MIXTAPE: Will Kimbrough’s Memorial Day Playlist

When I was asked to put together a Mixtape for BGS, I was on my way from Jazz Fest in New Orleans to a Warrior PATHH/Songwriting With Soldiers post-traumatic growth trip to Southwest Missouri. My mind was making the transition from pure pleasure and celebrating the life of Jimmy Buffett, who was not only universally loved, but was also personally very good to me. He was my songwriting partner for 20 years. My mind was switching from that to creating a blank slate, so that I could listen to six women who served in combat and one woman who served in law-enforcement – and listen to their stories without judgment.

My involvement with Songwriting With Soldiers, and now their affiliate post-traumatic growth program, Warrior PATHH, really comes out of simply being asked to do it. Then once I had done it, I fell in love with the people– the combat veterans, the first responders, men and women. I am most interested in the human connection, the connection between communities who may not run into one another on a day-to-day basis. Being around people who are struggling with trauma and doing everything they can to get better for themselves, their families, their careers, and their friends, it’s nothing short of pure inspiration.

I understand Memorial Day is to honor those who have fallen in the line of duty, specifically in war. But after all these years of working with the people who survived, I cannot help but think of them as well. We also work with the families of the fallen, so I think Memorial Day for me is first and foremost about the fallen, but also about the families left behind and the soldiers who survived, but who were left with the mark of trauma.

This playlist is not a journey through a literal Memorial Day. Study some history, some first-hand reports about the mayhem of war. I could not make a playlist only about those who gave all. In my work and journey through listening and writing with veterans and first responders, I am learning so much about human beings struggling to be better.

That’s what this is about. And that’s how I would like to honor the fallen this Memorial Day: We promise you we are trying to get better. You did not die in vain. I have been given the opportunity to leave myself behind a bit, listen to other people’s stories, and use the gift I have of songwriting for a whole new purpose. And that’s my angle on this playlist. – Will Kimbrough

“Walking in the Valley of the Shadow” – Will Kimbrough

Sometimes we have to carry on, even though holes in our shoes and our clothes are torn. Even though someone doesn’t want us to be here. Sometimes we have to carry on.

“The Ballad of Ira Hayes” – Kate Campbell

Johnny Cash may have the definitive version, of course, but I love Kate’s version so much. She has so much heart.

“The Ballad of Cape Henry” – Todd Snider

This is one that I helped write. Sometimes paying attention to what surrounds you while you’re on the road is real important. Read the historical marker. Look at the land around it. We made this up on that old Virginia shore.

“The War After the War” – Mary Gauthier

Just a perfect song about an imperfect world. People struggling. I played on this record and Mary got me involved with Songwriting With Soldiers. Changed my life. Full stop.

“Buffalo Soldiers” – Bob Marley

As I write this, I’m getting ready to write a song with women combat veterans at a retreat center, in a building named after the Tuskegee Airmen.

“Bubbles Up” – Jimmy Buffett

I cowrote this, using experience I’ve had with combat veterans and first responders. Thinking about post-traumatic growth. And Jimmy brought his experience taking the Navy Diving Course. We wanted to help someone find the surface, the plot, the purpose… when the journey gets long.

“Sam Stone” – John Prine

You have to include “Sam Stone” by John Prine on Memorial Day.

“Bang the Drum Slowly” – Emmylou Harris

Emmylou wrote this for her Dad – a Marine and a POW during the Korean War – with Guy Clark.

“Still Learning How to Fly” – Rodney Crowell

For all the vets I’ve written with!

“Gimme Shelter” – The Rolling Stones

Just saw the Stones at Jazz Fest in New Orleans! Still powerful after 55 years.

“Uncivil War” – Shemekia Copeland

Just a reminder that veterans fought for our freedom to disagree. That’s a big part of our American story. This song, which I cowrote with John Hahn for the great Shemekia Copeland, mourns the divide in our culture. Peace, y’all!

“Anything Helps” – Dean Owens

I wrote this with my friend Dean. He had played a songwriter show at an Austin homeless shelter that was full of veterans. I had bought an American flag lapel pin from a homeless veteran in Nashville. We put our heads together. Sometimes the sacrifice of war comes later, when the veteran is unhoused.

“Angel Flight” – Darden Smith

A great Memorial Day song by the cofounder of Songwriting With Soldiers. Written with the amazing Radney Foster.

“Isolation” – Will Kimbrough

Isolation is a word I hear every time I write with veterans.

“America the Beautiful” – Ray Charles

It really is beautiful. I need to get to work now, but as I look out on the Ozark Mountains in the Tuskegee Airmen building, I can hear Brother Ray Charles sing. And I believe him.


Photo Credit: Neilson Hubbard

BGS 5+5: Erin Rae

Artist: Erin Rae
Hometown: Nashville, Tennessee
Album: Lighten Up

Which artist has influenced you the most … and how?

Aside from my parents, I’d say it’s a toss up between the melodic storytelling of Kate Campbell, a Nashville songwriter that I grew up listening to, and Feist. Kate’s melodies and the way she captures the experiences of herself and others; the way she captures a feeling, I think I have spent enough time with a couple records of hers specifically that they are grooved into my brain, haha. Not to be dramatic. I listened to her record Moonpie Dreams a lot on my drives from Nashville to Cookeville, Tennessee, in college, and Nashville to Birmingham. There are so many references to Tennessee specifically. I was introduced to Feist by my friend April in high school, when “1234” came out, but then again I was reintroduced at about 19 when I started writing songs. A friend told me to listen to Let It Die in full, and that was in like 2010. I pretty much haven’t stopped listening. Her documentary called Look at What the Light Did Now inspired me and showed me the various avenues to explore and develop when making a record. I loved the input from her creative director, and I am continuously inspired by the soft strength of her voice, and her freaking guitar playing. Geez.

What’s your favorite memory from being on stage?

This will sound like a no-brainer, but last summer, I got to open for Trampled by Turtles + CAAMP at Red Rocks in Colorado. It was my first performance with a band since 2019, not to mention this legendary venue surrounded by all this natural beauty. I think what made it the most special though, was that my family flew out for the shows, and my management team is based just down the road in Denver, so they were there. I was feeling excited, prepared, and most of all extremely supported by everyone in my corner. The show had stayed on the books from the summer of 2020 when it got bumped, so it was that light at the end of the tunnel. I looked over at Sean Thompson, who was playing guitar and his hair was blowing back in the wind and his eyes were closed… epic, haha.

What has been the best advice you’ve received in your career so far?

I feel like I received this advice from two people I admire, but the gist from both folks was this: When you are playing a show, go ahead and consider it practice for the next one. Be in the moment of course, but do not worry so much about how perfect it is. You’re going to be playing shows for a long time. Each one is an opportunity to be present, and an opportunity to learn. Another piece along similar lines was from my dad. He likened playing shows to a meditation practice. Occasionally, you sit down to meditate, or you get up to play, and it’s just amazing; it’s just automatically flowing. And you think, “Oh, awesome, I have to remember this, surely I can make this happen again tomorrow,” and then inevitably the next show or set is just so-so. You can’t get out of your head. The goal is not to have a perfect show or perfect meditation every time; the goal is to be present and show up consistently as best you can. Over time, you’ll have played some great shows! And a lot of shows that were just okay, or even bad. But it’s not really personal.

What rituals do you have, either in the studio or before a show?

I think the main one is a little mini meditation. I’m not saying that to brag about how mindful I am, because I am most definitely NOT. But Questlove said it best in his book, Creative Quest. He said he takes a little second to settle into the present moment. Sometimes I will say a little prayer, but mostly it’s just about feeling my feet on the ground and breathing into the moment. That’s the only place we can connect to one another!

What was the first moment that you knew you wanted to be a musician?

I think I officially caught the bug at Cafe Coco, at the legendary open mic that used to happen there, back when it was hosted by Maurice Barrett. I had been teaching myself guitar a little bit, and was home for Christmas break from what ended up being my only semester in college, and my brother Wil took me to the open mic. I didn’t leave until 3 a.m., and after a couple more Thursdays of that, and some song ideas starting to percolate, I told my parents I was going to stay home for a semester to pursue music. A little optimistic of me, I will say, but that was ten years ago. I started taking guitar and vocal lessons that next month, and felt supported by everyone around me to keep going. That I’ve kept going is due mostly to the encouragement of any friends of mine that have nudged me to make records, or facilitated them. And now I’ve gotten to do so many bucket list things, and see so many places, and I can’t wait to keep going.

For my playlist, I chose five of my favorite songs from that record of Kate’s, Moonpie Dreams.


Photo Credit: Bree Fish

WATCH: Kate Campbell, “Long Slow Train”

Artist: Kate Campbell
Hometown: Sledge, Mississippi
Song: “Long Slow Train”
Album: Damn Sure Blue
Release Date: September 21, 2018
Label: Large River Music

In Their Words: “‘Long Slow Train’ comes from a phrase you hear from people who have been involved in the struggle for equal rights all these years. The one bit of hope is — ‘It’s a long, slow train, but it’s still moving.’ You have to be involved. You still have to be present to win. It’s not going to be magic and happen instantly. You have to hang in there. No change is gonna just be magic. It’d be nice if it was, but it’s not always that way. In writing about race and what I see happening in our country right now, hopefully, I’ve learned some things about myself, and speaking up, and and doing the best I can to have a conversation.” — Kate Campbell


Photo credit: Michael Wilson