You Gotta Hear This: New Music From Dailey & Vincent, Lily Meola, and More

For a week of wintry weather over much of the U.S., here’s some brand new music to keep you warm.

To kick us off, singer-songwriter Karen Dahlstrom calls on the Milk Carton Kids’ Kenneth Pattengale for a new single, “The Last of My Line.” Finger-picked acoustic guitar scores a contemplative and devastating “hobo song” about lineage, family, and circumstance – and the existential feelings surrounding being the last in your family line. Ohioan alt-Americana trio Oliver Hazard have a new song out today, as well. “Hold On” is infused with folk-rock sounds of the ’70s and built around a catchy guitar riff brought to the band by picker Devin East. It’s one of those songs that just “poured out.”

In bluegrass, country-grass superstars Dailey & Vincent return to their roots as only they could, with a rip-roaring and stratospheric rendition of a classic, “Ruby.” With an all-star cast of players behind them, the duo blazes through the iconic old-time song made popular in bluegrass by the Osborne Brothers. The D&V rendition is spotless; we hope it’s a harbinger of more bluegrass to come from their camp. Plus, Ashby Frank gives the bluegrass treatment to Dave Grohl and the Foo Fighters with “The Pretender.” Out today, it combines style points from both bluegrass and grunge in a deep and lush sonic swirl. Whatever your opinion about what is or is not “no part a nothin’,” the energies of both rock and string band are surprisingly well-matched.

You won’t want to miss Lily Meola’s new song, e8ther. Born in Hawaii, Meola makes modern, crisp country music that’s still rich in rootsy tradition and outlaw textures. “Never Kissed a Cowboy” celebrates that, as she puts it, “chivalry ain’t dead, I guess,” and the fun that can be found when doing a romantic dance with a gentleman instead of, well, a loser. It’s a dreamy country waltz that, while contemporary, seems like it could’ve been plucked from just about any decade in the genre’s history.

There’s certainly plenty to love and enjoy this week! You Gotta Hear This…

Karen Dahlstrom, “The Last of My Line” (featuring Kenneth Pattengale)

Artist: Karen Dahlstrom
Hometown: Brooklyn, New York
Song: “The Last of My Line” featuring Kenneth Pattengale
Album: Love These Days
Release Date: January 29, 2026 (single); March 27, 2026 (album)

In Their Words: “I’d never really thought about having children – I just assumed I would have them someday. But as the years went on, biology and circumstance made the decision for me. In working through my feelings about being – literally – the last of my family line (my dad was an only child, neither I nor my sisters have biological children), this song started to form. In the back of my mind, I held this idea of a simple, Woody Guthrie-style hobo song with a dash of Lyle Lovett’s ‘Family Reserve.’ I wrote the song I needed when I needed it, without any idea of whether it would resonate with anyone else. To my surprise, it’s one of the songs people say they connect with most.” – Karen Dahlstrom


Dailey & Vincent, “Ruby”

Artist: Dailey & Vincent
Hometown: Nashville, Tennessee
Song: “Ruby”
Release Date: January 30, 2026

In Their Words: “We’ve never believed bluegrass had to live in a box, but with ‘Ruby,’ we felt a strong pull to strip things back. It’s a reminder that even as you grow and experiment, you never forget your roots. This song reconnects us with that energy and joy that made us want to do this in the first place.” – Jamie Dailey and Darrin Vincent

Track Credits:
Bryan Sutton – Acoustic guitar
Darrin Vincent – Bass
Russell Carson – Banjo
Andy Leftwich – Fiddle
Dominick Leslie – Mandolin
Jamie Dailey – Vocals


Ashby Frank, “The Pretender”

Artist: Ashby Frank
Hometown: Nashville, Tennessee
Song: “The Pretender”
Release Date: January 30, 2026
Label: Mountain Home Music Company

In Their Words: “Bluegrass and hard rock often have a similar feeling of ‘drive’ to them; I guess it’s no surprise that many pickers that grew up listening to the shredding instrumentals of bluegrass also have a deep appreciation for great rock musicians. I’ve been a fan of Dave Grohl and the Foo Fighters since I was a teenager. I decided to take a giant leap that I’m not sure anyone’s ever made before and cover one of their most iconic songs with a bluegrass-meets-grunge treatment. I really had no idea what the final product would be when I made the decision to record ‘The Pretender,’ but I couldn’t be more proud of what we came up with.” – Ashby Frank

Track Credits:
Ashby Frank – Mandolin, lead vocal, harmony vocal
Seth Taylor – Acoustic guitar
Travis Anderson – Bass
Matt Menefee – Banjo
Tony Creasman – Drums


Oliver Hazard, “Hold On”

Artist: Oliver Hazard
Hometown: Waterville, Ohio
Song: “Hold On”
Release Date: January 30, 2026
Label: Nettwerk Music Group

In Their Words: “‘Hold On’ sounds like home to us. Devin came over one afternoon with a guitar riff he’d just written, and we sat down at the piano and the song just kind of poured out. It felt like the old ’70s records we loved listening to. It felt like growing up where we did – feeling the change of seasons, spending time in the local dives, that urge to leave town, but not wanting to let it go.” – Oliver Hazard


Lily Meola, “Never Kissed a Cowboy”

Artist: Lily Meola
Hometown: Nashville, Tennessee
Song: “Never Kissed A Cowboy”
Release Date: January 30, 2026
Label: Nettwerk Music Group

In Their Words: “My picker really did me dirty for a while, so when I experienced good ol’ fashioned gentleman behavior for the first time, it honestly threw me for a loop. I didn’t know how to receive it. I was like, ‘I can open my own door!?’ Then I started to see it from another perspective: having someone treat you like that is honestly really sweet. It might not be the most logical or efficient way of doing things, but damn, being treated like a princess is kinda fun, and being a gentleman is hot. So this is a love song honoring the men who go the extra mile.” – Lily Meola


Photo Credit: Dailey & Vincent by Greg Roth; Lily Meola by Jo Anna Edmison.

WATCH: Meadow Mountain, “Waiting for Tomorrow” (SkyTheory Sessions)

Artist: Meadow Mountain
Hometown: Denver, Colorado
Song: “Waiting for Tomorrow”
Album: June Nights
Release Date: May 13, 2024 (single)

(Editor’s Note: Over the last few weeks, Colorado-based bluegrass band Meadow Mountain has premiered a series of exclusive, live performance videos of newly releasing tracks. Watch each installment of their SkyTheory Sessions right here, on BGS. The final installment will be released next week.)

In Their Words: “This song attempts to answer the question, ‘What if, instead of starting the band Foo Fighters, Dave Grohl had picked up a mandolin and spent a year exclusively listening to Alison Krauss & Union Station?’ I guess I was doing a lot of thinking and writing about time – the great healer, but also that which brings an end to all things. And then a new beginning. This is a song about time, and hope.” – Jack Dunlevie

Track Credits: Written by Jack Dunlevie


Photo Credit: Video still by Erik Fellenstein

Video Credits: Videography – Erik Fellenstein
Lighting – Payden Widner
Mixing – Vermillion Road Studio

LISTEN: Acoustic Syndicate, “All In Time”

Artist: Acoustic Syndicate
Hometown: Shelby, North Carolina
Song: “All In Time”
Album: All In Time
Release Date: July 15, 2022
Label: Organic Records

In Their Words: “This song has a great story. I sat down one warm, sunny afternoon last fall and wrote this song down in about 15 minutes at my kitchen bar. It literally flew out! I had the chords all figured out, wrote the lyrics down, sang through it three or four times, then got up to go outside for a minute. When I came back…it was gone. I had the words there, the chords were all there, but the original rhythm was gone. I never got it back. To this day, I still haven’t stumbled back on that exact, original rhythm, which was kinda genius, if I may be so bold. I even went to Jay’s house one day and we searched for that original rhythm, based on my words, for like an entire afternoon. Nothing. What I wound up doing was recording a really square, very uninteresting demo one afternoon, after finishing up some of my other vocals at Crossroads Studios. I took that, passed it around to the fellas and we all thought about it for a couple of weeks.

“By the time we got together for rehearsals, I had somehow come up with an alternative rhythm that wasn’t so square and a little off-beat and wide open with tons of space. I left these spaces for Fitz to fill with selective, tasteful and powerful drum fills, eventually culminating in a giant yet tangible and driving rhythm. Serendipity! As luck would have it, we actually made one of our strongest tunes to date. I am very proud of this track, and grateful for Fitz’s magnificent drums, and Jay’s soulful, intimate and emotional bass work. It is important to note here that on the day that Jay recorded his solo — literally right before he walked into the booth — we had just learned of the passing of Taylor Hawkins, longtime Foo Fighters drummer and lifelong best friend of Dave Grohl, of Foo Fighters and Nirvana. Jay said he was doing that solo for Dave. (Read more below the player.)

Crossroads Label Group · 01 All In Time

“The words are just my account of needing to catch my breath. I have many character flaws. One of the worst is my perpetual propensity to commit myself to absolutely more than I can do on a daily basis. The job, the band, the farm, and until recently, aging parents… all of it. I always get myself with my back to the wall, and I always swear to myself that I will never do that again. I do it anyway…like the next day. All too often, I find myself completely overwhelmed, in a panic and exhausted. Many are the days that I forget to just pause, look around, breathe the air, appreciate my surroundings, have gratitude, recognize the love that I have in my life and try to turn down the volume of living for a moment. To quietly contemplate where I am, as an individual, where we are, as a people, and where all of this may be headed.

“‘All In Time’ is also a reflective appreciation for something my dad, Joe, would say when the times of the world become frightening, chaotic and without direction, like they are now. I’ve come to lean on these words more and more in recent years…now, more than ever: ‘When things become uncertain like this…when the world seems like it’s out of control and we can’t help but be scared and anxious about the state of things…no matter how bad it gets, unless there is something we can do about it, we just have to have faith, be patient, keep on doing the best that we can…and trust that people will eventually do the right thing in the end.'” — Steve McMurry, Acoustic Syndicate


Photo Credit: Sandlin Gaither