BGS 5+5: Trey Hedrick

Artist: Trey Hedrick
Hometown: Wilkesville, Ohio
Latest Album: Sing, Appalachia (released February 20, 2026)

What other art forms – literature, film, dance, painting, etc. – inform your music?

Literature. It has probably helped my writing more than anything besides the act of writing itself. Wendell Berry has had a huge influence on me and he’s far and away my favorite writer. His prose is exceptional. There is a restraint and steadiness to it. He’s extremely prolific and consistent, which isn’t an easy thing to achieve. He says a great deal with very little and I learn from that every time I read a page.

There are many great writers I draw from in the same way: McCarthy, Kingsolver, McMurtry, Leopold, Abbey, Rooney, Hemingway, Faulkner, Burroughs – to name a few. I read widely, but tend to gravitate toward certain styles when I’m working on a project of my own. I’m always reading and if I’m not I make myself feel bad until I do. It’s a big part of the peace my wife and I have built into our days. When I’m in a creative season, I am a bit more intentional about my picks.

Which elements of nature do you spend the most time with and how do they impact your work?

I love the out of doors. I grew up on a cattle farm in Appalachia and was usually either outside or in trouble. I still spend as much time as I can fishing and hiking and – something that is likely unknown about me – I love rock climbing and have traveled the world climbing. I am also a geologist in my straight job, which especially early on kept me working outside.

Nature shows up in almost every one of my songs. It is not something I reach for. It is just part of how I see things. Being outside has always been another place I find peace. If things are bad, going outside almost always makes them better to a varying degree for me

Admittedly, I do get tired of winter and the blues that come with it. That makes its way into the songs, too.

Genre is dead (long live genre!), but how would you describe the genres and styles your music inhabits?

I don’t think much about genre. My songs usually start on an acoustic guitar, so there’s naturally some bluegrass and country in them. That’s the language I grew up around. But I’m not trying to recreate anything. I don’t read music or know much theory and I don’t really know what rules I might be breaking. I’ve always had a good ear and I let that guide me. I’m lucky to have close friends who are incredible musicians, and they’d dress me down if something was off.

If someone needs a label, Americana works fine. Beyond that, I try not to overthink it or limit myself.

What is a genre, album, artist, musician, or song that you adore that would surprise people?

I love hip-hop, R&B, neo-soul type music. I especially love ’90s early 2000s neo-soul. D’Angelo, Erykah Badu, Lauryn Hill, Tevin Campbell, Mario, etc.

I enjoy those genres as much if not more, at times, than bluegrass and country. It’s like reading, I put on the music I need in the moment and I don’t limit myself. I guess that would surprise people, but I think it comes across in my singing some and may present in future sonic choices as well. We’ll see.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Fried potatoes from a cast iron skillet, greasy beans from Mamaw’s garden, macaroni noodles with tomato sauce, and a chicken fried steak. I could think of a lot of musicians to share that meal with, but the one who keeps coming to mind is Jerry Reed. He was hilarious and super intelligent. A great singer with excellent tone, and he was even a writer for Elvis on a couple tracks.

There’s a story about Elvis asking for Jerry to play on “Guitar Man,” a song Jerry wrote. Folks on Elvis’s team had to go get Jerry from the river where he was fishing to come to the studio and play the guitar part. None of the other session musicians could get it quite right. Legend. He isn’t really revered in modern memory for how brilliant of a technical player he was. He’d be a fun person to share that meal with.


Photo Credit: Chris Heidl

Mixtape: Jackie Greene & Band’s Soul and Funk

This is a playlist about the new band’s favorite soul and funk music at the moment. We’re a diverse group of musicians with different tastes and backgrounds, and these are genres we all like and listen to together while rehearsing and recording.

Jackie Greene (Lead):

Sly & the Family Stone – “You Can Make It If You Try”
Who doesn’t love Sly? This is the funkiest circus I’ve ever heard.

Lee Dorsey – “Neighbor’s Daughter”
Sort of an obscure record, The New Lee Dorsey has a bunch of Allen Toussaint songs and all of them are awesome, but I always really liked this one.

Bill Withers – “Ruby Lee”
One of the baddest, rawest grooves ever. The album +’Justments is one of my favorite albums of all time.


Ben Rubin (Bass):

Marvin Gaye – “Got to Give It Up (Pt. 1)”
I love this song because the pocket is so deep and sparse and Marvin lays on top so sweet (yes I meant that figuratively and literally).

Prince – “Sign ‘O’ the Times”
I love this song, because to me it represents some of Prince’s best work. When the song came out, it was so ahead of the times in terms of lyricism AND production.


Megan Coleman (Percussion):

Aretha Franklin – “Day Dreaming”
The groove and musicality of this song legit brings tears to my eyes. Also, I’m a sucker for a good ole fashioned love song.

Michael Jackson – “Don’t Stop ‘Til You Get Enough”
I mean…how beautiful is he in this music video? This was one of the first songs I fell in love with as a child and it will always hold a special place in my heart.


Jon “Smoke” Lucas (Drummer):

D’Angelo – “Playa Playa”
This is the intro to the era that captured my soul at 12 years of age. The sound, feel, and performance of this record is priceless! All-time favorite of mine…


Nathan Dale (Guitar):

Otis Redding – “Ole Man Trouble”
I wore out both sides of my The Dock of the Bay cassette during the summer of ’92. “Ole Man Trouble” was the last song before the auto-reverse tape deck flipped back to side 1. The song hooked me every time. There is some kind of magic happening between Cropper’s guitar parts and Otis’s painful vocal delivery. Otis opened the door to soul music for me.

Prince – “Sign ‘O’ the Times”
Prince’s brew of pop craftsmanship is something I was never embarrassed to admit I loved. His blend of funk, soul, blues, and R&B along with the addictive hooks is a perfect kind of music to me. The genius of his artistry is captured brilliantly in “Sign ‘O’ the Times.” Its sparse musical approach keeps the funk but leaves room for the lyric’s heavy topics of the 1980s.


Alex Kettler (guitar tech)

Lettuce – “Phyllis”
It’s a simple groove that opens up to a plethora of synths and horns. The song keeps progressing while always lightly grasping the main line until it goes full-circle.


Photo credit: Michael Weintrob. Pictured front: Jackie Greene; Back row (L-R): Nathan Dale (guitar), Jon “Smoke” Lucas (drums), Shannon Sanders (musical director, organs), Megan Coleman (percussion), Ben Rubin (bass).