LISTEN: Breaking Grass, “Money Can’t Buy You”

Artist: Breaking Grass
Hometown: Boonville, Mississippi
Song: “Money Can’t Buy You”
Album: Somewhere Beyond
Release Date: February 22, 2022
Label: Mountain Fever Records

In Their Words: “Your first kiss… those special times spent at Grandma’s… seeing your father coming up from the baptism waters… ‘Money Can’t Buy You’ is all about the things in life you can’t put a price tag on. It’s one you’ll want to sing along to and reminds you that the best things in life can’t be ordered online. We recorded this with our friends at Mountain Fever Records in Willis, Virginia. We’re proud of it and hope you’ll add it to your collection.” — Cody Farrar, Breaking Grass

Mountain Fever Music Group · Money Can’t Buy You

Photo Credit: Amanda Holt Photography

LISTEN: Shovels & Rope, “Divide & Conquer”

Artist: Shovels & Rope
Hometown: Charleston, South Carolina
Song: “Divide & Conquer”
Album: Manticore
Release Date: February 18, 2022
Label: Dualtone Records

In Their Words: “This is a song about a marriage seemingly worn down by life. The loss of a parent, the pressure of being parents, illness, weather or injury can unintentionally launch a snowball of resentment and accumulated conflict. This song is not about us. But it is informed by our lived experience as partners in life. The daily division of labor it takes to accomplish what is necessary in business and family is universally challenging. It’s about the weathering of it. And in the end, learning to surrender to the alchemy of time and experience, letting it have its effect on your emotion metal. The patina is beautiful. Like a classic car or a lovely old house, is not judged only for its immaculate outward appearance but by its sturdiness despite the years.” — Michael Trent and Cary Ann Hearst, Shovels & Rope


Photo Credit: Leslie Ryan McKellar

WATCH: Hurray for the Riff Raff, “Rhododendron”

Artist: Hurray for the Riff Raff
Hometown: New Orleans, Louisiana
Song: “Rhododendron”
Album: Life on Earth
Release Date: February 18, 2022
Label: Nonesuch

In Their Words: “[‘Rhododendron’ is about] finding rebellion in plant life. Being called by the natural world and seeing the life that surrounds you in a way you never have. A mind expansion. A psychedelic trip. A spiritual breakthrough. Learning to adapt, and being open to the wisdom of your landscape. Being called to fix things in your own backyard, your own community.

“[The video] is really far out and fun. I got this bodysuit that just looks like the inside of the human body. It looks like you’re skinless. It’s in a scene where I’m playing to an audience of plants. Just really absurd, but I put that suit on and I was like man, this feels really good. It feels like, ‘This is who I am. Let’s just take the skin off.’

“With this ‘Rhododendron’ shoot, something clicked in me where I was like, ‘All I have to do is be myself.’ I had been thinking that I had to be something bigger than myself. I felt like I was just never quite making the mark and then something clicked where I was like, ‘I just gotta be me. I could do that. I could show up and be me. And if people don’t like it, then I don’t know what to fucking tell them.’ It was like a brain shift of, ‘Oh, this can be fun. It doesn’t have to be suffering.’ With so many videos and photo shoots before, it really felt like suffering. I felt so uncomfortable being perceived. I didn’t know who I was.” — Alynda Lee Segarra


Photo Credit: Akasha Rabut

WATCH: Wreckless Strangers, “Sun State” (Live)

Artist: Wreckless Strangers
Hometown: San Francisco Bay Area
Song: “Sun State”
Album: When the Sun and a Blue Star Collide
Release Date: March 25, 2022
Label: Neanderthal Records

In Their Words: “With ‘Sun State,’ we wanted to put out something positive — something that inspires people. In my mind, the song is about when talent and passion collide and create this bigger, beautiful thing. Everyone has their own ‘Sun State.’ It’s just a matter of finding their talent and passion, and allowing them to collide head-on. Playing ‘Sun State’ live is just so exhilarating. There’s no way to micromanage or change the take, like you can in a studio. You have to live with the imperfections, and that’s the joy of it! I love letting the song hit the audience and receiving their genuine reaction. You get as much energy back from them as you give out, sometimes more! Plus, playing with the Wreckless Strangers almost feels like having ESP…you can feel what your bandmates are thinking, feeling, all at once.” — David Noble, Wreckless Strangers


Photo credit: Jay Blakesberg

LISTEN: Mike Compton, “Orange Blossom Breakdown” (Bill Monroe Tribute)

Artist: Mike Compton
Hometown: Meridian, Mississippi (same as Jimmie Rodgers)
Song: “Orange Blossom Breakdown”
Album: Rare & Fine: Uncommon Tunes of Bill Monroe
Release Date: March 5, 2022
Label: Taterbug Records

In Their Words: “In the late ’70s I was living in Nashville and really began to build up a collection of obscure Bill Monroe music. I had a bunch of cassette tapes full of tunes shared from like-minded enthusiasts I met on the music scene. By the time the internet came around in the 1990s, it was staggering the amount of Monroe music that was out there: rehearsal tapes, festival performances, jam sessions. My Monroe source material had accelerated into an incredible collection. After he passed in 1996, I knew I needed to put out this project at some point. ‘Orange Blossom Breakdown’ came from a tape an old friend from New England sent me. It sounded like a home recording off the radio. It was Bill Monroe on the Opry in the 1940s. The quality is poor. The signal is cutting in and out. I was drawn to it because I had never heard it before. I don’t think hardly anyone has. It’s a very unusual arrangement for Monroe, and I’ve never heard him do anything quite like it. I had to listen to it a few times to piece together the song because the recording was just fits and starts, but it was enough where I could get it. Never heard it again anywhere since.” — Mike Compton


Photo Credit: John Partipilo

LISTEN: Bailey Bigger, “You, Somehow”

Artist: Bailey Bigger
Hometown: Marion, Arkansas
Song: “You, Somehow”
Album: Coyote Red
Release Date: March 25, 2022
Label: Madjack Records

In Their Words: “‘You, Somehow’ is not only my story of finding something for the first time that healed me, and helped me on the road to understanding what it feels like to be loved genuinely, but it’s a love song for all the people who have also struggled to find that, and the ones who still haven’t yet. It’s out there, and you deserve it.” — Bailey Bigger

MADJACK Records · Bailey Bigger – You, Somehow

Photo Credit: Bethany Reid Visuals

WATCH: The Suffers, “How Do We Heal”

Artist: The Suffers
Hometown: Houston, Texas
Song: “How Do We Heal”
Release Date: February 16, 2022
Label: Missing Piece Records

In Their Words: “‘How Do We Heal’ started as a therapy exercise for me. During The Suffers’ first years of hard touring, I found myself immersed in the new trend of black people being murdered by the police on livestreams. One moment, I’d be scrolling through memes and cute puppy videos; next, I’d see the murders of Philando Castile and Eric Garner back to back. No warning. No mercy. Just another black life stolen in front of us in 4K. The impact of watching this was enough to make me sick for days, and I honestly felt unsafe most days on the road. I found myself constantly checking to see if justice for any of these victims would ever be delivered, and in many cases it never was.

“I went back to therapy to try and make sense of the emotions I was feeling, but the trauma I was trying to heal from was exacerbated by the deaths of Korryn Gaines, Atatiana Jefferson, Breonna Taylor and so many more. ‘How Do We Heal’ isn’t just a song, it’s a question. How are we supposed to heal when the real causes of the pain and abuse are never really addressed? How do we heal when we aren’t being listened to? How do we heal when those that can end the oppression do nothing to stop it? I don’t know, but it hasn’t stopped me from trying to heal anyway.

“This song was written in 2019, on a sunny fall afternoon in New Orleans with my friend John Michael Rouchell. He played a bunch of different beats for me, but as soon as I heard the demo, the words poured out of me. We recorded the entire song part by part in summer 2020, during the COVID-19 lockdowns, and it took almost seven months to finish. I knocked out all the choral parts in my bedroom studio that fall, and it was topped off by the final vocal additions of Son Little and a spoken word piece by Bryce The Third. I can honestly say that recording this song was one of the most emotionally intense processes I’ve ever been a part of, and I’ll always be grateful for it. This song is for anyone that has felt helpless after witnessing the loss of so much life. May it comfort you, and encourage you to do more for yourself and others.” — Kam Franklin, The Suffers


Photo Credit: Agave Bloom Photography

BGS 5+5: The Pine Hearts

Artist: The Pine Hearts
Hometown: Olympia, Washington
Latest Album: Lost Love Songs
Personal nicknames (or rejected band names): Bruce Springsteen of Bluegrass

Answers from Joey Capoccia

Which artist has influenced you the most, and how?

This is a tough one because about every six months I find someone new that I dive headfirst into. I love that feeling of discovering someone new and having their music brighten your day. Seeing them immediately influence your songwriting… it’s the best! Sometimes you are so inspired by a new song you hear, you start to learn it, and it winds up sending you down a path to write your own song. Possibly one of the best parts of music is how one song leads to another.

But, if I had to choose… I’d say Stuart Murdoch from Belle and Sebastian. That’s the biggest shift I’ve ever felt musically/songwriting. I can remember going through my friends’ music collections, absolutely devouring every bit of them I could find. It’s basically a marker in my life… pre- and post-Belle and Sebastian. At the height of my love for them, they came to The Capital Theater in Olympia. It was one of those magical moments where the band you’re in love with is suddenly playing in your town… I’ll never forget it!

What’s your favorite memory from being on stage?

This was fairly recently actually. September 2021 at Treefort Music Festival in Boise. The whole summer was pretty good, we had a bunch of really fun shows, with great audiences and hosts, but at Treefort, we had a full house of folks who really seemed into the whole vibe, and the entire environment of the festival was great! It was our last show in a string of gigs, which means we were warmed up, playing tight, and grooving off each other. That, mixed with the crowd, was a perfect combo! Plus we got to watch a bunch of our friends play, make new connections, and also just enjoy the city. My brother who is an architect out of Portland has a building project going on around the corner from where we played, so I got to check that out as well. Really great stuff!

What other art forms inform your music?

When I’m not playing music, I’m usually doing carpentry. I absolutely love working with wood. It’s not a perfect product. It has imperfections and abnormalities, and you have to learn to accept those. If the board is gonna crack, or splinter when you pound a nail through it, the best you can do is be prepared for that, and mitigate it the best you can. Maybe that prepares you for the flat tire you get on the way to the gig that you’re already late for?

Carpentry also helps when you don’t have the money for a setup job on your upright bass. I’ve definitely sanded down the fingerboard in my kitchen with decent results. Or glued the top of my guitar back together after it cracked from high altitude in a dry Montana winter. Another element of carpentry, when it comes to songwriting, are the people you meet on a job site… plumbers, electricians, equipment operators. Great working folks. People that I really identify with. To say it’s important to have connections like that in my life is an understatement. It’s the reason music/art exists…labor by day, art in the evening.

What rituals do you have, either in the studio, or before a show?

Rituals are very important to me, maybe most important. For instance, especially in songwriting, I can dabble here and there, and slowly turn out songs. But if I really want to get things done and finish up a batch of tunes, then I need to set times and days, and keep it consistent. 2 p.m. That’s what works for me. If I spend a few hours starting at 2 p.m. every day, by the fifth day the songs will be flowing.

Before a show, I usually go on a walk. There’s a lot of down time between arriving and playing. I find a casual stroll through the neighborhood is incredibly relaxing and keeps me from having too many beers before downbeat. For this last recording, I made running in the morning my ritual. I do often run, but not in the morning. We were in the tiny town of Enterprise, Oregon, so every morning, I’d wake up and run past farming equipment… down dirt roads… it wasn’t bad once I got going. But usually the last thing I want to do upon getting out of bed is start running down the road.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Well, my favorite food is pizza, so maybe Bruce and I will get a slice someday? It’s a great question though, because I find that one of the hardest parts about touring is finding the food you need that works for you. It’s basically disappointing gas station food most of the time. So when you play a venue that cares about food, and is excited about the music, amazing things happen! The Pine Hearts are all about good food. If we have a place for a night on tour, you know we’ll be cooking up a storm. Each of us has our own specialty, but we tend to combine it for some amazing dinners!


Photo credit: Jemual Gardner

WATCH: The HawtThorns, “On the Way” (Live)

Artist: The HawtThorns
Hometown: Nashville, Tennessee
Song: “On the Way”
Album: Tarot Cards & Shooting Stars
Release Date: February 25, 2022

In Their Words: “We wrote this song at home in Nashville while we were waiting on the world to open up; thinking about everything we had planned when we started our band and how it didn’t quite go as we thought. Even though we had a detour, the stuff that we went through on that alternate route made us look at things in life a little differently. It is about being able to enjoy the journey and to let go of exactly where you are headed. The track was super fun to make. When we had drummer Matt Lucich come in for the session we asked him to take the groove away from a traditional ‘train beat’ or a country ‘2/4 feel’ and try something different with the tom-toms. The result is this feel that the song could go off the rails at any time, just like the lyrics suggest. Johnny Hawthorn did his best Jerry Reed impression and took the opportunity to play every country lick in the book as fast as he could on his Telecaster. We doubled the vocals and layered harmonies for a real big-sounding chorus on this one.” — KP Hawthorn


Photo Credit: Michael Becker

LISTEN: Benson, “Conway”

Artist: Benson (Kristin Scott Benson and Wayne Benson)
Hometown: Boiling Springs, South Carolina
Song: “Conway”
Release Date: February 18, 2022
Label: Mountain Home Music Company

In Their Words: Kristin: After 20 plus years of marriage, we’re finally getting around to recording some music together.

Wayne: Yep. I’ve played on Kristin’s solo projects and we’ve both played as session players on a lot of the same projects for other artists, but this is the first collaboration between us.

Kristin: One thing I love about doing this is that we get to record some of Wayne’s instrumentals. On my banjo records, I only recorded tunes I wrote that featured banjo, but I always hear what he’s writing and wish they were mine. (laughs)

Wayne: This is exciting for me because none of my original instrumental music has been recorded in a long while. I had the Instrumental Anthology album that was all-original and was largely compiled from the Bluegrass ’90s series. We added a few to make an entire record. I’ve recorded a few originals with Russell (of Russell Moore & IIIrd Tyme Out), but I’ve had a lot of songs just sitting there.

Kristin: And “Conway” is one of those! I like the groove on this one and I think that’s why the folks at Mountain Home liked it. It’s got a simple melody that anybody can hum, but then on the B part, it really grooves with electric bass.

Wayne: That’s mainly why I demoed it. I’m a closet electric bass player and it was a chance for me to have fun doing that. Paul Watson really did a great job and Tony Creasman added some nice, tasteful percussion.

Crossroads Label Group · Conway – Benson

Photo Credit: Sandlin Gaither