lounge.

Wednesday, September 14

A plethora of panels awaits conference registrants at the Westin, along with a couple of notable interview sessions. The Indigo Girls will be interviewed by NPR Music’s Ann Powers at 10 a.m. (They’ll be honored with a Lifetime Achievement recognition at the Americana Music Honors & Awards later that night too). Stick around for a conversation between Dom Flemons and Asleep at the Wheel’s Ray Benson, presented by WSM’s American Songster Radio. After that, Stax Records’ Al Bell and Deanie Parker will discuss the historic Wattstax festival in 1972.

You can count on BGS for another party as we celebrate our 10-year anniversary with a happy hour at City Winery Lounge from 3 – 5 p.m. Conference and festival passholders welcome. Special performers include Kyshona, Rainbow Girls, and Willie Watson. And after the awards show, there’s an abundance of awesome shows to consider, including a rare solo set by Angel Olsen (our BGS Artist of the Month in August) at Riverside Revival, a set from Bill Monroe acolyte Mike Compton and a surprise headliner at Station Inn, and an acoustic showcase from members of North Mississippi Allstars at Analog at Hutton Hotel immediately followed by Texas great Joshua Ray Walker.

Thursday, September 15

One of the most intriguing panels on Thursday is titled The Narrators: How Jake Blount, Leyla McCalla and Kaia Kater Re-Mapped the Past, Present and Future With Concept Albums. As the Americanafest app points out, all three artists are students of musical and cultural traditions, as well as Black banjo players. The conversation takes place at noon with moderator Jewly Hight. Coincidentally, these three performers are showcasing at the exact same time later that night, so here’s your chance to catch them all at once.

Ishkōdé Records will celebrate Indigenous voices from Turtle Island at Dee’s Country Cocktail Lounge from 1-4 p.m., with performers such as Amanda Rheaume, Aysanabee, Digging Roots and Evan Redsky. If you’re lucky enough to get into the Bluebird Cafe for a 6 p.m. show, you can enjoy a songwriting round with Gabe Lee, Tristan Bushman and British artist Lauren Housley. A Tribute to Levon Helm with an all-star cast closes out the night at 3rd & Lindsley, following an evening of music with Arkansas roots.

Several of the most buzzed-about showcases of AMERICANAFEST will take place at the Basement East, with a strong lineup boasting Rissi Palmer, Molly Tuttle & Golden Highway, Trousdale, Bre Kennedy and Jade Bird. If you’re up for bluegrass, the City Winery Lounge lineup includes Tammy Rogers & Thomm Jutz alongside rising talent like the Tray Wellington Band and Troubadour Blue. If honky-tonk is more your style, stay up late for Jesse Daniel at 6th & Peabody, with original music that pays homage to the Bakersfield Sound without losing its contemporary appeal.

Friday, September 16

Diversity is a common theme on Friday’s daytime events, with panels like Booking With Intent: How Curating the Stage Impacts Industry Diversity and How Americana Music Is Embracing Minority Representation. Of particular note, British artist Lady Nade speaks on the influence of Black music in country and Americana in a panel titled You Can’t Be What You Can’t See: Why Representation Is Vital for the Americana Genre. Look for a conversation and performance at the Country Music Hall of Fame and Museum at noon with rising artists from the Black Opry Revue.

To list all the parties on Friday would take up this whole page. To socialize, you’ve got options ranging from songwriting rounds to label parties to multiple happy hours. (If you’re a craft beer drinker who loves to linger on the deck, it’s worth a visit to Tennessee Brew Works, where Hear Fort Worth is setting up shop.) As for BGS, you’ll find us at the Basement for a party presented with Nettwerk Records and Taylor Guitars. The public may RSVP through the invitation below.

This might be a good time to mention one of the festival’s new venues, The Well at Koinonia. This cozy coffee shop on Music Row played a crucial role in the development of contemporary Christian music, once lending its small stage to a then-unknown Amy Grant. For AMERICANAFEST, it’s providing a listening room environment for a number of quieter artists who still deserve to be heard, such as Nashville songwriter-producer Alex Wong, award-winning acoustic guitarist Christie Lenée, mesmerizing folk duo Ordinary Elephant, Australian troubadour Colin Lillie, and the accomplished Mexican-American musician Lisa Morales on Friday night. If you’re interested in early shows (starting at 6 p.m.), easy parking, and/or enjoying music in a non-alcoholic environment, make an effort to get refueled here.

Not far away lies one of Nashville’s musical landmarks, The Basement (a.k.a. “The Basement O.G.”), and if you’re in town to discover some overlooked voices, this might be an ideal spot to start. Drawing on blues and rock, Chicago musician Nathan Graham is making his AMERICANAFEST debut this year, followed by Southern slide guitarist-songwriter Michelle Malone, who’s touring behind new material like “Not Who I Used to Be.” At Exit/In at 9 p.m., Michigan Rattlers are among Americana music’s best storytellers, with a vibe that’s kind of brooding but still has some rock ‘n’ roll swagger. Hang around for 49 Winchester, a Virginia ensemble that’s been DIY for most of its career. However, 2022’s Fortune Favors the Bold is garnering some much-deserved attention. Listen closely for the Exit/In reference in standout track, “Damn Darlin’.”

For something more mellow, you can zoom over to City Winery for a late set by Milk Carton Kids. It wouldn’t even feel like AMERICANAFEST without seeing these guys. Earlier in the evening, longtime festival favorite Ruston Kelly will play alongside his dad, Tim Kelly, performing exquisite songs that they recorded together (with Ruston serving as producer). Gaby Moreno, Henry Wagons and Rainbow Girls are also on the well-rounded bill. Go ahead, order a bottle.

Saturday, September 17

By the time the weekend arrives, the panels have wrapped and the parties are well underway. You can peruse the Americanafest app for all the options, but first, settle in at City Winery for the Thirty Tigers Gospel Brunch from 11 a.m. to 1 p.m. (It’s on Saturday this year, rather than Sunday.) Artists appearing include Alisa Amador, Brent Cobb, Emily Scott Robinson, Stephanie Lambring, The Fairfield Four and The McCrary Sisters. Musicians Corner in Centennial Park also features free afternoon sets from Nashville mainstay Josh Rouse, Brooklyn’s own Bandits on the Run, Los Angeles songwriter Chris Pierce, Canadian banjo player Ryland Moranz, and more.

Over at The 5 Spot, Alabama bluesman Early James anchors a lineup with Theo Lawrence (a French songwriter-guitarist who opened dates for Robert Plant and Alison Krauss in Europe), Canadian musician Megan Nash, and new ATO Records signing Honey Harper. The night concludes with an 11 p.m. showcase titled Luke Schneider & Friends: A Pedal Steel Showcase. For something similarly atmospheric, consider a one-night-only event, Phosphorescent Performing Songs From the Full Moon Project, also at 11 p.m. at Brooklyn Bowl. He’s promising to play more songs than just the covers he’s chosen for this unique album, so you can bask in the afterglow of an incredible week of music.

For more information about these events and countless more, visit AMERICANAFEST.COM.


Artists featured at top (L-R): Phosphorescent, Molly Tuttle, Dom Flemons, Angel Olsen

LISTEN: Josh Rouse, “Hollow Moon”

Artist: Josh Rouse
Hometown: Nashville, Tennessee
Song: “Hollow Moon”
Album: Going Places
Release Date: July 29, 2022
Label: Yep Roc Records

In Their Words: “A couple of friends of mine — my Spanish band — bought a small venue, sort of like a 1950s American bar. I said, ‘Let’s get together and play some songs in the bar — something that feels good in a smaller room. Just toe-tappers.’ A year later, after things opened up a bit, I said, ‘Why don’t we just go in and I’ll produce it, and let’s just record these songs and see what happens?’ And that’s what the Going Places record is — stuff that just felt good to play to a live audience.

“‘Hollow Moon’ started as a guitar riff on my voice memo with what sounded like me mumbling ‘hollow moon’ over and over. Through the course of several decades, I’ve learned it’s best to stick to the original mumble whether it has meaning or not. I came up with some lonely, only-child verses and sent them to Matt Costa to lay some of his Kinksish harmonies. Very catchy. Perhaps a hit.” — Josh Rouse


Photo Credit: Jim Harrington

BGS WRAPS: Josh Rouse, “Christmas Songs”

Artist: Josh Rouse
Song: “Christmas Songs”
Album: The Holiday Sounds of Josh Rouse

From the Artist: “[‘Christmas Songs’] was written a few weeks before recording the record. I was on tour in Sweden and I needed one more song to add to the group I had been collecting for years, an end credit if you will. I had Lee Hazlewood and the album Cowboy in Sweden in mind.” — Josh Rouse