LISTEN: Claire Hawkins, “The Name”

Artist: Claire Hawkins
Hometown: New York, New York
Song: “The Name”
Album: The Name
Release Date: August 4, 2023

In Their Words: “My music has taken me to some incredible places over the years. From a DIY European tour performing in youth hostels and shooting music videos in Ireland, to recording demos in Thailand and writing songs as an artist-in-residence in France, I’m certainly no stranger to being on the move. I wrote this song in my hometown of New York City during a period of transition following two years living in Dublin, Ireland. ‘The Name’ came from a place of yearning and addressing the challenges that come from following your personal North Star, even when it leads you away from the pack. Coming home after a long time away is always an interesting moment for reflection, and one of the perks of being a songwriter is getting to reflect on these moments again and again.” – Claire Hawkins


Photo Credit: Geraldine Smyth

WATCH: Sukhmani, Ajeet, and Aisling Urwin, “Ash + Bone”

Artist: Sukhmani, Ajeet, and Aisling Urwin
Hometowns: Washington, D.C.(Sukhmani); Dublin, Ireland (Ajeet, Aisling Urwin)
Song: “Ash + Bone”
Release Date: July 16, 2021
Label: Spirit Voyage Records

In Their Words: “Working on ‘Ash + Bone’ was such a deep, immersive experience, and it remains one of the most special songs I’ve had the pleasure to work on. When Ajeet approached me to sing and play percussion on the song, it felt right to build the groove organically, in a way that would allow me to perform the lyrics and percussion simultaneously in a live environment. The calabash seemed like the perfect choice, and when paired with the harp, guitar and bass, a fun, rich, unique soundscape was formed!

“The song is inspired by the types of friendships that empower and embolden you to live your truth, and I feel as though the music reflects this so perfectly. The three-part harmony in the verses feels like a beautiful nod to the mutual support of these relationships, and the way our voices weave together in the canon of the chorus makes the lyrics feel like an affirmation, echoing on. I feel so honoured to have been a part of this project, and am in total awe of Ajeet’s production, and the magic brought by everyone else involved in its creation.” — Sukhmani

(Read more from the band below the video.)

“This was an incredibly special song for us to record, as it was born from friendship in a time of isolation and reflection for us all. We made a video performance for social media, spliced together with the three of us separated by oceans and many miles. I think we mostly made it to keep our own spirits up, and to have some fun playing music with our friends…something we’ll never take for granted again!! We were delighted to find that the song caught on, and other people had as much fun listening to it as we had making it. It’s celebratory, free, raw and organic. We left the live feeling in the recording, and I just love the feeling it gets across. I’d love to see all musical projects I’m part of carry such a feeling of fun and exploration like this one did.” — Ajeet

“‘Ash + Bone’ was a really fun one for me from an instrumental perspective. I wanted to experiment with the harp and try to create some new sounds and textures. I took inspiration from the sounds of the kora and had a lot of fun layering polyphonic riffs. And then to combine this with Sukhmani’s beats was a real treat. This biggest treat of all is to make music and sing with these amazing women. There’s nothing like collaboration to broaden the realms of your own creativity.” — Aisling Urwin


Photo Credit: Spirit Voyage

BGS 5+5: Declan O’Rourke

Artist: Declan O’Rourke
Hometown: Kinvara, Co. Galway, Ireland
Latest Album: Arrivals

Which artist has influenced you the most … and how?

Joni Mitchell. She taught me to sing. When I was a kid I could sing well, but then my voice broke as a teenager and fell into my boots. I didn’t know what to do with it. I was already playing guitar and loved it, so I concentrated on just that for a while, but I started writing songs along the way, and presumed they’d be for someone else. Unbeknownst to me I kept singing along with my favourite records and somehow learned to use what I had. Joni was my biggest teacher. It was accidental and surprised me, as of course I was singing in another register and didn’t realize it was happening. Then one day I started singing my songs. I owe her a lot!

What rituals do you have, either in the studio or before a show?

Breathe. Remember that my parents always told me to make every show count. That whatever happens it doesn’t matter. Life will be over before we know it and you’ll be happier you did it than if you didn’t. Say whatever you feel. Enjoy it. And oh yeah, where are my fisherman’s friends? I always have a couple in my pocket going on. In case my mouth gets dry. And they remind me of my Grandad — and that all my ancestors and relatives are with me, and inside me.

What’s your favorite memory from being on stage?

I was in the middle of a gig with a 50-piece orchestra on Valentine’s Day in a concert hall in Dublin. While introducing a song some lady about 20 rows back shouted up some alluring funny comment, it made us all laugh so I shouted something back and had this little dialogue for a moment or two. It was fun. Unusually for me there was this wireless microphone and when the song started I walked down into the auditorium, went and sat on her knee, sang a few lines to her, then made it back to the stage just in time to finish the song. The atmosphere was electric and fun, so spontaneous. Just for giggles, I said on the mic, “I hope that was the right person.” The conductor who was barely holding it together told me to turn around, and pointed down to the lady I’d sang to. I had to squint to see her, and he said, “You see the woman in the green dress about five rows in front of her? That’s the woman you were talking to!” Well I almost died laughing. I finished that part of the show by saying, “I should have gone to Specsavers.” You couldn’t make it up.

Which elements of nature do you spend the most time with, and how do those impact your work?

I live by the sea on the west coast of Ireland. There’s just a couple of fields between me and it. It absolutely zens me out. I love it. It makes it into a lot of my songs, and did long long before I — reared as a city boy — got to live so close to it. In fact singing about it helped me to get there. Manifested in a way.

If you had to write a mission statement for your career, what would it be?

Move people. Remind them of what’s the important thing in their life at any given moment. Help to ground yourself first, and if you can do it, and share a thought or an emotion that’s pure, and felt very significant to you then there’s a good chance it will resonate with other people too. We’re all more similar than we think we are.


Photo credit: Lawrence Watson

WATCH: Lisa Lambe, “Dust and Sand”

Artist: Lisa Lambe
Hometown: Dublin, Ireland
Song: “Dust and Sand”
Album: Juniper
Release Date: April 3, 2020
Label: Blue Élan Records

In Their Words: “The inspiration for this song came from a treasured place: Omey Island, a tidal island on the western edge of Connemara County Galway in my homeplace Ireland. From the mainland you can barely see this place. The island is now abandoned but remains a place of devotion with its holy well. It is quiet and beautiful. ‘Dust and Sand’ is an ode to nature. It’s a song that reflects the space in between, and the lyrics are about being in that in-between place. A bit like the now…. Hope it brings you peace and a sense of place.” — Lisa Lambe


Photo credit: Dora Kazmierak