BGS 5+5: Rodney Rice

Artist: Rodney Rice
Hometown: Morgantown, West Virginia
Latest Album: Rodney Rice 
Personal Nicknames: Munch

What was the first moment that you knew you wanted to be a musician?

I gravitated towards guitar and writing lyrics as a kid. It was never a conscious decision. It was something I started doing at a young age that I kept working on and carried with me through all my life events. By that time I went into record my first album writing and playing music was a part of my fabric, my identity, in my DNA. Jason McKenzie (longtime drummer of Billy Joe Shaver) helped get me into the studio for my first album which turned out to be a step change. After I recorded I never thought if people would want to listen to it. Another step change occurred working out of the Bomb Shelter in Nashville which provided a whole new experience by exposing me to a method of recording I hadn’t done before. 2” tape. Seemed fitting to send to vinyl and now I have my first vinyl record.

Which artist has influenced you the most … and how?

This is a tough to select only one. My mind immediately goes to Dylan, Prine, Billy Joe Shaver. I have seen them play shows, front row center stage soaking everything up like a sponge. Equally important are artists I play with on stage and in the studio — they have a huge impact on me. I have been very fortunate to surround myself with great musicians.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I heard this discussion somewhere once before, but I can’t recall exactly. For me, I think it’s not a conscious hiding and I usually blend them together. Like in the last verse of “Get to Where I’m Going” where I sing “Loving someone who don’t love you back, puts a pain in your chest like a heart attack / Ain’t nothing left, there’s no point to stay. I played my part, so I’ll be on my way.” In “Every Passing Day” I start with “I got a lead act in a play, that I’m living today.” Yeah, I blend them. But sometimes when I use “you,” I am referring to someone else.

Which elements of nature do you spend the most time with and how do those impact your work?

A large portion of my life was spent on whitewater rivers, but having moved to Colorado, backcountry skiing has been my activity of choice. Staying connected to nature helps keep my mind, body, and soul focused. What I mean by that, these activities in the wilderness are at times physically demanding (body). Conditions can be intense at times, cold and wet, but having to remain mentally focused on the dynamic of the situation (mind). All this taking place in a vast wildness backdrop where I am just a speck on a mountain or a drop in a river (soul). These skills are not lost upon returning. When life is challenging, uncomfortable, stay focused on the task at hand. I think you would find this perseverance in other independent artists. The industry is stacked against us but it’s not a determent. We are all just drops in a big river; we all start and finish the same but take different route over the course of in between.

What’s your favorite memory from being on stage?

Anytime I am playing a new song that I know the audience has yet to hear but somehow, they are singing along to it. I could be way off base, but my thought is “Man, I must have got it right this time!”


Photo Credit: Laura E. Partain

STREAM: Christopher Jones, ‘Bach: The Goldberg Variations’

Artist: Christopher Jones
Hometown: Morgantown, West Virginia
Album: Bach: The Goldberg Variations
Release Date: May 7, 2021

Editor’s Note: Christopher Jones is director of the Appalachian Music Ensemble, a performing group at West Virginia Wesleyan College. He got his start, however, in the classical world. He holds a bachelor’s degree in cello performance, and a master’s and doctorate degree in music composition from West Virginia University. For his newest project, he has reworked Bach’s iconic Goldberg Variations for mandolin, banjo, and guitar.

In Their Words: “This project is something that I had thought about for a long time. Not necessarily that I wanted to record it myself, but that it was something that I really wanted to hear. When everything shut down last year and the world was upended, I made a split-screen video of the ninth variation, and then the second, and realized I might as well do a studio recording of the entire thing. I think I turned to this piece as something that had that satisfying and comforting sense of order and normalcy, even though the scope of the whole thing can feel chaotic. Each variation is an exercise in perspective, begging the question of ‘How many different ways can I look at the same problem?’ It was a lens to try and make sense of things.” — Christopher Jones


Photo credit: Lauren Smith

LISTEN: Fletcher’s Grove, “Stray Bird”

Artist: Fletcher’s Grove
Hometown: Morgantown, West Virginia
Song: “Stray Bird”
Album: Waiting Out the Storm
Release Date: May 17, 2019

In Their Words: “I’m a longtime fan of the likes of Bill Monroe and Del McCoury, so I often look to those folks and their ilk for inspiration. I wanted to write a classic country song for our new record. ‘Stray Bird’ is a modern take that pays homage to an earlier era. One of the last songs to be brought into the studio, ‘Stray Bird’ came together quickly and stood out as a different sound for the band that fit this record.” — Ryan Krofcheck, Fletcher’s Grove


Photo credit: Dan Gifford

LISTEN: Charles Wesley Godwin, “Coal Country”

Artist: Charles Wesley Godwin
Hometown: Morgantown, West Virginia
Song: “Coal Country”
Album: Seneca
Release Date: February 15, 2019

In Their Words: “This song is about the coal industry in West Virginia in the past and present. It’s my best attempt to articulate, through music, the mixed bag of good and bad that it’s brought to us. On one hand, it has given economic mobility to countless families, including my own, in the 20th and 21st centuries and it has contributed greatly to the economic strength of the United States these many years. On the other hand, it has also taken the lives of thousands of miners, scarred the land, and has a somewhat dark history of companies taking advantage of workers and violating their rights. This song was completely influenced by my father. He’d been crawling in coal for years when he was my age, so I just wanted to make something beautiful out of that sacrifice. This was the only way I knew how.” — Charles Wesley Godwin


Photo credit: Samantha Godwin