BGS 5+5: Curtis Salgado

Artist: Curtis Salgado
Hometown: Portland, Oregon
Newest Album: Damage Control

What’s your favorite memory from being on stage?

In 2009 I was to perform two songs for the Blues Music Awards in Memphis, Tennessee. You’re only allowed 10 minute and the schedule is tight. After we finished our songs the MC, Bill Wax, ran up and said “Curtis, B.B. King wants to sit in with you. You’ve got to do something NOW!!” So I turned around and counted off a B.B. King shuffle. Next thing I know B.B.’s valet brings a chair AND B.B. KING comes up sits in the chair. He grabs the microphone and says, “I’m not playing until he gets a chair,” and he pointed to me. So his valet brings me a chair. I sit in it and I started singing a B.B. King song. B.B. smiled and started playing the guitar. Am I dreaming? I’m singing and B.B.’s playing guitar behind me. The crowd went nuts. I don’t think I felt my feet touch the ground for a week afterwards.

If you had to write a mission statement for your career, what would it be?

#1: To witness performances by the best musicians in the world.

#2: To share my own music to as many people as I can.

#3: To pay my bills stress-free and to see as much of the world before I die.

What was the first moment that you knew you wanted to be a musician?

This is easy. A true story: In kindergarten my teacher pinned a note to my shirt. She said, “Give this to your mother and don’t lose it.” When I got home my mother saw the note took it off me and read it. She said, “It says here that Mrs. McGilvery says you have a nice voice, and they want you to sing two songs, ‘Jesus Loves Me Yes I Know’ and ‘I’ve Been Working on the Railroad.’” My mother was a good piano player, and we went right to work learning the songs.

When it came time to play, it was in a church auditorium and the auditorium was full of people — parents and relatives of the kids who went to this particular kindergarten. Another little boy and I were supposed to sing these two songs together. But he saw that audience and he just completely froze up. But I dived right into the song and every now and then I would elbow him in the side to encourage him to join me. He never did. He just stood there, stunned. The audience thought this was adorable and I sang those songs loud and clear. The applause and cheers from the audience was deafening. From then on, I was hooked. Nuff said.

What’s the toughest time you ever had writing a song?

I’ve been working on a new song for a while. I started it a couple years ago. I am attempting to write a Bolero — a Spanish Latin slow ballad. I have finished the music and I think It’s gorgeous. It could stand on its own without the lyrics I’ve never written a song like this before. But the lyrics are the toughest. It has to hold up to what the music is telling you…so wish me luck.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Clifton Chenier with a pot of gumbo, andouille, and shrimp. (Please and thank you.)


Photo credit: Jessica Keaveny

Artist of the Month: Shemekia Copeland

When it comes to modern blues, Shemekia Copeland is at the top of her game. Uncivil War, her newest release on Alligator Records, offers a number of topical songs, ranging from gun rights (“Apple Pie and a .45”) to LGBT affirmation (“She Don’t Wear Pink”). Yet as the album progresses, she delivers a few straight-up blues songs like “No Heart at All” and “In the Dark” that could have fallen anywhere in her decades-long career — or found a home with the generation of blues artists that inspired her. Throughout, her voice is strong, drawing you in to hear firsthand what’s on her mind.

Recorded in Nashville with producer Will Kimbrough, Uncivil War gives Copeland a chance to clearly speak her truth. From the historical narrative of “Clotilda’s on Fire” (with an electrifying guitar solo from Jason Isbell) to the philosophical title track (which features acoustic all-stars Sam Bush and Jerry Douglas), Copeland consistently comes across as persuasive, but not abrasive. The message of one of the album’s finest moments, “Walk Until I Ride,” is indeed empowering — but the fact that she needs to walk in the first place is not lost on the listener.

“You know, being angry doesn’t do us any justice,” Copeland told NPR in October. “I spent my time being angry and pissed off and mad about it. But at the end of the day, you know, that just doesn’t help anything.” That determination to channel her emotions into her music paid off in 2019 as she picked up multiple wins in the Blues Music Awards and Living Blues Critic’s Poll on the strength of her prior release, America’s Child. Since 2000, three of her albums have also received Grammy nominations.

In the weeks ahead, BGS will feature a two-part interview with Shemekia Copeland, where she reflects on the influence of her blues musician father, Texas legend Johnny Copeland, as well as the statement she’s making with Uncivil War. (Read part one here. Read part two here.) Author and journalist Alan Paul, who conducted these interviews, also provides us with the BGS Essentials playlist for November Artist of the Month, Shemekia Copeland.


Photo credit: Mike White