You Gotta Hear This: New Music From Dan Tyminski, Liam Purcell, and More

Americana, alt-folk, bluegrass – whatever form these tracks may take, You Gotta Hear This! Our premiere round up this week includes plenty of Texas, a dash of Missouri, and a heaping helping of the Southeast, too. From new bluegrass numbers by the legendary Dan Tyminski and up-and-comers Liam Purcell & Cane Mill Road to thoughtful and intentional Americana by John Calvin and Goodnight, Texas. Plus, there’s a musical tribute to Godfrey, Missouri, a small town on the mighty Mississippi River, by Lost on the Metro and the Steel Wheels reunite with Malena Cadiz on a Paul Simon cover.

Our second-to-last installment of our DelFest Sessions – featuring Mountain Grass Unit – is included here as well, as it premiered on the site earlier this week. It’s a mighty fine collection of music and you know what we think… You Gotta Hear This!

John Calvin, “Austin Chalk”

Artist: John Calvin
Hometown: Recently Boca Raton, Florida, but this record was written living in Dallas, Texas (and this song is very Dallas-centric).
Song: “Austin Chalk”
Album: Greener Fields & Fairer Seas
Release Date: July 25, 2024 (single); January 24, 2025 (album)

In Their Words: “North Texas rests on an ancient deposit of chalk and marl that sits about five feet below the topsoil and runs for hundreds of feet below that. Living in North Texas, you realize how much of our present is determined by an ancient past. The Austin chalk formation leaves torrential rain with nowhere to go. Rivers, like the Trinity River, flood easily and entire neighborhoods and can be underwater in a matter of hours. There are beautiful communities on the banks of the Trinity like Joppa and Bonton that were only able to stabilize and grow with the extension of the levee system by the Army Corps of Engineers in the early 1990s. Our foothold is always more tenuous than we think, and that’s truest for those that can least afford to move.” – John Calvin

Track Credits: Written by John Calvin.
Produced by Nate Campisi.
John Calvin – Vocals, acoustic guitar
Greg DeCarolis – Piano, bass, electric guitar, OB-8 synth
Pat Coyle – Drums, percussion
James Hart – Pedal steel
Eric DeFade – Alto, tenor, baritone sax
Robert Matchett – Trombone
Joe Herndon – Trumpet
David Bernabo – Brass arrangement


Goodnight, Texas, “A Bank Robber’s Nightmare”

Artist: Goodnight, Texas
Hometown: San Francisco, California (Avi Vinocur) and Chapel Hill, North Carolina (Patrick Dyer Wolf); the real town of Goodnight, Texas is the exact mile-for-mile midpoint between the two locales.
Song: “A Bank Robber’s Nightmare”
Album: Signals
Release Date: July 19, 2024
Label: 2 Cent Bank Check

In Their Words: “We’re enjoying some light world building. Our most recent single, ‘The Lightning and The Old Man Todd,’ fleshes out the tragic story of a character from a previous song of ours, ‘The End of the Road.’ Meanwhile, ‘A Bank Robber’s Nightmare’ checks in a decade later on the once carefree, now world-weary and estranged heroes of our 2014 song, ‘A Bank Robber’s Nursery Rhyme,’ which has been a fan favorite and staple of our live shows. The scene is kind of a bittersweet reunion, emphasis on the bitter. What do you say to your former partner in crime?” – Patrick Dyer Wolf


Lost on the Metro, “Godfrey”

Artist: Lost on the Metro
Hometown: St. Louis, Missouri
Song: “Godfrey”
Album: Resonance and Regrets EP
Release Date: July 25, 2024 (single); September 20, 2024 (EP)

In Their Words: “We have this giant river confluence here in St. Louis, and it’s common to take a drive along the river road from St. Louis to get away from the city for a while. Godfrey is a real town along the Mississippi River. Imagine bluffs, eagles flying overhead, touristy shops and restaurants, and the river road cutting through it all carrying cars, trucks, boats, bikes, to some unknown destination. The lyrics focus on getting older in a relationship, and the doubts that creep in, and that need to find a way to clear your head. There’s a dark element to Godfrey as well. It’s definitely a driving song on the surface, but the undercurrent holds all the worries and doubts and fears and hopes that float around as we find our way alone. It’s those thoughts in your head that you’re not sure you want other people to know you’re thinking. Driving down the river road with an open window and the wide Mississippi next to me lets me think those thoughts and then let them go.” – Lost on the Metro

Track Credits:
Jilly Morey – Songwriter, lyricist, lead vocals, percussion
David Morey – Songwriter, composer, arranger, rhythm guitar, vocals
Chris Dunn – Composer, arranger, lead guitar, vocals
Lucan Stone – Composer, arranger, bass, vocals
Josh Bayless – Composer, arranger, drums, vocals


Liam Purcell & Cane Mill Road, “Old Man’s Dream”

Artist: Liam Purcell & Cane Mill Road
Hometown: Deep Gap, North Carolina
Song: “Old Man’s Dream”
Album: Yellow Line
Release Date: April 5, 2024
Label: Pinecastle Records

In Their Words: “This song is one of the most personal stories I’ve ever released. I wrote it one day while my father and I were working at my folks’ place in Deep Gap. The land next door had been sold off for housing development and we had to prepare for them to widen the road. Over the next few months, I watched the trucks come and go, watched the bulldozers change the shape of the mountains, and watched the destructive path of progress as it made its way through our little mountain community.” – Liam Purcell


The Steel Wheels, “Gone at Last” featuring Malena Cadiz

Artist: The Steel Wheels featuring Malena Cadiz
Hometown: Harrisonburg, Virginia (The Steel Wheels) and Kalamazoo, Michigan (Malena)
Song: “Gone At Last”
Release Date: July 19, 2024
Label: Big Ring Records

In Their Words: “This Paul Simon song has been a favorite of ours for awhile. The plain spoken, down to earth writing with a gospel-sounding flare. We have been known to sing a cappella from time to time, but this was an opportunity for strong vocals with a bed of active bass and drum parts.

“Last February we were asked to play as the house band for the International Folk Alliance Music Awards in Kansas City. The house band job comes with the joy of meeting and playing with a variety of musicians. When we got a chance to play and sing with Malena Cadiz, we immediately fell in love with her voice. We were inspired to look for a chance to record together and ‘Gone At Last’ was that chance.” – Trent Wagler


Dan Tyminski, “Whiskey Drinking Man”

Artist: Dan Tyminski
Hometown: Originally from West Rutland, Vermont. Lives in Nashville, Tennessee
Song: “Whiskey Drinking Man”
Album: Whiskey Drinking Man
Release Date: July 19, 2024 (single); August 16, 2024 (album)
Label: 8 Track Entertainment

In Their Words: “My first single off of the new project is one I’m very excited to release. It’s written to be a toe tapping burner in the party spirit. This one should get your juices flowing.” – Dan Tyminski


DelFest Sessions: Mountain Grass Unit

Our second-to-last installment of our DelFest Sessions features Birmingham, Alabama-based jamgrass group, Mountain Grass Unit. Videographers I Know We Should were on hand at this year’s DelFest in Cumberland, Maryland over Memorial Day Weekend to capture a collection of beautiful, fun, and engaging live sessions on the banks of the Potomac River. (See all of our DelFest Sessions here.) For their shoot, Mountain Grass Unit played a pair of exciting cover songs.

Their first selection, “Big River,” is a funky and charming re-imagination of a Johnny Cash classic with a mash-tastic, blues-inflected groove. Drury Anderson, the group’s mandolin picker and lead vocalist on the track, sings with a drawl seemingly from right down the proverbial road from Cash’s homeland (near Memphis, Tennessee). It fits the bluesy undertones of their rendition perfectly, equal parts Muscle Shoals and Bean Blossom. Cash is a common cover subject in bluegrass, and MGU’s version of “Big River” demonstrates exactly why that’s the case.

Watch the full session here.


Photo Credit: Liam Purcell & Cane Mill Road by Pinecastle Records; Dan Tyminski by Jeff Fasano.

BGS 5+5: Goodnight, Texas

Artist: Goodnight, Texas
Hometown: San Francisco, CA and Chapel Hill, NC (bi-coastal band)
Latest album: How Long Will It Take Them to Die
Personal nicknames: GN,TX; P.Wolf and Avi (Our first name before settling on Goodnight, Texas)
Rejected Band Name: Armchair Archaeology

Answers provided by Avi Vinocur and Patrick Dyer Wolf.

What was the first moment that you knew you wanted to be a musician?

When I was in elementary school, I was really into Bill Nye the Science Guy. Every week the show ended with a new song and “music video” about the science theme from the episode, in the style of various ’90s genres. Think grunge songs about electrons or photosynthesis or pop rock songs about gravity or something. They were great. My mom told me while watching the show that writing a song was very hard and it must have taken a bunch of talented people to pull it off every week. I don’t know if I was trying to impress my mother or myself, but I took it as a challenge. I would sit at the piano and try to piece together songs and record them on a little cassette deck. I still have the tapes. She was only partially wrong: it is pretty easy to write a song — but it is infinitely harder to write a good song. To this day I’m still trying to make one of those. To impress my mom. — Avi


What’s your favorite memory from being on stage?

Without a doubt, there are great concertgoers all over the land, but what sticks in memory right now is our last trip to The Larimer Lounge in Denver. It feels like a lifetime ago because of the pandemic. The crowd had eaten their Wheaties, and they were dancing and singing our words at the top of their lungs. It felt like we were working together towards a common goal, and that’s all you can really hope for. — Patrick

We toured with Rusted Root (you know, “Send Me On My Way,” Rusted Root). In San Francisco they invited us up at the end to play percussion on their encore and I WENT TO TOWN on the cowbell. I’d had a couple beers after our set and I was flippin’ beats backward all over the place and doing triplets and shit. I had an absolute blast. The next night in Sacramento lead singer Michael Glabicki said, “Let’s get Goodnight, Texas up here to help us out on this one! Oh wait, don’t give that guy the cowbell. Stop. Take that away from him. Last night in San Francisco was enough.” Haven’t played cowbell live since. I think there’s a video of the SF incident somewhere in the deep doldrums of YouTube. — Avi

Which elements of nature do you spend the most time with and how do those impact your work?

We have a lot of songs about places — Barstow, New York, Tucumcari, Laramie — and each of our albums have different macrogeographic themes. When we’re on the road, I love to get up in the morning and go for runs. I always look for a park or woods or something green (or brown, in some spots). You can see and smell everything in a more intimate way than when you’re in the van, and you connect the streets and shops to the natural place the city sits on. I don’t always have a huge epiphany that turns into a song, but there’s usually a story lurking if you peek around enough corners. — Patrick

What other art forms — literature, film, dance, painting, etc. — inform your music? / If you had to write a mission statement for your career, what would it be?

When we started this band, I took a lot of inspiration from 1800s photography, tintype portraits and the like. My family had a trove and I’d also collect them on my own. I would look into the eyes of some distant person and wonder, what was their story? I remember finding a photo of a young guy in my family’s boxes, not sure if he was a relative or family friend, and conjuring up the story for “Jesse Got Trapped in a Coal Mine.” What happened to this kid? Was he happy? What was his day-to-day like? Did he live to old age? How similar were the lives and emotions of these people to ours today? I’ve always suspected slower-paced, but similar.

I think an early mission statement, represented in the band name (a town exactly halfway between our homes on opposite coasts), is a desire to find middle ground, and to get to know people from different corners of the country to see what connects us. And perhaps there is a Z axis that connects us to those people in the tintypes. For our first album cover, we found David Bornfriend to photograph us using antique-style wet plate collodion, to nod to that mysterious past I was exploring, and to be another set of eyes with a story for whoever finds us. — Avi

What has been the best advice you’ve received in your career so far?

“Be takin’ it easy but be takin’ it.” -Old Man Luedecke


Photo Credit: Brittany Powers

LISTEN: Goodnight, Texas, ‘Takin’ Your Word for It’

Artist: Goodnight, Texas
Hometown: San Francisco, CA
Song: “Takin’ Your Word for It”
Album: Conductor
Release Date: April 6, 2018

In Their Words: “The less you want to live alone in the woods, the more trust you’ve got to put in the world around you, even if it makes you vulnerable. Everybody’s got their own way of doing things, and it’s often best to go about your day with slightly bent, flexible knees, so you don’t fall across the bus when the ride gets a little bumpy. Easier to dance from that position, too. In any case, let’s have a drink and sing about it.” — Patrick Dyer Wolf