BGS 5+5: American Aquarium

Artist: American Aquarium
Hometown: Raleigh, North Carolina
Latest album: Lamentations

Answers provided by BJ Barham

Which artist has influenced you the most … and how?

I can confidently say that I wouldn’t be the songwriter I am today if it weren’t for the discovery of Bruce Springsteen and his music in my early twenties. A friend played me Nebraska and I was floored. Must have listened to that album for a month straight. He was one of the first artists I have a clear memory of hearing and saying, “I want to do that.”

He writes these elaborate short stories set to music. The songs are expansive and cinematic. The characters are all people we know personally. Intimate snapshots into the lives of the working class. He speaks the universal language in a way not many people will ever be able to. There is something so simple, yet so complex about the way he tells stories. I don’t trust a songwriter who says they aren’t a fan of Springsteen.

What other art forms — literature, film, dance, painting, etc — inform your music?

I read a lot. I usually prefer fiction, but I’ll occasionally do a deep dive into a music-related autobiography. I tend to go for Southern writers and gravitate to the darker side of the genre. My songs take place in the darker corners of the Southern experience, so it doesn’t surprise me that my literary taste tend to go there as well. Faulkner, O’Connor, Harper Lee. The greats are what sucked me in.

I’ve been reading a lot of Cormac McCarthy, David Joy and Barry Hannah as of late. There is a familiarity of place that I really enjoy about them. I think a lot of the flaws in the characters of my songs are a direct result of the books I read in my leisure time. In my lifetime, literature has informed so much of what I know about people, I would be lying if I said it didn’t have an effect on me as a writer.

What was the first moment that you knew you wanted to be a musician?

The first time I played songs in front of people I was hooked. I was double majoring in political science and history at NC State University with every intention of going to law school after my undergraduate work. Then I fell in love with songs. I remember the first show like it was yesterday. Me and some friends from high school played (horribly) at Tate Street Coffee in Greensboro, North Carolina, in front of about 20 people. I was hooked. I became a student of every aspect of the trade. Songwriting. Performing. Business. There was no looking back after that first show. I had found my calling.

If you had to write a mission statement for your career, what would it be?

I played a lot of sports growing up and every time I would complain about a loss or another player just getting a “lucky” shot, my father always said that “luck was the product of hard work” and that is something that has always stuck with me. Work Hard. Get Lucky. It’s so simple, yet so profound. I have those words tattooed across my chest to remind me every morning that luck is not just something that happens to people. There’s a really great quote about luck being the intersection of hard work and opportunity. I think that was what my Dad was trying to say all those years ago, just a little less poetic.

When I started this band back in 2005, I knew I wasn’t the best writer. I knew I didn’t have the best voice. The one thing I did have control over was how hard I was willing to work. I truly believe that willingness to outwork anyone that was better than me is the only reason that I am where I am today. I get to earn a living from writing songs and playing them for people because I dedicated myself to the craft of songwriting and refused to take no for an answer. Some friends always say that I’m so lucky to be able to play music for a living. I just smile and silently thank my father for the lessons he instilled in me at such an early age.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

When I first started writing songs, they were extremely detailed and autobiographical accounts of my youth. The partying, the mistakes, the love lost. As I got older, I started moving more toward character based fictional narrative. Don’t get me wrong, there’s a little bit of myself in every single one of my characters. Some more than others. I believe it’s important to always add those dashes of personal experience into the songs. It makes them more believable to the listener and allows you to fall into those characters as you perform these songs every night.

The fiction is where you have the ability to make the songs universal and not just about you. The bigger picture versus the guy looking back at you in the mirror. I think part of the craft of songwriting is learning that balance. The greats came out of the gate with that gift. The rest of us had to learn it the hard way. It took me quite a few years to stop writing about the person that I currently am and start writing about the better versions of myself that I hope to become.


Photo Credit: Cal & Aly

BGS 5+5: Kristina Murray

Artist: Kristina Murray
Hometown: Atlanta, Georgia
Latest album: Southern Ambrosia
Personal nicknames: Tina, Trina, Cold Beer Murray

Which artist has influenced you the most … and how?

I was 3 when Lucinda Williams’ eponymous record came out (a perfect record in my opinion.) My momma says my favorite song was “Big Red Sun Blues” and that I used to sing “catchin’ them fishes” instead of “Passionate Kisses,” swingin’ my little legs from the car seat. I guess Lucinda’s been my favorite ever since. To me, her writing and stories are so real, so beautiful, so well-crafted, so true. And when she sings, my God, you can hear she believes everything she has written and delivers that directly, genuinely, and without flash and pomp. AND, she can also rock the fuck out!

You can hear in her music that she is studied and has reverence for all different kinds of music (Delta blues, country, rock, etc.), but her music is her own signature blend. She is a master at weaving lyric, melody, and the band; she writes about love and sex and heartbreak and death and passion and life and being a woman in a way I could only dream about. AND! She gets better and better every decade she blesses us with her artistry. This is all I’ve ever worked to do as an artist: write what I know—real songs—and convey them truly and passionately.

What’s your favorite memory from being on stage?

This is hard to pick one because any chance I get to sing on stage feels so good. About five years ago, I was a special guest singer at Copper Country, a festival in Copper Mountain, Colorado; the band, The Long Players were out from Nashville and were playing down the Wanted! The Outlaws album (the first platinum-certified country record.) I was to sing all Jessi Colter’s songs and parts— only slightly nerve-racking as she is another longtime hero of mine! It was my first big festival (with a great sound system) and when I sang the first line of “What’s Happened to Blue Eyes?” I could hear my voice ring off the mountains so clean and clear. I got a standing ovation from 3000 people after that first line and it was the first time I really owned the thought, “Oh. Maybe I am good at this singing thing.”

What other art forms — literature, film, dance, painting, etc — inform your music?

I love to read! At any given time, I’m reading three or four books, usually: a self-help book (Ego Is the Enemy by Ryan Holiday), a non-fiction book (Women & Power by Mary Beard), fiction (Journey to Ixtlan by Castenada; The Line That Held Us by David Joy) in addition to articles (subscribe to The Longreads Friday weekly roundup), and poetry (right now, it’s Neruda). As Twyla Tharpe says, “The best writers are well-read people.” Amen.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

If I get to sit down with a musical hero, it’d be BBQ with Elvis. If it’s a solo endeavor, it’s a bottle of Tempranillo and Joni Mitchell’s incomparable Blue.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Almost never; I don’t know how to write like that, hiding behind a character (see answer one). Perhaps that’s a new endeavor and challenge to take on, writing more from the character perspective—I currently have maybe one song like that! When I listened down to the first mastered sequence of my new record, Southern Ambrosia, I burst into tears because it was a very raw exposure of my life and I felt vulnerable and a little terrified that people were gonna hear all these opinions I have and situations I’ve been in. But that’s all me in there; I haven’t figure out how to do it any other way.


Photo credit: Nicholas Widener