Tag: ballet

BGS 5+5: The Brother Brothers

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Artist: The Brother Brothers (Adam and David Moss)
Hometown: Peoria, Illinois
Latest Album: Calla Lily (out April 16, 2021, on Compass Records)

Which artist has influenced you the most … and how?

If I have to pick one, which is quite difficult, I’d have to pick John Hartford. I constantly admire, rediscover, and celebrate the effortlessness with which music and words flow out of him. When he writes, he writes about what he knows, and we are convinced to join him in his love of steamboats, old time Nashville, and so many other things that I’d normally walk on by. His musicality is so honest and of himself, and damn, it just sounds so good. He doesn’t subscribe to any “rules” and yet he’s so completely inside a style. — Adam

What other art forms — literature, film, dance, painting, etc. — inform your music?

I have done a fair share of composition for dance, which has opened a whole new universe of creativity to me — the idea that movement, once catalogued, becomes an intentional means of expression has such a real and vibrant quality that no other art form can ever hope to encapsulate. Working with ballet dancers is amazing because the rigid tradition and pure athleticism of the art form creates an amazing palette that can really get inside different kinds of music, and the creativity flowing from choreographers of modern dance in NYC and around the world is just something so otherworldly but yet incredibly accessible. For some reference, I would recommend Batsheva Dance Company and the surrounding tradition of Gaga, and Nederlands Dance Theater. And of course the ever famous and incredible stewards of George Balanchine, the New York City Ballet. — David

Which elements of nature do you spend the most time with and how do those impact your work?

This last year we’ve both been displaced by the pandemic and as a result have continuously traveled. Now, David is living with his fiancée and their dog in a scamp trailer, spending every day entirely surrounded by nature. I’m currently living in California and surfing every day. When you make your life in nature, you can’t help but let the waves and your wetsuit influence your rhythm and rhyme. The sunset is an impossible thing to describe, but we can keep trying. — Adam

What’s the toughest time you ever had writing a song?

There isn’t really such a thing as “a tough time writing a song,” in my experience. Songs, for me, are things found and worked out. If the process feels difficult, it usually requires waiting and trying different avenues. If you asked, “What is the longest it’s taken to write a song?” The answer would be a very very long time. — David

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Honestly, I can’t imagine a better pairing than Russ & Daughters’ smoked fish spread and dancing to one of the hottest klezmer bands in NYC. Second only to that would be another trip to Lafayette, Louisiana, to spend another weekend at Blackpot Festival, hanging with our Cajun friends down there, playing music and eating the contest-winning gumbo, jambalaya, and gravies of the year. — Adam

Photo credit: Shervin Lainez

BGS 5+5: Native Harrow

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Artist: Native Harrow (Devin Tuel and Stephen Harms)
Hometown: Just outside of Philadelphia
Latest album: Closeness
Personal nicknames (or rejected band names): A good band name we didn’t use is “Tuel & Harms.” As for personal nicknames, well, those are secret and too embarrassing to share.

Answers provided by Devin Tuel

Which artist has influenced you the most … and how?

Though I could list about 50 artists, I feel the most honest answer is Neil Young. I used to listen to Live at Massey Hall while I rode the M1 bus up and down First Avenue from my college to the Lower East Side. Listening not just to the brilliant songs and guitar playing, but also to the way he held attention, to the way he tuned, to his grumbling, and his storytelling. I was transfixed by that record.

I grew up listening to Neil. My Dad is a huge fan. He took me to see him perform when I was young and I remember being on the edge of my seat the entire show, mouth agape. I felt so electric after seeing that. And thru the many years of my own career I have looked to him for inspiration, for guts when I can’t find mine, and for a “What would Neil do?” approach to difficult situations. He seems to have a reverence for nature that I share and I have always felt he could appreciate an open field just as I do.

What’s your favorite memory from being on stage?

This past year and much of 2019 we have been in the UK more than the States supporting our release of Happier Now with Loose. We have played in so many beautiful spaces and met many wonderful people. These are some of our favorite memories of touring to date. And in January we played a sold-out show at Paper Dress Vintage in London during the Americana UK Fest, and as I was singing the opening notes of our first song, “Can’t Go On Like This,” I realized there were people in the audience singing along with me. If any musician ever says they don’t care about that, they’re lying. It’s the most special, heartwarming, exciting thing ever. Someone loves your song enough that they want to sing with you. That’s the best.

What other art forms — literature, film, dance, painting, etc — inform your music?

I grew up dancing — I was a ballerina with a Pennsylvania-based ballet company for about 13 years. So since a very young age I have been exposed to theatre life and the world of the performing arts. I still find seeing ballet so moving I often end up in tears. The classical music I grew up dancing to feels deeply rooted in my muscles and bones. It is so evocative of human emotion and passion and can take your spirit on such a journey. I think that is something we are always trying to achieve with our albums. We want to take you on a journey where the listener is transported away for a while and when the last notes ring out, you are slightly changed by what you’ve just experienced.

Certainly poetry has long been an art form that I have drawn inspiration from. I am deeply connected to nature and thus very moved by the poetry of the natural world — Whitman, Wordsworth, Frost, Keats, etc.

Which elements of nature do you spend the most time with and how do those impact your work?

Stephen and I take two walks daily that wind up and down the rolling hills near our home, past fields of sweet grass and hay, dense forest, and old farm houses. Whether the sun is shining or grey clouds and rain accompany us, it’s so necessary to turn off and just be in nature. I am always making a reference to the weather, the season, or birds on several songs on each album we’ve made. The song “Turn Turn” on Closeness begins with “Turn, turn, watch the weeks go by, moving slowly ‘cross the field ‘til the grass is greener….”

I have written poetry for over a decade and almost all of it is nature-based! There is endless inspiration and it is ever-changing, full of life and full of mystery.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Hardly ever! I am honest when it is about me. Which for better or for worse has kept our songs raw and truthful. The best material I have to draw from is that which is stirring in my own heart and before my own eyes. So I try to tell it honestly and rarely rely on fiction to save my face.

Photo credit: Parri Thomas

Rhiannon Giddens Prepares for ‘Lucy Negro Redux’ Ballet Premiere

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Rhiannon Giddens will reach a new milestone in her ever-diversifying career as the Nashville Ballet hosts a world premiere of Lucy Negro Redux on Friday, February 8. According to press materials, the production explores the mysterious love life of William Shakespeare through the perspective of the “Dark Lady” for whom many of his famed sonnets were written.

Giddens collaborated with jazz musician Francesco Turrisi on the score. The narrative is based on a book by Caroline Randall Williams, a Nashville-based poet who also contributes spoken word during the performance. Paul Vasterling serves as Artistic Director.

In the video below, Giddens explains, “I said yes to the ballet because it’s a really interesting story and it fits very neatly with my mission of highlighting interesting and overlooked possible connections in history, and this is a very, very intriguing one.”

She adds, “I just hope audiences will take away that you can do things in a lot of different ways. And there are so many different ways to collaborate and there are so many different ways to make a statement. I think this ballet, this collaboration, has a really great opportunity to do that – to show audiences that ballet can be this, as well as Swan Lake and some of the other things that you see. In my world, that banjos and folk music can be partnered with really a high-art dance form and it works. So, it’s like, hopefully we bring the two sides together to see each other and go, ‘Hey, you’re not that different from me actually.'”

Photo of Francesco Turrisi and Rhiannon Giddens by Karen Cox