AMERICANAFEST 2022 Preview: Check Out These Panels, Parties and Showcases

Even if you’re from Nashville or you’ve visited Music City many times, AMERICANAFEST always offers something new. This year, the annual event encompasses more than a dozen places to hear live music, as well as an impressive slate of industry panels and a near-endless list of parties. Where to begin? Although this story is by no means definitive, here are some promising highlights from the 2022 Americanafest daily schedule.

Tuesday, September 13

If you’re in town early, come say hello to BGS at Station Inn, where Jason Carter & Friends will take the stage. Doors at 8. Although it’s not open to the public, all conference and festival passholders are welcome. To pick up your pass, you’ll need to swing by City Winery or the Westin (the host hotel) earlier that day. An exploration of East Nashville might also be in order, with The Old Fashioned String Band Throwdown from 6-9 p.m. at Dee’s Country Cocktail Lounge.

Wednesday, September 14

A plethora of panels awaits conference registrants at the Westin, along with a couple of notable interview sessions. The Indigo Girls will be interviewed by NPR Music’s Ann Powers at 10 a.m. (They’ll be honored with a Lifetime Achievement recognition at the Americana Music Honors & Awards later that night too). Stick around for a conversation between Dom Flemons and Asleep at the Wheel’s Ray Benson, presented by WSM’s American Songster Radio. After that, Stax Records’ Al Bell and Deanie Parker will discuss the historic Wattstax festival in 1972.

You can count on BGS for another party as we celebrate our 10-year anniversary with a happy hour at City Winery Lounge from 3 – 5 p.m. Conference and festival passholders welcome. Special performers include Kyshona, Rainbow Girls, and Willie Watson. And after the awards show, there’s an abundance of awesome shows to consider, including a rare solo set by Angel Olsen (our BGS Artist of the Month in August) at Riverside Revival, a set from Bill Monroe acolyte Mike Compton and a surprise headliner at Station Inn, and an acoustic showcase from members of North Mississippi Allstars at Analog at Hutton Hotel immediately followed by Texas great Joshua Ray Walker.

Thursday, September 15

One of the most intriguing panels on Thursday is titled The Narrators: How Jake Blount, Leyla McCalla and Kaia Kater Re-Mapped the Past, Present and Future With Concept Albums. As the Americanafest app points out, all three artists are students of musical and cultural traditions, as well as Black banjo players. The conversation takes place at noon with moderator Jewly Hight. Coincidentally, these three performers are showcasing at the exact same time later that night, so here’s your chance to catch them all at once.

Ishkōdé Records will celebrate Indigenous voices from Turtle Island at Dee’s Country Cocktail Lounge from 1-4 p.m., with performers such as Amanda Rheaume, Aysanabee, Digging Roots and Evan Redsky. If you’re lucky enough to get into the Bluebird Cafe for a 6 p.m. show, you can enjoy a songwriting round with Gabe Lee, Tristan Bushman and British artist Lauren Housley. A Tribute to Levon Helm with an all-star cast closes out the night at 3rd & Lindsley, following an evening of music with Arkansas roots.

Several of the most buzzed-about showcases of AMERICANAFEST will take place at the Basement East, with a strong lineup boasting Rissi Palmer, Molly Tuttle & Golden Highway, Trousdale, Bre Kennedy and Jade Bird. If you’re up for bluegrass, the City Winery Lounge lineup includes Tammy Rogers & Thomm Jutz alongside rising talent like the Tray Wellington Band and Troubadour Blue. If honky-tonk is more your style, stay up late for Jesse Daniel at 6th & Peabody, with original music that pays homage to the Bakersfield Sound without losing its contemporary appeal.

Friday, September 16

Diversity is a common theme on Friday’s daytime events, with panels like Booking With Intent: How Curating the Stage Impacts Industry Diversity and How Americana Music Is Embracing Minority Representation. Of particular note, British artist Lady Nade speaks on the influence of Black music in country and Americana in a panel titled You Can’t Be What You Can’t See: Why Representation Is Vital for the Americana Genre. Look for a conversation and performance at the Country Music Hall of Fame and Museum at noon with rising artists from the Black Opry Revue.

To list all the parties on Friday would take up this whole page. To socialize, you’ve got options ranging from songwriting rounds to label parties to multiple happy hours. (If you’re a craft beer drinker who loves to linger on the deck, it’s worth a visit to Tennessee Brew Works, where Hear Fort Worth is setting up shop.) As for BGS, you’ll find us at the Basement for a party presented with Nettwerk Records and Taylor Guitars. The public may RSVP through the invitation below.

This might be a good time to mention one of the festival’s new venues, The Well at Koinonia. This cozy coffee shop on Music Row played a crucial role in the development of contemporary Christian music, once lending its small stage to a then-unknown Amy Grant. For AMERICANAFEST, it’s providing a listening room environment for a number of quieter artists who still deserve to be heard, such as Nashville songwriter-producer Alex Wong, award-winning acoustic guitarist Christie Lenée, mesmerizing folk duo Ordinary Elephant, Australian troubadour Colin Lillie, and the accomplished Mexican-American musician Lisa Morales on Friday night. If you’re interested in early shows (starting at 6 p.m.), easy parking, and/or enjoying music in a non-alcoholic environment, make an effort to get refueled here.

Not far away lies one of Nashville’s musical landmarks, The Basement (a.k.a. “The Basement O.G.”), and if you’re in town to discover some overlooked voices, this might be an ideal spot to start. Drawing on blues and rock, Chicago musician Nathan Graham is making his AMERICANAFEST debut this year, followed by Southern slide guitarist-songwriter Michelle Malone, who’s touring behind new material like “Not Who I Used to Be.” At Exit/In at 9 p.m., Michigan Rattlers are among Americana music’s best storytellers, with a vibe that’s kind of brooding but still has some rock ‘n’ roll swagger. Hang around for 49 Winchester, a Virginia ensemble that’s been DIY for most of its career. However, 2022’s Fortune Favors the Bold is garnering some much-deserved attention. Listen closely for the Exit/In reference in standout track, “Damn Darlin’.”

For something more mellow, you can zoom over to City Winery for a late set by Milk Carton Kids. It wouldn’t even feel like AMERICANAFEST without seeing these guys. Earlier in the evening, longtime festival favorite Ruston Kelly will play alongside his dad, Tim Kelly, performing exquisite songs that they recorded together (with Ruston serving as producer). Gaby Moreno, Henry Wagons and Rainbow Girls are also on the well-rounded bill. Go ahead, order a bottle.

Saturday, September 17

By the time the weekend arrives, the panels have wrapped and the parties are well underway. You can peruse the Americanafest app for all the options, but first, settle in at City Winery for the Thirty Tigers Gospel Brunch from 11 a.m. to 1 p.m. (It’s on Saturday this year, rather than Sunday.) Artists appearing include Alisa Amador, Brent Cobb, Emily Scott Robinson, Stephanie Lambring, The Fairfield Four and The McCrary Sisters. Musicians Corner in Centennial Park also features free afternoon sets from Nashville mainstay Josh Rouse, Brooklyn’s own Bandits on the Run, Los Angeles songwriter Chris Pierce, Canadian banjo player Ryland Moranz, and more.

Over at The 5 Spot, Alabama bluesman Early James anchors a lineup with Theo Lawrence (a French songwriter-guitarist who opened dates for Robert Plant and Alison Krauss in Europe), Canadian musician Megan Nash, and new ATO Records signing Honey Harper. The night concludes with an 11 p.m. showcase titled Luke Schneider & Friends: A Pedal Steel Showcase. For something similarly atmospheric, consider a one-night-only event, Phosphorescent Performing Songs From the Full Moon Project, also at 11 p.m. at Brooklyn Bowl. He’s promising to play more songs than just the covers he’s chosen for this unique album, so you can bask in the afterglow of an incredible week of music.

For more information about these events and countless more, visit AMERICANAFEST.COM.


Artists featured at top (L-R): Phosphorescent, Molly Tuttle, Dom Flemons, Angel Olsen

MIXTAPE: Henry Wagons’ Aussie Faves

Welcome, and thanks for letting me be a musical Dr, Frankenstein. What a fun surgery it was making this beautiful monster virtual cassette!

Please sit in a comfortable recliner, gently raise the footrest, grab the nearest scruffy dog with a slanted smile, and pop it on your lap. Have someone close bring you a whiskey cocktail and dig in.

Here are some of my favourite new tunes from my home turf of Australia and its surrounds. All the songs are still fresh to surface, having come out over the past year or so. I have these tracks echoing through my hallways at home or dampened by the soft passenger door in my tour van or rattling the speaker cones in the studio when I do my show Tower of Song on Double J Radio. I really hope you enjoy my little pick of the ripe and sumptuous fruit from the underside of the globe.

Marlon Williams (NZ) — "Strange Things"
We open proceedings with a prodigious talent. A good man but, in his music, an evil choirboy! This tune is beautiful and very weird, which is one of my favourite combinations. The stuff of inspirational nightmares.

Leah Senior — "The City Is a Stream"
A lilting melody that can potently hypnotise. Her writing and her vocal can evoke the most potent lullaby that can send you into a powerful Snow White-like sleep that only a kiss can wake.

The Murlocs — "Young Blindness"
This tune creates a boogie-driven psychedelic vortex I like to descend into and come out dressed in a silver cowboy spacesuit.

Jess Ribeiro — "Kill It Yourself"
There is a great sense of nonchalant danger in this tune. There is something about Jess’s voice that makes me want to obey … even when she is telling me to kill something.

Alison McCallum — "Have You Seen Your Mother Baby Standing in the Shadows"*
I recently stumbled onto Alison McCallum’s classic work as a ball-tearing vocalist back in the '60s and '70s. Her music was re-issued to digital for the first time only this year, and my balls were suitably torn. I’m a mess. 

Chris Altmann — "Good Morning Mr. Coffee"
Chris is a prodigious Americana songwriter and multi-instrumentalist, with a inbuilt swing and sublime playing empathy. He played everything on this caffeine-fueled number. I listen and imagine a world in which there are several of Chris, and I think it would be a better place.

Eagle & the Wolf — "Mama, Son and the Holy Ghost"
A great new rugged duo poking their heads over the burning horizon and offering you a drink. Their music video for this song is probably the wettest I’ve seen since the closing scenes of Nelly’s “Hot in Here.”

Melody Pool — "Love, She Loves Me"
This is an incredible and brutal expression of anger and frustration at the ways of love. A reminder that the world of romance can take casualties. Some truly excellent cursing … F-bombs in the perfect places.

Nadia Reid (NZ) — "Call the Days"
Another incredible talent from, as we Australians say, “across the ditch” in New Zealand. A voice to melt the shepherd's heart, and a subtle drone of strings to herd all the animals in the field.

Ben Mason — "Suburban Cowboy"*
This is an amazing deconstruction of the whole inner-city, balcony-dwelling, vintage-shopping, moustache-waxing, typewriter-tapping, urban alt-country scene. Being guilty of elements of the phenomena at times, I know he is completely right about it all … and I love it.

Gena Rose Bruce — "Good Thing"
The title says it all: It’s a good thing. Gena has a voice that sucks you in and perfectly places you atop the swell of the welcome guitar jangle.

Robert Forster — "Let Me Imagine You"
Always a mastermind at obtuse charm, Robert Forster sits you down across from him at the dinner table and starts pulling faces and slaps you across the nose with his witticism (and Twitticism!). A man still atop the songwriting tree post-Go Betweens.

* Not available on Spotify


Photo credit: Taylor Wong

WATCH: Henry Wagons, ‘Head or Heart’

Artist: Henry Wagons
Hometown: Melbourne, Australia
Song: "Head or Heart"
Album: After What I Did Last Night …

In Their Words: "Nashville is a town full of some of the finest in music and booze. A musician's paradise! Its the perfect storm for getting in a real mess. 'Head or Heart' is a song about that time of the night when it becomes difficult to decide between your rational mind, or what's below the belt. The head or the heart." — Henry Wagons


Photo credit: Taylor Wong

3×3: Henry Wagons on Rolling Stones, Scotch Whiskey, and Taco Trucks

Artist: Henry Wagons
Hometown: Melbourne, Australia
Latest Album: After What I Did Last Night…
Personal Nicknames : Overlord, Sir, Master, Ego-maniac …

 

A photo posted by Henry Wagons (@henrywagons) on

If you had to live the life of a character in a song, which song would you choose?
The dad in "A Boy Named Sue." I'm kind of living out the narrative of that amazing tune in that I just named my daughter "Casper," so I'm expecting a good beating from her when I get older.

Where would you most like to live or visit that you haven't yet?
So many of my friends seem to rave about Berlin. Unfortunately, I've yet to go. A lot of my heroes live — or have lived — there, at some point or other. Anywhere in which David Hasselhoff's music is that popular must be a strange and truly unique place.

What was the last thing that made you really mad?
Easy: I'm particularly pissed off at cancer. It's taking away so many people I dearly love and admire, all too soon. A massive and hideous boo to cancer.

 

A photo posted by Henry Wagons (@henrywagons) on

What's the best concert you've ever attended?
I only recently saw the Rolling Stones in Melbourne at a 10,000-seat area — an intimate show for such an iconic bunch of legends. Keith Richards, in particular, fried my mind. Such a delicate touch creating such a mammoth sledge hammer of a sound. Hearing those songs live sent relentless shivers through all limbs … Surely, some of the coolest, hardened, elderly gentlemen that there are. 

What was your favorite grade in school?
The final year … where shit was getting heavy. The concepts were finally real. The books I was reading had proper weight. The maths I was crunching was much needed exercise for my mind. The exams were a massive, sweaty stress that I felt had true real life consequences. Who was I to know they would end up pretty meaningless in the scheme of things? I cared about how well I did, at the time, so it was all an epic thrill ride. Yes, I was a nerd. Who knew I'd throw away my education, in a fit of noise and booze, and become a dirtbag musician huh? And … loving every damn minute.

What are you reading right now?
Are You Hungry Tonight?, an old cookbook of Elvis Presley's favourite recipes. I'm looking for a particular peanut butter pie recipe. It's either in that book or Graceland's Table.

 

A photo posted by Henry Wagons (@henrywagons) on

Whiskey, water, or wine?
Surely most of us songwriters would say all of the above?
If I have to choose, a single malt scotch whiskey with water on the side, please.

North or South?
Wherever the kind lady on Google Maps is telling me to go.

Pizza or tacos?
In general, I feel Australia is yet to nail Mexican food. We are a loooong way from the border, I guess. So, when at home in Australia, I'd go a pizza. But in the U.S., I loosen my belt and pull over at every damn taco truck I pass on the street.