MIXTAPE: Bertolf’s Dutch Bluegrass & Newgrass

My name is Bertolf Lentink, I was born in 1980 and I’m from the Netherlands. I was spoon-fed bluegrass music by my father, who endlessly played his records by the likes of Doc Watson, Tony Rice, and Tim O’Brien in my parental home. At a young age, I learned to play both from and with him.

I have released six albums here in the Netherlands and they were more in the singer-songwriter/pop style. But for my seventh album, I decided to return to my roots and my first love: bluegrass. I had the chance to record an album of my own material with some of my favorite musicians of all time, such as Jerry Douglas, Stuart Duncan, and Mark Schatz – guys I’ve been listening to and admiring since I was like 6 years old. The band was completed by two fantastic instrumentalists of the younger generation: Wes Corbett and David Benedict. The album was recorded and mixed by David Sinko in the Sound Emporium Studio in Nashville. I really had the best week of my life recording it; it was everything I hoped for and more.

The album is called Bluefinger because residents of Zwolle, the city I live in, are called Bluefingers. But it’s also a reference to bluegrass and getting blue fingers from studying so hard on the guitar trying to be good enough to record with my heroes.

Bluegrass music has surely travelled all around the world. It even made its way to the Netherlands and continues to inspire young people here. This is a mixtape of the stuff that inspired me and that’s going on in the blue- and newgrass department here right now. Dutch Grass! – Bertolf

“Before The Storm” – Bertolf featuring Ilse DeLange 

It was quite a surreal experience to record with my heroes, but at the same time it felt really familiar when I heard those guys’ instruments coming through my headphones. Like I was coming home somewhere I’d never been before.

“Uncle Pen” – Bill Monroe

Bill Monroe learned to play from his Uncle Pen. Full name: Pendleton Vandiver. Uncle Pen’s great-great grandfather was Bill Vandiver, an immigrant from the Netherlands. Vandiver is actually derived from the Dutch Name “van de Veer.” So if Bill Monroe is the Father of Bluegrass and Uncle Pen is the uncle of bluegrass, then Bill van de Veer is the great-great uncle of bluegrass. So there’s the Dutch connection with bluegrass for ya! 

“Keep on Pushing” – Country Gazette

My love of bluegrass music is entirely my father’s fault. In 1972, when he was 16 years old, he heard a song on the radio: “Keep on Pushing,” by Country Gazette. That song was actually on the Dutch pop charts at that time! My father was completely blown away and it was the start of his love of this kind of music. And when I grew up, he played nothing else but bluegrass, so I couldn’t help but to fall in love with it, too. (The original ’70s recording of “Keep on Pushing” is not on Spotify, so here is the ’90s remake.)

“Amsterdam” – Douwe Bob

Douwe Bob is a famous artist here in the Netherlands. I wrote this song with him and we thought it was nice to try and write a bluegrass song not about the hills of Kentucky or something, or to once again pretend to be American, but to write a bluegrass song about the city we know, Amsterdam. 

“Crying Shame” – Blue Grass Boogiemen & Tim Knol

Blue Grass Boogiemen are a great high-energy bluegrass band from the Netherlands who have been on the scene for a long time now. Here’s a song from an album they made with the great singer-songwriter Tim Knol (who happens to sing a nice harmony vocal on my album Bluefinger as well)

“Fallin’” – Nathalíe

Here in the Netherlands, I’m playing live with a great band of musicians who also happen to have their own bluegrass bands. This song is from the band Nathalíe, that feature my band members Nathalie Schaap on vocals and double bass, Jos van Ringen on banjo, and Janos Koolen on mandolin. I really love what they’re doing.

“The Bipolar Bear” – The Charivari Trio with Janos Koolen

Janos Koolen is the mandolin player in my band. He’s a fantastic multi-instrumentalist and composer as well. Here’s his beautiful composition, “The Bipolar Bear,” with the Charivari Trio.

“Tapdancing on the Highwire” – Ilse DeLange

My career in music started by playing in Ilse DeLange’s band. She’s a big country/pop star here in the Netherlands, and she’s very fond of bluegrass music as well. Here’s one of her songs that I really love from a live album we did back in 2007. 

“One Tear” – 4 Wheel Drive

4 Wheel Drive is probably my favorite Dutch bluegrass band. The band also features Joost van Es on fiddle, who’s playing live with me right now. I went to see them live a lot as a kid, and I was always left really impressed and wanting to learn to play, too. I also need to mention the bands The Country Ramblers and Groundspeed, who were from the city of Kampen (which was jokingly called the “Nashville by the Ijssel”), but sadly their albums are not on Spotify. 

“Deeper Than the Holler” – G-runs ‘n Roses.

G-runs ‘n Roses is a band from the Czech Republic, with two Dutch guys playing in it: Ralph Schut on guitar, banjo, and vocals and his brother Christopher Schut on bass.

“Till I Found Someone” – The Bluebirds

The Bluebirds are a band that do great and heartfelt three-part harmony. Here’s a song that I wrote with them, with J.B Meijers on dobro.

“Team Hoover” – Bertolf

I’d like to end this mixtape with an instrumental that I’m really proud of, once again from my album, Bluefinger.

I hope you enjoy it and thanks for listening! Cheers from The Netherlands.


Photo Credit: Dirk Schreuders

STREAM: P.J.M. Bond, ‘In Our Time’

Artist: P.J.M. Bond
Hometown: Amsterdam, the Netherlands
Album: In Our Time
Release Date: October 6, 2023
Label: Concerto Records

In Their Words: In Our Time is an interdisciplinary indie-folk album based entirely on Ernest Hemingway’s short-story collection from 1925. While obtaining my Literary Studies MA at the University of Amsterdam, I started to dream of making a record based on a work of literature. Lightning struck when I reread Hemingway’s In Our Time and discovered a musical potential that had never been unearthed before: there’s nature and bullfights, the unspoken horrors of war, beauty beside chaos, fire and rain, and just so much youthful exuberance contained in Hemingway’s writing. And so I locked myself in a log cabin to write and record the songs, one for each of the stories from Hemingway’s marvelous work of fiction. I am extremely proud of my own In Our Time, and I am convinced that lovers of both Americana and American literature may rejoice and appreciate this album. Listen to it on a long hike, or drive, or on a rainy Autumn day over a cup of tea (or glass of whisky).” – P.J.M. Bond


Photo Credit: Nadia Morsink

WATCH: Paul Bond, “Sunset Blues”

Artist: Paul Bond
Hometown: Amsterdam
Song: “Sunset Blues”
Album: Sunset Blues
Release Date: November 18, 2021
Label: Concerto Records

In Their Words: “‘Sunset Blues’ is the title song of my debut album, featuring seven songs that all deal — in one way or another — with fatherhood. This song in particular means a lot to me; it records the moment my girlfriend tells me she is pregnant with our daughter. As a scholar of English literature who is particularly fascinated with the Modernist movement of the 1920s, I took a lot of inspiration for the lyrics of this song from Ernest Hemingway’s writing, who was always urging himself and everyone who was willing to hear it that we have to get as close to the truth as possible, without resorting to poetry or imagery as a means of obscuring the essence of our experience. I am absolutely stoked to have the video for ‘Sunset Blues’ featured on The Bluegrass Situation, and hope that the folk and Americana aficionados here will appreciate what I have tried to do. Fun fact: We shot the video at 4 o’clock in the morning in the Amsterdam Forest (Amsterdamse Bos), to capture the best possible atmosphere to accompany the song.” — Paul Bond


Photo Credit: Gerard Buitenweg

Best of: Live at Ear Trumpet Labs

Since 2011 Portland, Oregon-based Ear Trumpet Labs has been blessing the music world with their finely crafted microphones, with their clean, natural sound and designs reminiscent of the styles of the 1930s and 40s. And for the past three years, they’ve been gifting us listeners with beautiful examples of their high quality equipment through their Workshop Sessions, pairing exquisite videography with master musicianship. We’re looking back at some of our favorites from 2019 as we move into the new year, when BGS + ETL will be partnering to bring you more content live at Ear Trumpet Labs!

Jerry Douglas & Tommy Emmanuel – “Choctaw Hayride”

We’re not alone in our love for this session: it was one of our BGS readers’ favorite stories of the year. But really how could it not be? It doesn’t get much better than two masters of their crafts getting together in a workshop and just letting it rip.

Both are using Edwina microphones, and there’s also a stereo pair of Delphinas as room mics.


The Local Honeys – “The Redhead Yodel no. 1 [Mainliner]”

In their unfortunately rare ode to the female traveller amidst a plethora of hobo songs in American folk music, the Local Honeys bring us what they call “a lovey-dovey, yodelly-wodelly one.” Is there anything better than a yodelly-wodelly love song from the perspective of a female hobo? No. Is there anything better than the Local Honeys? No.


Anthony D’Amato – “Party’s Over”

Anyone else still recovering from all those holiday parties?


Anna Tivel – “Minneapolis”

Once the holiday cheer has passed, this time of year can be heavy. Tivel tells BGS this song is about “that stagnant winter sadness that can take over everything until you have to physically move yourself to shake it loose.” This stirring string arrangement may envelop you in those depths of winter, but it just might give you the hope to get yourself un-stuck.


Rachel Sermanni – “Farewell, Farewell”

Scottish folk musician Sermanni’s gentle delivery and sparse accompaniment of this Richard Thompson tune draws out the influence of the British folk ballad even more than the original Fairport Convention release in the late ‘60s. We dare you to not be completely drawn in by this breathtaking rendition.


Jefferson Hamer – “Alameda”

Hamer’s 2018 release Alameda is a collection of “road stories,” its stunning title track a tale of a traveling worker and a lost love.


The Brother Brothers – “Angel Island”

Adam and David Moss’s arrangement of this devastating Peter Rowan-penned story of a Chinese immigrant couple separated and detained at San Francisco’s Angel Island, a regrettably common occurrence during the years of the immigration station’s operation from 1910-1940, is almost unbearably haunting, and for good reason. This is a story that we as a culture shouldn’t soon forget.


Claire Hitchins – Emma

Aside from the beautiful lyrics painting the picture of our leading lady, and the easy, light vocal delivery, the look of pure peace on Hitchins’ face might just be the cherry on top of this session. “We’ll rise with love, my love, I believe we are worthy.”


Greg Blake – “Say Won’t You Be Mine”

Greg Blake brings some bluegrass from Colorado to the Ear Trumpet Labs with this Stanley Brothers classic.


The Lasses & Kathryn Claire – “Here Now”

Amsterdam folk duo The Lasses team up with Portland singer-songwriter Kathryn Claire to create this captivating session featuring violin, guitar, bodhrán, and trio vocals that could warm any lonely heart this cold winter.