LISTEN: Grant Peeples, “Rich Man”

Artist: Grant Peeples
Hometown: Tallahassee, Florida
Song: “Rich Man” (written by Rebekah Pulley)
Album: Bad Wife
Release Date: February 14, 2020

From the Artist: “I unknowingly gathered these songs [on Bad Wife] for years. I’ve worked with all these women in some aspect of the business; they are all friends. I heard all the songs for the first time in a live setting, where they entered me, worked me over, and never left. As I began the project, I didn’t have to go looking for songs. They had already found me. My learning and recording them was an exercise of rediscovery, a search for those original nerves the songs had struck.

“In 2008 I wandered up to a camp at the Florida Folk Festival and heard Rebekah singing this song. I feel it is the only unmitigated love song on the album — hopeful, adoring, and accepting. It is Hank Williamsian in both its depth and its simplicity.” — Grant Peeples


Photo credit: Inga Finch

LISTEN: Daniel Donato, “Always Been a Lover (Stripped)”

Artist: Daniel Donato
Hometown: Nashville, Tennessee
Song: “Always Been a Lover (Stripped)”
Release Date: December 17, 2019

In Their Words: “Something that I’ve always been tested with as a musician is the fact that I’m very dynamic-based, so depending on the song, I’m letting loose in different ways and I’m holding back in different ways. This was a great opportunity to take this song and fulfill it in an acoustic manner. You know, it goes back to that old Nashville trope, ‘Can you boil it down to an acoustic version and still satisfy?’ And I absolutely feel that it does. It’s like it passed the test.” — Daniel Donato


Photo Credit: Saverio Donato #cosmiccountry

WATCH: The East Pointers, “In Bloom”

Artist: The East Pointers
Hometown: Charlottetown, Prince Edward Island, Canada
Song: “In Bloom”
Release Date: March 6, 2019
Label: The East Pointers

In Their Words: “‘In Bloom’ has always been a favourite of ours — it’s such a great song with a very unique chord and melody vibe. A few days before playing Lee’s Palace in Toronto last year, we were chatting about how Nirvana played the same venue almost 30 years earlier. This was our acoustic tribute to them that night!” — The East Pointers


Photo credit: Jen Squires

WATCH: Lorkin O’Reilly, “Huckleberry Finn”

Artist: Lorkin O’Reilly
Hometown: Catskill, New York
Song: “Huckleberry Finn”
Album: Heaven Depends
Release Date: August 24, 2018
Label: Team Love Records

In Their Words: “I wrote this song about spending summer holidays with my grandparents in Ballantrae. It’s a small town in the southwestern armpit of Scotland with one pub, a gas station and little else. Their house was full of cigarette smoke, the TV was always on and the fridge was always full of soda. Us kids would jump the wall into the junkyard next door and break old car windows with slingshots or kick a football against the garage door. I’ve been harboring a lot of guilt about leaving my family in the UK. It’s been almost 6 years since I moved to the US and a lot has changed. Writing this song was an attempt to reconnect with some of the better memories of my childhood.” – Lorkin O’Reilly


Photo credit: Patrick Glennon

STREAM: Oliver the Crow’s Self-Titled Album

Artist: Oliver the Crow
Hometown: Nashville, TN
Album: Oliver the Crow
Release date: June 22, 2018

In Their Words: “This first album feels like a meeting of the future and the past for us. It is informed by the styles of music that make up both our personal pasts — a rogue classical cellist and a fiddle-jazz gun for hire — as well as the styles of music we have always so adored. Although it feels nostalgic, it also feels new. It has a modern sound of its own and we find it hard to describe its genre. Whatever it ends up being defined as, we are certainly proud of it. Oliver the Crow grew out of a love of us playing together and an urge to get outside of our comfort zone — this record is the first real product of that. When we listen to it, we smile. We hope others do, too.” -Kaitlyn Raitz


Photo credit: Taylor Noel Photography

Steve Dawson, ‘Hale Road Revelation’

Solo acoustic guitar is classic and captivating. There’s a balance to be struck by the guitarist, a wisdom that informs a picker that to make instrumental acoustic guitar as engaging as it can be, a less-is-more approach is often the best strategy. For audiences that aren’t entirely comprised of six-string aficionados, a tune written for the guitarist’s own enjoyment might swiftly sail over the heads of all but the most learned listeners. It follows, then, that the most masterful artisans of solo, unencumbered flat-top box reel in their audiences with the down-to-earth, simple beauty of the instrument.

Juno Award-winning musician and producer Steve Dawson demonstrates his familiarity with this balancing act on “Hale Road Revelation,” a tune that simultaneously conjures Chet Atkins and the Delta on his forthcoming album, Lucky Hand. Like most virtuosic instrumental music — especially of contemporary, vernacular-adjacent, folky varieties — “Hale Road Revelation” has a linear trajectory, not worrying itself with circling back to cover ground it’s already explored. This is no A part/B part tune, but rather, when Dawson does reference a melodic hook or theme that you’ve already heard go by, he teases listeners’ ears with slight deviations and derivations. His playfulness, and deft combination of finger picking with bottleneck, never toes or even attempts to cross the line into esotericism or self-absorption. “Hale Road Revelation” itself is its own driving force, another indicator that not only could Dawson balance interesting ideas and accessibility, but he’s also motivated chiefly by giving the tune the effort, energy, and care it deserves — without an inkling of heavy-handedness.

 

WATCH: Julian Lage, ‘Ryland’

Artist: Julian Lage
Hometown: New York, NY
Song: "Ryland"
Album: Arclight
Release Date: March 11
Label: Mack Avenue Records

In Their Words: "'Ryland' is a song that I originally wrote on the telecaster while I was writing for a solo guitar record called World’s Fair. At the time, I had envisioned this solo guitar record being part electric and part acoustic, but eventually got so excited about focusing on one acoustic guitar, that I ported everything to the acoustic.

Then, fast forward to over a year later, I was preparing for my trio record, Arclight, and set about working on the music with the intention that it would be all played on one telecaster. Right away, it made so much sense to try 'Ryland' with the electric and with the band. Though it is the same song on both records, they feel worlds apart, mainly because of the orchestration and overall focus. We made this video as a way to kind of see how the song morphed from one conception to another and, in retrospect, it’s so cool to see the song, in many ways, return to its original form." — Julian Lage


Photo credit: Justin Camerer