Margo Price’s Best Late Night TV Appearances

When Margo Price took the stage at Jimmy Kimmel Live earlier this week to promote her excellent new album, Hard Headed Woman, and to perform its lead single, “Don’t Let the Bastards Get You Down,” she had no idea she could end up being the final musical guest on the long-running and beloved late-night television show. It’s no surprise, though, that she had written and picked to perform such an apropos song for the moment – and for what would become the final musical performance on Kimmel ever. Across her many late night TV appearances, from Saturday Night Live to Full Frontal with Samantha Bee to The Late Show with Stephen Colbert, Price never edits, pulls punches, or worries about “acceptability.” She brings her brash and bold outlaw trappings with her wherever she goes.

Late-night television may just be entertainment and may not seem incredibly important in the grand scheme. But as these platforms are canceled or removed – for financial reasons, or due to the ever-shifting landscape of television and show business, or due to the current crackdown on free speech and expression – roots, country, Americana, and bluegrass artists are losing strikingly valuable opportunities to reach new audiences and bring their art to millions and millions of viewers (and potential new fans) around the world. Both Kimmel and Colbert especially are obvious admirers of roots bands, artists, and musicians, often showcasing more country, bluegrass, and folk performers than their competitors in the space. Their cancellations amount to an immeasurable loss for working artists – and not just the superstars – of roots music.

Though these shows and stages with their far-flung, global reach are becoming even fewer and further between, and the working class and anti-establishment messages of Good Country like Price’s won’t be as common or frequent on late-night television as a result, the messages in the music will remain as prescient and topical as ever. In moments like these, we need more hard-headed women like Margo Price.

Below, enjoy a few of our favorite moments when Margo Price brought fire and brimstone, grit and gristle, twang and charm to these popular late-night television shows.

“Don’t Let the Bastards Get You Down” – Jimmy Kimmel Live (2025)

The lyric change heard ’round the world? Margo does such a great job of making music of and for the moment. “Don’t Let the Bastards Get You Down” is just one song from her latest album, Hard Headed Woman, that speaks to the tumult and turmoil through which we are all living. That’s what country music is for, after all. Johnny Cash was never the only star in the genre to flip a middle finger at “the man.” Maybe Margo didn’t know that’s what she was doing… (she absolutely knew, and always has).

“Hurtin’ (On the Bottle)” – Saturday Night Live (2016)

A huge moment in her career, Margo made her SNL debut in 2016, bringing her contagious Loretta-inspired and rock-fueled traditional country to one of the biggest and most mainstream stages there is today. Her huge hit at the time, “Hurtin’ (On the Bottle),” sounded just as good and just as compelling on the stage of SNL as it did on the album.

“Stone Me” – Full Frontal with Samantha Bee (2020)

This is what we mean when we say Margo Price has never backed down, pulled punches, or censored herself. If she were to appear on another late-night TV show, say, next week and perform “Stone Me” as she did on Full Frontal in 2020, the chorus would ring as true and righteously as ever: “Love me, hate me/ Desecrate me/ Call me a bitch, then call me baby/ You don’t know me/ You don’t own me/  Yeah, that’s no way to stone me…”

The signature agency and autonomy that are present through all of her work are on full display here – just like on Kimmel with “Don’t Let the Bastards Get You Down.”

“Since You Put Me Down” – Saturday Night Live (2016)

Margo Price will not be put “in her place.” Folks have tried and tried again, but it seems like oppositional energy fuels her. Now that is outlaw country.

For her second song selection for her SNL debut, she performed “Since You Put Me Down” with floor-length fringe and a perfect two-stepping back beat. She sticks it to the man yet again, with the speaker in the lyric saying her piece, claiming her space, and seeking justice.

“Lydia” – The Daily Show (2023)

If agency and autonomy are two of the most tangible through lines in Price’s songwriting, working-class issues would be right up there among them as a frequent topic and source of inspiration. On the surface, “Lydia” may seem like a traditional “sad ass” country story song, but the issues informing the lyric’s contours are very clearly why she brought this song to The Daily Show. Speaking about gentrification, healthcare, substance abuse, hardship, and societal and community neglect, Price finds authenticity in avoiding manicured, polished, and sanitized narratives. She’d always rather speak to real people about real issues.

“Four Years of Chances” (How I Wrote That Song) – The Tonight Show with Jimmy Fallon (2016)

When she appeared on The Tonight Show with Jimmy Fallon, Price participated in a “How I Wrote That Song” segment describing the process by which her original, “Four Years of Chances,” came to be. She always uses her television appearances to platform songs that talk about real life and about women’s issues; Margo effortlessly turns the tables on so many country tropes and leverages those expectations to surprise and engage.

“A Little Pain” – The Late Show with Stephen Colbert (2017)

“A Little Pain” from 2017’s All American Made opens with the lyric, “I’m so tired, but I can’t sleep/ Too many obligations I’m trying to keep/ Gotta please everybody except for myself…”

Yet, as we’ve seen from each of these television performances, Price doesn’t seem terribly concerned with pleasing anyone except herself. It’s within this paradox that we find perhaps the chief source of Price’s power. Like all humans – especially women and many other marginalized folks living through a white- and cis- and male-centric world – she experiences the insecurities, doubts, and trials that we all face. But instead of letting them put her down or keep her down, she still digs her heels in, takes up space, and says her mind.

That’s about as country as it can get, right there. While none of us are sure what the future holds, perhaps we need more of this kind of art and music on late-night television and not less.


Photo Credit: Yana Yatsuk

Did You Miss Gil & Dave on The Late Show with Stephen Colbert? Watch Here

Gillian Welch and David Rawlings – one of the most beloved modern duos in bluegrass and Americana – brought music from their GRAMMY Award winning album, Woodland (2024), to The Late Show with Stephen Colbert earlier this month, performing “Empty Trainload of Sky” live on television. They also performed one of their classic tracks, “Look at Miss Ohio,” a song from Welch’s seminal 2003 project, Soul Journey, for a web-exclusive video. Watch both performances, which feature Punch Brothers and Hawktail bassist Paul Kowert backing up the pair, right here on BGS.

Welch and Rawlings are currently in the middle of a 30+ date headlining tour, with two concerts set for Nashville’s Ryman Auditorium, the Mother Church of country music, on May 22 and May 23. Earlier this month, coinciding with their appearance on The Late Show, they also appeared for two nights at Carnegie Hall before continuing along the East Coast. In June, they’ll be heading out West and concluding their run in the Pacific Northwest.

Between them, they’ve racked up endless awards and accolades, including 14 GRAMMY nominations and five GRAMMY wins collectively. In 2015, they were honored by the Americana Music Association with a Lifetime Achievement Award for Songwriting. But it’s not these well-deserved recognitions, their millions of streams and sales, or even their fantastic contributions to films like O Brother, Where Art Thou? and The Ballad of Buster Scruggs that will be their crowning achievements. Instead, it’s the nearly universal love, admiration, and respect they receive from within and outside the American roots music community that best showcases their far-reaching impact.

That and, of course, the incredible body of work they’ve fashioned together. Whether the timeless and twenty-year-old staples like “Look at Miss Ohio” or the blustery and destructive new work, “Empty Trainload of Sky,” Welch & Rawlings continue to gift us all songs that will stand the test of time – and that we each carry with us wherever we go.


 

Sam Williams Carries His Country Music Legacy to Late Night Debut

On his primetime television debut, Sam Williams makes a powerful statement. Grandson of the legendary Hank Williams and son of Hank Williams Jr., the rising recording artist previewed his debut album, Glasshouse Children with a riveting performance from his grandfather’s old house in Franklin, Tennessee. In an extended one-shot capture, Sam Williams does his name proud with a beautifully-written song called “You Can’t Fool Your Own Blood.” Out of a less-than-usual childhood and recent family tragedy, he has emerged with a style that is both poetic and hard-hitting, pulling no punches in his blend of honesty and vulnerability.

With an undoubtedly heavy burden of expectation, Williams blossoms in this realm of singer-songwriters who are more forlorn than raucous, standing with the likes of artists such as Donovan Woods and Ruston Kelly. Although his television debut was one for the books, perhaps the more exciting news is of the debut full-length record, set for a release later this summer on UMG Nashville. Music from Sam Williams has undoubtedly been a long time in the making, but the good news for us is that it’s almost here. Watch his performance on The Late Show with Stephen Colbert below.


Photo credit: Claire Joyce