You Gotta Hear This: New Music From Sister Sadie, Big Country Bluegrass, and More

Your weekly dose of brand new music is here! Check out this Friday’s roundup of track, song, and video premieres from bluegrass, Americana, country, folk, and beyond.

From the bluegrass camp, Southwest Virginia string band Big Country Bluegrass bring us their new track, “Heading for the Mountains,” which they pulled from the catalog of fellow Virginians, the Bluegrass Kinsmen, from just over the mountains. Plus, supergroup Sister Sadie return with another new single, “Do What You Want,” which was co-written by band members Dani Flowers and Deanie Richardson as well as Music Row songwriter and artist Erin Enderlin.

Chicagoan Chris Walz debuts his new number, “Alabama Bound,” a solo blues outing that references a classic recording by Long Cleve Reed and Little Harvey Hull while still putting his own spin on it. From the country and honky-tonkin’ realms, Pug Johnson bemoans a “Hole in Me” with an acoustic performance of that new track that’s full of hurt and tinges of Texas. Plus Iowa-based Katie and the Honky Tonks give the direction to “Mind Your Business” – especially when it comes to social media. Check out a new video from The Mallett Brothers Band, too, featuring stunning views of their Maine home turf and cameos from their own “Dogs and Horses.”

From the genre-blending fringes of indie, folk, and Americana comes Anne Harris’ new artful video for “I Feel It Once Again,” a broad and lush track that centers on violin and is built around a haunting guitar riff. Also, singer-songwriter Luke Sital-Singh delivers a truly unique sound with “Little River,” a song about learning to ride the flow of life wrapped up in an indie-folk-pop package that defies categorization while still feeling down to earth and real.

There’s a little bit of something for roots music lovers of all stripes here. You know what we think… You Gotta Hear This!

Big Country Bluegrass, “Heading for the Mountains”

Artist: Big Country Bluegrass
Hometown: Independence, Virginia
Song: “Heading for the Mountains”
Album: Carry Me Back To The Bluegrass
Release Date: February 21, 2025 (single); March 28, 2025 (album)
Label: Rebel Records

In Their Words: “Back in 1989 when I heard the Bluegrass Kinsmen perform this song, I immediately loved it! When it came time to look for music for this album, I dusted off my recording and played it for the band. They loved it too and so here we are. ‘Heading for the Mountains,’ an upbeat song, is a great fit for Eddie Gills’ distinctive tenor and makes for a memorable duet when Teresa Sells joins him on the chorus. And like the chorus says, ‘the city life is not for me.'” – Tommy Sells

Track Credits:
Eddie Gill – Guitar, co-lead vocal
Teresa Sells – Guitar, co-lead vocal
Tommy Sells – Mandolin
Daniel Martin – Banjo
Billy Hawks – Fiddle
Tony King – Upright bass


Anne Harris, “I Feel It Once Again”

Artist: Anne Harris
Hometown: Chicago, Illinois
Song: “I Feel It Once Again”
Album: I Feel It Once Again
Release Date: February 21, 2025 (video); February 25, 2025 (single); May 9, 2025 (album)
Label: Rugged Road Records

In Their Words: “A while back I unearthed a guitar riff that my friend, blues artist/producer Dave Hererro, had sent me. It had been sitting in my inbox for a long time but I hadn’t got around to listening to it.

“One day I was sorting through my inbox and finally listened down to it and I was immediately swept up by that haunting riff; in one sitting I wrote the lyrics and arranged a song around Dave’s sketch. It was one of those rare instances for me where I felt as if I was channeling the song.

“The song is about the resurfacing of grief during the night, when the veil is thin. It reveals itself at a time when the mind begins ruminating over all that stays hidden during the light of day.” – Anne Harris

Track Credits:
Anne Harris – Vocals, violin
Colin Linden – Guitars
John Dymond – Bass
Jerry Roe – Drums

Video Credits: Stan Miskiewicz – Video producer, director, director of photography
Ara Krossovitch – Dancer


Pug Johnson, “Hole In Me”

Artist: Pug Johnson
Hometown: Beaumont, Texas
Song: “Hole in Me”
Album: El Cabron
Release Date: March 28, 2025
Label: Break Maiden Records / Thirty Tigers

In Their Words: “A simple honky-tonk hurting song with a Texas shuffle and fiddles to boot! I pulled from some past experience and tried to take the Willie approach by saying a lot with very little. I think it is the most country thing I’ve ever done, and it’s one of my favorites on the record.” – Pug Johnson

Track Credits:
Pug Johnson – Vocals, guitars
Paul “Sweet P” Walker – guitars
Jason Baczynski – Drums
Josh Hoag – Bass
Caleb Melo – Pedal steel
Jan Flemming – Keys
Patricia Badgett – Backup vocals
Cody Braun – Fiddle

Video Credits: Directed by David Allison and Joel Malizia.
Produced by Pilot Moon Films.


Katie and the Honky Tonks, “Mind Your Business”

Artist: Katie and the Honky Tonks
Hometown: Waterloo, IA
Song: Mind Your Business
Album: Ain’t No Shame
Release Date: February 28, 2025 (single); June 27, 2025 (album)

In Their Words: “‘Mind Your Business’ came into fruition after years of participating in the social media game. From witnessing one meaningless argument over the internet to the next. We all have opinions, but what entitles us to think our opinion is 1) correct, and 2) needs to be spoken publicly? Minding our own business is something we all could do a little more of, myself included. Like the song says, if it ain’t hurtin’ anyone then why don’t you just let me have my fun? I think that’s a mantra that we could all live by.” – Katie Jo

Track Credits:
Katie Jo – Vocals, acoustic guitar
Brian McCarty – Bass, backing vocals
Bryan Hendrickson – Lead guitar, lap steel, backing vocals
Luke Jerry – Drums
Danny Mitchell – Hammond B3


The Mallett Brothers Band, “Dogs and Horses”

Artist: The Mallett Brothers Band
Hometown: Portland, Maine
Song: “Dogs and Horses”
Album: Higher up in the Hills
Release Date: April 4, 2025

In Their Words: “‘Dogs and Horses’ is a song that came from my real life, trying to balance the drastically different lifestyles of a touring musician and a working farm. My wife runs a horse farm here in Maine, where we keep anywhere from 13-18 horses on the property. Hay needs to be put away every season, fences always break, water systems need maintenance, etc. Meanwhile, I spend over 100 days a year in a van traveling to gigs and have to play catch-up when I get home. The song is about supporting each other and building an unconventional life that suits us both. This music video was filmed at our farm; the dogs and horses are actually our dogs and horses and it was fun to capture a day in life when the grass was still green. The counterpoint to the farm shots was our annual show at the State Theatre here in Maine, which is one of the coolest shows we get to play. Our friend CC at Just One Look Media did a great job with the video, and it was a lot of fun to shoot

“This is the only track on the record to have a special guest, featuring the legendary Chuck Leavell of the Allman Brothers Band and Rolling Stones fame on keys. We were lucky to be a part of the Maine episode of his PBS show America’s Forests With Chuck Leavell, and we were very excited when he agreed to contribute to this song. His parts added the perfect finishing touch and really brought it to another level.” – Luke Mallett


Sister Sadie, “Do What You Want”

Artist: Sister Sadie
Hometown: Nashville, Tennessee
Song: “Do What You Want”
Release Date: February 21, 2025

In Their Words:  “‘Do What You Want’ came from Dani Flowers, Erin Enderlin, and myself sitting around talking about life. How hard it can be. How we have so many expectations put on us, especially being women. How we are all divided. No matter what you do, someone is going to have something good or bad to say about it. So don’t worry about what everyone thinks. ‘Just Do What You Want.’ This was a very fun and somewhat therapeutic song to write. Maddie Dalton, being the youngest in the band, was the perfect voice for this one.” – Deanie Richardson, fiddle

“I absolutely love this song and I’m super happy I’m the one that got to sing it. I relate to it as I’m sure so many other people do too. I’m just excited for the whole world to hear it.” – Maddie Dalton, bass and lead vocals

“’Do What You Want’ was a really fun song to write. We’re all just tiny dots on a planet, spinning around a sun, in a gigantic galaxy for a tiny blip of time. When I zoom out and look at it that way, it makes the things I spend so much time worrying about seem pretty silly. This song is about keeping that perspective.” – Erin Enderlin, co-writer

Track Credits:
Deanie Richardson – Fiddle, gang vocals
Gena Britt – Banjo, gang vocals
Maddie Dalton –Upright bass, lead vocals
Jaelee Roberts – Harmony vocals
Dani Flowers – Harmony vocals
Mary Meyer – Mandolin, piano
Seth Taylor – Acoustic guitar, electric guitar, gang vocals
Dave Racine – Drums, gang vocals, percussion
Jon Weisberger – gang vocals


Luke Sital-Singh, “Little River”

Artist: Luke Sital-Singh
Hometown: London, England, United Kingdom
Song: “Little River”
Album: Fool’s Spring
Release Date: February 21, 2025
Label: Nettwerk Music Group

In Their Words: “‘Little River’ is a song about learning to flow with life no matter what is happening to you. I was inspired by a quote from meditation teacher Stephan Bodian: ‘You’re not sitting on the bank of the river, waiting for a better moment to float past. You are the river itself – filled with being, filled with infinite potential.’ This idea became a guiding theme in my life as I was making this record.” – Luke Sital-Singh


Chris Walz, “Alabama Bound”

Artist: Chris Walz
Hometown: Chicago, Illinois (since 1988)
Song: “Alabama Bound”
Album: All I Got and Gone
Release Date: February 28, 2025 (single); March 14, 2025 (album)
Label: Chris Walz Music

In Their Words: “I’ve heard various versions of ‘Alabama Bound’ for years. The one I recorded is inspired by a version done by two guitar players and singers named Long Cleve Reed and Little Harvey Hull. The duet recording was put out on the box set The Rise and Fall of Paramount Records. I tried to make this two-guitar-and-vocal duet into a solo piece. There are so many versions of this song that the point of origin is hard to pin down, although Jelly Roll Morton claimed to have written it in 1905. The Kate Adams in the song was a Mississippi riverboat line. Jackson is in Central Mississippi and McComb is south of there about 80 miles. Half the time, the song title is ‘Don’t You Leave Me Here,’ taken from the recurring line that ends with, ‘Just leave a dime for a beer.’ Times have changed.” – Chris Walz


Photo Credit: Sister Sadie by Allister Ann; Big Country Bluegrass by Brenda Killon.

LISTEN: LULLANAS feat. Luke Sital-Singh, “Cheap Silver Lining”

Artist: LULLANAS feat. Luke Sital-Singh
Hometown: Philadelphia, Pennsylvania
Song: “Cheap Silver Lining”
Release Date: January 20, 2023
Label: Nettwerk

In Their Words: “One of the many thoughts that loop in the anxious mind is doubt. ‘Am I overanalyzing this?’ or ‘Are we hanging on by a thin thread of hope?’ ‘Cheap Silver Lining’ is a song for the over-thinkers…for the people who read in-between, above, below, and around the lines right in front of them. We were lucky enough to have our schedules align with one of our favorite artists, Luke Sital-Singh, while we were in Los Angeles. We’ve always been fans of his work… his writing, his voice, and we were lucky enough to experience his production work firsthand. As soon as Luke sent our demo back from our session together, within the first few seconds of hearing his rubber bridge guitar take on the feeling of the lyrics before the first word was even sung… we looked at each other and said, ‘We have to put this one out!’ It’s just the right amount of different from what we are used to. A song full of sad lyrics that doesn’t necessarily leave you feeling sad.” — Atisha and Nishita Lulla, LULLANAS


Photo Credit: Courtesy of Nettwerk

MIXTAPE: Luke Sital-Singh’s Playlist of Sublime Lyrics and Amazing Stories

I’ve always been a lyrics guy at heart. Although more recently my opinion on what constitutes a great lyric has evolved from my younger days, for example I’m now much more open to experimental and abstract lyricism, but I still love a song that has a clear story to it. I know lyrics aren’t that important to a lot of people, and in today’s playlist driven world where background music is king perhaps lyrics are less key than ever. By way of protest then, here is a set of songs that I think have sublime lyrics and tell amazing stories. — Luke Sital-Singh

Josh Ritter – “The Temptation of Adam”

I couldn’t start anywhere but this song. Josh Ritter is one of the best lyricists of the modern era. His songs really are mini novels and in fact he’s gone on to publish two actual novels. If you don’t find this song about two people falling in love in an underground missile silo utterly compelling, well, I don’t even want to know you.

Eagles – “Hotel California”

I feel like this tune is so ingrained in culture that it’s hard to appreciate that it didn’t always exist. It had to be thought up. Those guys actually wrote these lyrics one day! Driving around LA this song is always on the radio and I’ve been appreciating the genius of the storytelling anew and of course the guitar solo, which I tried to learn when I started playing guitar. Still can’t do it.

Johnny Cash – “A Boy Named Sue”

I think this was one of the first Johnny Cash songs I ever heard. I was told to listen to it to appreciate the story and it’s still one of my favourites. So much wit and still so funny.

Leonard Cohen – “Famous Blue Raincoat”

No talk of lyrics is complete without a mention of Mr Cohen of course. I love this retelling of the biblical story of Cain and Abel. A love triangle turning murderous and all written as a letter, with an M. Night Shyamalan twist to top it off (the singer is dead all along).

Sun Kil Moon – “Carissa”

I could have picked any song from this particular Sun Kil Moon record, but this one gets me the most. Mark Kozelek writes lyrics like he’s just on the other end of the phone, telling you something devastating but making you feel grateful for what you have all along.

Josh Ritter – “The Curse”

Well, I couldn’t just include one Josh Ritter song. He has too many of these masterpieces that mean too much to me. This one might be my favourite. The story of an archaeologist who discovers a mummy, the mummy comes back to life, they fall in love, but it doesn’t end that well. Sounds ridiculous but it’s incredible.

Anaïs Mitchell – “The Shepherd”

A modern-day folk ballad that feels like it’s been around for centuries. It’s a heartbreaking story of loss but oh so beautiful.

Big Thief – “Mary”

Ok this one doesn’t fit the mould as much. I have literally no idea what this is about, but there are so many incredible lyrical images in this song I just had to include it. One of my favourite lyrical songs of all time.

Bob Dylan – “Hurricane”

One of Dylan’s best protest songs in my book. The true story of Rubin ‘Hurricane’ Carter, falsely accused of murder because of his race. Pretty depressing that it seems Dylan could have written a very similar song after watching any number of news items today.

Pulp – “Disco 2000”

Another set of great lyrics hiding in plain sight. I must have drunkenly danced to this song at countless house parties over the years, never once actually listened to the lyrics. A love song about making a plan to meet up with your childhood crush years down the line. Bittersweet and so many great dance-floor memories!

The Killers – “Quiet Town”

I can’t get enough of The Killers’ latest album. The whole thing is inspired by Brandon Flowers’ memories of his home town of Nephi, Utah. This one is particularly poignant, retelling the town’s struggle with the opioid crisis. Sad banger indeed.


Photo Credit: Andrew Paynter

BGS 5+5: Luke Sital-Singh

Artist name: Luke Sital-Singh
Hometown: Los Angeles, California (via Brighton, UK)
Latest album: A Golden State

What’s your favorite memory from being on stage?

The second time I played Glastonbury Festival I was opening one of the major stages and I was pretty nervous about it. I think I feared that no one would bother leaving their tents that early in the morning to come to the stage. And sure enough as I began to play there was only a small huddle of people and to top it off it started raining so I knew no one would come out. I just sighed, closed my eyes and got on with it. After a few songs I dared look up to see if anyone else has turned up and was so startled to find the crowd had grown as far as the eye could see! I was nearly thrown back by the shock of it. It was such a great feeling I don’t think I’ll ever forget that moment.

What rituals do you have, either in the studio or before a show?

I don’t really like rituals in that way. Especially when touring. For me each day can be so much like the last that I find it more exciting to try and find differences between each gig. I’m not sure if I intentionally do this but I definitely don’t like to do exactly the same thing each night before I go on. I’m just not a routine kind of person.

Which artist has influenced you the most … and how?

I’d have to say David Bazan is my biggest influence and has had the biggest impact on me as a songwriter, especially lyrically. He manages to write so wisely and honestly about some big subjects, like having faith, losing faith, what it means to be human, about politics, etc., and also the smaller, everyday stuff like marriage, having kids, etc., and most masterfully of all, he writes in a way that shows you that all those subjects are intertwined and interconnected. I hope to write songs that are as wise and open as his are.

What other art forms — literature, film, dance, painting, etc — inform your music?

I’m a big poetry fan. I steal all my best ideas from poems. Especially Billy Collins. I wish to write songs like he writes poems. Accessible, insightful, human. I also love the frame of mind poetry puts me in. They slow me down. There’s no point reading in a poem quickly whilst doing something else. For me it’s like a meditative position. I write my music with that in mind. I’m sure people have my music on in the background and whatever. but I hope my songs help you slow down.

What was the first moment that you knew you wanted to be a musician?

Now technically I was already a musician at this point but I played a school concert when I was 15 or so and that was the first time I knew I wanted to pursue music as a career for the rest of my life. I was playing solo. A cover of a Damien Rice song and Jeff Buckley’s “Hallelujah.” At that point in my musical journey I knew I was pretty good but I still hadn’t done that many shows. This performance was the first time I really experience the silence. It’s a very specific silence, a noise that only an audience of people can make. When they are all tuned into the same thing. It’s an intoxicating feeling when you know you’ve got them in the palm of your hand. I got addicted to it that night and I have remained so ever since.

https://open.spotify.com/playlist/2PtdpFWTZBTG4NZgS1mobc?si=pWzZUCkhTuSrNdB0vWCO9Q


Photo credit: Hattie Ellis