Freedom in a Flip Phone: John Moreland’s Quest for a Simple Life

I hate surprises. However, Oklahoma’s pride and joy John Moreland surprised us in April with his latest album, Visitor, and I guess I’m okay with it. Moreland’s gone back to a sparse acoustic instrumentation, unlike the electronic sound (which I also loved) on his previous release, 2022’s Birds in the Ceiling. Recently, he took a page from his wife Pearl Rachinsky’s and musician (and recent tour buddy) Chris ​Staples’ books and quit his smartphone, took a social media break, and stopped all touring for six months. What ensued was an incredible psychic change discovered through living electronically off the grid. Another thing that came about during this simplicity in life: An album full of songs. He would take long drives at night, bringing along his guitar and making field recordings of his new writing. All this culminated into his beautiful new record.

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During our Basic Folk chat, Moreland talks about the process of unraveling himself from his smartphone, reconnecting with the acoustic guitar, and getting to know himself again during this period of quiet. He talks about how playing live is very vulnerable for him, to the point where he started taking (and loving) beta-blockers to stave off anxiety and adrenaline. He is very candid with his current thoughts on body image – he has been known to experience body shaming online after performing live. We also get into something that’s been on my mind all year: Is climbing the professional songwriting ladder worth it? Pretty sure we figured out the answer. LOL


Photo Credit: Pearl Rachinsky

MIXTAPE: Lydia Ramsey’s Songs to Keep Your Heart Inspired

There’s so much going on in the world right now, I find myself feeling somewhat unhinged at times. For me, the best remedy for fighting that feeling is writing, playing, and listening to music. In September, I released a new album, Flames for the Heart, which was written on themes of hopefulness, resilience, and discovering how to keep yourself inspired to move through this life with joy. Here’s a selection of songs that help do that for me. — Lydia Ramsey

Chris Staples – “Walking With a Stranger”

Chris is a dear friend I met in Seattle, Washington. I’m always impressed with his simple and poignant arrangements, there’s an understated sweetness to his voice and cathartic messages in his songs. In most of his songs he’s playing all the instruments and he often also records everything himself in his garage.

Kevin Morby – “Aboard My Train”

Kevin Morby is another one for me who’s able to bring a sweet vocal tone with hopeful lyricism through fun musical ‘60s rock vibes. He’s been putting out so much great music, I like this tune in particular on a gloomy day.

Laura Veirs – “I Can See Your Tracks”

I love the fingerpicking in this one and the soft, makes-you-feel-like-floating arrangement she has worked out — with the reverb on her voice and background vocals creating lovely, layered textures. The lyrics have a theme of forgiveness I like to reflect on when I think about the difficult people in my life.

Lydia Ramsey – “Things Get Better”

I wrote this song thinking about all the good things happening around us every day. Good people helping each other out, and calling each other out when things aren’t right. I believe keeping hope in our hearts is paramount in keeping ourselves intact through the troubles we face.

Fruit Bats – “My Sweet Midwest”

I love the pace of this song, it feels like getting rocked in a hammock in the breeze. It always puts me in a good mood and it’s sweet thinking about all the beautiful parts of this vast country, and people everywhere celebrating the place they call home.

Julie Byrne – “Sleepwalker”

I fell in love with Julie through her record Not Even Happiness when I filled in for her on a show opening for Steve Gunn. The vocal stylings on this are so dreamy and that clear guitar tone is so gorgeous I could listen to this song for days.

Becca Mancari – “Golden”

I met Becca at a show she opened in Seattle when I sang backing vocals with the band Joseph. Her record Good Woman has this rad pedal steel all over it and I just love the swoony, warm tones of this song especially.

Adrianne Lenker – “symbol”

I love Adrianne’s sort of stream of consciousness lyricism, quick rhymes, and hypnotic melodies that later break free with the guitar into this little chorus. Her work with Big Thief is also great, but I often lean into these tender songs of hers a bit more.

Neko Case – “I Wish I Was the Moon”

You know how when you watch someone just shred on the guitar you think, “Oh, that’s how you play a guitar”? When I hear Neko sing I’m like, “Oh, THAT’S how you sing.” I think we all wish we could be the moon sometimes, where we can’t help but shine, high up above it all.

Lydia Ramsey – “Take My Only Heart”

A few years ago, two friends of mine sold their house and everything they owned to travel the world together. I wrote this song loving the idea that all we need is each other to face and embrace the unknown depths of the world.


Photo credit: Kendall Rock

BGS 5+5: Chris Staples

Artist: Chris Staples
Hometown: Seattle, Washington
Latest album: Holy Moly
Personal nicknames (or rejected band names): Buns, Stapes

Which artist has influenced you the most … and how?

I would have to say Tom Petty. I fell in love with his albums as a youngster from Florida. His tunes were always about being dumped or being bummed. How did this guy from Gainesville, who probably grew up in a trailer park, make these great songs and become a rock and roll sensation? He was pretty dorky and genuine at the same time. He was from a few towns away from where I grew up and it always filled me with hope.

What’s your favorite memory from being on stage?

So many to choose from, geez. I played a show recently in San Francisco. It was in a top-floor apartment near Chinatown. There were 75 people crammed into this apartment so it was pretty cozy. I had just hurt my back really bad on tour; people helped me carry my gear and merch up four flights of stairs, which was really nice. Everyone was so excited to be there. I could hear a soft rain through the open windows of the apartment, as well as sounds from the city drifting by. It just felt magical for some reason.

What other art forms — literature, film, dance, painting, etc — inform your music?

I watch a lot of documentary film. I just watched a great doc called Los Angeles Plays Itself. It’s about the many filming locations in L.A. that have been used across decades of film and in different genres. The documentary makes the assertion that L.A. is a character in many films that does not mirror reality. It delves into some of the darker truths about the city. Great film, but it’s also a look into the mind of a director with a sort of twisted perspective.

What rituals do you have, either in the studio or before a show?

Usually before a show I try to find some time to walk around outside and get some fresh air. Sometimes I try to find someone at the show that reminds me of an old friend. Someone who makes me laugh or seems interesting. If I have a 20-minute conversation with a stranger at a show, I forget that I have to play and I’m not nervous at all about playing. For me, it’s the best antidote I’ve found to being nervous. A fun conversation with someone can take me from being almost crippled with nervous energy to being ultra chill. It still amazes me.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

The opposite happens more often. I write a lot about other people a lot but I say “I.” Sometimes my friends text me and say “I didn’t know you went through a divorce??!!” I have to explain that it’s just a song. The names/places/events can be made up but the sentiment is all real, and universal. I think music listeners are conditioned to think that the singer is the person in the song. It’s just an aspect of this medium that is confusing. I think it’s good in a way for people to wonder but never really know. It’s different for screenwriters or authors. No one emails Stephen King asking if he broke someone’s legs with a sledgehammer. It’s a given that all of his stories are born out of his imagination.


Photo credit: Andrew Shepherd

3X3: Chris Staples on Paul Newman, Deion Sanders, and Jerry Reed

Artist: Chris Staples
Hometown: Pensacola, FL
Latest Album: Golden Age
Personal Nicknames: Stapes, Bunzoli, Staple Back, Alphonso Bunzoli, Buns

 

Picked up a few straglers for our drive to albuquerque. Playing at low sprits tonight with @rockyvotolato

A photo posted by Chris Staples (@chrisstaplesyo) on

What song do you wish you had written?
"Guitar Man" by Jerry Reed

If money were no object, where would you live and what would you do?
I would have a ranch somewhere, maybe in Oregon or Washington. Have a bunch of guest houses, a fishing pond, and a studio.

If the After-Life exists, what song will be playing when you arrive? 
"Don’t Take Away My Heaven" by Aaron Neville

How often do you do laundry?
My girlfriend does my laundry every day. I tell her not to, but she just likes doing laundry, I guess.

What was the last movie that you really loved?
I’m not sure that I loved it, but that new movie Green Room is pretty rattling.  I absolutely love the classic movie The Hustler with Paul Newman.

What's your favorite culinary spice? 
Basil

 

Man Seeking Palo Santo.

A photo posted by Chris Staples (@chrisstaplesyo) on

Morning person or night owl?
Night owl, of course.

Who is your favorite Sanders — Bernie or Colonel?
Deion

Coffee or tea?
Coffee by a long shot.


Photo credit: Jenny Jimenez