Tag: Friends & Neighbors

Watch Carly Pearce Sing With Molly Tuttle and Dan Tyminski on Harmonies

Posted on by Justin Hiltner

Award-winning and critically acclaimed country star Carly Pearce has unveiled the latest single from her upcoming album, Honest Woman, and the track should be of special interest not just to country fans, but bluegrass lovers, too. “What If You Loved Me,” available today on streaming platforms and via an accompanying performance video (watch above) features Dan Tyminski and Molly Tuttle on harmony vocals and mandolin and clawhammer banjo, respectively. It’s a lovely song of longing daydreaming and Pearce’s lead vocal shines bolstered by such talented and artful harmony singers.

“What If You Loved Me” is built on an absolutely classic country trope, the “opposite day” paradigm, asking seemingly simple but actually huge and daunting questions. It immediately recalls songs like Dolly Parton’s “The Grass Is Blue,” Zach Top’s “I Never Lie,” George Jones’ “She Thinks I Still Care” or “Just Someone I Used to Know” written by Cowboy Jack Clement, wherein the speaker says exactly what they want, dream of, hope for, and love – but by pointing out the opposite of each. Pearce’s incisive song is a lovely iteration on this age-old country theme, singing:

What if up was down and down was up
And you were the sad one
And I already found somebody?
What if I didn’t love you
And what if you loved me? 

It’s a heart-wrenching plea, the lonesome pining in the lyrics ratcheted to extremes by delicious, buttery three-part harmony. With Pearce on rhythm guitar, Tuttle picks up an open-back old-time banjo and frails along while Tyminski pulls limitless emotion from his mandolin with tremolos and tender licks. Both of these bluegrass pickers are accomplished multi-instrumentalists, serving any and every song and context in whatever way they need.

“Bluegrass is such a cherished part of who I am as it’s where I got my start,” says Pearce via press release. “To record a song that honors my roots with two artists that I have deep respect and admiration for is not only a special moment, but very emotional. 10-year-old Carly who grew up singing in bluegrass bands would be over the moon to know she has a song with Dan and Molly (as is present-day Carly!). This is the perfect moment in my career to show fans this side of my heart.”

It’s easy to trace the bluegrass influences through Carly Pearce’s country career, as the genre has been an important part of the Kentucky native’s creative life all along. But it’s especially apparent lately, with this collaboration with Tyminski and Tuttle, another track on Honest Woman featuring Tyminski as well, and Pearce’s recent CMA Fest appearance that featured Tuttle, Ricky Skaggs, young mandolinist Shay Morgan, and members of Skaggs’ band, Kentucky Thunder. Their performance of “From Now On” was a hit at Nissan Stadium and on the CMA Fest broadcast on ABC, too.

Bluegrass and country have always gone hand-in-hand, but with excellent songs such as these, artists like Carly Pearce help remind of their inseparable connection. Pearce’s brand new album, Honest Woman, will be out August 28 and her Honest Woman: Up Close Tour beings in September.

Photo Credit: John Shearer

Friends & Neighbors: The Seldom Scene, “Old Train”

Posted on by Justin Hiltner

Industrial Strength Bluegrass, a Xenia and Wilmington, Ohio-based festival run by Joe Mullins and his family and staff at Real Roots Radio, won Event of the Year from IBMA in 2022 and 2024. Content on their festival social media has racked up millions of views on TikTok, YouTube, Instagram, and Facebook. And rightly so, their events and airwaves always boast the absolute best in bluegrass.

BGS has partnered with Industrial Strength Bluegrass many times over the years and this time we’re excited to bring you full-length videos of ISB’s most popular and veritably viral performances. We began the series sharing Ron Stewart and Michael Cleveland ripping through a version of “Roanoke” accompanied by Joe Mullins, Vickie Vaughn, and more. The second edition of the series featured Carson Peters & Iron Mountain performing a gospel number, “Lord Don’t Leave Me Here.”

Now, we’re continuing with another Friends & Neighbors post featuring bluegrass legends the Seldom Scene performing one of their hits, “Old Train,” at Industrial Strength Bluegrass in the fall of 2024. As it happens, it’s a bittersweet performance, the last time former frontman Dudley Connell would perform with the group before his retirement from the band. Connell joined the group in 1995 and after 30 years with the group planned his retirement from the road in early 2025. However, an injury prevented him from performing further shows with the Seldom Scene after his appearance with the group at ISB.

“Old Train” is an icon in the bluegrass canon and this 2024 rendition displays why the track – and the group itself – have such staying power. While so many were saddened, rightfully so, to see Connell leave the group (read our March 2025 interview with Dudley about the move here), the band is continuing to tour and perform with Lou Reid, Ronnie Simpkins, Ron Stewart, Fred Travers, and guitarist, singer, and IBMA Award winner Clay Hess stepping into Connell’s role.

Follow Industrial Strength Bluegrass on TikTok, Instagram, YouTube, and Facebook. Make plans to attend their Summer Fest held July 16-18, 2026 in Xenia, Ohio, and future indoor festivals, too. More information can be found here.

Photos courtesy of Industrial Strength Bluegrass.

Friends & Neighbors: Carson Peters & Iron Mountain, “Lord Don’t Leave Me Here”

Posted on by Justin Hiltner

Industrial Strength Bluegrass, a Xenia and Wilmington, Ohio-based festival run by Joe Mullins and his family and staff at Real Roots Radio, won Event of the Year from IBMA in 2022 and 2024. Content on their festival social media has racked up millions of views on TikTok, YouTube, Instagram, and Facebook. And rightly so, their events and airwaves always boast the absolute best in bluegrass.

BGS has partnered with Industrial Strength Bluegrass many times over the years and this time we’re excited to bring you full-length videos of ISB’s most popular and veritably viral performances. We began the series sharing Ron Stewart and Michael Cleveland ripping through a version of “Roanoke” accompanied by Joe Mullins, Vickie Vaughn, and more. Now we’re continuing the series with our second edition, this time featuring Carson Peters & Iron Mountain performing a gospel number, “Lord Don’t Leave Me Here.”

Captured at Industrial Strength Bluegrass in March of 2024, it’s a lovely a cappella arrangement, sung in an old-fashioned bluegrass style. When ISB first shared a clip of the number on TikTok later that year, it quickly amassed 2 million views and over 180,000 likes. Carson Peters, who’s been well-known on the bluegrass circuit since he was a youngster, is no stranger to this sort of virality, whether it’s his singing or fiddling that awes audiences.

Now more than two years after this hugely popular performance, Peters just announced that he’s signed a publishing deal with Sony Music Publishing Nashville. An accomplished songwriter as well as a frontman and picker, Peters has a couple of cuts on Braxton Keith’s new album, Real Damn Deal, and Peters and Iron Mountain will open for Keith on select tour dates this summer. Peters does it all, from country songwriting to a cappella bluegrass gospel – and fans and listeners are loving it.

Follow Industrial Strength Bluegrass on TikTok, Instagram, YouTube, and Facebook. Make plans to attend their Summer Fest held July 16-18, 2026 in Xenia, Ohio, and future indoor festivals, too. More information can be found here.

 

Watch Sierra Hull Perform
on CBS Saturday Morning

Posted on by Justin Hiltner

On Saturday, December 13, mandolinist and singer-songwriter Sierra Hull brought music from her latest GRAMMY-nominated album, A Tip Toe High Wire, to CBS Saturday Morning for a three-song Saturday Session. With Erik Coveney (bass), Avery Merritt (fiddle), Mark Raudabaguh (drums), and Shaun Richardson (guitar), Hull performed three tunes: “Lord, That’s a Long Way” from A Tip Toe High Wire, which is nominated for Best Instrumental Composition, as well as “Stomping Grounds,” a tune by Béla Fleck and Victor Wooten, and “Movement 3,” a Hull original from an upcoming release. Watch all three numbers right here, on BGS.

Announcing the appearance on social media, Hull pointed out the serendipitous rarity of performing three instrumentals for her Saturday Sessions. “We were originally scheduled to play all three of our GRAMMY-nominated songs – ‘Boom,’ ‘Spitfire,’ & ‘Lord, That’s A Long Way,'” Hull explained on Instagram. “However, by this past Saturday morning, my voice was gone. The worst laryngitis I’ve ever had despite feeling great otherwise! Doctor’s orders was vocal rest and no singing for a few days (which I honestly couldn’t have even had I tried). I was super bummed thinking we’d have to cancel, but my publicist spoke with the show producers and in a very rare exception we are told, they let us come play 3 instrumentals on the show!”

Of course Hull could pull off three engaging and exciting instrumentals. Though of her two prior planned songs, “Boom” is nominated for a GRAMMY for Best Americana Performance and “Spitfire” for Best American Roots Song, the three tunes the group did perform still show the immense depth and breadth of Hull and band’s technical prowess and dynamic range. Plus, each of the selections showcase various creative inputs and outputs for Hull; “Stomping Grounds” isn’t just pulled from the catalog of Hull producer, mentor, and collaborator Fleck, but also from the set lists of her frequent touring colleague Cory Wong. “Movement 3” is a delightful harbinger of musical eras yet to come, a discursive and flowing composition that pulls as much from the Chris Thile school of mandolin as jamgrass, newgrass, and more crunchy roots music climes. “Lord, That’s a Long Way” is one of the tentpoles of the new album, a staple of her live shows over the past year and into the future, surely.

Hull’s appearance on CBS is just the latest in an impressive outlay of accomplishments and accolades in 2025. Not only is she nominated for four awards at the 2026 GRAMMYs – including for Best Bluegrass Album for A Tip Toe High Wire – Hull also appeared with her band on NPR’s Tiny Desk, made our own 2025 Good Country year-end list, announced two of her own signature model Gibson Mandolins, and is currently wrapping up a holiday tour appearing with Béla Fleck & the Flecktones. We’re sure 2026 will hold even more impressive musical moments for Sierra Hull, but in the meantime enjoy these CBS Saturday Morning performances by one of the most talented groups in bluegrass, Americana, and roots music today.

Check out our feature interview on A Tip Toe High Wire from earlier this year here.

Watch Billy Strings Perform His First Ever Tiny Desk Concert

Posted on by Justin Hiltner

NPR Music brought all of us an early holiday gift – skipping placing it under the tree entirely – when they released Billy Strings’ first ever Tiny Desk Concert on December 10. With his touring band of Jarrod Walker (mandolin), Royal Masat (bass), Alex Hargreaves (fiddle), and Billy Failing (banjo) circled up around him, Strings performed three tracks from his GRAMMY-nominated 2024 album Highway Prayers as well as a fan favorite, “Red Daisy,” from 2021’s Renewal, which kicked off the set. Watch above.

Bluegrass is perfectly suited to the stripped-down, acoustic Tiny Desk setting of course, the genre seemingly designed for just these sorts of informal contexts, with listeners gathered around and that high lonesome sound cutting above. Still, the NPR Music staff gush in their post of the concert about Strings’ sonic instincts in the space. “It’s rare these days for an artist to ask for fewer microphones,” they write in their description of the mini set, “but after warming up in our space, Billy Strings did just that.”

Strings and his band routinely step away from their pedal boards, pick ups, and instrument and vocal mics even on the biggest arena stages in the country, so it’s no surprise they leaned further into the cozy and informal vibes of NPR’s Tiny Desk, dancing around the single center microphone while certain instruments are augmented slightly by clip-on condensers.

No matter the heights to which this group ascends, they never forget their unassuming bluegrass roots. Strings is noticeably excited and humbled to take his turn behind the Tiny Desk. “We’ve been lucky to play a lot of cool venues,” Strings says during his set. “But this one’s different. It has that same soul to it because — I’ve seen so many amazing performances that happened right here and I kind of believe that love and spirit kind of soaks into this environment, so just standing here feels like a special thing.”

Though, like all Tiny Desk performers, they only perform a handful of tracks, Billy Strings and his band did indeed accomplish a very special thing with their debut Tiny Desk Concert.

Highway Prayers is nominated for a GRAMMY for Best Bluegrass Album at the 2026 GRAMMY Awards to be held in February in Los Angeles. We spoke to Strings around the release of the project in 2024, when he was our Artist of the Month.

 

Watch Steve Martin & Alison Brown Perform on The Tonight Show

Posted on by Justin Hiltner

Last week, Steve Martin & Alison Brown brought a star-studded bluegrass band to The Tonight Show Starring Jimmy Fallon to celebrate their brand new duo album, Safe, Sensible and Sane. Released via Brown’s Compass Records on October 17, the album showcases a mighty roster of pickers and special guests as well a packed slate of original tunes and songs co-written by Martin and Brown. For their Tonight Show appearance, they burn through the LP’s closing track, “Let’s Get Out of Here,” a perfect selection to close out the late-night television show.

On the album, Martin’s dancing clawhammer banjo and Brown’s confident three-finger style on the number are bolstered by Sam Bush, Trey Hensley, Stuart Duncan, and Todd Phillips. But for their live TV appearance, they tap an equally astounding group of players, bringing along Bronwyn Keith-Hynes (fiddle), Sierra Hull (mandolin), Michael Daves (guitar), and Brown’s husband and business partner Garry West (bass). The tune demonstrates the special – and often tricky – stylistic dialog Martin and Brown accomplish with ease, blending frailing old-time with Scruggs-style bluegrass. The melody is especially suited to both approaches, danceable and driving at the same time. It’s something of a hallmark of the pair’s work together across the years, and especially this new recording.

As viewers can attest watching their performance of “Let’s Get Out of Here,” the music of Safe, Sensible and Sane is excellent, engaging, hilarious, and heartfelt. All qualities that have attributed to its debut last week at No. 1 on Billboard‘s Bluegrass Album Chart. Need more of this duo? BGS co-founder, actor, comedian, and banjoist Ed Helms, recently had a lovely in-depth chat with both Martin and Brown about the album, three renowned banjo stylists in conversation. Read that feature interview here.

 

 

Molly Tuttle on CBS Saturday Morning: “I’m Not Abandoning the Bluegrass Fans”

Posted on by Justin Hiltner

Guitarist-singer-songwriter Molly Tuttle caused bit of seismic activity in the roots music world when in the middle of May she announced a brand new band and the beginning of a brand new era, after the smashing, GRAMMY-winning run of her decidedly bluegrass outfit, Golden Highway. With several years of touring and two critically acclaimed and audience-adored albums with that group under her belt, Tuttle posted on social media that she had assembled Mary Meyer (fiddle, mandolin, keys), Vanessa McGowan (bass), Megan Jane (drums, percussion) and Ellen Angelico (guitars, Dobro) for her new backing band. Predictably, the award-amassing picker had many a bluegrass “chair snapper” run to her comment sections to decry her abandonment of bluegrass, her selling out, and her forsaking the genre that made her.

A little over a month later, Tuttle announced her upcoming album, So Long Little Miss Sunshine, due out August 15 via Nonesuch Records. With that second wave of exciting news she dropped the LP’s first single, “That’s Gonna Leave a Mark.” Last week, she and her newly-minted band appeared on CBS Saturday Morning to perform that track (watch above) as well as a burnin’ fan favorite from the Golden Highway years, “San Joaquin” (watch below). In addition, Tuttle spoke to journalist Anthony Mason about the project, her creative process, and how and why she’s ready for something fresh and different – sonically, and otherwise. (Watch Tuttle’s interview with Mason below, as well.)

“Okay, yeah, I want to set the record straight!” Tuttle laughs when asked about “abandoning bluegrass” and her more string-band-inclined fans. “I’m not abandoning the bluegrass fans. I feel like, with my music, a door will just open and then I’m walking through it.”

“With my last two records,” she continues, “I just felt so inspired to go back to my roots and write bluegrass songs. And, all of a sudden in the last year, I was like, ‘It’s time to do something different, to do something totally new, and find my own sound that’s not emulating a certain genre or style.'”

Longtime fans of Tuttle know that dabbling in genres on the fringes of more traditional bluegrass has always been a practice at the core of her creativity, songwriting, and expression. Her debut EP after moving to Nashville, 2017’s Rise, was far from straight ahead bluegrass in structure, arrangements, and production. In 2019 she released When You’re Ready. Her full-length debut, it boasted bluegrass and flatpicking bones with dashes of old-time and country, but couldn’t be easily or simply defined – or entirely contained – underneath any of those aesthetic umbrellas. “That’s Gonna Leave a Mark” is poppy, bold, and broad with dashes of Katie Gavin (of MUNA), Sheryl Crow, and Aimee Mann. But still, it’s anchored by, of all things, clawhammer guitar. Is that “abandoning” the genres that made her?

Along the way, Tuttle’s live shows have always been expansive, joyous, and fun, whatever the personnel on stage – and her shows have always been unconcerned with genre fidelity, too. (Even as she crisscrossed the country and the globe with her beloved ‘grassy Golden Highway comrades.) Now, with her new “that ain’t bluegrass” band, she continues playing with genre and expectations.

For instance, at ROMP in Owensboro, Kentucky, last month she at one point invited Del, Ronnie, and Rob McCoury onstage for a guest slot, many a Golden Highway track made the set list, and she covered both “Blue Moon of Kentucky” and a dramatic, languid version of Icona Pop and Charli XCX’s smash hyperpop hit “I Love It” for her twin encores. This sort of musical multiplicity from Tuttle isn’t anything new, it’s foundational. It’s a keystone on which she’s built her entire brand. Her incredible covers album, 2020’s pandemic-proffered …but i’d rather be with you is another excellent example of this fact.

It’s clear Tuttle, her band, and her team are knee-deep in messaging and intentionally reinforcing their brand identity for this next album and her headlining “The Highway Knows” tour, which kicks off in September. Whether on CBS Saturday Morning, social media, or a bluegrass festival stage, that task comes incredibly naturally to Tuttle, because these sounds aren’t a gimmick. This isn’t a cash grab or selling out or abandoning anything or anyone. It’s Molly Tuttle being exactly who she has always been. After all, just when you think you know her, “She’ll Change.”

 

Watch Steve Martin, Alison Brown, and Tim O’Brien
on Jimmy Kimmel Live!

Posted on by Justin Hiltner

We know we’re not the only ones constantly clamoring for more bluegrass, string band, and old-time music on television – especially primetime and late night. So last week, on Monday, June 16, we and roots music fans across the country were delighted to find a superlative bluegrass song broadcast on Jimmy Kimmel Live!

Actor, comedian, and banjo renaissance man Steve Martin and his pal, preeminent five-string picker and record label executive Alison Brown, brought another of their musical collaborations to the world from the Kimmel stage in Hollywood. Joined by Tim O’Brien singing lead and playing mandolin, Robbie Fulks on guitar and harmony vocals, Christian Sedelmyer on fiddle, and Garry West on bass, the sextet performed “5 Days Out, 2 Days Back.” (Watch below.)

Martin and Brown have worked together quite a bit (watch a couple of past BGS posts highlighting their work together here and here) and have a seamless musical rapport, even in this instance pairing his clawhammer with her three-finger style and low-tuned banjo. Their songs are often hilarious, or sweet, or intricate, and always whimsical. “5 Days Out, 2 Days Back” is about the call of the road, the life of an itinerant musician, and the push and pull between longing for the horizon and missing one’s home and loved ones. By the track’s conclusion, we find the singer passing along the life he loves, however bittersweetly, to his own child – whatever the pros and cons. O’Brien offers the lyrics in his classic, laid-back and reedy voice with Fulks lending a sharp, ‘grassy tenor.

The song’s arrangement is intricate and technical at times, but flows easily on down the highway; it’s orchestrated and well-rehearsed for television, but feels down-to-earth and intuitive at the same time. This balance is a hallmark of Martin’s roots music forays, whether with Brown and company, the Steep Canyon Rangers, and beyond. You can sense the intention in each lyric, each note, and the flow of the number. But, ultimately, the result is each of these impeccable musicians getting out of the way of the first-rate song.

Martin, Brown, Fulks, and band (sans O’Brien) appeared just two days after their Kimmel appearance at the Hollywood Bowl for Rhiannon Giddens’ American Tunes (see exclusive BGS photos of the event here), making for a musically lush few days of bluegrass and roots music in Southern California, on the airwaves and wafting on the breeze over the Hollywood hills.

 

Did You Miss Gil & Dave on The Late Show with Stephen Colbert? Watch Here

Posted on by Justin Hiltner

Gillian Welch and David Rawlings – one of the most beloved modern duos in bluegrass and Americana – brought music from their GRAMMY Award winning album, Woodland (2024), to The Late Show with Stephen Colbert earlier this month, performing “Empty Trainload of Sky” live on television. They also performed one of their classic tracks, “Look at Miss Ohio,” a song from Welch’s seminal 2003 project, Soul Journey, for a web-exclusive video. Watch both performances, which feature Punch Brothers and Hawktail bassist Paul Kowert backing up the pair, right here on BGS.

Welch and Rawlings are currently in the middle of a 30+ date headlining tour, with two concerts set for Nashville’s Ryman Auditorium, the Mother Church of country music, on May 22 and May 23. Earlier this month, coinciding with their appearance on The Late Show, they also appeared for two nights at Carnegie Hall before continuing along the East Coast. In June, they’ll be heading out West and concluding their run in the Pacific Northwest.

Between them, they’ve racked up endless awards and accolades, including 14 GRAMMY nominations and five GRAMMY wins collectively. In 2015, they were honored by the Americana Music Association with a Lifetime Achievement Award for Songwriting. But it’s not these well-deserved recognitions, their millions of streams and sales, or even their fantastic contributions to films like O Brother, Where Art Thou? and The Ballad of Buster Scruggs that will be their crowning achievements. Instead, it’s the nearly universal love, admiration, and respect they receive from within and outside the American roots music community that best showcases their far-reaching impact.

That and, of course, the incredible body of work they’ve fashioned together. Whether the timeless and twenty-year-old staples like “Look at Miss Ohio” or the blustery and destructive new work, “Empty Trainload of Sky,” Welch & Rawlings continue to gift us all songs that will stand the test of time – and that we each carry with us wherever we go.

 

Sierra Hull & Billy Strings Do Traditional Bluegrass Justice with a Duet on Austin City Limits

Posted on by Justin Hiltner

Last week, Austin City Limits released an excellent bluegrass performance from their Austin City Limits Celebrates 50 Years broadcast, which debuted on April 4 on PBS. Mandolinist Sierra Hull and guitar phenom Billy Strings appeared on the special ACL show, performing a classic bluegrass number, “Midnight on the Stormy Deep,” a traditional song that entered the bluegrass canon via Bill Monroe himself. (Watch above.) It’s a popular duet, whether at jam sessions or on stage, and in this iteration finds the forward-thinking pair of Hull and Strings employing more retro sounds. Both are adept at these tones and textures, but tend to opt for more envelope-pushing picking on their own songs and creations. It’s lovely to hear both players in a bit more reserved a setting, with moments of star power shining through their tasteful playing and careful listening.

It’s striking how crisp, clean, and precise Hull and Strings render the song, but the grit and gristle that we tend to associate with bluegrass – and that “high lonesome sound” – are evident, certainly not in short supply. Hull’s solos are playful with zany touches and bluesy licks. Strings holds down the resonant lead vocal part while Hull adds the high harmony, both singing the lyric entirely in duet, because that’s how it goes! Strings pulls hard through his own solo with his signature confidence and boldness, while reminding his listeners how pivotal an influence Doc Watson has been across his career.

Hull and Strings are no strangers to collaborating, and in many contexts. Remember that time they covered Post Malone together? And well before Postie’s country foray and Strings’ track features on it. Hull has been known to guest on Strings’ shows, and vice versa. Their backstage cover of “What Does the Deep Sea Say” taped at the Ryman Auditorium has hundreds of thousands of views; “Midnight on the Stormy Deep,” meanwhile, has amassed nearly 200,000 views since it landed on YouTube late last week. Plus, Strings fans will recognize the track, not only from the bluegrass songbook, as it were, but from Strings’ own discography as well. He dueted with bluegrass legend and Hall of Famer Del McCoury on a version of the number a few years back. We never tire of it.

Whatever the many factors that led to Hull and Strings picking “Midnight on the Stormy Deep” together on ACL, they all add up to a live performance that’s easy, confident, and fun, and ultimately speaks to the deep and wide roster of young and younger bluegrass professionals who are keeping this music alive and in the limelight. For the coming generations and as-yet uninitiated new bluegrass fans, too.

Read our recent Cover Story interview with Sierra Hull on her brand new album here.

Read our recent exclusive interview with Billy Strings here.