LISTEN: The Lone Bellow, “Gold”

Artist: The Lone Bellow
Hometown: Nashville, Tennessee
Song: “Gold”
Release Date: July 21, 2022
Label: Dualtone Music Group

In Their Words: “‘Gold’ is written from the perspective of someone lost in the opioid epidemic. My hometown, like so many small towns, has a quiet war going on just below the surface that no one wants to talk about. ‘Main Street on the auction block’ is my way of saying this. ‘It’s in my blood, it’s in the water, it’s calling me still, I could leave, I know I should, but there is gold in those hills.’ He’s saying he’s addicted, and there’s small-town love and beauty and life happening right next to this war. ‘True love found in parking lots.’ Have y’all ever had nowhere else to hang except for a parking lot? I know I did, and it started so innocent. Like Hal Ketchum said in ‘Small Town Saturday Night,’ ‘…gotta do bad just to have a good time.’ We tried to pick up where they left off. Where could that small town Saturday lead? And what’s it look like right now.” — Zach Williams, The Lone Bellow


Photo Credit: Eric Ryan Anderson

LISTEN: Blake Brown & The American Dust Choir, “Rearview”

Artist: Blake Brown & The American Dust Choir
Hometown: Nashville, Tennessee
Song: “Rearview”
Album: Don’t Look Back
Release Date: September 30, 2022
Label: We Believers Music

In Their Words: “‘Rearview’ is about moving on. It’s about clearing your name, paying your debts (literally and figuratively), and leaving your familiar surroundings. It’s about the next adventure, looking to the future, and not giving a damn what anyone else thinks or has to say about it. I originally wrote the song as a kind of character sketch. I daydreamed up a couple in love that wanted to pack all that they could fit into their bags and hit the road. Turns out months later that couple was my wife and me… I approach most of my songs in a stripped-down acoustic format while thinking about, and coming up with, additional instrumentation throughout the writing process. The slide guitar part and producer/drummer Ken Coomer’s (Uncle Tupelo/Wilco) driving drums are elements that I feel execute the ‘road trip at dusk’ feeling I was aiming to accomplish.” — Blake Brown

Blake Brown | www.blake-brown.com · Rearview

Photo Credit: Glenn Ross

LISTEN: Wyatt Easterling, “Throw Caution to the Wind”

Artist: Wyatt Easterling
Hometown: Chapel Hill, North Carolina (now Nashville)
Album: From Where I Stand
Track: “Throw Caution to the Wind”
Release Date: July 29, 2022

In Their Words: “I wrote this with Thomas Anderson. It was our first co-write and it felt magical. We wrote it during the summer of 2019 when everyone was exhausted with the headlines. I had this hook and wanted to write a ‘get the hell out of Dodge’ kind of song. I love the carefree view the singer takes about where he and his lover are stuck in their lives and their willingness to chuck it all and go on a life adventure, let the chips fall where they may!

“Thomas and I started this record working off a drum track we put together in the studio with a keyboard bass line for me to put down my guitar track in my home studio: ‘Wyatt’s Woodshed Studio.’ You wouldn’t know it to hear it now on the album, but we began calling this track our red-headed stepchild. It took three attempts to get the right tempo, the right vibe on the electric guitar. We tried everything from too twangy, to too slick, and settled on the almost-Bakersfield vibe we have now. We didn’t set out to meet any genre but instead tried to stay out of the way and let the song lead us.

“Ultimately I took Mike Rosado, my drummer, and along with Thomas we went to County Q in Nashville to cut live drums with Jimmy Carter on bass. That’s when we started to feel more comfortable about the vibe, the direction, and the overall picture of the track. Mixing was another ‘get the stubborn mule in the barn’ moment! At first, I was a little timid about rocking it too much for fear of Folk radio. I decided on the way to mix that I was going to let the dog off the chain, so to speak, and let it be what it needed to be. So glad I did.” — Wyatt Easterling

Wyatt Easterling · Wyatt Easterling Throw Caution To The Wind

LISTEN: Nick Nace, “The Harder Stuff”

Artist: Nick Nace
Hometown: Woodstock, Ontario, Canada. Currently in Nashville.
Song: “The Harder Stuff”
Album: The Harder Stuff
Release Date: July 29, 2022
Label: North/South

In Their Words: “Every country/folk singer needs a drinking song and this is my spin on the well-worn topic. The title is a play on words. It encompasses the trials and tribulations of everyday life and the comforting notion that at the end of the day whiskey is one thing that never seems to go bad. I also thought it was a fitting title for the album overall as the last couple years have really brought us all face to face with what I call the harder stuff.” — Nick Nace

NickNace · The Harder Stuff

Photo Credit: Nick Nace

WATCH: Lindsay Lou, “Still Water”

Artist: Lindsay Lou
Hometown: Nashville, Tennessee
Song: “Still Water”
Album: You Thought You Knew EP
Release Date: July 22, 2022

In Their Words: “The rushing river never gets a moment of peace, even when no one is around.”

“They say still waters run deep. As a heart-on-my-sleeve sort of person, I’ve always been mystified and drawn to the quiet and reserved. What’s going on in there? Do they have the same anxieties I do? Are they at peace when they’re alone? Are they holding onto a secret? This song is a reminder to slow down and remember that we create our own value. That it’s an internal thing. Maybe that’s the secret, and maybe I need that reminder, especially in the quiet moments between all the bustling of life, the parties, the festivals, the work, the Technicolor and the radio waves. If we can’t create space for peace within ourselves, even in the uninterrupted white noise of aloneness, I can’t imagine there being space for it anywhere else.” — Lindsay Lou


Photo Credit: Loren Johnson. Video Director: Joshua Lockhart. Band: Lindsay Lou (guitar and vox), Ethan Jodjevitz (bass), Maya de Vitry (fiddle), Jordan Tice (lead guitar), Dominic Leslie (mandolin)

BGS 5+5: Stacy Antonel

Artist: Stacy Antonel
Hometown: San Diego (now based in Nashville)
Latest Album: Always the Outsider
Personal nicknames (or rejected band names): Ginger Cowgirl

Which artist has influenced you the most … and how?

Tori Amos. I don’t think my music sounds anything like hers, but she was a very formative musical influence for me. I didn’t write my first song until my late twenties, long after I’d stopped listening to her, but I find it hard to believe that her melodic sensibility hasn’t influenced me as a songwriter. Willie Nelson is up there as well, and his effect on my music is much more discernible on this record.

What was the first moment that you knew you wanted to be a musician?

In a vague way, I always wanted to be a musician, but I never actually did anything to move the dream forward. I didn’t go to school for music, I didn’t try to write songs, and it wasn’t until I lived in Argentina in 2010 that my career took its first steps. I had randomly gotten a job singing jingles for Jeep and MTV that aired throughout Latin America, and that led to me singing with a friend’s band. I had a ton of stage fright and it was 4 a.m. at a house party, but that performance gave me a feeling that I was finally doing what I was supposed to be doing.

If you had to write a mission statement for your career, what would it be?

My mission statement is simply to get better at my craft, and to know myself more intimately as I pursue it. I want to get better at singing, I want to get better at being in the moment onstage, and I want to write interesting and meaningful songs. For my next record, I particularly want to be more collaborative, both in the writing process and the production and recording process. Collaboration doesn’t really come easily to me because I’m simultaneously a control freak and hesitant to speak my mind when there’s a strong personality in the room. So that’ll be a challenge for me, but hopefully it’ll serve the music.

What has been the best advice you’ve received in your career so far?

I think the advice of not judging your music while you’re still in the act of creating it is really important. I struggle with that a lot, and it results in very inhibited writing. Recently, I got the advice that too many artists are concerned with making every record their best-ever body of work, and really we should take it less seriously and just release what we create. I see the validity in that, but my curatorial urge is a bit too strong to swallow it whole. It can be a difficult balance between creating art for yourself and also asking people to listen to it. I think a lot about the intersection of art and commerce lately.

What’s your favorite memory from being on stage?

The most memorable is from my last show in Argentina, the night before I moved back to the States. I’d been crying for days about leaving, and after my last song the crowd chanted my name until I got back onstage for an encore. It was that rare show where the entire crowd was fully present for the experience. Everyone was just being super kind and generous with each other. It’s the only time people have chanted my name and I’m still kinda chasing that feeling.


Photo Credit: Natia Cinco

LISTEN: Goldpine, “Wander Away”

Artist: Goldpine
Hometown: Nashville, Tennessee
Song: “Wander Away”
Album: One
Release Date: August 26, 2022

In Their Words: “‘Wander Away’ is coming out at a time when mental health is really on people’s minds. More than ever, it seems we are looking for healing — one way or another. This tune delves into the trenches here, and resolves with the idea of fixing your eyes on ‘a thing far more glorious’ which for us, is a reference to God’s healing love. This is also one of the few songs we’ve written with no real lyrics in the chorus. I’ve always loved a chorus with some great ‘ooohs’ and ‘aaahs,’ but even without any real chorus lyrics, the song builds to a reverb-flooded climax near the end. I love how the production turned out on this one….it’s groovy and chill, and climactic and raucous.” — Ben Wilson, Goldpine


Photo Credit: Rae

BGS 5+5: Teddy and the Rough Riders

Artist: Teddy and the Rough Riders
Hometown: Nashville, Tennessee
Latest Album: Teddy and the Rough Riders
Personal nicknames: TRR, Teddy

Which artist has influenced you the most … and how?

Well, since there are way too many artists who have had singular, exceptional influences on us, I’ll have to just pick one amongst many! But someone special that comes to mind for me is Bill Monroe. For me he took the song formula to the moon, maybe from speeding up Jimmie Rodgers and other traditionals to breakneck speeds, and singing as high as humanly possible. To me he breaks through bluegrass. As a creator he made these simple, beautiful melodies that can be felt beyond genre, as he certainly was in his day.

What was the first moment that you knew you wanted to be a musician?

Growing up in Nashville there was a plethora of rock house shows and gatherings. One in particular I was around 15 years old when I saw this band Jeff the Brotherhood, and they just had this stripped-down, two-piece, driving minimalist rock sound. The scene around them was exploding and I truly felt like I got to be a part of it right then and there. That made me believe I could actually play music. It took our buddy Carter setting up a honky-tonk night every Sunday 7-9 at Santa’s Pub in 2011 to be fully convinced to play real country music, though!

What rituals do you have, either in the studio or before a show?

Jack and I love to rehearse singing together before a big show. I play mandolin and sing the high harmony, and Jack plays guitar and sings lower. But we do a huge Louvin Brothers routine, kind of doing the high lonesome, blood harmony thing. It’s just great practice and lets us all warm up solidly and relieve stress before a show.

Which elements of nature do you spend the most time with and how do those impact your work?

Nashville is surrounded by great hikes. We go to Sewanee, Tennessee, where a good many friends have family cabins out there. That will put a song in your mind, it’s a pretty special place. We all go out to Percy Priest Lake together and listen to music and sit in the sun and swim. We have access to canoes and a lot of our friends are good at efficiently camping. I definitely write songs about those experiences all the time.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

In Nashville there’s an exceptional Southern-style meat-and-three called Arnold’s Country Kitchen. Well, naturally we go there a good bit, but before his death, and for longer than I know probably, John Prine would go there every Thursday before a writing session and get the meatloaf. We’d go and see him ride in his huge black Escalade and go to town. So to me, John Prine and a big ole meatloaf and three sides from Arnold’s is the stuff of legend!


Photo Credit: Monica Murray

WATCH: Appalachian Road Show, “Blue Ridge Mountain Baby”

Artist: Appalachian Road Show
Hometown: Nashville, Tennessee
Song: “Blue Ridge Mountain Baby”
Album: Jubilation
Release Date: October 7, 2022
Label: Billy Blue Records

In Their Words: “When we settled on the theme and title of Jubilation for this new project (intended to be sort of an ‘answer’ to our last project, Tribulation), we knew exactly the direction some of the material needed to head. But, sometimes finding just the right pieces to put it all together can be a task! One day the hook, ‘Blue Ridge Mountain Baby,’ popped into my head out of the blue sky. In that instant, I could just feel what the finished song ought to sound and feel like… We just needed to actually write it… and then perform it! When it was time to record it, man, did the guys sure scald it! If ever a song felt like it belongs on an album called Jubilation, I think ‘Blue Ridge Mountain Baby’ does!” — Jim VanCleve, Appalachian Road Show


Photo Credit: Erick Anderson

From Their Secret Studio in Nashville, The Grahams Cultivate a Community

Doug and Alyssa Graham dreamed big in 2018 when they opened 3Sirens, a hidden recording studio in East Nashville that’s become a go-to destination for independent musicians of all kinds. Now recording their own projects together as The Grahams, the couple grew up together in New Jersey and have since traversed the globe with their roots-pop blend of original music. But for their latest, they invited friends to record a cover song at 3Sirens for an upcoming compilation titled 3Sirens Presents: With Love Part 1. The Grahams themselves are getting in on the action with a mesmerizing cover of Mazzy Star’s “Fade Into You.”

“I always always wanted to cover that song. It spoke to me in a way that allowed me to wander through the magical world the band set up. It also spoke to me on a romantic level as it was something I could relate to with Doug as my lifelong partner,” Alyssa says. “For our cover version we slowed it down, leaned into the slow drip and embraced the jazzy mood of the changes. It felt a little more personal this way to us but nobody can do it even close to the original.”

Doug and Alyssa Graham invited the Bluegrass Situation to 3Sirens this spring for an afternoon hang.

BGS: What were the first steps in bringing 3Sirens from a good idea into reality?

ALYSSA: It took a while and it’s still not there. How’s that? (laughs) So, the good idea started when Doug and I started rambling on about how we grew up, which was together around campfires with everyone taking an instrument. Being hippie kids and playing music in any way we could. So, the idea has been there since we were kids. We have always loved that whole idea. Then we got caught up in the world and the business of music and forgot about the idea for a while.

But the idea really started becoming a possibility when we were holed up with our friend Davíd Garza in our New York apartment during a blizzard right before South by Southwest around 2014. And we were just talking about the idea of creating a space that was reminiscent of what they were doing in the ‘60s. Or the ‘20s in Paris where artists would come together. If you knew Garza, you’d know he was like, “No cell phones. No computers, no technology.” We got past that, but that was the idea. Like-minded people, artists of all kinds, together. Garza was like, “Let’s see if my friend John Doe would be a guinea pig.” Who doesn’t love John Doe? We were about to go down to South by Southwest, and we didn’t have this house yet, so we rented a studio and said, “John, do you want to try to somehow make this a reality, conceptually, for one session, and see what we get?” So, that’s how it started.

DOUG: Then we got Ben Kweller to do a session with us, and we’re still working on getting that release plan together. And then we had an idea where we wanted to make a movie. Wouldn’t it be really cool if we got a bunch of musicians together and made a soundtrack? Dex, our buddy here, called a bunch of people in Nashville to come up with a compilation. So, here’s three pieces of content we had sitting around – John Doe, Ben Kweller, and the compilation. Then we started hanging out with Dex a lot and said, “We want to buy a space.” And here we are, basically. With our friends, we were drilling holes in the floor and running wires underneath the house and into each room, getting the studio plugged in.

What are some of your favorite memories or moments here?

ALYSSA: I would say one of my favorite memories is closing on this house. We had been looking and looking, and we were recording our own record at that time in Blackbird, and next door at Creative Workshop. They are amazing studios with everything at your fingertips. But we were also actively looking for an old house to turn into this. We saw lots of properties with Dex and then we went on tour. We were in France when we bought the place. We were on tour with our whole band and had a few days off in Paris. We bought the place sight unseen. Dex saw it – he Facetimed me and I saw every inch of it. We bought the place and I think my favorite memory is when we came back from that tour, we came in here. It was an empty house. We had bought a few of these rugs and the three of us stayed up for five days rolling out the rugs and putting up chandeliers. Pumped great music through here for five days. It was a clean palette. It was the beginning of something. We still don’t know what that is, honestly.

Where do you go from here?

ALYSSA: Lots of places! (laughs) One of the main reasons we wanted to do this is that we eventually want to start a foundation element to 3Sirens. We’re working on developing that concept, whether it’s working on grants for struggling artists or specifically musicians, or whether it’s partnering with some of the music schools. At the core of this whole thing is a collaborative sensibility where we want to bring people together and try to support artists in some way. There’s gotta be a philanthropic element.

DOUG: We have this larger dream than just this place. This is one element of a creative support network that we want to figure out. This is the most relatable part for us. We’re musicians, we’re here, so let’s make this a spot. We’ll start to make it available to people. How do we do that? How do we make it available to as many people as we can without trashing the place? (laughs)

ALYSSA: You can’t call up and book space. It’s not like that. It’s either we know you, or Dex knows you, or a friend told you about it, or you’re somebody we’re interested in musically or artistically and we invite you to come. It’s sort of a network that way. But in the immediate future, there’s a compilation coming out with all Nashville artists, which is cool. We also want to start releasing albums. We have a working relationship with (music distributor) The Orchard, and basically we’re going to start putting out records of artists that we not only love and support, but also people that might not have the right story, or the right look, or the right sound for a niche label.

We’ve talked about how 3Sirens can benefit the artists who come here, but what is the reward for you personally in having this space?

ALYSSA: I think we’re at a place in our life where, yes, we’re always going to pursue our own music and we’re writing a new record right now. We love being The Grahams. We’ve been doing this together since we were 10 years old. That will never change, but we have a 3-year-old and we’re at the point right now where we want to see beautiful things going into the world. We have the means and the dream to make this a place that brings joy to people, including us. We love to be around great music. We love to support great music. We love to hear great music.

DOUG: We did grasp at this music business for a long time, and now we’re kind of over that. We figured out that we just want to make music. We don’t want to be famous. This is a bigger dream, to provide joy and to provide a space.


Photo Credit: Alex Berger of Weird Candy