Tag: track premiere

You Gotta Hear This: New Music From Full Cord, the Arcadian Wild, and More

Posted on by Justin Hiltner

It’s another excellent lineup for our weekly collection of premieres and just-released music! You Gotta Hear This…

Earlier this week, the Arcadian Wild announced their upcoming album, Make It Out Alive (set for release in August), with a brand new single “Cool To Know You.” Poppy and lush, its deep and vibey production style brings in varied roots influences reminding of Nickel Creek and indie-pop all at the same time, held together with a bluegrassy mandolin chop. Plus, watch a video from geologist-musician-songwriter Benny Bleu, who’s shared “March of the Mollusk” with us today. Old-time with plenty of modern twists, it’s an entrancing instrumental number inspired by the ceaseless march of time, the steady drip of existence spending or being spent. The melody – and rhythms – have that delicious “neverending song” feel, where each subsequent section of the tune has you craving to return back to the start and do it again.

Benson, husband-and-wife bluegrass and string duo Wayne and Kristin Benson, release their brand new album today, Double Dose. We’ve shared a few tracks from the project over the weeks and months in the run up to today; to celebrate release day, we’re shining a spotlight on “Banjo Radio Bounce,” a swingin’ bluegrass instrumental with a title paying tribute to bluegrass radio and streaming service BanjoRadio. Also in bluegrass, long-running Michigan band Full Cord release a new track today featuring their friend, peer, and fellow Michigander Billy Strings. The band tell us a bit about the inspirations behind “Hubris Comes to Town” below. Strings and the stalwart MI band sound great.

Jesse Smathers, who you may know from the Lonesome River Band, has more excellent solo music to share today. A new single, “Gambler’s Last Game,” is another truly timeless number from the young artist and picker. Smathers, born and raised in the old-time and bluegrass rich territory of Southwest Virginia, is one of the most compelling up-and-coming creators who can collapse time with his songs. And he can effortlessly code switch between bluegrass, old-time, string band, and more styles from the primordial ooze that birthed this genre. Not many can.

You’ll also want to watch and enjoy a new animated music video featuring a song by artist, multi-instrumentalist, and songwriter Elena Moon Park and animation by Xuan. “Nothing Is Ordinary” is a song celebrating just how extraordinary every single little detail of life really is. It’s built on a prominent sense of gratitude wrapped with a bouncy, charming vibe – and paired with a music video that perfectly encapsulates its message. It’s beautiful and certainly captures “the grand and the mundane,” both of which are extraordinary in their ways.

We hope you enjoy these songs and videos. You Gotta Hear This!

The Arcadian Wild, “Cool To Know You”

Artist: The Arcadian Wild
Hometown: Nashville, Tennessee
Song: “Cool To Know You”
Album: Make It Out Alive
Release Date: May 27, 2026 (single); August 14, 2026 (album)

In Their Words: “I have known my best friend Carly since I was 3 months old. She is truly a sister that was gifted to me. She is the coolest girl I know, and she makes me cool just by knowing her. We live very far away from each other now and we have to work really hard to stay in touch and spend time together, but it is always worth the effort. This song came out of me after she was having a tough time and I couldn’t physically be there for her, so I wanted her to know that she is seen, she is loved, and I’m a better and cooler person for knowing her.” – Bailey Warren

“We’ve typically just captured intimate acoustic performances in our past work and it was fun to remove some limitations in the studio and really give it a full send approach. It felt like we gave ourselves permission to build an actual pop song from the ground up. Drums?! Electric guitar?! Mandolin overdubs?! What?! It was a delightful process of playful discovery, and we had a blast with our producer, Micah Tawlks, putting it all together.” – Lincoln Mick

Benson, “Banjo Radio Bounce”

Artist: Benson
Hometown: Boiling Springs, South Carolina
Song: “Banjo Radio Bounce”
Album: Double Dose
Release Date: May 29, 2026
Label: Mountain Home Music Company

In Their Words: Kristin: “‘Banjo Radio Bounce’ from our album, Double Dose, honors our good buddy Kyle Cantrell, who launched BanjoRadio around the time we recorded it. Obviously, if this is the title of the station, you know I’m gonna be a fan!” – Kristin Scott Benson

“‘Banjo Radio Bounce’ is a tune I wrote originally on electric mandolin. When Kristin heard the demo, she thought it would work well for banjo – and it did!” – Wayne Benson

Track Credits:
Wayne Benson – Mandolin
Kristin Scott Benson – Banjo
Jon Stickley – Acoustic guitar
Samantha Snyder – Fiddle
Jon Weisberger – Bass

Benny Bleu, “March of the Mollusk”

Artist: Benny Bleu
Hometown: Hemlock, New York
Song: “March of the Mollusk”
Album: When I Am a Fossil
Release Date: May 29, 2026 (video); June 5, 2026 (album)
Label: Circus Tent Records

In Their Words: “Even when I released this song as a solo banjo piece I had this drum groove in the back of my head. We all march forward whether we like it or not. Who sets our cadence? Climate change will march on whether we believe in it or not. Future generations on this planet will live simpler lives. With less stuff. They’ll live more local lives. Now that’s not necessarily all bad. To me, that sounds like the kinda place where folk and acoustic music will fit right in.” – Benny Bleu

Track Credits:
Benny Bleu – Banjo
Huck Tritsch – Drums
Eric Heveron-Smith – Bass
Gus Tritsch – Fiddle

Video Credits: Filmed at Ironwood Studio, Springwater, New York.
Filmed by Mike Martinez. Audio by Benny Bleu.

Full Cord, “Hubris Came to Town” Featuring Billy Strings

Artist: Full Cord
Hometown: Grand Haven, Michigan
Song: “Hubris Came to Town” (featuring Billy Strings)
Release Date: May 29, 2026

In Their Words: “‘Hubris Came to Town’ is a song that has many inspirations. Its structure and harmonic interest are similar to a song I wrote 11 years ago called ‘Downtown.’ The chorus has the vocal harmonies, chords, and darkness from the likeness of System of a Down, while the jam section is lightly inspired by Béla Fleck’s “Charm School.” Rhythmically inspired by the second movement of Shostakovich’s 10th string quartet. The lyric content could be construed as age-old rhetoric about anyone in your life that has these certain qualities. This is the kind of music I like to write for bluegrass, in an effort to put my own stamp on the genre with (primarily) harmonic interest and edgy lyrics. With Billy Strings and the band absolutely ripping throughout the entire song, it now has the aggressive demeanor I intended. All the guys in Full Cord made this version of the song what it is and I am very pleased with the track.” – Brian Oberlin

Track Credits:
Brian Oberlin – Mandolin, lead vocals, songwriter
Chase Potter – Fiddle, harmony vocals
Todd Kirchner – Bass
Eric Langejans – Guitar, harmony vocals
Max Allard – Banjo
Billy Strings – Guitar

Elena Moon Park, “Nothing Is Ordinary”


Artist: Elena Moon Park
Hometown: Oak Ridge, Tennessee
Song: “Nothing Is Ordinary”
Album: Nothing Is Ordinary
Release Date: May 29, 2026
Label: Adhyâropa Records

In Their Words: “This song, the title track of my new album, celebrates the idea that everything around us is magical, while also being oh-so common. We wake up and hear a bird song; in the evening stars appear in the sky. Nothing is ordinary, yet everything is ordinary. Or perhaps, everything is extraordinary. When I embrace this thought, I remember that my greatest joy is in noticing both the grand and the mundane, and listening to the stories around me. Inspired by a piece of art made by my friend Kristiana Pärn and accompanied by a truly magical video by Xuan, the song features an eclectic group of musical friends who encourage us to find our own stories and sing them out loud.” – Elena Moon Park

Track Credits:
Elena Moon Park – Vocals, jarana, Omnichord
Brett Parnell – Guitar, pedal steel
Nathan Koci – Horns, trumpet
Colin Brooks – Drums
Yoshi Waki – Bass
Michael Bellar – Synths
John Foti – Vocals
Sonia De Los Santos – Vocals
Devin Greenwood – Sounds
Chorus: Philippa, Roger and Marianna Thompson, Lyla, Ezra and Sruly Lazaros, Shai Fuller, Jay and Tearin Kim

Video Credits: Written, directed, and animated by Xuan.

Jesse Smathers, “Gambler’s Last Game”

Artist: Jesse Smathers
Hometown: Floyd, Virginia
Song: “Gambler’s Last Game”
Release Date: May 29, 2026
Label: Mountain Home Music Company

In Their Words: “‘Gambler’s Last Game’ was written by my talented pal Mason Via and myself. The modern-day ballad tells of a traveling gambler whose true love won’t settle down with him, so he heartbreakingly stays on the go. This tune was stripped down to the instrumental accompaniment of only Hunter Berry’s fiddle and Corbin Hayslett’s banjo. They did a tremendous job, weaving in and out of each other’s waltzing rhythm with their note selections. Ballad singing and fiddle and banjo interplay is such an important part of string band music tradition. Though this is a new song, its story, form, and melody was approached the same way I tackle learning songs that are 200 years old. It truly transports me to another time. I hope everyone is similarly transported hearing ‘Gambler’s Last Game.'” – Jesse Smathers

Track Credits:
Jesse Smathers – Vocal
Hunter Berry – Fiddle
Corbin Hayslett – Low-tuned banjo

Photo Credit: Full Cord by Karuna Photo; the Arcadian Wild by Shelby Mick.

You Gotta Hear This: New Music From Danny Roberts, Midnight South, and More

Posted on by Justin Hiltner

Here’s your weekly dose of new roots music! You Gotta Hear This…

A perfect kick-off to the weekend comes from Dominique and the Diamonds, who are previewing their next single, “Cocaine,” ahead of its release next week. Perhaps frontwoman, singer-songwriter (and Honky Tonk Queen) Dominique Gomez, isn’t the “crazy party girl” she once was, but she channels fun rockin’ and rollin’ party energy in full force on the country-folk number.

Next up, Matt Jones and the Bobs share a video for “The Weight of the World,” out today. No matter the burdens we all carry, the song offers a message of hope and resilience. As Jones puts it in talking about the song with BGS, “The song looks at struggle not as defeat, but as a universal weight we all carry and the beauty of having someone there to help lighten the load.” It’s certainly a timely message.

For a little rockabilly-steeped Americana, Arkansas-based country group Midnight South give us an exclusive preview of their upcoming single, “Curves in a Square Body,” set for release next week. Dripping with nostalgia and built around a solid country hook, it’s a twang-ful number perfect for putting the pedal to the metal – even if you don’t happen to be lucky enough to be driving around in a square body. Add this one to the list of actually good country songs about trucks.

Capping off our roundup today is bluegrass mandolinist Danny Roberts, whom you may recognize from The Grascals. Roberts’ brand-new album The Winding Road Leads Home is out today, so we’re celebrating by sharing a lovely and sweet instrumental number – with a funny title, “Tologna Bologna.” (That’s pronounced “Tony Baloney,” per Danny.) If you’re more familiar with the mandolin as a barn-burning instrument, Roberts often shows the depth and breadth of the instrument, as he does on this track.

We’ll let you go so you can get to listening! You Gotta Hear This.

Dominique and the Diamonds, “Cocaine”

Artist: Dominique and the Diamonds
Hometown: Los Angeles, California
Song: “Cocaine”
Album: Honky Tonk Queen
Release Date: May 29, 2026 (single); June 26, 2026 (album)

In Their Words: “‘Cocaine’ is loosely based on a true story. I was a broke and debaucherous 20-year-old in San Francisco with a dealer who incessantly kept asking me out. I started to imagine how my life would have turned out if I did end up going on those dates with him. The song basically wrote itself from there. I’m nowhere near the crazy party girl I once was! But I wanted this song to be the perfect blend of country and rock ‘n’ roll as an ode to that era of my life. ‘Party girl Dom’ was a mess, but I don’t regret a single thing about her.” – Dominique Gomez

Matt Jones and the Bobs, “The Weight of the World”

Artist: Matt Jones and the Bobs
Hometown: Salem, Virginia
Song: “The Weight Of The World”
Release Date: May 22, 2026

In Their Words: “‘The Weight of the World’ reflects on life’s burdens and the quiet strength it takes to face them, while honoring the friends who help shoulder what we can’t. The song looks at struggle not as defeat, but as a universal weight we all carry and the beauty of having someone there to help lighten the load. It is a song about struggle, resilience, and the quiet beauty of friendship, sitting at the emotional center of everything the band has worked toward since their return. For the listeners who have been with them since college and those discovering them now, the message is the same: your story matters, even the hard parts. We have lived that truth, and we are finally ready to tell it in full.” – Matt Jones

Track Credits:
Matt Jones – Vocals, acoustic guitar
Pat Keefe – Electric guitar
Jonthan Crandall – Piano
Trevor Creany – Drums
Andrew Carper – Bass guitar

Video Credits: Matt Jones, Jonathan Crandall, Kevin McNeill

Midnight South, “Curves in a Square Body”

Artist: Midnight South
Hometown: Little Rock, Arkansas
Song: “Curves in a Square Body”
Release Date: May 29, 2026
Label: Rock Ridge Music

In Their Words: “We started with this simple idea of contrast – curves set against a square body – and it just sparked something that felt bigger than the visual. Like a lot of our songs, it naturally drifted into something nostalgic and before we knew it, we were writing about that first truck and all the memories tied up in it.

“From the beginning, the energy of the track pushed us to keep things lively and fun and that really carried through the entire process. Working with Ben Jackson took it to another level – he helped us shape the sound and brought a clarity and punch to the production and mix that really made the song come alive. It’s one of those tracks where everything just clicked in the studio and you can hear that excitement in the final version. We chose it as a single because it feels like a perfect snapshot of who we are right now – high energy, rooted in storytelling, and not afraid to lean into a little nostalgia. At its core, it’s about holding onto those early moments that define you and realizing how much they still ride with you today.” – Darin Davis

Track Credits:
Ben Jackson – Percussion, producer, engineer
Darin Davis – Drums
JL Jones – Acoustic guitar, background vocals
Billy Lowe III – Electric guitar, background vocals
David Tidwell – Bass
Steve Hinson – Pedal steel guitar
Wil Houchens – Keyboards, Hammond B3 organ
Matt Sammons – Lead vocals

Danny Roberts, “Tologna Bologna”

Artist: Danny Roberts
Hometown: Nashville, Tennessee
Song: “Tologna Bologna”
Album: The Winding Road Leads Home
Release Date: May 22, 2026
Label: Mountain Home Music Company

In Their Words: “When I wrote this tune, I had my great friend Tony Wray in mind. He’s played on all of my records and has helped me arrange much of my music, so I wanted to name it for him. If you listen closely to the melody, you might catch a little nod to the old Oscar Mayer bologna TV commercial – which is where the spelling ‘Tologna Bologna’ comes from. (I say it ‘Tony Baloney,’ though.) I hope you enjoy ‘Tologna Bologna,’ and make sure to check out my new album The Winding Road Leads Home that’s out today!” – Danny Roberts

Track Credits:
Andrea Roberts – Bass
Tony Wray – Acoustic guitar, banjo
Danny Roberts – Mandolin
Adam Haynes – Fiddle

Photo Credit: Danny Roberts courtesy of the artist; Midnight South by RK Barger Photography.

You Gotta Hear This: Thomas Cassell, Greenwood Rye, and More

Posted on by Justin Hiltner

Another weekly roundup is here! You Gotta Hear This.

To get us started, Thomas Cassell reveals another track from his upcoming duo album. “Makin’ Some Noise” features his longtime friend and shredder Trey Hensley joining in on a Tom Petty & the Heartbreakers track with just enough of a Bill Monroe flair to excel with the bluegrass treatment. Plus, Colorado-based bluegrass band Jake Leg preview their new album with its title track, “No One Lives Here Anymore.” It’s an apt harbinger for the thoughtful, lonesome, and melancholic songs found on their upcoming collection – due to drop in June.

From elsewhere in bluegrass, the Lonesome River Band debut “Back When,” a song dripping with nostalgia that was co-written by LRB member Jesse Smathers with Nick Goad and Barry Hutchens. The track features a traditional instrument all too rare in bluegrass these days – the electric guitar! Nashville bluegrass outfit Greenwood Rye call on some mighty collaborators for their new song, too. “Ready to Burn” is indeed a barn burner, boasting features by Mason Via (who co-wrote the song with Greenwood’s Shawn Spencer), Vince Herman of Leftover Salmon, and IBMA Award winner Vickie Vaughn. It’s jammin’, energetic, and certainly fiery.

Don’t miss folk and Americana duo Great Willow included below as well. Their new song, “Age of Reason,” speaks to these highly divided times we’re living through – and everyone is talking about. “[We] don’t remember a time when the America we love has felt quite this disconnected and hostile against itself,” the duo tells us via email. “Americans can be so sweet and generous – you’d see it in every region as a traveling musician. How did we all fall so far so fast?” Their indie-folk track – lush with sounds and styles of the ’60s, ’70s, and Laurel Canyon – is charming in its consideration of such an existential question.

Singer-songwriter Kyle LaLone encourages all of us to “Slow Down” on his new Americana track. Inspired by quite literally running on fumes, LaLone speaks to the need we all face on the day-to-day to be present, to take deep breaths, and more. Sometimes all you need is to slow down. And make sure to hear the latest from singer-songwriter Mia Kelly, as well. “Big Time Roller Coaster Feeling” is about the highs and lows of having an all-encompassing crush, leaning into that free-falling feeling – of love and rollercoasters, both. It’s vibing and modern indie/acoustic folk that really enables the lyric and stories Kelly tells to shine.

There’s plenty to enjoy! You know what we think – You Gotta Hear This…

Thomas Cassell, “Makin’ Some Noise” (Featuring Trey Hensley)

Artist: Thomas Cassell
Hometown: Nashville, Tennessee via Norton, Virginia
Song: “Makin’ Some Noise” (featuring Trey Hensley)
Album: Guitar Collection
Release Date: May 18, 2026 (single); August 21, 2026 (album)
Label: Common Loon Records

In Their Words: “Trey Hensley has been a longtime favorite of mine and more recently a great friend that I’ve been fortunate to make lots of music with. When I started to plan this collaborative album, Trey was one of the first calls I made. We are both huge Tom Petty fans, so it was natural to choose something from his catalog. This 1990s Heartbreakers track was on my mind as there was something about Mike Campbell’s guitar riff that was so Bill Monroe. It was a pleasure to work with Trey on this track – he’s truly one of the best singers and guitar players to ever do it and every time I stand next to him, I realize that in a whole new way. Hopefully this track is as fun to listen to as it was to make!” – Thomas Cassell

Track Credits:
Thomas Cassell – Mandolin, lead vocal
Trey Hensley – Guitar, lead vocal
Jeff Picker – Bass

Great Willow, “Age of Reason”

Artist: Great Willow
Hometown: Los Angeles, California
Song: “Age of Reason”
Release Date: May 22, 2026

In Their Words: “Erin and I don’t remember a time when the America we love has felt quite this disconnected and hostile against itself. Americans can be so sweet and generous – you’d see it in every region as a traveling musician. How did we all fall so far so fast? Our song is a lament for that lost open-heartedness and a call to hopefully return to it. Maybe reconnecting with the beautiful natural world is a start.” – James Combs

“We recorded ‘Age of Reason’ in producer Susan James’ home studio out in California horse country – with avocado trees and exotic chickens on the hill out back and her hairless Sphynx cat crawling through our cases and being hilarious inside. Susan is a preternaturally gifted artist, arranger and producer. We loved working with her. And we love the amazing Dobro and slide Ben Peeler (Mavericks, Wallflowers) played on our song. It’s the special sauce the puts it over the edge.” – Erin Hawkins

Track Credits: 
Erin Hawkins – Cello, vocal, songwriter
James Combs – Guitar, vocal, songwriter
Susan James – Organ, producer
Ben Peeler – Dobro, slide guitar

Greenwood Rye & Mason Via, “Ready to Burn”

Artist: Greenwood Rye, Mason Via, Vince Herman, Vickie Vaughn
Hometown: Nashville, Tennessee
Song: “Ready to Burn”
Release Date: May 15, 2026

In Their Words: “‘Ready to Burn’ is a jammy bluegrass party song! When Mason Via and I got together to write it, we were both in a place where we had put a ton of effort into our respective albums and everything we were doing was very serious. So we wanted to shift gears a little bit and make something purely for fun. We wrote a song about getting together with our friends and preparing to have an epic barn burner. The recording of the song started as us wanting to get together to make some social media content. We ended up doing it at Parlor Studio where our friend Ethan Greek was working as an engineer. It snowballed into a full studio recording and then we thought, ‘Why stop there? Let’s get some features.’ So we called two of our favorite Nashville bluegrassers, who we love to jam with, Vince Herman (Leftover Salmon) and Vickie Vaughn (Della Mae), and asked them to join the party!” – Shawn Spencer

Track Credits:
Shawn Spencer – Guitar, vocals, songwriter, producer
Mason Via – Guitar, vocals, songwriter
Taylor Shuck – Banjo
Cat McDonald – Fiddle
David Freeman – Mandolin, BGVs
Larry Cook – Bass
Vince Herman – Vocals
Vickie Vaughn – Vocals
Sasha Ostrovsky – Dobro

Mia Kelly, “Big Time Roller Coaster Feeling”

Artist: Mia Kelly
Hometown: Gatineau, Quebec, Canada
Song: “Big Time Roller Coaster Feeling”
Album: Big Time Roller Coaster Feeling
Release Date: May 22, 2026 (album)

In Their Words: “‘Big Time Roller Coaster Feeling’ is a song that details all the instances in which I have fallen for someone. As playful as it is personal, each verse describes a crush. When it came the time to make the video we decided to depict each of these crushes as a classic date, with the date’s face obscured by something ludicrous. The chorus draws from that joyful free-fall, that tummy-flipping feeling you get when you’re in love.” – Mia Kelly

Track Credits:
Mia Kelly – Lead vocals, acoustic guitar
Connor Seidel – Bass, piano, organ, slide guitar, percussion
Olivier Fairfield – Drums, percussion
Ben Plotnick – Fiddle
Aaron Collis – Mandolin, accordion
Adam Brisbin – Electric Guitar, slide

Video Credits: Randy Kelly – Videographer, director, editor

Kyle LaLone, “Slow Down”

Artist: Kyle LaLone
Hometown: Diamond Bar, California
Song: “Slow Down”
Album: Make My Own Way
Release Date: May 15, 2026 (single); June 12, 2026 (album)

In Their Words: “Another song that started with the title and whose lyrics were sparked by a specific event. One morning I had to drive to catch a flight to an out-of-town gig after having played a gig the night before. Once I got in my car I realized I was really low on gas and wouldn’t have enough time to stop to fill up on my way there. Luckily I made it to the parking garage near the airport but knew I would be running on fumes to find a gas station before the drive home. That situation inspired the first verse and got me thinking about my tendency to just keep going until I’m out of gas figuratively and literally when what I really need to do sometimes is slow down.” – Kyle LaLone

Jake Leg, “No One Lives Here Anymore”

Artist: Jake Leg
Hometown: Lyons, Colorado
Song: “No One Lives Here Anymore”
Album: No One Lives Here Anymore
Release Date: May 15, 2026 (single); June 13, 2026 (album)

In Their Words: “‘No One Lives Here Anymore’ is the first single and title track from our sophomore album coming out on June 13. It was probably one of the first songs written for this album and touches on the themes of sadness and isolation that show up throughout this collection of songs. I’ve always really loved and connected with sad songs so that tends to show in my writing fairly often. ‘No One Lives Here Anymore’ is sort of an ‘anti-story’ of someone who has lost connection with the aspects of life that make it fulfilling and has fallen into the pattern of observing life as it goes by rather than participating in it. Musically, the chord progression kind of folds around on itself and I think is representative of the cyclical nature of some of these feelings that we experience throughout life.” – Dylan McCarthy

Track Credits:
Eric Wiggs – Guitar, vocals
Dylan McCarthy – Mandolin, vocals, songwriter
Justin Hoffenberg – Fiddle
Aaron Hoffenberg – Bass

Lonesome River Band, “Back When”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Back When”
Release Date: May 15, 2026
Label: Mountain Home Music Company

In Their Words: “I’m so proud to have had a hand in writing ‘Back When’ with my pals Nick Goad and Barry Hutchens. As we had a conversation on Barry’s back porch we reminisced about our youth, the mischief we got into, and of course being musicians, our first chords, and songs we learned. Looking back, those moments are so sentimental and they made me into who I am today. It’s important to be aware of those subtle reminders that take us to our formative years way ‘back when.'” – Jesse Smathers, songwriter, guitarist

“The essence of ‘Back When’ is how the least little thing – a conversation with an old friend, a song, etc. – can cause memories to come flooding back. It was a real privilege for me to have the opportunity to write it with Jesse and Nick. They are both such talented writers and musicians. It’s one of those songs that came about simply by the three of us sitting around and reminiscing about when we were kids and growing up playing music.” – Barry Hutchens, songwriter

Track Credits:
Adam Miller – Mandolin, lead vocal
Sammy Shelor – Banjo, harmony vocal
Jesse Smathers – Acoustic guitar, harmony vocal
Mike Hartgrove – Fiddle
Kameron Keller – Upright bass
Rod Riley – Electric guitar

Photo Credit: Thomas Cassell by Scott Simontacchi; Greenwood Rye courtesy of the artist.

You Gotta Hear This: New Music From Courtney Hartman, Dee White, and More

Posted on by Justin Hiltner

It’s another week where popcorn may be necessary to fully enjoy our weekly new music round-up, with all of the new music videos included below! You Gotta Hear This…

Our first screening is some cosmic California country from Mac Cornish, who’s sharing a music video for the title track of her upcoming album, Wayfaring Woman. The full LP will launch in September, so enjoy this early taste of the project, a song about finding, re-finding, and returning to oneself despite time, geography, and all that comes between.

We have a couple of fun and funny videos you’ll enjoy as well. Nashville-based husband-and-wife roots duo Zaggie (Zach & Maggie White) have a new single and video for “Parking Lot Vacation.” Sometimes a need to unplug, unwind, and relax can be satiated with a good ol’ fashioned sit in a parking lot. The video is witty and hilarious to match the flowing, island-getaway sonics of the song. Plus, Essence & Gold Country have a gut-busting video to tribute Mother’s Day and every “Good Mom” out there. As frontwoman Essence Goldman puts it, it’s all about “the beautiful chaos of motherhood and the truth that we don’t have to lose ourselves to be a good mom.” It’s bluegrassy country that will get your toe tapping while bringing a smile to your face.

Also just in time for Mother’s Day, our old friend Courtney Hartman shares an intimate and tender peformance video for “Honey, Honey,” a song she wrote dripping with love for her young daughter, describing the perfection of her child through her own eyes and building her up for a life built on love, confidence, and strength. It’s gut-wrenching and comforting at the same time, a deft balance that Hartman is well known for in her songwriting and guitar picking. It’s a lovely video for the occasion – and beyond – and announces her upcoming album, With You: From The Garden Shed, set for release June 12.

From bluegrass, Jaelee Roberts has a new single that was written by bluegrass radio personality and songwriter Terry Herd. “I’m Putting You Out of My Misery” pulls inspiration from traditional hard-driving bluegrass and contemporary sounds equally and boasts a stacked roster of pickers rounding out the band behind Jaelee’s gorgeous, crystalline vocals.

Country and Americana powerhouse Dee White has a new song as well, “Green River Rye,” which dropped earlier this week. Check it out below, it’s a pretty stripped-down recording made with just a simple acoustic trio – with Brian Murray and Jimmy Law – that lands somewhere between classic folk, country & western, and bluegrass, aesthetically. With whiskey as its centerpiece, it’s a lonesome and longing song that feels truly timeless – like you could sing along intuitively immediately, even on first listen. And don’t miss singer-songwriter Zach Seabaugh’s “Owes You Nothing,” a song about navigating Nashville, Music Row, and the music industry without losing your sense of self – or comparing yourself to everyone else you meet along the way. It’s a lovely track built on sensitive and brooding modern country sounds.

Celebrate your Mother’s Day weekend by calling your mama (who is definitely a good mom), sipping some Green River Rye, and taking a parking lot vacation – you’ve earned it. And, You Gotta Hear This!

Mac Cornish, “Wayfaring Woman”

Artist: Mac Cornish
Hometown: Raised Bay Area, California, based in Nashville, Tennessee
Song: “Wayfaring Woman”
Album: Wayfaring Woman
Release Date: May 8, 2026 (single); September 25, 2026 (album)

In Their Words: “‘Wayfaring Woman’ is a song about a girl who stays moving so her past won’t catch up to her – and so she won’t have to face herself. By the time I finished writing it I realized it was about myself. It was my way of telling myself, ‘It’s alright to cry, but it’s time to remember who you are and stop this cycle.’ So when I sing, ‘Even in yours lows, you can always go home,’ I mean the place and the state of mind.

“Making my way back to myself has always felt connected to the California home of my youth. Those canyon roads and golden hills remind me of who I am and who I always dreamed of being. I might not be able to access those places physically anymore, but the sense of self that I found there is within me and this song is a reminder to myself that I can always go back, I can always go home to myself. ‘Wayfaring Woman’ is the title track and first single off my second record, set to come out in September 25. It’s steeped in cosmic California twang, and I don’t think I’ve ever sounded more like myself.” – Mac Cornish

Track Credits:
Mac Cornish – Vocals, acoustic guitar, songwriter
Hillary Fretland – Harmony vocals
Charlie Fuertsch – Electric guitar
Cooper Dickerson – Steel guitar
Jack Lawrence – Bass
Dave Racine – Drums

Video Credit: Directed and filmed by Janaya Pardo.

Essence & Gold Country, “Good Mom”

Artist: Essence & Gold Country
Hometown: San Francisco, California
Song: “Good Mom”
Album: Father’s Daughter
Release Date: May 8, 2026 (video); September 26, 2025 (album)
Label: Blue Elan

In Their Words: “This ‘Good Mom’ video is about the beautiful chaos of motherhood and the truth that we don’t have to lose ourselves to be a good mom. It holds that tension between giving everything to our children and still claiming space for our own soul, and taking care of ourselves so we have more to give.

“This song gets the best reaction when I perform it live. I just watch the mothers start laughing and shaking their heads in agreement. It is hard for me not to laugh when I sing it. Any mom out there can relate. We thought it was fun to release this music video as as a gift to all the moms on Mother’s Day. Though in my opinion, every day should be Mother’s Day!” – Essence Goldman

Video Credits:
Laura Kudritzki – Director, cinematographer
Essence Goldman – Producer
Austin Grose – Executive producer
Craig Morton – Assistant producer
Margaret Bolton Grace – Stylist
Angela Shippen – Hair, makeup
Andres Campos – Hair, makeup
Elise Bigley – Hair, makeup
Keldon Duane-McGlashan – Editor

Courtney Hartman, “Honey, Honey”

Artist: Courtney Hartman
Hometown: Eau Claire, Wisconsin
Song: “Honey, Honey”
Album: With You: From The Garden Shed
Release Date: May 8, 2026 (single); June 12, 2026 (album)

In Their Words: “‘Honey, Honey’ is a love song to my daughter – a collage of daily imagery and truths I want her to hold onto. She has taught me about delight and even as I am the one cradling her and giving her comfort, it is often my own heart being mended by her.

“In the final verse I list a few things I want her to remember when I am not there to hold her, ‘quiet waters, soothe and sway, sunlight and kindness, the cradle of a day. You’re brave as an iris, a bright display, a trumpeter swan lifting up and away.’ Tift Merritt co-wrote this song with me, helping me clear away the debris and uncover within my own days the scenes I most wanted to sing.” – Courtney Hartman

Video Credits: Filmed by Kyle Lehman.
Edited by Erik Elstran.

Jaelee Roberts, “I’m Putting You Out of My Misery”

Artist: Jaelee Roberts
Hometown: Nashville, Tennessee
Song: “I’m Putting You Out of My Misery”
Label: Mountain Home Music Company
Release Date: May 8, 2026

In Their Words: “‘I’m Putting You Out of My Misery’ is one of those songs that stopped me in my tracks the first time I heard it. Terry Herd wrote an incredible song and I fell in love with it right away. To me, it strikes the perfect balance between that hard-driving traditional sound and a touch of contemporary bluegrass. I absolutely love how everything came together in the studio. I’ve always enjoyed a song with a little bit of attitude and this one definitely delivers.

“I was also fortunate to have some amazing musicians join me on the recording. Alan Bartram on bass, Ron Stewart on banjo, Tony Wray on guitar, Michael Cleveland on fiddle, Justin Moses on mandolin and Dobro, and Zack Arnold adding harmony vocals. Getting to collaborate with such talented players made this project especially meaningful to me. I’m truly proud of how the track turned out, and I’m so thankful to each of them for being part of it. I hope you all enjoy listening to it as much as I enjoyed recording it.” – Jaelee Roberts

Track Credits:
Jaelee Roberts – Lead vocal
Alan Bartram – Bass
Ron Stewart – Banjo
Tony Wray – Guitar
Michael Cleveland – Fiddle
Justin Moses – Mandolin, resonator guitar
Zack Arnold – Harmony vocal

Zach Seabaugh, “Owes You Nothing”

Artist: Zach Seabaugh
Hometown: Marietta, Georgia & Nashville, Tennessee
Song: “Owes You Nothing”
Release Date: May 8, 2026 (single)
Label: Cloverdale Records

In Their Words: “This song came at a time when I needed to check myself – on where I was in life – and on the people in my life I didn’t want to take for granted. I wrote it with Park Chisolm and Reid Haughton on Music Row. I was talking to them about how hard it is sometimes to show up in Nashville, to be creative for a living. You can fall into the comparison trap when so much of the industry around you is trying to set out for the same thing. But I don’t like feeling sorry for myself. I’m super grateful for what I have and who I get to live life with and at the end of the day, I guess this world owes you nothing. So you gotta make the most with what you got—that’s when you realize you got all you need.” – Zach Seabaugh

Dee White, “Green River Rye”

Artist: Dee White
Hometown: Slapout, Alabama
Song: “Green River Rye”
Release Date: May 6, 2026

In Their Words: “I first discovered Green River Rye Whiskey during a hunting trip to Kentucky. The bottle instantly caught my eye – it was the same one I remembered from an antique lithograph that hung in my childhood home. At the time, my girlfriend had just left me, and the chorus melody had already popped into my head. Later that night, I was hanging out with my buddies Jimmy and Brian and we finalized the music and lyrics. The very next evening, we went into the studio and recorded it as an acoustic trio in Nashville.” – Dee White

Zaggie, “Parking Lot Vacation”

Artist: Zaggie
Hometown: Nashville, Tennessee
Song: “Parking Lot Vacation”
Album: Turpentine Mind
Release Date: May 6, 2026 (single); August 26, 2026 (album)
Label: Zaggie Records

In Their Words: “‘Parking Lot Vacation’ came from the exact mental-headspace-shift the song is about. I was supposed to be writing. Instead, I was staring at a blank page for long enough that it started staring back. Eventually I just… leaned back, let myself off the hook for a bit, and the song showed up. Turns out vacations are less about where you are and more about the moment you stop letting petty anxieties run the show. A good car seat, a warm breeze, a window cracked just right is sometimes all I need. We’ve seen a lot of beautiful places in the world and a parking lot on the right day is genuinely in the conversation.” – Zach White

Track Credits:
Zach White – Vocals, guitar, songwriter
Maggie White – Mandolin
Dan Needham – Drums
Byron House – Bass
Chris Walters – Piano

Video Credits:
Cast: Annabelle Fox-Tieman, Douglas Waterbury-Tieman, Ollie Fox-Tieman, Huck Fox-Tieman, Emily Rogers, Josée Klein.
Directed and edited by Zach White.
Location Videography by BAMM Productions.

Photo Credit: Courtney Hartman by Michelle Bennett; Dee White by John Peets.

You Gotta Hear This: Margo Price, Darren Nicholson, and More

Posted on by Justin Hiltner

A fresh batch of roots music has arrived! You Gotta Hear This.

To kick off our weekly roundup of new music, singer-songwriter Jacob Augustine shares a music video for “Halfway to Harlem,” a jangling, twanging, and bluesy roots track with post-apocalyptic vibes – and the video to match. For how forbidding the video and lyrics are in their subject matter, the song is still charming and inviting. You’ll also enjoy a new song from Swedish roots duo Orange Oak. “well, well, well” is tender and contemplative and, as they put it themselves, it “explores the struggles of confronting yourself after a period of avoidance and inner conflict.” Still, there’s ample redemption to be found in the alt-folk track.

For a bit of troubadour storytelling, Pennsylvania’s Jeff Mamett unveils “Like Old Uncle Jim.” With a bit of dark country & western tinge, it’s a story song that pays tribute to larger-than-life figures and finds truth even in fiction and mythology. Mamett’s baritone vocal is rich and engaging. Plus, Irish artist Helen O’Shea, who’s now based in New Jersey, calls on her friends the Carlile Family Band for her new track and lyric video for “There Will Be Days.” It’s Americana with a party vibe, but the subject matter is much more deep and involved, passing on wisdom and considering the many cycles of living life. It’s ripe for a sing along!

In bluegrass, mandolinist and singer-songwriter Darren Nicholson launches his new album, Lonesome Trails and Tall Tales, today. To celebrate, we’re sharing “All Trains Must Come to Pass” for release day. It’s a barn-burning traditional bluegrass number that Nicholson co-wrote with Charles Humphrey III and Thomm Jutz. And don’t miss the latest duo recording from Bryan Sutton, this time featuring guitar wizard Tommy Emmanuel alongside. “Don’t Let Your Deal Go Down” is a common choice by Sutton, but in this arrangement with Emmanuel there are equal infusions of jazz and swing alongside bluegrass and flatpicking.

Also out today is a new tribute album to Guy Clark produced by Dan Knobler and released by Truly Handmade Records. Old No. 1 Revisited features performances by Jade Bird, Erin Rae, Brennen Leigh, Kelsey Waldon, Logan Ledger, and more. For our roundup, we’re sharing Margo Price’s rendition of “Rita Ballou.” Both Price and Knobler tell us their stories of how the track came to be below – it’s an absolutely lovely tribute to a songwriting and Americana legend.

There’s so much to enjoy! You Gotta Hear This…

Jacob Augustine, “Halfway to Harlem”

Artist: Jacob Augustine
Hometown: Portland, Maine
Song: “Halfway to Harlem”
Album: I Love You Forever
Release Date: April 29, 2026 (single); May 22, 2026 (album)
Label: Team Love Records

In Their Words: “Post-apocalyptic survivor studies. Car alarms serenading the cities of America to dead battery silence.

“What is it to fall in love, raise a child, and save the world all at the same time? This song explores these themes and questions. Questions I don’t really have the answers to. But questions that need to be asked I think.” – Jacob Augustine

Video Credits:
Directed by Jacob Augustine.
Co-directed, filmed, and edited by Joshua Powers, Wavin AM.
Starring Brandon Wardwell.
Produced by Wavin AM.

Jeff Mamett, “Like Old Uncle Jim”

Artist: Jeff Mamett
Hometown: Central Pennsylvania
Song: Like Old Uncle Jim
Album: Fortunate Son
Release Date: May 1, 2026 (single); August 21, 2026 (album)

In Their Words: “I grew up around people like this – the kind of man whose stories don’t always land the same way depending on who’s listening. With Uncle Jim, I was interested in that gap between what people say about somebody and what you see for yourself. As a kid, you don’t question it the same way, you just take it in.

“The details were important to me – the cigarette, the pony ride, the way he carried himself. Those things felt more honest than trying to explain him. By the end, the truth is there if you’re paying attention, but it doesn’t come out and announce itself. It just sits in the room. I think that’s how a lot of people are. You don’t always know who they are unless you’re looking closely.” – Jeff Mamett

Darren Nicholson, “All Trains Come to Pass”

Artist: Darren Nicholson
Hometown: Canton, North Carolina
Song: “All Trains Come to Pass”
Album: Lonesome Trails and Tall Tales
Release Date: May 1, 2026
Label: Mountain Home Music Company

In Their Words: “‘All Trains Come to Pass’ is a barn-burner! It was written by Thomm Jutz, Charles Humphrey III, and myself. The song speaks metaphorically about the passing of time and how important it is to live in every moment. Breathe it in. The band is kicking on this one, and it was so much fun to record! We hope you enjoy listening to it as much as we did creating it.” – Darren Nicholson

Track Credits:
Darren Nicholson – Mandolin, lead vocal
Kristin Scott Benson – Banjo
Mark Fain – Upright bass
David Johnson – Acoustic guitar
Tony Creasman – Drums
Deanie Richardson – Fiddle
Kevin Sluder – Harmony vocal
Avery Welter – Harmony vocal
Jennifer Nicholson – Harmony vocal

Orange Oak, “well, well, well”

Artist: Orange Oak
Hometown: Stockholm, Sweden
Song: “well, well, well”
Album: almost, I thought to myself
Release Date: May 1, 2026 (song); September 11, 2026 (album)
Label: Nettwerk Music Group

In Their Words: “This song explores the struggles of confronting yourself after a period of avoidance and inner conflict. It moves between self-criticism and a quiet desire for change; realizing escape is no longer sustainable. There’s tension between wanting control and accepting vulnerability. There’s strain in letting go of anger and returning to life with a new sense of honesty. At its core, ‘well, well, well’ is about self-reflection, reconciliation, and finding the courage to begin again and again and again.” – Filippa Frisell and Erik Olsson, Orange Oak

Helen O’Shea, “There Will Be Days”

Artist: Helen O’Shea
Hometown: Born in Limerick, Ireland; living in Long Branch, New Jersey
Song: “There Will Be Days”
Album: Songs In The Key Of O
Release Date: May 1, 2026
Label: White Butterfly Music

In Their Words: “The song ‘There Will Be Days’ started out in a conversation between Caroline Carlile and myself. She was starting out as a young artist with tremendous potential and I was telling her that there will be days when she feels the world is against her, but that is exactly when she must let her starlight shine through. First this line became a poem and then Caroline and I decided to write a song about it together, with help from Jay Carlile and Marc Swersky. The result is this beautiful duet between Caroline and myself with Jay on harmonica and the Carlile Family Band on backing vocals against the music of Andrew Carillo (Joan Osborne), Rob Clores (Jesse Malin), and Aaron Comess (Spin Doctors).” – Helen O’Shea

Track Credits:
Helen O’Shea – Vocals, songwriter
Caroline Carlile – Vocals, songwriter
The Carlile Family Band – Background vocals
Marc Swersky – Producer, songwriter
Andrew Carillo – Guitars
Rob Clores – Keys
Aaron Comess – Drums
Jay Carlile – Harmonica, songwriter

Video Credits: Story & Bone

Margo Price, “Rita Ballou”

Artist: Margo Price
Song: “Rita Ballou”
Album: Old No. 1 Revisited
Release Date: May 1, 2026
Label: Truly Handmade Records

In Their Words: “Many years ago, I was lucky enough to find Guy’s Clark’s perfectly crafted album, Old No. 1, while shuffling through the jukebox at the Devil’s Backbone Tavern in Fischer, Texas. His fingerpicking and storytelling on ‘Rita Ballou’ pulled me in. And I was hooked.

“Guy’s a carpenter in every sense of the word and every song he builds is ornate, solid, and reliable. It’s an honor to interpret his songwriting for this tribute, alongside producer and guitar virtuoso Dan Knobler, harmonies by my talented bandmate Logan Ledger, and the incredible, top-tier musicians that played on this track.” – Margo Price

“Margo Price was the immediate and obvious choice to extol the charms of ‘Rita Ballou.’ These songs do the work, all we have to do is cast them appropriately. So in that spirit I appointed the tracking room at Good Wishes with a proverbial joy carnival of musicians: octopus double drums from Jamie Dick and Dom Billett, powerhouse Jen Gunderman at the keys, the legend Russ Pahl walking into the studio with his steel on his shoulder, Will Honaker holding it down on bass, me strumming and picking. Margo stood out on the floor with us and nailed the song to the wall. Logan Ledger and Nicki Bluhm provided the backup choruses and a good time was had by all.” – Dan Knobler, producer

Track Credits:
Margo Price – Vocals
Logan Ledger – Harmony vocal
Nicki Bluhm – Harmony vocal
Maya de Vitry – Additional harmony vocals
Rachael Davis – Additional harmony vocals
Dan Knobler – Acoustic guitars, electric guitar
Jen Gunderman – Piano, organ, Wurlitzer
Russ Pahl – Pedal steel
Will Honaker – Bass
Jamie Dick – Drums, percussion
Dom Billett – Drums, percussion

Bryan Sutton, “Don’t Let Your Deal Go Down” with Tommy Emmanuel

Artist: Bryan Sutton with Tommy Emmanuel
Hometown: Nashville, Tennessee
Song: “Don’t Let Your Deal Go Down”
Album: From Roots to Branches
Release Date: May 1, 2026 (single)
Label: Mountain Home Music Company

In Their Words: “[Tommy is] another guy that’s just been gracious to me over the years… a big pal and he’s a big energy. Every time he sees me, you just get all of his attention … he’s a wonderful friend and a lovely dude. Certainly, the world knows how strong a musician he is, but you know, the choice for that song, something with energy, that sort of comes from more of a bluegrass background. Those chord changes lend a little more to the swing and jazz world, and that’s where he and I have spent a lot of time playing other songs together.

“I was a partner on his duet record some years ago. We did ‘C Jam Blues’ and some other swing music like that. Trying to choose songs that sort of honor a certain angle of our relationship, musically, so that mix of bluegrass and jazz and swing is where Tommy Emmanuel and I find some common ground.” – Bryan Sutton

Track Credits:
Bryan Sutton – Acoustic guitar, lead vocal
Tommy Emmanuel – Acoustic guitar, vocal

Photo Credit: Margo Price by Yana Yatsuk; Darren Nicholson by Jeff Smith.

You Gotta Hear This: New Music From Charlie Worsham, Maya de Vitry, and More

Posted on by Justin Hiltner

New Music Friday is here! Our final Friday of April finds our roundup sharing excellent country, folk, and Americana. You Gotta Hear This.

To start, Los Angeles based neo-folk artist Malena Cadiz has released a very cool track, “Smoke Rings.” It’s a Les Paul cover recorded on the original Les Paul recording console. Music nerds will get the importance of the first-ever multi-tracking console and how apropos the song selection is, too, with Cadiz offering her own rendition of a song by Paul and Mary Ford. It’s jazzy and lazy – deliciously relaxed. Also based in LA, Dominique and the Diamonds launch a vibing and glittery honky-tonkin’ song, “I Don’t Mind,” to announce their upcoming album Honky Tonk Queen. It evokes California in a sonic package that shines like it’s covered edge-to-edge in sequins, pulled forward by Dominique Gomez’s lush voice.

Earlier this week, Irish artist Glen Hansard released a gorgeous live video for “Don’t Settle,” the title track for his new album out today, Don+t Settle – Transmissions East. Hansard and his ensemble perform the impassioned song in the round, surrounding each other and surrounded by their audience and a circle of shadows. It’s dramatic and compelling. Out in the sunshine, singer-songwriter Maya de Vitry announces her new upcoming album with a fresh song, “Confidence of the Sun.” Written in the warm and soft sunlight of the Texas Hill Country, the track showcases de Vitry’s penchant for finding redemption in herself, in breaking old habits, and in being present – within music and without – to do so. It’s a lovely harbinger for what’s to come.

Texan Jacob McCoy shares a new song with us today, as well. “All Our Days” is rich with deeply stacked vocal tracks and a country-meets-indie twang. One of the last songs written for his EP, Deep Deep Water, it’s also one of the singer-songwriter’s favorite tracks he’s written to date. His EP is out everywhere today. To round us out and finish us off, our old pal Charlie Worsham – country’s modern renaissance man – returns with a new single, “Grass,” out now. It’s a tribute to his favorite pastime (mowing), his favorite surface for walking barefoot, and his rowdy 20s (IYKYK). With a heaping helping of the humor he’s often known for, “Grass” is a summer anthem perfect for farmers tans and coming in the house smelling like a fresh-trimmed lawn. As Worsham performs at Stagecoach this weekend, we’ll be cheering him on and enjoying “Grass” right here on BGS.

There’s so much to enjoy below. Get listenin’, because You Gotta Hear This:

Malena Cadiz, “Smoke Rings”

Artist: Malena Cadiz
Hometown: Los Angeles, California
Song: “Smoke Rings”
Release Date: April 20, 2026
Label: Sad Mall

In Their Words: “A few months back, an old friend from NYC, Tom Camuso, reached out that he was in LA working on an exciting new project. Tom, who’s worked with Lenny Kravitz, Blondie, and Steve Earle, was in charge of refurbishing the original Les Paul recording console. For music nerds this is HUGE. Les Paul created the very first multi-tracking console in 1957 and it now has a new home in the historic United Studios in LA.

“He invited my band and I to track a few songs on the console to test the gear – this was the first time anyone had recorded on this machine since it had been put in storage decades ago. We were obviously over the moon to be invited and decided the first track recorded on Les Paul’s console after all these years should be a Les Paul song. We chose to do a version of Les Paul and Mary Ford’s ‘Smoke Rings.’ I’ve loved this song forever for its dreamy, whimsical quality and Mary Ford’s gorgeous performance.

“My buds Jason A. Roberts (Norah Jones, Spoon, Bedouine), Leeann Skoda (Noah Cyrus), and Aaron Stern (Curtis Harding) came into the studio with me and I do not exaggerate when I say it was a semi-spiritual experience to get to record in this legendary space – they even got to play Les’s original guitars for the recording.” – Malena Cadiz

Maya de Vitry, “Confidence of the Sun”

Artist: Maya de Vitry
Hometown: Lancaster, Pennsylvania
Song: “Confidence of the Sun”
Album: All My Faith
Release Date: May 1, 2026 (single); July 24, 2026 (album)
Label: Mad Maker Studio

In Their Words: “Over the years, I have shed what feels like many skins. When I wrote the first lines of this song, ‘It took me a long time to recognize peace as a place I belong,’ it felt healing just to sing it and own that truth. It’s taken years for me to begin to rewire some painful patterns, some deep grooves of self-doubt and self-sabotage. For anyone who has ever been through periods of interpersonal chaos, times of loud endings and quiet beginnings, an era of coming back to honesty in your body and spirit after going through the motions – it can be hard to actually see and feel and appreciate in your bones just how far we’ve come, you know?

“I wrote this song in the unapologetically bright-yet-soft sunlight of the Texas Hill Country, in spring, at the Blue Rock Artist Ranch & Studio. I received a gift of attending a writing residency there, and it allowed me the space and time to slow down and listen to my own heart. I love this arrangement so much, the way it feels like home for me to rest my vocals in Dom Billett’s drum groove, the way the band rises and falls in energy together because this all happened in one whole live take, and the comfort and camaraderie of singing in unison with Shelby Means and Joel Timmons before we split into some joyous three-part harmony towards the end of the song.” – Maya de Vitry

Track Credits:
Maya de Vitry – Vocals, acoustic guitar
Shelby Means – Harmony vocals
Joel Timmons – Harmony vocals
Jo Schornikow – Keys
Ethan Ballinger – Electric guitar
Spencer Cullum – Pedal steel
Ethan Jodziewicz – Fretless electric bass
Dom Billett – Drums

Dominique and the Diamonds, “I Don’t Mind”

Artist: Dominique and the Diamonds
Hometown: Los Angeles, California
Song: “I Don’t Mind”
Album: Honky Tonk Queen
Release Date: April 24, 2026 (single); June 26, 2026 (album)

In Their Words: “Before moving to LA, I lived in a small farm town on the coast of Northern California. I didn’t want to leave, but I had to escape a dangerous relationship I was in. I was heartbroken for having to leave the town, not so much the relationship itself. I had plans of making it back one day and settling down, but when I found out my ex had planted roots out there, I knew it wouldn’t be safe for me to go back. I felt like he took a dream of mine away from me. I wanted this song to sound like that coastal town I was living in; a song that could transport you to that same beach where the sea touches the redwoods of Muir Woods. It might seem contrary for the song’s title to be ‘I Don’t Mind,’ but it’s how I feel about everything now. Moving to LA was the best decision of my life and unfortunately I don’t think I would have ended up here if I hadn’t experienced all of those terrible things up north. There would be no Dominique and the Diamonds, this incredible, dreamlike life that I live now because of this project would have never existed. So in the end, I don’t mind that my ex took my old dream away from me. This is exactly where I was meant to be.” – Dominique Gomez

Track Credits:
Dominique Gomez – Vocals, acoustic guitar
Hamilton Boyce – BGVs, bass
Tyler English – Pedal steel
Craig Jacobs – Drums
Glenn Brigman – Piano, producer
Dominique and the Diamonds – Producer

Glen Hansard, “Don’t Settle”

Artist: Glen Hansard
Hometown: Dublin, Ireland
Song: “Don’t Settle”
Album: Don+t Settle – Transmissions East
Release Date: April 21, 2026 (video); April 24, 2025 (album)
Label: Plateau/Secretly Distribution

In Their Words: “‘Don’t Settle’ is a song I wrote to a younger version of myself, the song came quite fast. A kind of roadmap of dos and don’ts for the sometimes treacherous tightrope that is one’s life in music. Stay the road, know your north. Listen only to your own heart and gut. Your road is your road. You’ll know the signs. Don’t deviate. And when you do, deviate completely. Don’t settle for less than you envisioned.” – Glen Hansard

Video Credits:
Frank Machel – Director, editor
Markus Mörtz – Producer, editor
Sara Kelly-Husain – Documentary, unit manager
Vincent Chmiel – Documentary
Martin Ullrich – DOP
Eric Poß – Camera
Armin Riedel – Camera
Stephan Bodner – Technical assistance, camera

Jacob McCoy, “All Our Days”

Artist: Jacob McCoy
Hometown: Amarillo, Texas
Song: “All Our Days”
Album: Deep Deep Water (EP)
Release Date: April 24, 2026

In Their Words: “‘All Our Days’ was one of the last songs written for the EP, and to date is one of my favorite songs I’ve written. I wrote it with friend and fiddle player Coral Bradshaw just a few weeks prior to recording. Something about it contains this seasoned, hard-earned romantic intimacy that just immediately drew me in like a lot of old country songs do. The song moves through all of the seasons of a long love – summer’s ease, winter’s frozen hope, and the slow return of spring – before landing somewhere that feels genuinely hard-won.

“Sam and I cut it on the first day of recording in his small above-garage studio in Nashville and it came together very organically. Syncopated fingerstyle guitar provides the foundation for the entire song and almost immediately you become immersed in intimate harmonies, with a waltzing bass line and support from an upright piano that provides some forward motion. For the interludes, I ended up playing my mother-in-law’s old cheap classical [guitar] from the ’70s that almost gave it a Willie Nelson feel, which given that he was always playing somewhere in the background growing up, I absolutely love. It might be my favorite musical moment on the entire project.” – Jacob McCoy

Track Credits:
Jacob McCoy – Vocals, acoustic guitar, classical guitar, bass
Sam Westhoff – Upright piano, producer

Charlie Worsham, “Grass”

Artist: Charlie Worsham
Hometown: Grenada, Mississippi
Song: “Grass”
Release Date: April 24, 2026

In Their Words: “‘Grass’ is an ode to my favorite surface to walk on barefoot, my favorite domestic pastime (mowing), and maybe a wink to a certain favorite pastime of my 20s, IYKYK…

“More than that, ‘Grass’ represents the blend of blues and bluegrass influences that raised me. I play that song and it takes me back to drinking from the water hose, attending my first MerleFest, walking out to the lawn seats at amphitheaters across the country, whether I was playing the show that night or catching a show with my friends.

“Some people like sand. Some people like snow. Some people like the concrete, where ain’t nothing grows. But I’d rather be… sweatin’ all summer on a John Deere stacking up cash cash cash…” – Charlie Worsham

Photo Credit: Charlie Worsham by PJ Brown; Maya de Vitry by Ethan Jodziewicz.

You Gotta Hear This: New Music From Don Williams, Victoria Bailey, and More

Posted on by Justin Hiltner

This week it’s absolutely packed in our weekly roundup of new roots music! You Gotta Hear This…

From the Blue Ridge Mountains of Western North Carolina, the Asheville Mountain Boys kick us off with a new performance video for “Don’t Take Me Back Again.” It’s a track from their debut self-titled album, which was just released in February. It’s straight-ahead bluegrass that will transport you right back to their beautiful home turf in Southern Appalachia. Also in bluegrass, from just down the ridge from NC in Boiling Springs, South Carolina, husband-and-wife duo Benson (Wayne and Kristin Scott Benson) have a new single out today, “Maybe It’s You.” Featuring their friend Heath Williams on the lead vocal, it’s a clean and crisp example of modern bluegrass with traditional bones.

You’ll also get to hear a lovely bluegrass-gospel-western rendition of a Randy Travis cut, “He’s My Rock, My Sword, My Shield” below, brought to us by Southern California singer-songwriter and roots artist Victoria Bailey. She effortlessly combines bluegrass, classic country, country & western, and gospel with her version of the familiar tune. The loping, cowgirl feel is just perfect. Plus, impeccable fiddler and multi-instrumentalist Andy Leftwich has a new album out today, Aced. To celebrate, we’re sharing “Crossville” from that collection, a tune from the catalog of Ricky Skaggs – Leftwich’s former boss, who’s a friend and a mentor – that has a transatlantic and somewhat Celtic feel. It features Leftwich on both fiddle and mandolin.

From further territory on the roots genre map, Paula Boggs Band calls on both Blind Boys of Alabama and Valerie June as special guests on their recording of “Ain’t Gonna Let Nobody Turn Me ‘Round.” Soulful string band folk is a perfect backdrop for the languid, marching track – one that remains all too timely and applicable in 2026. Watch a new lyric video for the song below and join the sing-along party, and the struggle for justice, too. Don’t miss Serafima and the Shakedowns’ paean to Seattle, the Queen of the Pacific Northwest. “Shivers” is a chill and vibing Americana track with lush guitars backing gentle ruminations on friendship, community, and place. Whether you have or haven’t felt the “shivers” in a while, this song will be there for you when you do again.

Keep scrolling, as there’s more gold to find. For instance, Gregory Alan Isakov and Sylvan Esso released a track together earlier this week, “Fade Into You.” It’s a lovely cover song of the cult favorite ’80s and ’90s alt-rock band Mazzy Star. For a while, Isakov wasn’t sure the track was finished – that is, until he called upon Amelia Meath of Sylvan Esso to complete the number with her vocals. Like Isakov, we love how it turned out. Finally, a legend of country music returns, posthumously, with a new album on May 29. Don Williams passed away in 2017, but his powerful legacy lives on. We spoke to his son, Tim Williams, about the latest single from Epilogue: The Cellar Tapes, a collection of found recordings made by Don himself dating back to the ’70s. The new single is an alternate version of a favorite track, “I’m The One,” that puts a magical focus on Williams’ vocals. You won’t want to miss it.

So much to love and enjoy is waiting for you below – You Gotta Hear This!

The Asheville Mountain Boys, “Don’t Take Me Back Again”

Artist: The Asheville Mountain Boys
Hometown: Asheville, North Carolina
Song: “Don’t Take Me Back Again”
Album: The Asheville Mountain Boys
Release Date: February 12, 2026 (album)

In Their Words: “‘Don’t Take Me Back Again’ is an original song written by our guitar player, Marshall Brown, and is featured on our new self-titled LP. Marshall brought the song to the group about a year ago and we had so much fun working it up into an early ’50s-style bluegrass song. Zeb and I wrote exchanging mandolin and banjo riffs for the song instead of normal solos; we felt that was an homage to how early Jimmy Martin songs would have more melody-based riffs than conventional solos. We shot the video at Asheville Guitar Pedals in West Asheville as sort of a tongue in cheek reference to our motto: ‘No Plugs No Pedals Only Bluegrass.’ We loved working with Rebecca Jones (video) and Carter Giegerich (audio) on this in-person, fully live take of the song. “ – John Duncan

Track Credits:
Marshall Brown – Lead vocal, guitar
Jacob Brewer – Tenor vocal, bass
John Duncan – Banjo, baritone vocal
Zeb Gambill – Mandolin

Video Credit: Videography by Rebecca Branson Jones, audio by Carter Giegerich. 

Victoria Bailey, “He’s My Rock, My Sword, My Shield”

Artist: Victoria Bailey
Hometown: Huntington Beach, California
Song: “He’s My Rock, My Sword, My Shield”
Release Date: April 24, 2026

In Their Words: “My cover of this Randy’s Travis gospel song, ‘He’s My Rock, My Sword, My Shield,’ truly sets the tone for where I am in music and with my faith. It’s been a few years since my album release (A Cowgirl Rides On) and I continue to grow a deep love for bluegrass and gospel. It only made sense to go in and record one of my all-time favorites by Randy Travis before I dive into my next record.

“This song was recorded live in studio with my bluegrass band at Station House Studio in Los Angeles, produced by my good friend Brian Whelan. It was a sweet reunion being back in that room and to honor such a beautiful, spiritual song. I often describe my sound as ‘a little bit gospel, a little bit bluegrass, and everything in between.’ This next single is a perfect recipe of all those things and I’m looking forward to more of it this year!” – Victoria Bailey

Track Credits:
Victoria Bailey – Vocals
Brian Whelan – Producer, lead guitar, BGVs
Ted Russell Kamp – Bass
Luke Adams – Drums
Philip Glenn – Fiddle
Leeann Skoda – BGVs

Benson, “Maybe It’s You”

Artist: Benson
Hometown: Boiling Springs, South Carolina
Song: “Maybe It’s You”
Release Date: April 17, 2026
Label: Mountain Home Music Company

In Their Words: “We love the tried-and-true themes of classic bluegrass songs. Cabins, farms, and mountains were relevant to the writers then. In fact, if you can find a new song that is reminiscent of those standards, it’s a real find. I think ‘Maybe It’s You’ is a nice representation of a modern bluegrass song, lyrically. Troubled relationships are timeless, but this is a contemporary take on that same theme.” – Kristin Scott Benson

“Heath Williams sang lead on ‘Maybe It’s You’ and we are so lucky to work with him. He has been a huge part of many Benson songs, like ‘Oh Me of Little Faith’ and ‘Lay ‘Em Down.’ He’s not from a bluegrass background, but is perfectly suited for it and has a really fresh, special take. In fact, Terry Herd, one of the co-writers, specifically mentioned him because Terry thought his approach would be ideal. After years of going to church with Heath and playing with him on occasion, it’s a joy to be recording with him now.” – Wayne Benson

Track Credits:
Heath Williams – Lead vocal
Wayne Benson – Mandolin
Kristin Scott Benson – Banjo
Cody Kilby – Acoustic
Kevin McKinnon – Bass
Zack Arnold – Harmony vocals

Paula Boggs Band, “Ain’t Gonna Let Nobody Turn Me ‘Round”

Artist: Paula Boggs Band
Hometown: Seattle, Washington
Song: “Ain’t Gonna Let Nobody Turn Me ‘Round” featuring Blind Boys of Alabama and Valerie June
Album: Sumatra
Release Date: March 27, 2026 (album)
Label: Boggs Media LLC

In Their Words: “Our cover of the civil rights anthem, ‘Ain’t Gonna Let Nobody Turn Me ‘Round,’ feels more relevant today than when we recorded it. To highlight its American roots heritage, we incorporated bluegrass instruments like banjo and fiddle. The featured artists, Blind Boys of Alabama and Valerie June, further enhance the song’s messages of hope and determination. The lyric video grounds the song in present times.” – Paula Boggs

Track Credits:
Paula Boggs – Lead vocals
Tor Dietrichson – Percussion
Jacob Evans – Drums, percussion
Darren Loucas – Acoustic guitar, Dobro, banjo, ukulele
Paul Matthew Moore – Acoustic piano, percussion
David Salonen – Upright bass, fiddle
Blind Boys of Alabama (Ricky McKinnie, Sterling Glass, J.W. Smith, Joey Williams) – Co-lead vocals
Valerie June – Co-lead vocals

Gregory Alan Isakov and Sylvan Esso, “Fade Into You”

Artist: Gregory Alan Isakov and Sylvan Esso
Hometown: Gregory Alan Isakov: Born in Johannesburg, South Africa; grew up in Philadelphia, Pennsylvania. Sylvan Esso: Durham, North Carolina
Song: “Fade Into You”
Release Date: April 16, 2026
Label: Dualtone

In Their Words: “I grew up listening to Mazzy Star and sort of sketched this song out one afternoon. I had read an article about Hope Sandoval (the singer of Mazzy Star) the week before and there was this paragraph about how she played a few shows at the Sydney Opera House in almost complete darkness. Some of the crowd was super disgruntled about it and walked out. I remember thinking, ‘Wow, what a hero.’ I sat on the recording I made for a long time, thinking it wasn’t quite finished, and reached out to Amelia of Sylvan Esso. She has one of my favorite voices of all time. Once I heard her on it, it felt ready. I really love how it came out.” – Gregory Alan Isakov

Andy Leftwich, “Crossville”

Artist: Andy Leftwich
Hometown: Carthage, Tennessee
Song: “Crossville”
Album: Aced
Release Date: April 17, 2026
Label: Mountain Home Music Company

In Their Words: “One of the greatest joys of playing music with Ricky Skaggs was getting a chance to jam on his original instrumentals! They all have great melodies and are structured in a way that gives you an opportunity to stretch out and push yourself. This song is certainly that. Ricky has always inspired me with his creativity and heart behind each note that he plays and I always looked forward to playing this one with him each night! It’s one of my favorites! I thought I’d pay homage to my friend and former boss by recording one of his wonderful compositions, ‘Crossville.'” – Andy Leftwich

Track Credits:
Andy Leftwich – Fiddle, mandolin
Byron House – Upright bass
Cody Kilby – Acoustic guitar
Matt Menefee – Banjo

Serafima and the Shakedowns, “Shivers”

Artist: Serafima and The Shakedowns
Hometown: Seattle, Washington
Song: “Shivers”
Album: Ride Easy
Release Date: April 14, 2026 (single); May 1, 2026 (album)
Label: BWGiBWGAN

In Their Words: “‘Shivers’ is an ode to Seattle, Queen of the Pacific Northwest – a cloud-soaked rumination that finds the song’s lonely voice wondering, is there anyone out there? My friends have left the city and I’ve heard I’m supposed to have a guardian angel – but where is she? Maybe she’s hiding behind the marine layer.

“This is a song about the city I grew up in, missing all your friends that have moved far away, feeling like they lied to you about stuff like having a guardian angel, and wondering if heaven is a real place – either up there or down here.” – Serafima Healy

Track Credits:
Serafima Healy – Vocals, guitar
Sam Burrows – Guitar
Joe McPhee – Bass
Jules Tennyson – Drums
Finn O’Hea – Trumpet
Aaron Khawaja – Piano
Jay Kardong – Pedal steel

Video Credits: Hand animations by Serafima Healy.

Don Williams, “I’m The One (Alternate Version)”

Artist: Don Williams
Hometown: Nashville, Tennessee
Song: “I’m The One (Alternate Version)”
Album: Epilogue: The Cellar Tapes
Release Date: April 17, 2026 (single); May 29, 2026 (album)
Label: Craft Recordings

In Their Words: “I remember this song very well from when I was 13-14 years old. I always loved the song. Obviously, Daddy did too, or there would not have been strings on it. Strings are always about the last thing before mixing (sometimes percussion). When I realized that it was one of the songs on the tapes in the cellar, I was excited. I did, though, want to take a crack at stripping it down a bit or making a little more room for Dad’s vocal, which was my intention and the approach I took. The original version is definitely cool and pretty complicated, actually, but I wanted a version that would be a platform from which maybe there’d be a little more focus on the vocals.” – Tim Williams, son of Don Williams

Photo Credit: Don Williams by Jim McGuire via the Grand Ole Opry Archives; Victoria Bailey by Dylan Gordon.

You Gotta Hear This: New Music From Jarrod Walker, Dailey & Vincent, and More

Posted on by Justin Hiltner

Welcome to another edition of our weekly round-up of new roots music! You Gotta Hear This…

To get us started this week, Dailey & Vincent continue to tease tracks from their upcoming album, A Beautiful Life, which will arrive on June 12. In the meantime, they’re sharing a music video for “Moon Shines on the Still,” another delightfully bluegrassy number for the country-and-gospel-and-bluegrass powerhouse duo. The fresh single’s breakneck tempo doesn’t stymie any of the fine pickers who shred throughout the feisty song about moonshine running and that good ol’ mountain dew. For another bluegrass duo, check out fiddlers Deanie Richardson & Kimber Ludiker launching their new track, “Rutland’s Reel.” It’s an acrobatic and challenging tune by Howdy Forrester with several complicated parts, but these two turned it into a stellar twin fiddle number anyway. What, like it’s hard?

From Asheville, North Carolina, Appalachian string band TANASI infuse their songs and tunes with influences from around the world. “Give Me Love (Give Me Peace On Earth)” is their timely rendition of a George Harrison song, on which Dobroist and multi-instrumentalist Billy Cardine plays a chaturangui, a slide instrument that draws from Indian classical music traditions. Watch a performance video for their cover below. Singer-songwriter Maisy Owen has shared a new music video today, too. “Dark On A Sunny Day” is lush indie folk wrapped in a sonic dreamscape, with a slightly dark and gritty tinge to pair perfecdtly with her evocative lyrics. The beat pulses forward, pushing and pulling the track ahead.

Plus, mandolinist Jarrod Walker – who you may know from Billy Strings’ band – just this week announced an upcoming solo album, Nighthawk, his first release as an artist in his own right. Prior to the album announcement Wednesday, Walker unveiled an upcoming tour in May. Now the lead single/title track from his debut LP is available everywhere, and we’re sharing the lyric video visualizer for the remarkably straight-ahead bluegrass number below. Nighthawk arrives in full on May 8.

Bluegrass, folk, and indie; mandolins, fiddles, and banjos; moonshine, darkness, and emotions – there’s something for everyone to enjoy. You Gotta Hear This:

Dailey & Vincent, “Moon Shines on the Still”

Artist: Dailey & Vincent
Hometown: Nashville, Tennessee
Song: “Moon Shines on the Still”
Album: A Beautiful Life
Release Date: April 10, 2026 (single); June 12, 2026 (album)
Label: Pillar Stone Records

In Their Words: “‘Moon Shines on the Still’ is a fun, up-tempo song with a lot of personality. It’s the kind of record that makes you want to roll the windows down and enjoy the ride.” – Jamie Dailey

“We had a blast recording this one. ‘Moon Shines on the Still’ has energy, heart, and a sound that feels both fresh and true to who we are.” – Darrin Vincent

Maisy Owen, “Dark On A Sunny Day”

Artist: Maisy Owen
Hometown: Nashville, Tennessee
Song: “Dark On A Sunny Day”
Album: Dark On A Sunny Day
Release Date: April 10, 2026 (single); May 1, 2026 (album)
Label: Tompkins Square

In Their Words: “There was a period of time two years ago in the summer when I was writing almost every night. ‘Dark On A Sunny Day’ was one of the first songs I kept. There’s a kind of honesty that comes with someone’s early work, something I always look for when I deep dive into a new musical obsession. Something early is something pure. This is the only song on the album with a full band arrangement. The instrumentation is dark and unceasing. There is no metaphor or veil regarding the lyrics, they are candid.” – Maisy Owen

Deanie Richardson & Kimber Ludiker, “Rutland’s Reel”

Artist: Deanie Richardson & Kimber Ludiker
Song: “Rutland’s Reel”
Release Date: April 10, 2026
Label: Mountain Home Music Company

In Their Words: “‘Rutland’s Reel’ was written by one of my ultimate fiddle heroes, Howdy Forrester. In typical Howdy fashion, it’s got several parts and is challenging to play. It was a lot to take this one on as a twin fiddle piece and Kimber took on the challenge of learning the harmony part. She nailed it! I’m so proud to have this tune on our record honoring the great Howdy Forrester.” – Deanie Richardson

Track Credits:
Deanie Richardson – Fiddle
Kimber Ludiker – Fiddle
Cody Kilby – Acoustic guitar
Hasee Ciaccio – Upright bass
Tristan Scroggins – Mandolin
Kristin Scott Benson – Banjo

TANASI, “Give Me Love (Give Me Peace On Earth)”

Artist: TANASI
Hometown: Asheville, North Carolina
Song: “Give Me Love (Give Me Peace On Earth)”
Album: TANASI
Release Date: April 9, 2026 (single); May 8, 2026 (album)

In Their Words: “This song by George Harrison feels especially relevant right now – we need as many songs about peace and love as possible in difficult times. It echoes both backward and forward, carrying layers of meaning that resonate personally and globally. In addition to honoring the song itself, we wanted to pay tribute to Harrison’s influence – particularly his role in bringing classical Indian instruments like the sitar into popular music. Alongside his signature Dobro, Billy Cardine plays the chaturangui, a slide instrument developed by his teacher in India, Debashish Bhattacharya. With its 22 strings, it creates a rich, shimmering tone reminiscent of the textures heard in many of Harrison’s recordings. Mary Lucey and Anya Hinkle share the lead throughout, trading lines and weaving their voices together in sister-like harmony.” – TANASI

Track Credits:
Billy Cardine – Dobro, chaturangui
Mary Lucey – Bass, vocals
Anya Hinkle – Guitar, vocals

Jarrod Walker, “Nighthawk”

Artist: Jarrod Walker
Hometown: Lithia, Florida
Song: Nighthawk
Album: Nighthawk
Release Date: April 8, 2026 (single); May 8, 2026 (album)

In Their Words: “A few years back, I stumbled upon the word ‘Nighthawk’ in The Dictionary of Obscure Sorrows, a collection of definitions for newly invented words that describe unnamed emotions, feelings, and experiences. Initially, ‘Nighthawk’ began as a moody, vibey track, but Christian Ward and I soon realized it worked better as a straight up bluegrass song. Once we committed to that approach we were able to lock down a couple verses, a chorus, and everything started to take shape. One of the trickest parts of songwriting is revisiting an unfinished song, returning to that headspace to add final touches Eventually we added a third verse which tied it all together with a big ribbon and bow. Now I couldn’t imagine it without it. I find that with trad bluegrass it’s best to keep things close to home or else you risk losing the essence of the song. I say that now, but ask me how I feel next year. The band knocked this one out in a few takes and later Billy [Strings] added a killer tenor harmony. Ultimately, ‘Nighthawk’ wound up being by far one of the grassiest tracks on the record.” – Jarrod Walker

Track Credits:
Jarrod Walker – Vocals, mandolin
Cory Walker – Banjo
Jamie Dick – Drums
Christian Ward – Fiddle
Jake Stargel – Guitar
Royal Masat – Upright bass
Billy Strings – Background vocals

Photo Credit: Jarrod Walker by Jesse Faatz; Dailey & Vincent by Gregg Roth.

You Gotta Hear This: New Music From River Shook, Bryan Sutton, and More

Posted on by Justin Hiltner

It’s another edition of our weekly collection of new roots music! You Gotta Hear This…

To get us started, singer-songwriter Jenn Grinels is giving us a preview of her upcoming single, “Always On The Run,” which will arrive next week. The track combines Californian indie twang with straight-ahead country & western and a gothic twist. While Grinels is an accomplished songwriter herself, in this instance she composed the music while the evocative, text-painting lyrics were penned by Alfred Howard, a poet and musician. We’re also very excited for new music from River Shook, who you may know from their prior project, Sarah Shook & the Disarmers. Their new roots-folk single, “Wildlands,” is actually a song begun more than 10 years ago – and in a completely different set of circumstances. Shook completed the song channeling feelings from their recent shift from the Disarmers to this new era, performing and releasing music solo, under their own name. With this track, we’re certainly looking forward to what comes next from Shook.

In bluegrass, Lonesome River Band pull a song seen performed by Stringbean (David Akeman) on The Porter Wagoner Show for their new single. “Pretty Little Widow” is hilarious and first rate, even employing an all-too-rare traditional bluegrass instrument, the Telecaster. Its twangy punctuations are a perfect addition to the single, out today. Acclaimed guitarists Bryan Sutton and Kenny Smith also launch a track today, “Three Star Hornpipe,” from Sutton’s upcoming album of six-string duets. Sutton and Smith’s decades-long friendship is easy to hear on the relaxed and loping modern fiddle tune.

There are a couple of great cover songs included today, too. Nashville-based artist Sweet Megg shares her new video for her most recent single, “Come On Up to the House,” her interpretation of the Tom Waits classic. She was inspired by her own family homeplace, a literal and figurative refuge where she grew up in New York City. Plus, after a lifetime of playing sets of cover songs, Jessie Wilson finally releases a cover – and it’s none other than Dolly Parton’s “Jolene.” A failsafe choice for a first cover release, Wilson’s take on the iconic favorite has a deep pocket, head-bobbing feel changes, and bluegrass instruments tucked into every one of the track’s nooks and crannies.

We hope you enjoy these songs as much as we have. You Gotta Hear This!

Jenn Grinels, “Always On The Run”

Artist: Jenn Grinels
Hometown: Originally Cupertino, California; currently working out of New York City
Song: “Always On The Run”
Release Date: April 10, 2026

In Their Words: “This song is a collaboration, with lyrics by Alfred Howard and music by me. I’ve always admired Al’s poetry, spoken word, and lyricism, so when he first reached out about collaborating, I was thrilled. These were the first lyrics he sent me – of many songs we ended up working on together – and when I read them, I was instantly inspired. The songwriting process was so quick, which definitely doesn’t always happen, and that ease ended up inspiring and setting the tone for the rest of the record.

“The imagery in Al’s writing naturally leant itself to this western feel that carries throughout the album – and a lot of that is rooted in the desert landscapes of Southern California that inspire him.

“At its heart, the song is about endless ambition – and the exhaustion that can come with it. We’re always reaching for our dreams, both of us having spent so many years in this business, constantly chasing that setting sun – and to metaphorically walk into it. It’s special to work with someone who’s in a similar place in life. He can write something deeply personal that I immediately connect to, and that sparks something in me musically.” – Jenn Grinels

Track Credits:
Jenn Grinels – Vocals, acoustic guitar, composer
Alfred Howard – Lyricist
Mike Butler – Guitars, lap steel, percussion, producer, engineer
Jason Littlefield – Bass
Jake Najor – Drums

Lonesome River Band, “Pretty Little Widow”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Pretty Little Widow”
Release Date: April 3, 2026
Label: Mountain Home Music Company

In Their Words: “Jesse [Smathers] brought this song to our attention from a video of Stringbean on The Porter Wagoner Show from the 1960s. We all love Stringbean’s music, and it was a song I had not heard before. He was backed by Porter’s country band and the electric guitar had a great part in the song. So it was an obvious choice of tunes for this project. Rod Riley on the Tele captures the vintage sound of that era of country music.” – Sammy Shelor

Track Credits:
Sammy Shelor – Banjo
Jesse Smathers – Acoustic, lead vocal
Mike Hartgrove – Fiddle
Adam Miller – Mandolin, harmony vocal
Kameron Keller – Upright bass
Rod Riley – Electric guitar

Bryan Sutton, “Three Star Hornpipe” with Kenny Smith

Artist: Bryan Sutton with Kenny Smith
Hometown: Nashville, Tennessee
Song: “Three Star Hornpipe”
Album: From Roots to Branches
Release Date: April 3, 2026 (single)
Label: Mountain Home Music Company

In Their Words: “I met Kenny when I first moved to Nashville. He had been there already a few years and was living down there near Wartrace, Tennessee, doing some work with Gallagher. And I forget exactly where I might have met him, but I was probably around the Station Inn or one of the music stores in Nashville. I went down and hung out with him. I had a guitar that I had some questions about and wanted to show it to him – you know, some structural issues – and he took a look at it and we played a little bit and I’ve just known him ever since. This is the early ’90s, over 30 years ago, and I just maintained a friendship with him all through these years.

“I’ve always loved the way Kenny is reverential towards fiddle tunes when he plays. He really finds that sweet spot of his guitar artistry, but you hear the melodies – he’s playing the tune and presenting the melody. I found this old song, ‘Three Star Hornpipe,’ that I’d heard from a fiddler named Roger Howell here in Western North Carolina. Tommy Hunter had recorded it years and years ago. I found an original recording and sent it to Kenny and went like, ‘What do you think? Here’s a tune that neither of us have ever played.’ Again, I didn’t necessarily want to do an obvious, low-hanging fruit kind of fiddle tune. So here was a newer tune and he was game to do it. That’s how we got into that tune, and I just love what he did with it.” – Bryan Sutton

Track Credits:
Bryan Sutton – Acoustic guitar
Kenny Smith – Acoustic guitar

River Shook, “Wildlands”

Artist: River Shook
Hometown: Chapel Hill, North Carolina
Song: “Wildlands”
Release Date: April 3, 2026

In Their Words: “I started writing ‘Wildlands’ when I was seeing a deeply controlling, scary person. One summer day, I snuck out of the house and went to the Haw River to clear my head. I sat writing at the water’s edge, feeling brave for the first time in years, and when I got back home, I hid the piece of paper with the lyrics deep in my closet. Nothing came of the song for almost a decade.

“Last year, when I decided to end my band (Sarah Shook & the Disarmers) and start over under my new name (River Shook), those old feelings came rushing back – fear, bravery, clarity, strength – and I remembered ‘Wildlands.’ I kept the original first verse, reworked the other two, and wrote a new chorus. Releasing this song is such a beautiful full-circle moment in my life. I feel so lucky to share ‘Wildlands’ with you.” – River Shook

Track Credits:
River Shook – Vocals, acoustic guitar, electric guitar, songwriter, producer
Blake Tallent – Drums, bass, acoustic guitar, electric guitar, pedal steel, harmonica, percussion, producer

Video Credits: Samantha Kniskern

Sweet Megg, “Come On Up To the House”

Artist: Sweet Megg
Hometown: New York City; based in Nashville, Tennessee
Song: “Come On Up To the House” (Tom Waits cover)
Album: Massive Negroni
Release Date: April 1, 2026 (single); May 1, 2026 (album)

In Their Words:  “When I heard this song, it reminded me of home – not just a place, but a feeling. My family came from Ireland in the 1920s and settled in the house where my mother grew up and where I grew up too. That house holds so many memories of family and friends. It’s a sacred space.

“When the world feels like it’s on fire, I can step inside and enter another dimension of peace and tranquility. That’s what home can be. This song by Tom Waits carries that feeling for me. It’s an invitation, a prayer I offer to others: when the world is getting you down, come on up.” – Sweet Megg

Track Credits:
Sweet Megg – Vocals
Hunter Strasser – Guitar
Norbert McGettigan – Bass
Chris Gelb – Drums

Video Credits: Filmed and edited by Matthew Farrell.

Jessie Wilson, “Jolene”

Artist: Jessie Wilson
Hometown: Phenix City, Alabama
Song: “Jolene”
Album: Rebel & Reverie (EP)
Release Date: April 3, 2026 (EP)

In Their Words: “As a girl who has played hundreds of cover shows in my lifetime, I’ve never actually released a cover song. I play ‘Jolene’ frequently at my live shows and we perform it a bit different. We play the choruses in double time and the verses in a half time, giving it our own spin.

“I recorded this version after jumping in a session with musicians I hadn’t met yet, who all happened to be monster musicians. We recorded at Station West in Nashville with Ilya Toshinskiy (acoustic guitar), Steven Sinatra (drums), Jimmy Nichols (keys), Kris Donegan (electric guitar), and Rob Cureton (bass). It surpassed my expectations and the session felt so natural and easy despite being in a room filled with all musicians that I was meeting for the first time. Sometimes, you just feel so ‘at home’ with a song, it feels like it gives you no choice but to release it.” – Jessie Wilson

Track Credits:
Jessie Wilson – Lead vocal
Nicole Boggs – BGVs
Steve Sinatra – Drums
Ilya Toshinskiy – Acoustic guitar
Jimmy Nichols – Keys
Kris Donegan – Electric guitar
Rob Cureton – Bass
Andy Ellison – Dobro

Photo Credit: River Shook by Jillian Clark; Bryan Sutton courtesy of the artist.

You Gotta Hear This: New Music From John R. Miller, Eilen Jewell, and More

Posted on by Justin Hiltner

Welcome to another edition of our weekly roundup of new roots music! You Gotta Hear This…

First up, country singer-songwriter Erin Gibney gives us a preview of a brand new version of “Risk It,” one of the first true love songs she had ever written. In this iteration, it’s stripped back to a more simple and acoustic approach, but still with a pop country sheen and plenty of big, energetic moments. Also in country, Carly King has announced her upcoming album, Loving You Is Easy, with a lovely and tender lead single, “Three Martinis.” King wrote the song about a fated trip to New York City where she fell in love with the man who would become her fiancé. It’s full of memories, nostalgia, and lush with imagery of falling head over heels, all wrapped in a cozy and gauzy folk-country package.

In the bluegrass world, North Carolina’s Unspoken Tradition highlight their working-class bluegrass bent with a new single, “Company Man,” which celebrates and interrogates the reality of blue-collar, hard working folks in this day and age. As they describe it, “The song tells the story of a man who seems to live to work, not work to live. There’s pride in that, but also a sense of stoic sadness.” Also speaking to the social and political climate of today, folk artist and singer-songwriter Eilen Jewell has released her own version of Woody Guthrie’s important and sadly still applicable song, “Deportee.” Jewell’s rendition is twangy, honky-tonking, and plaintive, drawing inspiration from the first time she ever heard the song as a teenager. She tells us that story – and about how the number has “haunted” her since – below.

Roots music fans will also enjoy watching singer-songwriter Adam Klein perform “Burnin’ Love,” an original song, in a brand new music video. Previously released in 2015, Klein returned to the track with collaborator Adam Poulin for a simple duo, acoustic reimagination of the song, which Klein wrote while on a Peace Corps mission in Mali in West Africa. And be sure you don’t miss a brand new single – and live performance video, to boot! – from West Virginian Americana troubadour John R. Miller. “If You Could Only See Me Now” is Miller’s take on a song written by a dear friend and musical compatriot, William Matheny. It’s another two-stepping, honky-tonk ready track perfect for sliding across the shiny floorboards or leaving a tear in your beer. Miller inhabits the lyric intuitively, with languid and laid back phrasing while the lyric, fiddle, and pedal steels pull him along.

There’s plenty to listen to and love. You Gotta Hear This!

Erin Gibney, “Risk It (Stripped)”

Artist: Erin Gibney
Hometown: Southington, Connecticut and Nashville, Tennessee
Song: “Risk It (Stripped)”
Release Date: April 3, 2026
Label: Rock Ridge Music

In Their Words: “I wrote this song after meeting my now-fiancé and it is one of the first true love songs I have ever written. ‘Risk It’ really describes the feeling of falling in love knowing that it could either end in marriage or the greatest heartbreak of your life. During the beginning of the relationship, I felt all the fears and excitement that come in the early stages of love. I brought this experience to Kipp Williams when we began working together and this became the first song we created. It was so much fun to not only try something new with my sound, but explore new themes in my music. This song is so close to my heart and I can’t wait for the world to hear this reimagined version of it!” – Erin Gibney

Track Credits:
Kipp Williams – Producer, songwriter, all instruments
Erin Gibney – Vocals, songwriter

Eilen Jewell, “Deportee”

Artist: Eilen Jewell
Hometown: Boise, Idaho
Song: “Deportee”
Release Date: March 24, 2026
Label: Signature Sounds

In Their Words: “I first heard ‘Deportee’ when I was a teenager. I can’t recall which version it was, but I remember I was babysitting a little girl who was about six years old. She put it in the CD player, cranked it up, and started singing along loudly in a sweet and mournful tone. I could tell it really resonated with her so I listened closely and realized it resonated with me too – the grief in the sudden separation of friends, the ripping away of a shared humanity – it’s haunted me ever since. I’ve heard just about every version of it there is, searching for one as anguished as the one in my memory of that night with the little girl howling along.

“My search never yielded one that quite fit so I altered the song a bit by putting it in a minor key and choosing only the verses that felt closest to the bone. It’s disheartening to think that Woody Guthrie wrote ‘Deportee’ nearly 80 years ago and it still rings true. What can I do but join him in fighting fascism the only way I know how? With my conscience, with my guitar, with my voice.” – Eilen Jewell

Track Credits:
Eilen Jewell – Acoustic guitar, vocals
Jason Beek – Drums, vocals
Jerry Miller – Electric guitar
Matt Murphy – Upright bass

Carly King, “Three Martinis”

Artist: Carly King
Hometown: New Jersey and Nashville, Tennessee
Song: “Three Martinis”
Album: Loving You Is Easy
Release Date: March 25, 2026 (single); May 15, 2026 (album)
Label: First City Artists

In Their Words: “I wrote this song about the first time I went to New York with my fiancé, who at the time was my boyfriend of one month and my brother’s best friend of 15 years. We stayed in a tiny hotel room and spent the whole day wandering Manhattan, falling in love, and ducking into dive-y music shops. I found a guitar I fell in love with and bought it and we carried it around the city all day – well, mostly he did. I remember feeling how simple and lucky everything was. Later, over martinis at the Carlyle Hotel (my namesake), guitar beside us, we talked deeply about our past, our families, and our future, and I knew I wanted to build a life with him around music. This song is the first date – it’s the taxi cab that takes you into the album.” – Carly King

Adam Klein, “Burnin’ Love”

Artist: Adam Klein
Hometown: Tucker, Georgia
Song: “Burnin’ Love”
Album: Live at Leesta Vall Sound Recordings
Release Date: April 3, 2026
Label: Cowboy Angel Music

In Their Words: “This album is a mix of previously released and unreleased songs. ‘Burnin’ Love’ was originally released on my 2015 album, Archer’s Arrow, with a full band presentation. Here, like all the songs on this new record, it’s stripped back to just acoustic guitar, vocals, and violin. But it still feels like it packs a punch. It randomly occurred to me to play it on tour in this duo format a couple nights before the session at Leesta Vall, so it’s fresh and a bit off the cuff. If the Archer’s Arrow version gave a nod to Neil Young & Crazy Horse in the sound of the electric guitar, somehow Adam Poulin’s fiddle playing here achieves something similar in its abandon.

“The song itself was written on my first full day in the village I lived in for two years during my Peace Corps service in rural Mali in West Africa. I was listening to the metal roof of my two-room mud house crackle from the blistering sunlight and questioning all my decisions – did I really want to spend two years here on my own in this curious land? It all loomed before me like a joke. I remember thinking of the feeling of solitude and emptiness that accompanies the end of love, and channeled it into this two-chord song.” – Adam Klein

Track Credits:
Adam Klein – Acoustic guitar, vocals
Adam Poulin – Violin, vocals

Video Credits: Filmed and edited by Jeff Shipman.

John R. Miller, “If You Could Only See Me Now”

Artist: John R. Miller
Hometown: West Virginia
Song: “If You Could Only See Me Now”
Release Date: March 27, 2026
Label: Rounder Records

In Their Words: “I’ve been fortunate to collaborate with William Matheny for a majority of my musical life at this point. Probably 15 years or so now, definitely in the widest variety of musical situations. The first time I saw him play at 123 Pleasant Street in Morgantown, West Virginia, in 2004 I passed out on a bench and somehow remembered his set that night. I’d get to meet him a few years later and we’ve been playing shows together ever since.

“William’s been playing in bands since he was in the single digits, and his body of work as a songwriter is huge and detailed, with recurring motifs and great riffs. His way of zooming in on the minutiae of viscerally familiar settings in his writing is something I have always admired, and his songs are imbued with literary and philosophical references that reward repeated listening.

“This is my take on a country song of his, one that we recorded some years back for his album That Grand, Old Feeling. I’ve always loved this song, feels like some unearthed forgotten classic country gem every time I hear it. It’s an evocative, tongue-in-cheek ode to the gutter that reads like a drunk postcard to a lost loved one back home.” – John R. Miller

“I’ve played a lot of music with John R. Miller over the years. Sometimes it was my band, sometimes it was his, and sometimes it was something else entirely. When the subject comes up, I usually tell people that we’ve been giving each other the same hundred dollars back and forth for 15 years. I say that completely in jest, of course. We’ve only recently started making that kind of money. When John played [the song] for me, I was incredibly flattered. I mean, it’s certainly not as if he’s hurting for material. On a completely selfish level, I got a huge kick out of hearing such a great singer interpret it and the Tulsa players putting their own spin on it.

“I love songs that bury the lede on the listener a little bit. Stuff like Tom Waits’ ‘Christmas Card From a Hooker in Minneapolis,’ Tom T. Hall’s ‘The Homecoming’ or ‘The Green, Green Grass of Home’ by Tom Jones. I didn’t want to let guys named Tom have all the fun, so I wrote this.” – William Matheny

Unspoken Tradition, “Company Man”

Artist: Unspoken Tradition
Hometown: Western North Carolina
Song: “Company Man”
Release Date: March 27, 2026
Label: Mountain Home Music Company

In Their Words: “When Unspoken Tradition first started trying to find our niche, we branded ourselves as ‘working class bluegrass.’ Though we’ve grown and evolved, that is still very much who we are. ‘Company Man’ perfectly exemplifies this slogan. Our nation was built by folks just like the man portrayed in this song. I’ve known and was even raised by a few of them. I’d like to think that the men and women this song was written about would appreciate our music.

“The song tells the story of a man who seems to live to work, not work to live. There’s pride in that, but also a sense of stoic sadness. The lines, ‘Only thing waiting is a watch and chain’ and, ‘Old men are really what the company makes’ hit so hard, and could have only been written by Tim Stafford and Mark Bumgarner. These guys are two incredibly talented songwriters and we’re honored they shared this song with us. Evoking images of the hard-working people we all know and love, this song is a bittersweet reminder to work hard but not make work your master.” – Audie McGinnis

Track Credits:
Audie McGinnis – Acoustic guitar, lead vocal
Sav Sankaran – Upright bass, harmony vocal
Tim Gardner – Fiddle, harmony vocal
Ty Gilpin – Mandolin
Zane McGinnis – Banjo

Photo Credit: John R. Miller by Larry Nieuhes; Eilen Jewell by Damu Malik.