Hee Haw’s Best Banjo Moments

The first record I ever owned on vinyl was Roy Clark and Buck Trent’s Banjo Bandits. (Excellent record. Hokey, silly, bouncy, double banjo nirvana complete with bluegrass piano.) Roy Clark and Buck Trent eventually led me to Hee Haw, which gave me hours of entertainment and caused hundreds of that-joke-was-so-so-bad facepalms. The music, though, was first rate — and the ratio of banjos to literally everything else was exactly as high as it should be. Check out these amazing best banjo-y Hee Haw moments.

Jimmy Henley and Roy Clark — “Orange Blossom Special”

Jimmy Henley was a world champion banjo player at just 10 years old. Sure, “Orange Blossom Special” is an overplayed trick song, but dang, Jimmy could play fast and clean as a little kid.

Stringbean and Grandpa Jones — “Little Liza Jane”

Two of the classics of the Grand Ole Opry and Hee Haw — and they were neighbors, too, living in the same holler north of Nashville. Look at Stringbean’s face when he forgets they’re repeating the chorus the first time through it. Let us know if you happen to know who the unidentified dancer is.

Roy Clark and Bobby Thompson — “Bury Me Beneath the Willow”

The world needs more double banjo. Full stop.

Cathy Barton — “Redwing”

Now here’s some clawhammer! “Redwing” is a simple tune, but it’s executed expertly and tastefully. Cathy Barton still plays and teaches today, and she tours with her husband Dave Para.

 Grandpa Jones, Roni Stoneman, Buck Trent, Roy Clark, Bobby Thompson — “Pretty Little Bird”

How many banjos is too many banjos? There’s no such thing. Line ‘em all up in front of a haystack, and you’ve got a party.

Roy Clark & Buck Trent — “Dueling Banjos”

Leaving off right where we started, with the original banjo bandits, Roy Clark and Buck Trent pickin’ an absolute bluegrass banjo staple!


 

9 Times Clawhammer Banjo Was ALMOST as Good as Scruggs-Style

Scruggs-style banjo is cooler than clawhammer, like, nearly all of the time … except, perhaps, these nine times when clawhammer came as close to surpassing three-finger’s coolness as it ever has.

Rhiannon Giddens — “Following the North Star”

Like the time Rhiannon pulled clawhammer banjo’s African roots out of the instrument with every string pluck. And those bones! I mean, c’mon.

Bruce Molsky — “Cumberland Gap”

Or the time Bruce Molsky sat on a folding chair, stageside, in the middle of a muddy field, and proceeded to be a badass. As far as solo acts go, he is one of the most entertaining; he entrances audiences with just his voice and an instrument.

Allison de Groot with Jack Devereux and Nic Gareiss — “Black-Eyed Suzie”

Or the time when the core of every string band (fiddle + banjo) was augmented by a percussive dancer and, for a split second, we all forgot that bluegrass is a thing and Scruggs-style is the pinnacle.

Uncle Earl — “The Last Goodbye”

Or any time Abigail Washburn picks up an open-back. Seriously, if your banjo playing stacks up against Béla Fleck’s, you’re working on higher plane. Higher than most three-finger stylists? Maybe

Adam Hurt — “John Riley the Shepherd”

Then there was the time when we all learned that banjos could be this haunting. Something about a natural-hide, fretless, gourd banjo almost wipes resonator, tone-ringed, flanged banjos clear out of the mind … almost.

Giri & Uma Peters — “The Cuckoo”

Okay, this is actually objectively better than Scruggs-style banjo. Not only because our friend and hero Uma Peters is incredibly young, but she’s also massively talented. Look at that right hand form! This video went viral on Facebook — it has more than 160,000 views currently — and it’s surely because her sweeps are staggering.

Della Mae — “This World Oft Can Be”

There’s also the time Della Mae showed the world (which oft can be a down and lonesome place to be) that clawhammer banjo is, in fact, bluegrass — not just a lesser form of real (aka three-finger) banjo. Yeah. We said it.

Mark Johnson, Emory Lester, Steve Martin — “Forked Deer”

Finally, there was that time Mark Johnson (winner of the Steve Martin Prize for Excellence in Banjo & Bluegrass in 2012) traded solos with Steve Martin on Letterman. We’ll take banjo on national television in any form, three-finger or clawhammer.