MIXTAPE: Liberated Women by Dawn Landes

My new album, The Liberated Woman’s Songbook, reimagines folk songs about women’s activism from a songbook published in 1971 at the height of the Women’s Liberation Movement. Songbooks were the playlists of the past. Before people could burn CDs or make mixtapes, if they wanted to share songs they would make books or zines. When I was researching for this project, I consulted a lot of songbooks and zines from the late ’60s and early ’70s and found so many delightful things! Here are a few of my favorite finds (most pre-dating 1971, when the book was published). – Dawn Landes

“Hard is the Fortune of All Womankind (1830)” – Dawn Landes

This traditional ballad was often sung at protests during the Women’s Liberation Movement in the late ’60s and early ’70s. It was recorded by Peggy Seeger in 1954 and Joan Baez in 1961 under an alternate title, “The Wagoner’s Lad.” The lyrics date back to its first printing by English song collector Cecil Sharp.

“Single Girl, Married Girl” – The Carter Family

I first heard this Appalachian song when I worked at a bookstore in NYC and would constantly listen to a Carter Family CD on repeat. Apparently Sara Carter didn’t like the song and didn’t want to record it in 1927, but I’m so glad she did!

“I’m Gonna Be an Engineer” – Peggy Seeger

This masterpiece was written in the ’70s by the great Peggy Seeger, an incredible musician, writer, and keeper of the folk tradition (also, the sister of Pete Seeger). She’s been an advocate for women’s rights throughout her long career and has recorded many folk songs on women’s issues.

“Lady, What Do You Do All Day?” – Peggy Seeger

Seeger’s epic retort to Ewan MacColl’s question at the top of the song is worthy of its own film. MacColl and Seeger were musical and life partners for 30 years and made so many amazing recordings together. Check out her memoir, The First Time Ever, for some wild stories about the two.

“It’s My Way” – Buffy Sainte-Marie

This was the title track to Buffy Sainte-Marie’s debut album in 1964. That whole album is mind-blowing, but this song stands out to me. It’s so self-assured and strong. She’s still performing it in her 80s and even released a rock version in 2015.

“You Don’t Own Me” – Lesley Gore

Lesley Gore was 17 years old when she recorded this in 1963! One of the song’s two writers, John Madera, said its sensibility was shaped by his upbringing and participation in the civil rights movement.

“Oughta Be A Woman” – Sweet Honey In the Rock

Bernice Johnson Reagan said, “June Jordan wrote the words to ‘Oughta Be a Woman’ after I talked about my mother.” I really love the narrators voice in the writing and the uplifting voices of Sweet Honey In the Rock singing this.

“Silver Dagger” – Joan Baez

This song casts such a spell and Joan Baez is one of my all time favorite singers.

“Which Side Are You On (1931)” – Dawn Landes

Here’s a labor song mashup that combines Florence Reece’s lyrics from “Which Side Are You On” with Aunt Molly Jackson’s “I Am a Union Woman.” I’m singing the part of Florence Reece and Kanene Pipkin (of The Lone Bellow) is singing the Aunt Molly lyrics. Both women wrote protest songs during the “Bloody” Harlan County, Kentucky miners strike.

“Custom Made Woman Blues” – Hazel Dickens & Alice Gerrard

I’ve been lucky enough to spend some time with Alice Gerrard and she told me that the first time she and Hazel Dickens performed this song at a women’s festival the audience clapped so loud they had to play it again! Immediately! Legends.

“I Am Woman” – Helen Reddy

The production on this song really places me exactly in the year 1971, when The Liberated Woman’s Songbook was published and Helen Reddy’s song was about to become a huge part of the soundtrack to the Women’s Liberation Movement. There’s a great documentary about her life and this song on Netflix.


Photo Credit: Heather Evans Smith

Somewhere Out There, These 9 Songs from Cartoons Stand on Their Own

Adults who have happened to spend any amount of time watching children’s TV and cartoons – say Winnie the Pooh, or Looney Tunes, or The Amazing World of Gumball – know that plenty of jokes and gags aren’t written for the kids tuning in at all. Certainly the same fact is true of many soundtracks and scores. Originally intended for younger audiences, these nine songs from popular cartoons supersede their animated film origins. Some have gone on to become modern classics, others popular karaoke anthems, Americana covers, and even a drag queen number or two. No matter the context, each of these songs stands on their own.

Bonnie Raitt: “Will the Sun Ever Shine Again,” Home On the Range

A ragtag group of livestock must save their family farm, “Patch of Heaven,” from a thieving-cowboy-would-be-rancher-and-real-estate-magnate. Along their journey, quite a few problems arise for the cows and crew, and right when you realize all hope is lost, Bonnie Raitt’s voice comes wafting on the Western wind. A nearly perfect, succinct package at 2:30 long, “Will the Sun Ever Shine Again” deserves a spot in the modern country canon. Instead, it’s nearly hidden away on this 2004 Disney release.


Linda Ronstadt: “Somewhere Out There,” An American Tail

Immigrant mice find themselves journeying to America in this 1986 Steven Spielberg-produced classic cartoon, which was so popular a sequel was released in 1991. (Hear a track from its soundtrack later in this list.) The main character Fievel’s sister, Tonya, has designs on starhood, singing “Somewhere Out There” exquisitely and mournfully — and apparently poorly by mouse standards. But her family uses the tomatoes flung at her for dinner. Linda Ronstadt reprises the track on the soundtrack, belting the epic arrangement as only she can.


Randy Newman: “You’ve Got a Friend in Me,” Toy Story

Randy Newman’s soundtrack offerings for all of the Toy Story movies epitomize the central concept of this list: Songs that are just good, whether they’re from an animated film or not. Other soundtracks from the franchise feature Riders in the Sky, Sarah McLachlan, Judas Priest, and Chris Stapleton. All are fantastic, but “You’ve Got a Friend in Me” is certainly the piece de resistance.


Shelby Flint: “Someone’s Waiting for You,” The Rescuers

A haunting, morose, nightmarish — and hilariously entertaining — tale of an orphan kidnapped by treasure hunters, The Rescuers follows two mice from the Rescue Aid Society as they join an albatross to attempt… well, a rescue. “Someone’s Waiting for You” captures the melancholy of loneliness and isolation so well, with a tinge of solemn hope. The classic Disney animation style and southern bayou setting are simply gorgeous and the Golden Age of Hollywood orchestration is decadently nostalgic.


Helen Reddy & Sean Marshall: “It’s Not Easy,” Pete’s Dragon

A groundbreaking film for its time, 1977’s Pete’s Dragon combined live action and animation — so we’re sneaking it onto this list on that technicality. Another song from the film, “Candle on the Water,” was nominated for an Academy Award for Best Original Song, but “It’s Not Easy” might be the movie’s best. Helen Reddy, who passed away in September of 2020, had multiple Top 10 hits in adult contemporary and pop. Her performance — on this song and throughout the film — certainly sell it.


Bryan Adams: “Get Off of My Back,” Spirit: Stallion of the Cimarron

Spirit: Stallion of the Cimarron was one of the first feature-length animated films to effectively and seamlessly combine traditional animation with more modern, computer-generated 3D animation. It’s a hugely popular film, but somehow still grossly underrated, and Bryan Adams’ deliciously early 2000s soundtrack is still impeccable. Several songs could’ve made the cut for this list, but we’ve gone with the high-energy, joyfully defiant “Get Off of My Back.”


Lea Salonga: “Reflection,” Mulan

A ballad and anthem that’s something of a queer rite of passage for Disney millennials: “If I were truly to be myself / I would break my family’s heart….” This rendition of “Reflection” is a rare instance of the score version being better than the credits version. (No shade to Christina Aguilera.) Lea Salonga so relatably embodies Mulan’s longing to live her truth. Just try not to sob-shout along.


Whitney Houston & Mariah Carey: “When You Believe,” The Prince of Egypt

All epic cartoon powerhouse ballad duets must be second to this one, a smash hit from Dreamworks Picture’s The Prince of Egypt. How blessed are we to have Whitney and Mariah trading runs on this loosely Bible-themed melodrama-via-song? If you didn’t start out at the beginning of the song as a believer in miracles, by the end you will. “When You Believe” reached number 13 on Billboard’s Hot 100 chart and was released by Carey on her Number 1’s compilation album.


Linda Ronstadt: “Dreams to Dream,” An American Tail: Fievel Goes West

We simply had to include Linda Ronstadt — and the An American Tail franchise — twice. “Dreams to Dream,” another credits reprise by Ronstadt, nearly blows the doors off “Somewhere Out There” with its soaring modulations and Ronstadt pulling out all of the stops. How one voice, one woman, could out-power an entire orchestra and rock band combined defies reason. Except, with Linda, that level of energy, charisma, and raw presence is the norm rather than the exception. Try to listen through to this song just once. It almost begs being played on repeat.