LISTEN: Steve Forbert, “Buffalo Nickel”

Artist: Steve Forbert
Hometown: Neptune, New Jersey
Song: “Buffalo Nickel”
Album: Moving Through America
Release Date: May 13, 2022
Label: Blue Rose

In Their Words: “As the white man’s culture moved ever westward, two elements that were very negatively affected by it all were the Native American culture AND the millions of range roaming buffalo that were slaughtered for sport by the likes of ‘Buffalo Bill’ Cody. In circulation from 1913 to 1938, the Buffalo nickel is pretty ironic when you think about it. On one side a profile of an American Indian, on the other side, a buffalo! This five-cent coin was in everyday use for twenty-five years!” — Steve Forbert


Photo Credit: Marcus Maddox

Basic Folk – Mason Jennings

Mason Jennings has the most interesting songwriting process I’ve come across. Since he was around 13 years old, the Minneapolis songwriter has had songs just come to him while randomly playing guitar and singing. He gets in touch with his subconscious and discovers his songs there very naturally. He also never writes the songs down. That’s right, he commits each song to memory and only writes them down for liner notes.

 

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Born in Honolulu and raised in Pittsburgh, he chose Minneapolis to settle into his music career. There, he found lots of success and managed to avoid the ever-tempting major label record contracts, which were being offered as high as $1 million. Wanting to remain in control of his creativity, he opted to stay independent until he signed with Glacial Pace, a subsidiary of Sony’s Epic Records headed by Isaac Brock of Modest Mouse. He released Boneclouds in 2006 and gained much acclaim. An album with Jack Johnson’s label and an appearance on the soundtrack to Todd Haynes’ Bob Dylan film I’m Not There, solidified his presence in the folk mainstream.

Fast forward to his latest album (his 14th studio record), Real Heart, co-produced by Pearl Jam guitarist Stone Gossard, is an ode to the acoustic guitar and a love letter to songwriting. Lately, Mason’s been working on himself through therapy and self-reflection. In the last few years, he’s been working on conquering and controlling depression, agoraphobia and living a sober life. He’s also gotten married again to Josie Jennings and the couple just recently welcomed their son Western in March 2022. A lot of these themes appear on Real Heart. We dig into those as well as his painting, the lake he lives on and Painted Shield, his synth-based rock and roll band with Stone Gossard and Matt Chamberlain. Mason’s a very special person and I’m grateful for this conversation!


Photo Credit: Benson Ramsey

BGS 5+5: Jessica Willis Fisher

Artist: Jessica Willis Fisher
Hometown: Nashville, Tennessee
Latest Album: Brand New Day

Which elements of nature do you spend the most time with and how do those impact your work?

I spend a lot of time outdoors with my husband, Sean Fisher aka Mr. Bootstraps. He’s a wonderful adventure and lifestyle photographer and our work together has been such a huge part of my new life. Time out in nature has been extremely healing to me. I find the rhythm of seasons to be very grounding, and I believe travel widens my capacity for empathy. I recharge outside and feel most resilient when I can be close to the earth for long periods of time. Whether others can see it or not, I recognize strong nature themes woven throughout this Brand New Day record.

What other art forms — literature, film, dance, painting, etc — inform your music?

Ultimately, I love stories and I am fascinated by the power of ALL forms of art to help us articulate the wide range of human experience. So many things encourage me to explore and be creative. I’ve been an avid reader ever since I was young, and now also find inspiration in movies and TV shows, many mediums of visual art, fashion, preservation efforts, architecture, and textile crafts. The list is constantly growing!

What was the first moment that you knew you wanted to be a musician?

I sing because I am a writer and I feel compelled to share my work with people. However, being on stage or being a “performing artist” was never my strong suit or the end goal and I struggled to embrace it early on. I was inspired to learn to play fiddle and write tunes by attending Irish and folk festivals in my childhood. It wasn’t until I was maybe 17 years old that I ended up singing (unplanned) a 10-minute a cappella ballad on stage on St. Patrick’s Day in Irish pub that I truly felt the magic for the first time. The room of rowdy people was absolutely silent and I’d never felt simultaneously so vulnerable and powerful. It felt like being transported, transcending time and space and I was just lucky to be a part of it, a vessel for something much bigger than me. That hooked me for sure.

What’s the toughest time you ever had writing a song?

I think it’s the toughest whenever I am writing 100% truth, no fiction intertwined, no artistic liberties to hide behind. I’ve now written some excruciatingly honest songs and they are equally painful, beautiful, and rewarding to share. “My History” comes directly from some life-changing therapeutic breakthroughs after processing the trauma from my abusive past. “Hopelessly, Madly” was the first love song fully inspired by my happily married love life and it was so emotional and overpowering to write, it took me so long. I had to add a line or two and then take a cry break!

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I used to do this all the time when I started writing songs! I grew up in an environment where what I was allowed to say, do, and believe was heavily controlled and therefore plausible deniability was super important for me to have. I would usually feel like I could get away with only a seed of truth and the rest of the song had to be constructed to protect that seed. I wanted to get it out there and see if anyone could recognize it and if so, I would feel such a strong bond and connection, a bit like passing notes or sharing clues in ciphers. I don’t feel I have to do that anymore and tend to go forward with less protection these days. Changing the character or making historical fiction is still a great way to write and I’m sure I will do that more in the future, but I just had so much to say “for real” in this Brand New Day record.


Photo Credit: Sean Fisher

LISTEN: Drew Cooper, “Darker and Darker”

Artist: Drew Cooper
Hometown: Born in Springfield, Illinois, raised in Tucson, Arizona
Song: “Darker and Darker”
Album: This Life
Release Date: April 15, 2022
Label: Atomic Javelina Records

In Their Words: “‘Darker and Darker’ is about addiction, from all sides of it. I struggled with the use of pain killers some years back and staying present in the moment when all you wanted to do was hide in the feeling they [pain killers] gave you. I was lucky that I was able to move away from it, but now being on the other side you can see what it does to the loved ones of the people struggling with addiction. I think the fallacy in addiction is that it’s a personal problem, in reality it tends to drag on everyone around it. That’s what I was trying to get across with this song.” — Drew Cooper


Photo Credit: Charlie Stout

LISTEN: Tody Castillo, “What It Means to Be a Man”

Artist: Tody Castillo
Hometown: Austin, Texas
Song: “What It Means to Be a Man”
Album: Old Rodriguez
Release Date: April 8, 2022
Label: Strolling Bones Records

In Their Words: “This is a song about a person dealing with depression and anxiety without a playbook. It touches on the second-guessing nature of someone who is emotionally damaged. It deals with overcoming fear and uncertainty through bravery. It’s a story about a person hanging onto their dreams with what feels like the weight of the world on their back. ‘What It Means To Be a Man’ is the third tune on the album and I believe it sets the tone for the remaining songs. I love the dreamy soundscape that engineer/mixing engineer Steve Christensen (Steve Earle, Khruangbin, Paul McCartney) creates during the bridge. I was also able to use a 12 string Rickenbacker throughout the tune which ties it all together. Who doesn’t love a 12 string?!” — Tody Castillo


Photo Credit: Justin Cook

WATCH: Bhi Bhiman, “Up All Night”

Artist: Bhi Bhiman
Hometown: St. Louis but currently lives in Los Angeles
Song: “Up All Night”
Release Date: April 8, 2022

In Their Words: “I started writing this song when my wife’s dad started to get very sick. He was given about 10 days to live but hung on for two months. And during that time, my wife and her sister would take turns staying up with him all night, talking about life, and hearing stories nearly forgotten. Meanwhile, I was home with our daughter trying to hold down the fort. I’d often write and record in my little home studio after I put her to bed. One night, I started picking this melody and the lyrics just sort of poured out while playing guitar. I was feeling it, so I recorded it live in a couple takes, with some of the guitar bleeding into the vocal mic. I think most people will think that it’s a parent’s song, especially from the music video, but that’s just one half of it. The other half is about being responsible for our elders, and providing them the same care we receive when we enter this world.” — Bhi Bhiman


Photo courtesy of the artist

LISTEN: The Dead Tongues, “Garden Song”

Artist: The Dead Tongues
Hometown: Asheville, North Carolina
Song: “Garden Song”
Album: Dust
Release Date: April 1, 2022
Label: Psychic Hotline

In Their Words:Dust came together like no other record I’ve done. It came out of a period of silence and isolation where most days I would find myself studying trees and cutting trails through the deep woods. Writing, recording and producing this album was as much about finding new ways of relating to making music as it was about making a record. Dust is simply a byproduct of that exploration when the silence finally broke. It was written in a matter of weeks, recorded in days. It just flowed. It’s this idea of uprooting and rebirth and cycles, and the past informing the future, and the future informing the past. There is no single story. Everything is connected. ‘Garden Song’ touches on an idea of trying to be where we are, rather than getting too caught up in building narratives and making judgments on our experiences in the moment. It’s a song about finding home in constant transition.” — Ryan Gustafson, The Dead Tongues


Photo Credit: Charlie Boss

WATCH: The Delines, “Surfers in Twilight”

Artist: The Delines (Willy Vlautin and Amy Boone)
Hometown: Portland, Oregon
Song: “Surfers in Twilight”
Album: The Sea Drift
Release Date: June 24, 2022 (vinyl)
Label: Jealous Butcher Records

In Their Words: “Amy and I cut this live in the studio. At that time we had been listening to a lot of spaghetti western records, and this is what came of it. Her vocals on this one just kill me. It’s the story of a woman in a coastal town getting off work and walking down the street to see her husband thrown against a wall and handcuffed by the police. She doesn’t know what he’s done, but in her heart she knows he’s done something.” — Willy Vlautin, The Delines

WATCH: Jeremie Albino, “Acre of Land”

Artist: Jeremie Albino
Hometown: Toronto
Song: “Acre of Land”
Album: Past Dawn
Release Date: April 1, 2022
Label: Good People Record Co.

In Their Words: “Wrote this one with my pal Khalid Yassein (Wild Rivers) at a summer BBQ and my pal Michael Trent (Shovels & Rope) helped bring it to life via the power of the internet. At the time I wrote this song, I was stuck at home and all I seemed to write about was missing tour and at the same time missing home haha. Seems like there’s always a battle of wanting to have the stability of finding a partner, a home and settling down, and the pull of being out on the open road. I’m hoping I can find a balance in both one day. I guess this song leans more on the ‘yearning for a love and home’ type of song. I feel pretty grateful right now to have both those things but for some reason I have a feeling I’ll still be writing songs about missing something in years to come. Hopefully it’s just about missing my keys or misplacing my wallet haha! This song actually ended up being my favourite of the bunch of songs on my new EP, Past Dawn, in many ways. I especially loved making the video in one of the most beautiful places I’ve ever been. That deserted space between Nevada and California really helped capture that feeling of being free and wild roaming the highways of America!” — Jeremie Albino


Photo Credit: Colin Medley

LISTEN: Michelle Malone, “Not Who I Used to Be”

Artist: Michelle Malone
Hometown: Atlanta, Georgia
Song: “Not Who I Used to Be”
Album: 1977
Release Date: April 22, 2022
Label: SBS Songs/BFD/The Orchard

In Their Words: “When I recorded ‘Not How I Used to Be,’ I was so pleased with it because it went down so quickly. It was the first song we recorded when we went into the studio. I had this little experiment going where I decided to tune to 432 instead of the standard 440 just to see how it felt, and it felt better to me, so I stuck with that. And I used my D-35 Martin because I sold it afterwards. I wrote this song with Eliot Bronson, and he came in and sang a lot of backing vocals with me on it. It’s just beautiful.

“It just feels so good, mostly due to the rhythm section. The way the bass and drums play together, it’s very ’70s-feeling to me. And at the end of the day, it feels like a contemplative song, like I’m driving down the Pacific Coast Highway or walking in the woods with a lot on my mind. You know, those times when you just want to go for a drive to sort things out or just go for a walk. It has kind of that lonely feeling but it’s not a lonely song.” — Michelle Malone


Photo Credit: Jolie Loren Photography