MIXTAPE: Music to Drive Your Kids Around (Without Driving Yourself Crazy)

Among the many writer’s hats I wear is one of children’s music reviewer. When my daughter was in grade school, it was fun playing various kids CDs for her. She’s in college now, so those days are gone. I did keep her in mind, however, when putting together this playlist, thinking about songs that she would tolerate listening to now.

A lot of people associate children’s music merely with those simple, preschool music-time tunes about numbers, letters, and other lessons for toddlers. And there certainly a lot of those songs. But, as in any genre, there is a lot of interesting children’s music being made too.

This mixtape is a “mix” in a several ways. It mixes together songs by “adult” musicians who have ventured nicely into the family music world as well as children’s musicians with what some might call “crossover potential.” There are originals and covers. Fast songs and slow ones. And hopefully it’s a mix that Bluegrass Situation families can enjoy on an hour-long drive, whether it’s a fast drive or a slow one.

To create some parameters, I chose recordings released since 2000, only recordings made for children, and, yes, only recordings found on Spotify (I couldn’t find Jessie Baylin’s Strawberry Wind or I Love: Tom T. Hall’s Songs of Fox Hollow or else they might have been represented here). Also, I also stayed away from songs that seem to appear on every fourth children’s album (sorry, “Rainbow Connection”). — Michael Berick

The Okee Dokee Brothers – “Hope Machine”

These “brothers,” Joe Mailander and Justin Lansing, have put out a handful of excellent, old-school, folk-inspired albums that mix originals with traditional tunes. You can hear the Woody Guthrie influence in this cheery, gently philosophical original from their 2020 album, Songs for Singing. Here, as in all their music, there’s a wonderful, easy-going approach that doesn’t dumb down to kids.

Elizabeth Mitchell – “Blue Sky (Little Martha Intro)”

This Elizabeth Mitchell isn’t the actress from Lost, but the singer/guitarist from ’80s indie rockers Ida. Over the past 20 years, she has also made many terrific children’s albums, mainly for Smithsonian Folkways. Featuring nifty guitar playing from her husband and longtime collaborator Daniel Littlefield, Mitchell’s acoustic cover of this Allman Brothers classic hails from her Blue Clouds album, where she also reconceives Bowie, Hendrix, and Van Morrison songs.

Randy Kaplan – “In a Timeout Now”

On his album Mr. Diddie Wah Diddie, Randy Kaplan has great fun taking “poetic license” with old blues tunes and, in this case, the Jimmie Rodgers hit “In the Jailhouse Now.” Kids will love the comical lyrics and parents will appreciate Kaplan’s inventive, child-friendly renovations on roots music nuggets.

Laura Veirs – “Soldier’s Joy”

I read somewhere that “Soldier’s Joy” is one of the most played fiddle tunes of all time — and that it was a slang term for morphine during the Civil War. Veirs, who hails from the Northwest indie rock scene, keeps her version on the toe-tapping PG side. This duet with The Decemberists’ Colin Meloy comes from her highly recommendable, and only, children’s album, Tumble Bee.

Wee Hairy Beasties – “Animal Crackers”

This kooky side project by alt-country all-stars features Jon Langford (Waco Brothers/The Mekons), Sally Timms (The Mekons), Kelly Hogan, and Devil in the Woodpile. Pun lovers of all ages will revel in the wild wordplay running through the title track to this decidedly goofy 2006 album.

Little Mo’ McCoury – “The Fox”

Little Mo’ McCoury arguably stands as the most authentic bluegrass album for children, at least in the 21st century. Ronnie McCoury leads his family band through a set of old-timey tunes plus “You’ve Got A Friend” and “Man Gave Name to All the Animals.” While there are some overly familiar choices (“This Old Man,” “I’ve Been Working on the Railroad), “The Fox” provides a frisky workout of this bluegrass standard.

Meat Purveyors – “The Crawdad Song”

“The Crawdad Song,” along with “Froggie Went A-Courting/King Kong Kitchie Kitchie Ki-Me-O” must rank as the traditional tunes most frequently recorded for children. I included “Crawdad” here because it is the one ingrained more in my brain. And I picked this version because of the Meat Purveyors’ speedy bluegrass-y rendition. You’ll find it on Bloodshot Records’ irreverent kids’ compilation, The Bottle Let Me Down (although parents might want to listen to it before sharing with their little ones).

Red Yarn – “Rabbit in a Log”

Red Yarn (the nom de plume for Oregon-based musician Andy Furgeson) makes rootsy music that appeals to all ages. He frequently travels an early rock and roll route but he follows a more acoustic road on this hopped-up banjo-powered take of the old folk tune that appears on his Born in the Deep Woods album.

Johnette Downing – “J’ai Vu Le Loup, Le Renard Et La Belette”

Louisiana music is a popular Americana style in children’s music, probably because it so easily gets kids dancing. On her album Swamp Rock, the New Orleans musician Johnette Downing does a marvelous job presenting, and explaining, a variety of Louisiana-bred music and culture. This bilingual animal tale (“I Saw the Wolf, the Fox and the Weasel”) showcases two Cajun greats: fiddler Joel Savoy and accordionist Roddie Romero.

Kare Strong & Josh Goforth – “To The Country We Will Go”

Slowing down the tempo a bit, “To the Country We Will Go” offers a leisurely family trip. This song, as with most Kare Strong’s music, contains elements of English folk ballads. Providing the banjo, fiddle and other musical accompaniment is Josh Goforth, a bluegrass vet who has played with David Holt, Appalachian Trail, and Carolina Road.

Francis England – “Blue Canoe”

Sticking in the traveling mode, “Blue Canoe” is a charming little outing from Francis England, who makes consistently excellent music for families. This tune appears on her debut, Fascinating Creatures, an album where I would recommend “Charlie Parker” and “The Books I Like to Read” too.

Dan Zanes featuring Valerie June – “Take This Hammer”

While Zanes is right at the top of the best-known kids musicians today, I couldn’t resist including something by him. He has a whole bunch of fine tunes to choose from and I wound up landing on this one, which he sings with Valerie June, from his 2017 tribute album, Lead Belly, Baby!

Sarah Lee Guthrie – “Go Waggaloo”

I couldn’t exclude the name “Guthrie” from this mixtape. For this title track to her family music album, Sarah Lee (Woody’s granddaughter and Arlo’s daughter) wrote a song using unpublished lyrics her grandfather had written. Starting off like a silly sing along, the tune quickly goes deeper becoming a somewhat autobiographical look at Woody’s life.

Josh Lovelace with Spirit Family Reunion – “Going to Knoxville”

Lovelace took a break from his day job as keyboardist in rock band Needtobreathe to make a kids album. A standout track on Young Folks, “Going to Knoxville” is joy-filled, driving-in-a-car love song, with Spirit Family Reunion’s Nick Panken and Maggie Carson contributing some singing and banjo playing.

Beth Nielsen Chapman with Kid Pan Alley – “Little Drop of Water”

Kid Pan Alley, a Virginia-based nonprofit, sends songwriters into schools to collaborate with students. Chapman wrote this song with a third-grade class. Besides its strong message about water conservation, it’s pretty darn catchy too. My family still remembers it over a dozen years after the disc was last in our car’s CD player.

Justin Roberts – “Rolling Down the Hill”

One of the most skillful songwriters in the children’s music scene, Roberts usually operates in the pop/rock field, so this is a rare tune of his with a fiddle. Roberts injects just enough details into this playful ditty to make it resonate with both parents and kids — without slowing down the momentum.

Shovels & Rope with The Secret Sisters – “Mother Earth Father Time”

The just-released third volume in Shovels & Rope’s Busted Jukebox series is a set of family-oriented covers entitled Busted Juicebox. The husband-wife duo Michael Trent and Cary Ann Hearst partnered with The Secret Sisters for a sweetly sung rendition of this tune from the 1973 animated film version of Charlotte’s Web.

Sarah Sample and Edie Carey – “If I Needed You”

These two singer-songwriters teamed up back in 2014 to make ‘Til the Morning, a lullaby album that shouldn’t just be restricted to nap time. This Townes Van Zandt gem was a particularly inspired choice and their tender interpretation is quite moving.

Alastair Moock with Aoife O’Donovan – “Home When I Hold You”

Moock is a Massachusetts singer-songwriter whose family albums often tackle themes like inclusivity or social action. This track comes from Singing Our Way Through, an inspiring, powerful work he made for families dealing with pediatric cancer. His duet with Aoife O’Donovan conveys a simple yet poignant message of love from parents to a child.

Sara Watkins – “Pure Imagination”

Watkins’ first family album, Under the Pepper Tree, arrives on March 26, and its first single offers an appetizing hint of what’s to come. Watkins’ heavenly, soaring vocals highlight her gorgeous rendering of this Charlie and the Chocolate Factory tune. And celebrating the magic of creativity and the freedom of possibilities seems like a sweet note to leave families with.


 

WATCH: Nick Panken, “In the Manner That It Came”

Artist: Nick Panken (of Spirit Family Reunion)
Hometown: Accord, New York
Song: “In The Manner That It Came”
Album: Consequential Breach

In Their Words: “I wrote this song while I was working as a gardener in lower Manhattan, transplanting flowers from little plastic pots to those small plots of soil that interrupt the pavement. Songs tend to come to me after I’ve spent some time examining my thoughts and then they start to fade into more abstract notions. Gardening presents a lot of time for this kind of activity, and this is the best work I did at that job.

“The chorus seems to be built with salvaged parts from a couple of old gospel songs sung by Mississippi John Hurt and Joseph Spence. As someone who doesn’t intend to preach about spiritual matters, I want the conclusions in my songs to be both vague and meaningful, and ‘receive it in the manner that it came’ felt appropriate along the lines of ‘the answer is blowin’ in the wind.’ The final line I wrote to finish the song was ‘we come so far to be so far gone.'” — Nick Panken

Westerly Sound Archives: Nick Panken “In the Manner That it Came” from Sean W Spellman on Vimeo.


About the video series: The Westerly Sound Archives are a series of videos and recordings by artist/musician Sean W Spellman in which he has invited friends and acquaintances into his spacious studio in Westerly, Rhode Island, for quick, off-the-cuff performances. Spellman has curated a music series, festival, and independent label that crosses the paths of his contemporaries in both the music and visual art community.

BGS 5+5: Spirit Family Reunion

Artist: Spirit Family Reunion
Hometown: Brooklyn, New York
Personal nicknames (or rejected band names): Mag, Kendo, Pank, Zuba, the Stiv.

What’s your favorite memory from being on stage?

There are many treasured stage moments to choose from, like collaborating with some of the biggest inspirations for our band, but probably the most transformational moment was our first performance at the Newport Folk Fest on Sunday morning 2012. It’s hard to put into words what made that moment so special, but it was as if all these enormous things like years of passion, dedication, exhaustion, the music, which has a life of its own, the history of that festival, and so many more elements were all being crystalized into what felt like one single moment that was so extraordinarily palpable. It was a genuinely special moment that revealed the power in music. Both fleeting and eternally memorable.

What was the first moment that you knew you wanted to be musicians?

We had been screwing around playing some haphazard late-night sets at a bar that a couple of us worked at. One weekend this guy Frankie from the bar invited us up to Saugerties, New York, to a big house he was looking after which belonged to the guy from Swans. We gathered some instruments and he put a microphone in front of us, and I think that was the first time we heard ourselves recorded. We maybe had one or two original songs at the time, but it gave us enough encouragement to put some real effort into this thing. We got a few more songs and a few more musicians, and all of a sudden we had ourselves a band.

What rituals do you have, either in the studio or before a show?

We usually eat a meal together before whatever is next. When our band was beginning we used to get together pretty regularly to make big family feasts. On the road a good meal can reach legendary status, and over the years we’ve gathered up some favored spots we always try to return to. A good meal has a special way of bringing people together.

If you had to write a mission statement for your career, what would it be?

Our band has always been guided by the social nature of music. We want to convey the energy and attitude of the good old stuff that pre-dates the record industry, while being genuine and relevant to ourselves today. The danger of looking back is to fetishize either through absolute preservation or appropriation. We are drawn to the raw, communal, rebellious spirit of the old music we love, and we want to translate that into our own original expression that is vibrant and alive right now. We want people to sing and dance who have no idea of the old stuff we’re referencing, and we want traditionalists to recognize that familiar essence in the music we’re making today.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

When we got to open for Pete Seeger in 2013 the organizer of the show said Pete requested Chinese food and asked if that was OK with us. We said whatever Pete wants is fine by us, but I think we were far too nervous to eat anything before the show that evening. Pete Seeger has always been a guiding light for our band and it was an unbelievable honor to join with him that night, cold leftovers and all.


Photo credit: Rakel Stammer

Roots Musicians Rally to Support Standing Rock

As tensions in North Dakota surrounding the proposed Dakota Access Pipeline have mounted and protest efforts to protect the land from the controversial project have grown over the last several months, many roots musicians have taken to song in support of the Standing Rock Sioux Reservation. Like their Trump-protesting musician pals before them earlier this year, these musicians are using the power of music to raise awareness and vital funds for protest efforts, which continue following the Army Corps of Engineers' announcement that they would not grant permits necessary for completing the pipeline.

One of the largest of these efforts is Songs for Standing Rock, a series of compilations put together by Austin musician and activist Phoebe Hunt. So far, Hunt and her team have released three compilations, all available via a pay-what-you-want page on Bandcamp. All proceeds from sales, with the exception of a 3 percent PayPal processing fee, go to "the creation of permanent sustainable winterized geodesic domes, wood stoves, and fire wood supplies at Standing Rock." Artists featured on the compilations include Elephant Revival, Ana Egge and the Sentimentals, and Hunt herself.

Hunt initially got involved in Standing Rock efforts after hearing of the freezing conditions water protectors were enduring in their efforts to guard the contested land. Living in Austin, though, she wasn't immediately clear how she could make a substantial difference. "I wanted to help, but I was so busy with everything I was doing in my life," she explains. "I was so proud and so happy that they were doing what they were doing, but I couldn't be there … I knew I needed to help and I called my friend Lakshmi and I said, 'What can we do to help?' She said, 'I have this idea that we could get an album together of musicians that would come together to support.' I had an idea of a thousand things that I needed to do in my own life with all of these other projects I'm working on and was trying to direct her in how to do it and then, two days later, I woke up and it was cold in Austin and I was cold and I thought, 'These people are freezing. I have to do something now.' So I put up a Facebook post and I said, 'We're going to put a compilation album together. Anyone interested? We need to help these people. They need firewood. It's freezing. Let's activate.' That one Facebook post got so much response I had to create a graph of all the people who wanted to help."

Hunt put together a meeting that very evening for friends and musicians interested in joining the effort. "We delegated, and we talked through what we could do to help immediately," she says. They decided to use Bandzoogle, which doesn't take a portion of sales once a one-time annual hosting fee has been paid, to distribute the music and started the writing, recording, and curating process soon thereafter. It wasn't long before they had Songs for Standing Rock Vol. 1, a 15-song collection released on Thanksgiving Day. Hunt and her team received such an overwhelming response from their community that they have since released two additional volumes.

Artists getting otherwise involved in the movement include Spirit Family Reunion, who wrote the new song "Goin' Out to Cannonball" to raise money for Sacred Stone Camp, which is located on the Standing Rock Reservation. It's available for purchase through Bandcamp with all proceeds benefitting Sacred Stone Camp.


"This is not limited to protecting clean water and sacred land for the Standing Rock Sioux Tribe," Spirit Family Reunion's Nick Panken, who wrote the song after spending time at Standing Rock, says. "This is not limited to the 17 million people across several states who get their water from the Missouri River. This comes down to protecting values that are vital to our humanity. The Dakota Access Pipeline represents the destruction of these values and, when these values are destroyed, so are we. This is our time to stand with Standing Rock in defense of their values and to learn from Standing Rock in their valuable ways."

The women behind Rising Appalachia, an Asheville-based roots-folk duo comprised of sisters Chloe Smith and Leah Song, also spent time protesting at Standing Rock, hoping to, as Smith describes, "be an ally to the water protectors on a holiday (Thanksgiving) that holds historical weight for many people across this country."

"It will take some time to fully understand and articulate the beauty and rawness that we experienced at Standing Rock, North Dakota, when we arrived on November 22," Song adds. "The sobering prayers and fire-centered leadership, the way that a living indigenous movement embraced and celebrated Thanksgiving in all of its complex historical context, the incredible sense of community and care that was shared amongst strangers and family alike who had all lent their physical bodies to a movement much bigger than a protest. The Standing Rock community, the Oceti Sakowin and RoseBud camps, and the many, many people from far and wide that are standing with this movement to reroute the Dakota Access pipeline are making their voices heard in a peaceful and prayerful way."

While songwriting is a primary outlet for activism for many musicians, some artists have taken to writing op-eds in support of Standing Rock, as well, including a handful who have done so for BGS. Nashville's Korby Lenker wrote an essay for us to accompany his song "Last Man Standing," writing, "Watching the news, I see policemen lined up in riot gear while, behind them, bulldozers carve up land upon which buffalo once roamed. Apart from the specific threat, people are frustrated — I am frustrated — that this is one more example of the government putting corporate interests over the health and well-being of human beings." The Indigo Girls published a call to action urging readers to contact Kelcy Warren, the CEO of Energy Transfer Partners, the company slated to build the pipeline. 

Artists have long been at the forefront of activist movements, and these recent examples from roots musicians are the kinds of efforts that will be especially crucial in coming years when President-elect Trump takes office. Protecting the environment will soon be a more urgent cause than ever, as will the protection of the civil liberties of marginalized groups, and it's up to artists to raise their voices and use their platforms for change.

"We need new models and new leaders to help shepherd us into a more sustainable way of living," Song concludes. "We know that coal and oil will not last forever. Standing Rock is creating that model physically, metaphorically, poetically, and through real non-violent teachings and beliefs to begin to shift our cultural emphasis away from corporate large-scale agendas and into grassroots living and organizing. We have a lot to learn from this movement."

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WATCH: Spirit Family Reunion, ‘Harvest Festival’

Artist: Spirit Family Reunion
Hometown: Brooklyn, NY
Title: "Harvest Festival: Live in Brooklyn, NY"
Album: Hands Together
Label: Spirit Family Reunion

In Their Words: "It was a long year of traveling, and it seemed time to pick a few of the brightest flowers for a bouquet to bring back home. For two autumn nights in Brooklyn, we threw this Harvest Festival at Union Pool. Farmers came down from Vermont with their hay and corn. Friends came in from Chattanooga and Chicago to sing their songs. People got their faces painted in the yard. It was a good time to be among friends and neighbors for what felt like a celebration. Horatio Baltz was there with his camera and made this short movie to remember it by." — Nick


Photo credit: Brian Wulf