Tag: eddie barbash

You Gotta Hear This: Eddie Barbash, Chris Jones & the Night Drivers, and More

Posted on by Justin Hiltner

Saxophone, mountain dulcimer, mandolins, banjos – what else could you need? Our weekly new music roundup is here!

Today, we complete our mini-series with saxophonist Eddie Barbash with a video for “Fort Smith Breakdown,” an old-time fiddle tune performed exquisitely by Barbash on sax in a lovely, natural setting. You can find links to watch all four of Barbash’s live performance videos from his upcoming project Larkspur, below. On the other end of the roots instrument continuum, perhaps the South’s most accomplished and technical mountain dulcimer player Sarah Kate Morgan teams up with fiddler Leo Shannon on a new album, Featherbed, out today. To celebrate, we’re sharing their track “Belle of Lexington,” which they first sourced from a Library of Congress recording made in 1941 before crafting their own arrangement.

Bluegrass stalwarts Chris Jones & the Night Drivers offer a delightful play on words with “Under Over,” a song Jones wrote with broadcaster-songwriter Terry Herd. The uptempo, straight-ahead bluegrass single is available today wherever you stream music. Jones’ labelmate, mandolinist and singer-songwriter Ashby Frank, also launches a new single today. “Mr. Engineer” is a Jimmy Martin and Paul Williams classic that Frank has performed for years, but only just recorded for the first time.

Alt-Americana rockers Keyland release their new EP today, so don’t miss the title track to Stand Up To You below. As you’ll hear, this soulful Oklahoman outfit blend so many roots genres together into a melting pot style all their own. Singer-songwriter Jon Danforth then takes us just across the state line to Arkansas with his new single, “Arkansas Sunrise,” which will be included on his upcoming 2026 album, Natural State. Dripping with childhood memories and nostalgia, it’s an homage to his home state and its moniker, from which he pulled the title of the new LP.

Plus, don’t miss the new music video for a just-released single from singer-songwriter Abby Hamilton “Fried Green Tomatoes” was inspired by a line uttered by Idgie Threadgoode of the novel (and film) Fried Green Tomatoes. The vibey country-folk track explores relationships and friendships – and the parts of ourselves we display or keep hidden away.

There’s plenty to explore and enjoy from all corners of the roots music landscape! You Gotta Hear This…

Eddie Barbash, “Fort Smith Breakdown”

Artist: Eddie Barbash
Hometown: Nashville, Tennessee
Song: “Fort Smith Breakdown”
Album: Larkspur
Release Date: November 28, 2025 (The album will be released one song at a time with the last track coming out Nov. 28).

In Their Words: “I learned ‘Fort Smith Breakdown’ from a great Floyd, Virginia, old-time fiddler named Earl White. My favorite old-time guitarist Danny Knicely was playing with him at the time and called it ‘that tune that goes to the 4 all of a sudden.’ This practice of adding or dropping beats in unexpected places is one of my favorite things about the old-time tradition. Four of the nine tunes that I chose for Larkspur are ‘crooked’ like this. We made this recording on a trail through the Larkspur Conservation area’s natural burial ground. After two days on the grounds, I’m completely sold on natural burial. I’d much rather feed the forest and donate my body to the preservation of wild land than to rot alone in a concrete box under a lifeless lawn.” – Eddie Barbash

(Editor’s Note: Watch all the videos in our mini-series with Eddie Barbash here, here, and here.)

Jon Danforth, “Arkansas Sunrise”

Artist: Jon Danforth
Hometown: Dallas, Texas
Song: “Arkansas Sunrise”
Album: Natural State
Release Date: October 24, 2025 (single); January 23, 2026 (album)

In Their Words: “‘Arkansas Sunrise’ is about the countless, lazy Saturday mornings I’ve spent in my home state with family and friends. Arkansas is a beautiful state and a wonderful place to be, especially in the fall when the hot temperatures finally drop. There is nothing better than waking up to cool weather, leaves changing, and bacon crackling alongside the people you love. My goal was to capture that warmth and nostalgia in a song that hopefully honors my home state.” – Jon Danforth

Track Credits: 
Jon Danforth – Vocals, acoustic guitar, songwriter
Will Carmack – Bass
Aaron Carpenter – Drums, percussion
Bobby Orozco – Piano
Melissa Cox – Fiddle
Hannah Brooks – Background vocals

Ashby Frank, “Mr. Engineer”

Artist: Ashby Frank
Hometown: Nashville, Tennessee
Song: “Mr. Engineer”
Release Date: October 24, 2025
Label: Mountain Home Music Company

In Their Words: “I started performing this Jimmy Martin and Paul Williams classic on stage with Mashville Brigade years ago and recently started adding it to the set list of my Yachtgrass band’s shows. I have wanted to record it since I started singing it live and I am so proud of the finished product. I just love the old-school vibe and super lonesome content of the lyrics and melody, and of course Matt Menefee (banjo) and Jim VanCleve (fiddle) added some wicked and bluesy solos that made the whole track gel. I can’t wait for everyone to hear it!” – Ashby Frank

Track Credits:
Ashby Frank – Mandolin, lead vocal, harmony vocal
Seth Taylor – Acoustic guitar
Travis Anderson – Upright bass
Matt Menefee – Banjo
Jim VanCleve – Fiddle
Jaelee Roberts – Harmony vocal

Abby Hamilton, “Fried Green Tomatoes”

Artist: Abby Hamilton
Hometown: Nicholasville, Kentucky
Song: “Fried Green Tomatoes”
Release Date: October 24, 2025

In Their Words: “‘I’m as settled as I’ll ever be’ is the line from Idgie Threadgoode in Fried Green Tomatoes that inspired this song. It’s about the inner dialogue in relationships and friendships as you never show the world what you question from within. The world sees you as secure and confident, which you very well may be in some ways, but inside you feel a sense of doubt that no one else knows. Maybe just the most intimate of friendships or relationships get questioned. That in whatever you’re carrying on about inside or out, it’s still ‘look at those fried green tomatoes’ in the middle of ‘she’s trying to teach me how to cook.’ Chaos and joy and confusion. You can be all out of sorts about whatever’s in your brain and it’s still just ‘fried green tomatoes.’ The right person will make you laugh and ground you, remind you that you’re not so alone.” – Abby Hamilton

Chris Jones & the Night Drivers, “Under Over”

Artist: Chris Jones & The Night Drivers
Hometown: Nashville, Tennessee
Song: “Under Over”
Release Date: October 24, 2025
Label: Mountain Home Music Company

In Their Words: “I have no idea where the phrase ‘file it under over’ came from; it was just one of those things that popped into my head one day. Aside from the play on words, I just got to thinking about the idea of filing something away for good, whether it be a bad relationship or an addiction of some kind, and I pictured a file with ‘over’ on the tab. I’ve been friends with songwriter and bluegrass broadcaster Terry Herd for many years and he’s written all sorts of award-winning and hit bluegrass songs with a range of writers. But we had never written one together and it’s been something I’ve wanted to do for a long time. We discussed the song concept together when I was at his house in Nashville and we got right to work on it. He was the one who came up with the phrase ‘in a little box of pain,’ which I think is my favorite part of the song. The uptempo, straight-ahead bluegrass feel really fit with the uplifting feeling of filing something negative away and moving on.” – Chris Jones

Track Credits:
Chris Jones – Acoustic guitar, lead vocal
Jon Weisberger – Bass
Mark Stoffel – Mandolin, harmony vocal
Grace van’t Hof – Banjo, harmony vocal
Tony Creasman – Drums
Carley Arrowood – Fiddle

Keyland, “Stand Up To You”

Artist: Keyland
Hometown: Tulsa, Oklahoma
Song: “Stand Up To You”
Album: Stand Up To You (EP)
Release Date: October 24, 2025
Label: One Riot

In Their Words: “I’m hoping this song feels like you’ve heard it before and you can’t remember where or from whom. I think most of my favorite music has this effect on me – whether it’s from 1965 or 2025. When I listen to music like this, I feel like I’ve known it forever. And not in a redundant, boring sense, but in a way that feels as though that particular song has just always existed in some deeper, elusive but still tangible reality. Like you’ve always known it, but you can’t exactly remember how.

“I’m unsure if we’ve actually accomplished that, but hopefully it is somewhat close. I also love music that makes you feel like you are in the same room as the artist. I think live-tracked recordings have a lot to do with this particular effect, so we leaned into that with this song – as well as a few others on this EP. I was listening to a lot of Ray Charles, Stones, and Faces (and will always be) when I wrote this one, so I’d guess that will come through as well. In the words of Taylor Goldsmith, ‘Anyone that’s making anything new only breaks something else…'” – Kyle Ross

Sarah Kate Morgan & Leo Shannon, “Belle of Lexington”

Artist: Sarah Kate Morgan & Leo Shannon
Hometown: Hindman, Kentucky (Sarah Kate); Whitesburg, Kentucky (Leo)
Song: “Belle of Lexington”
Album: Featherbed
Release Date: October 24, 2025
Label: June Appal Recordings

In Their Words: “This is a very old fiddle tune which I learned as a teenager in my mom’s living room in Seattle, Washington. The source is a recording of fiddler Emmet Lundy made by the Library of Congress in Galax, Virginia, in 1941. (Many thanks to the Slippery Hill archive for facilitating this transmission.) Eighty-four years later, our performance of the tune was recorded live at The Burl in Lexington, Kentucky, by the intrepid Nick Petersen. We dedicate this track to all the beautiful people in all the Lexingtons around the world.” – Leo Shannon

Photo Credit: Eddie Barbash by Jeremy Stanley; Chris Jones & the Night Drivers by Brooke Stevens.

You Gotta Hear This: Lonesome River Band, The Prickly Pair, and More

Posted on by Justin Hiltner

You’ve reached the end of the week and we’ve got roots music ready to take you into the weekend. It’s our weekly roundup of new music, new videos, and premieres.

Continuing with our mini-series this week, saxophonist Eddie Barbash returns with yet another excellent performance video of a classic instrumental bluegrass tune on sax. This time, he offers “Clinch Mountain Backstep,” listening to and learning from every instrument in a classic bluegrass five-piece in order to forge his own way through the melody on his outlier of a string band instrument. Also in bluegrass, the long-running and fundamental group Lonesome River Band have unveiled a new single today, “No Business Mountain,” drawing inspiration from near their home turf, down the road in Patrick County, Virginia. It’s a lilting, sunshiny bluegrass song perfect for a two-step.

Americana duo The Prickly Pair have brought us a song from their upcoming self-titled EP. Out next week, you can hear a sneak peek of “Piece of the Sky” today, a vibe-rich retro-sounding song inspired by the infamous story of D. B. Cooper. Plus, Western North Carolina singer-songwriter and Steep Canyon Rangers member Aaron Burdett shares a new single, “Rhyme or Reason.” First conceived and written at a songwriting workshop with Darrell Scott a few years ago, Burdett’s recording of the track comes shortly after he got to share the stage with Scott in Brevard, N.C. A full circle moment right in time for the song’s release.

Singer-songwriter Max Gomez released his latest album, Memory Mountain, in late summer, but lucky for us he’s not done with bringing new content from the project yet. Today he shares a new music video for “New Mexico,” a number that some folks call the unofficial anthem for the state. Which, Gomez is deliberate in sharing with us, is also a point of the song: To remind listeners that New Mexico is indeed a state. Rounding out our collection, Appalachian Americana artist Darrin Hacquard also brings a new music video for “Places I Went,” a song from his brand new album, Weights & Measures, which is out today. It’s a track that interrogates duality and Hacquard describes as a sort of “fucked up gospel song.” But you’ll have to listen and watch to see if you agree.

Up and down the mountains, whether in Virginia, North Carolina, or New Mexico, there’s plenty of excellent roots music for you to enjoy right here on BGS. You Gotta Hear This!

Eddie Barbash, “Clinch Mountain Backstep”

Artist: Eddie Barbash
Hometown: Nashville, Tennessee
Song: “Clinch Mountain Backstep”
Album: Larkspur
Release Date: November 28, 2025 (The album will be released one song at a time with the last track coming out Nov. 28.)

In Their Words: “I enjoy playing fiddle music on saxophone because it feels like an adventure! I have to figure out how to make these tunes sound good on sax, because I have no example to look to. Every instrument in a string band has its own versions of the melodies that are uniquely suited to it. When I adapt a tune for saxophone, I listen to how every instrument plays it and then use the variations that work best for me. If there are any phrases that continue to elude me, I create my own variation that is unique to the saxophone. This process is especially evident with a banjo tune like ‘Clinch Mountain Backstep.'” – Eddie Barbash

(Editor’s Note: Watch the first two videos in our mini-series with Eddie Barbash here and here.)

Aaron Burdett, “Rhyme or Reason”

Artist: Aaron Burdett
Hometown: Saluda, North Carolina
Song: “Rhyme or Reason”
Release Date: October 17, 2025
Label: Organic Records

In Their Words: “The very last thing I did before the COVID pandemic hit in 2020 was to attend one of Darrell Scott’s ‘Songfood’ workshops. ‘Rhyme or Reason’ is a song I wrote over the course of a few days there with about a dozen other songwriters who were doing the same thing. I’d been thinking about the concept on the way, driving from my home in North Carolina over to Nashville, and when Darrell told us to bring a new song back to the group, this is what came up. I remember right where I was when the idea hit, which isn’t uncommon. And then it fleshed out there in that workshop in late February of 2020. As I write this now in September of 2025, I am proud to say I was on stage with Darrell recently singing with him at the Mountain Song Festival in Brevard. Funny how things turn out. And truly that’s what the song is about – appreciating the ride as we move through life and doing the best we can with what we have. Things work out.” – Aaron Burdett

Track Credits:
Aaron Burdett – Lead vocal, acoustic guitar
Kristin Scott Benson – Banjo
Carley Arrowood – Fiddle
Tristan Scroggins – Mandolin
Jon Weisberger – Upright bass
Wendy Hickman – Harmony vocal
Travis Book – Harmony vocal

Max Gomez, “New Mexico”

Artist: Max Gomez
Hometown: Taos, New Mexico
Song: “New Mexico”
Album: Memory Mountain
Release Date: October 17, 2025 (video); August 29, 2025 (album)

In Their Words: “The song is a protest song. What we’re protesting against in the song are our fellow Americans who seem to be unaware at times that my home state, the great state of New Mexico, is in fact one of the 50 that make up our nation. And yes, it’s sort of a tongue-in-cheek approach, but, it’s a real problem no less.

“In the last verse of the song I mean you no disrespect if you happen to be from Kansas or Kansas City, Missouri. Or if you ever worked for the TSA. It’s a true story, it happened to me when I was younger.

“Some folks call it the ‘unofficial state anthem’ of New Mexico. Perhaps one day we’ll find some legislature and crowbar it in the history books.” – Max Gomez

Darrin Hacquard, “Places I Went”

Artist: Darrin Hacquard
Hometown: Hocking Hills, Ohio
Song: “Places I Went”
Album: Weights & Measures
Release Date: October 17, 2025
Label: Like You Mean It Records

In Their Words: “‘Places I Went’ is an anthem of duality, highs and lows. I’ve always thought of this as a fucked up gospel song, riffing on the Christian notions of salvation and eternal life (heaven; ‘the mountaintop’) and the Buddhist conviction that life is suffering and completely impermanent ( ‘the river,’ never the same twice, it all melts away).

“The song also speaks to my mental/social duality – some days I want to live it up and laugh with all of my friends and some days I want to ‘live in a Goddamn cave!’ I have flirted with suicidal and depressive ideations at times, but ultimately want to stick it out to uncover the great mysteries and to sup of that holy chalice of gas station coffee with the radio on a late-night drive. I’m proud of the ‘Jawbreaker x Eagles’ brand of slacker rock we cooked up for this track and I never get tired of hearing Don Rogers’ ferocious Tele solos! The music video is especially dear and personal to me, as it features a pile of friends and family (including my lovely mother) who have been there through my highs and lows and helped me KEEP GOING!” – Darrin Hacquard

Lonesome River Band, “No Business Mountain”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “No Business Mountain”
Release Date: October 17, 2025
Label: Mountain Home Music Company

In Their Words: “‘No Business Mountain’ is an idea that Barry and Will Hutchens mentioned to me a few years ago. It’s a place the three of us grew up seeing in our youth in eastern Patrick County, Virginia. I guess we all kind of had the thoughts that are portrayed in this song back in the day, but were never able to explore there. Made perfect sense to put what we thought it was like there in a song. We hope you enjoy the story!” – Sammy Shelor

Track Credits:
Sammy Shelor – Banjo, harmony vocal
Jesse Smathers – Acoustic guitar, harmony vocal
Mike Hartgrove – Fiddle
Adam Miller – Mandolin, lead vocal
Kameron Keller – Upright bass
Rod Riley – Electric guitar

The Prickly Pair, “Piece of the Sky”

Artist: The Prickly Pair (Mason Summit & Irene Greene)
Hometown: Nashville, Tennessee
Song: “Piece of the Sky”
Album: The Prickly Pair (EP)
Release Date: October 24, 2025

In Their Words: “I figured that we had things in common based on the first songs we played in [songwriting] class, the first day. We’d never met before [I’d invited him to write together]. Instantly, when Mason came into the room he had this idea. He said, ‘Do you know about D. B. Cooper?’ And I said, ‘No, I’ve never heard of that.’ But he thought it was something I would be interested in. So we looked it up and watched something about it and then we instantly came up with this thought. What would it be like to write a song from his perspective? And it worked really easily. Sometimes writing songs with people is challenging because you’re not on the same wavelength with them. But I felt instantly we had a connection and that we had a lot in common.” – Irene Greene

“The first day of songwriting class, Irene performed a song about Roswell, New Mexico and UFOs, so I thought another unsolved mystery/conspiracy theory might be a good jumping-off point for a co-write.” – Mason Summit

Photo Credit: Lonesome River Band by Sandlin Gaither; The Prickly Pair by Libby Danforth.

You Gotta Hear This: New Music From Brit Taylor, Benson, and More

Posted on by Justin Hiltner

We’re back with another excellent edition of our weekly roundup of new music, fresh videos, and sneak previews of tracks to yet to come.

Bluegrass power couple Benson – Wayne Benson and Kristin Scott Benson – call on Zack Arnold of Rhonda Vincent & the Rage for their new single, “Bully of the Town,” which drops today. You may recognize the track, which is usually performed as an instrumental, but its unique chord progression shines with Arnold’s vocal as the somewhat unexpected cherry on top. Also in a bluegrass space – bluegrass saxophone, of course – Eddie Barbash continues his mini-series with us of classic bluegrass and old-time fiddle tunes rendered superlatively, as only he could, on sax. This time, we’re sharing his new performance video of “Tennessee Mountain Fox Chase,” shot at Larkspur Conservation in Westmoreland, Tennessee. We can’t get enough solo saxophone fiddle tunes!

From the bottom of the globe, progressive New Zealand string band You, Me, Everybody returns to the pages of BGS with a new music video. “The Rest of Us” is a contemplative, introspective song set to sparkling newgrass that’s about leadership, abandonment, and rising above – if you can. From country, our friend Brit Taylor also debuts a new music video this week for “All For Sale,” her most recent single that released just last month. The new video, which only features a short cameo by Taylor, a new momma, is a fun-fueled yard sale spurred by heartbreak and readiness for a blank, clean slate.

To round out our collection this week, legendary blues master Robert Finley is celebrating a brand new album via Easy Eye Sound today, so of course we’re highlighting a track from Hallelujah! Don’t Let the Devil Fool Ya to mark the special day. “Can’t Take My Joy” is an infectious song with a perennial message that Finley holds at the core of his values system – you really can’t steal his joy. And, with music like this in our weekly roundup, you won’t be taking our joy, either!

It’s all right here on BGS and, just like every week before this one, You Gotta Hear This.

Eddie Barbash, “Tennessee Mountain Fox Chase”

Artist: Eddie Barbash
Hometown: Nashville, Tennessee
Song: “Tennessee Mountain Fox Chase”
Album: Larkspur
Release Date: November 28, 2025 (The album will be released one song at a time with the last track coming out Nov. 28.)

In Their Words: “This song was recorded during a spring sun shower on the porch swing at Larkspur Conservation’s cabin headquarters. A barn swallow was nesting in the rafters just over my head and I was inspired by all of the bird songs around me to improvise this introduction.

“I learned the tune late one night from Ric Robertson after a party/concert in his Washington Heights apartment in NYC. I believe he learned it from Nate Leath and my version is also inspired by his recording. I decided to slow it down a bit and give it a lazier, swingier feel that just feels so good to play on the saxophone.” – Eddie Barbash

Video Credits: Shot and edited by Jeremy Stanley. 

(Editor’s Note: Watch the first video in our mini-series with Eddie Barbash here.)

Benson, “Bully of the Town”

Artist: Benson
Hometown: Boiling Springs, South Carolina
Song: “Bully of the Town”
Release Date: October 10, 2025
Label: Mountain Home Music Company

In Their Words: “I’ve always loved to play this song and didn’t even know it had lyrics for years. The chord progression is just different enough to make it work either way.” – Wayne Benson

“‘Bully of the Town’ is a good example of a song that wasn’t originally a part of the bluegrass genre, but is versatile enough that you can play it many different ways and it sounds like it belonged there all along. Wayne and I are pickers first and this arrangement is really built around being able to play around this fun chord progression, but the vocals are the icing on the cake, because prior to this cut, people typically played it as an instrumental. A lot of people don’t even know it has words, so adding vocals differentiates it and we got a young gun to sing it! Zack Arnold, from Rhonda Vincent & the Rage, did such a great job. He delivers it with a lot of energy, power, and a spirit that accompanies youthful musicianship. He really added excitement to an already-grooving track.” – Kristin Scott Benson

Track Credits:
Wayne Benson – Mandolin
Kristin Scott Benson – Banjo
Cody Kilby – Acoustic guitar
Kevin McKinnon – Bass
Zack Arnold – Lead Vocal

Robert Finley, “Can’t Take My Joy”

Artist: Robert Finley
Hometown: Bernice, Louisiana
Song: “Can’t Take My Joy”
Album: Hallelujah! Don’t Let the Devil Fool Ya
Release Date: October 10, 2025
Label: Easy Eye Sound

In Their Words: “There’s an old saying that I used to hear folks say, ‘There’s joy in the world, can’t take it away.’ Joy is something that can’t be measured by man and can’t be controlled by man. That’s why I say, ‘You can’t take my joy.’ You can take everything else, but you can’t take that. You can take my freedom and I can still be happy. Though there are problems, there is still a way to look beyond the faults and accept the good things in life. Joy is something that no man has the power to give and no man has the power to take away.” – Robert Finley

Brit Taylor, “All For Sale”

Artist: Brit Taylor
Hometown: Hindman, Kentucky
Song: “All For Sale”
Release Date: September 5, 2025 (song); October 9, 2025 (video)
Label: RidgeTone Records/Thirty Tigers

In Their Words: “We wrote this song like a script. There’s so much imagery in the song that it just seemed natural for the video to follow the lyrics. I decided only to make a quick cameo in the video and let my friends be the stars of the show! While it seems counterintuitive to what the rest of the industry is currently doing, it felt right to me. After all, the song isn’t about me, it’s about a story that wants to be told. And, honestly, my friends should probably move to Hollywood, because they really nailed their parts!” – Brit Taylor

Video Credits:
Robert Chavers – Producer, director, cinematographer
Steve Voss – Director
Solar Cabin – Production company

You, Me, Everybody, “The Rest Of Us”

Artist: You, Me, Everybody
Hometown: Ngāruawāhia, New Zealand
Song: “The Rest of Us”
Release Date: October 10, 2025
Label: Southern Sky Records

In Their Words: “I woke up with the melody and the lyric in the chorus, ‘If you’re the one who’s going to give up, what are the rest of us doing here tonight?’ And as much as the melody kept hooking me in, it took a while to find an angle for a song that could only really be about leadership. Even though it’s from the perspective of the people who are left when a leader abandons them, I was writing this with an awareness of how I felt I was letting people down at a time when I wasn’t following through on a commitment I had made. That’s why it’s less about blame and more about the heartbreak of watching someone lose faith in something they’d once worked so hard for.” – Kim Bonnington

Video Credits: Produced and edited by Kim Bonnington. Filmed by Ethan Bryant.

Photo Credit: Brit Taylor by Sammy Hearn; Benson by Sandlin Gaither.

You Gotta Hear This: New Music From Eddie Barbash, Caitlin Canty, and More

Posted on by Justin Hiltner

You know what Friday means! New music, new songs, new videos – and of course, You Gotta Hear This.

Let’s begin with some Good Country from Idaho’s own Colby Acuff. His new album, Enjoy the Ride, is out today and we’re enjoying the ride ourselves with a lyric video for the title track from his excellent collection of country that’s both traditional and forward-looking born from beyond the continental divide. Singer-songwriter Kashena Sampson brings us a song from her brand new album, Ghost Of Me, that we find at the intersection of vibey Americana and contemplative indie. “Thick As Thieves” is a daydream in a song about teenage years, friendship, and holding onto – if you can – the ineffable magic of youth.

One of our longtime friends, Caitlin Canty, released her new album, Night Owl Envies the Mourning Dove, yesterday. Based in Vermont, the singer-songwriter crafts music that rests comfortably between folk, bluegrass, string band, and Americana sounds. To celebrate her new album, she’s shared a special live performance video of “Don’t Worry About Nothing,” inspired by parenthood, our frenetic day-to-day, and giving up control – and worry – whenever we can. Speaking of string band music, Damn Tall Buildings, a Brooklyn-based group playing on the fringes of bluegrass, old-time, and swing, have a brand new video for “Turkish Airlines,” a funny and all-too-relatable track they describe as portraying the haze of travel dreams, the desire to be seen, and late-night self-reflection.

And don’t miss your essential dose of bluegrass saxophone, as one of the foremost purveyors of the form, Eddie Barbash, begins a BGS mini-series sharing videos of solo performances of traditional fiddle tunes on sax. To begin, check out his rendition of “Forked Deer,” which Barbash picked up from Sierra Hull while touring with Cory Wong. If you aren’t familiar with Barbash, you may be surprised how perfect fiddle tunes can feel on saxophone. If you are already familiar, you’ll love getting to hear him offer his takes on these classic melodies. More sax-fiddle tunes are coming soon.

There’s a little something for everyone in this week’s roundup, as usual. We hope you enjoy, because You Gotta Hear This!

Colby Acuff, “Enjoy The Ride”

Artist: Colby Acuff
Hometown: Coeur d’Alene, Idaho
Song: “Enjoy The Ride”
Album: Enjoy The Ride
Release Date: October 3, 2025

In Their Words: “The title track of this project does not pull any punches. This song sets up the world where this story takes place. Like most of my songs, it takes place in the real world. In the plains of Oklahoma, the mountains of Idaho, or the heat of the desert. This record is for real people. People that we talked to on the streets and truly got a look into who they are. This song is meant to represent the people of this country for what it is. I hope people love this one as much as I do.” – Colby Acuff

Eddie Barbash, “Forked Deer”

Artist: Eddie Barbash
Hometown: Nashville, Tennessee
Song: “Forked Deer”
Album: Larkspur
Release Date: November 28, 2025 (The album will be released one song at a time with the last track coming out Nov. 28.)

In Their Words: “This performance was recorded in a dry streambed at the Larkspur Conservation natural burial ground in northern Tennessee. I learned ‘Forked Deer’ from Sierra Hull while we were on tour with Cory Wong. The harmonic lift in the B part is what makes the tune for me. Modulating to the 5 is a tried-and-true move at least as old as the Baroque. In my playing I tried to capture what I love most about bluegrass – the fast and hard-driving, yet still light and bouncy, groove and the thrilling rhythmic and melodic variations. To achieve the bluegrass backbeat, I made generous use of one of my favorite bowing techniques that I learned from Alex Hargreaves called the ‘Georgia shuffle bow.'” – Eddie Barbash

Video Credits: Shot and edited by Jeremy Stanley.

Caitlin Canty, “Don’t Worry About Nothing”

Artist: Caitlin Canty
Hometown: Danby, Vermont
Song: “Don’t Worry About Nothing”
Album: Night Owl Envies the Mourning Dove
Release Date: October 2, 2025

In Their Words: “I started writing this song to my son when his Magna-Tiles castle came crashing down in a spectacular heap. It felt like what was happening at that time to my view of the wider world. This song helps me wind down from worrying about what doesn’t matter so much and focus my powers on fighting for what does matter. It’s written from my own unshakeable mom’s point of view – I love how she sees the world and walks through it with a smile, even on the darkest days. I’m so looking forward to touring Night Owl Envies the Mourning Dove and playing this song each night with my full band! ” – Caitlin Canty

Video Credits: Filmed and edited by Brian Carroll. Mixed by Dave Sinko.

Damn Tall Buildings, “Turkish Airlines”

Artist: Damn Tall Buildings
Hometown: Brooklyn, New York
Song: “Turkish Airlines”
Album: The Universe Is Hungry
Release Date: October 8, 2025 (single); October 24, 2025 (album)

In Their Words: “We are honored to share this single from our fourth upcoming studio LP with BGS! ‘Turkish Airlines’ explores the sensation of being loved, but not being sure which version of you someone is loving. We’re always evolving and changing as humans, and this song floats through the uncertainty that can be triggered by that truth. We had a blast crafting this track to portray the haze of travel dreams, the desire to be seen through the complexity, and late-night self-reflection. Through creative experimentation in the recording and production of the track, we were able to bring a bit of studio magic to this song that we hope will become a DTB classic. Hit us up on the socials to let us know what you think!. Thanks for listening, see y’all on the road.” – Damn Tall Buildings

Kashena Sampson, “Thick As Thieves”

Artist: Kashena Sampson
Hometown: Nashville, Tennessee
Song: “Thick As Thieves”
Album: Ghost Of Me
Release Date: October 3, 2025

In Their Words: “I wrote this song for my best friend, Sulayla. It’s a daydream about our teenage years growing up in Las Vegas. It’s about those carefree days when the world felt full of endless possibilities. The song came to me after a conversation we had, realizing that adulthood isn’t quite what we imagined and wishing we could go back to those golden moments. Driving through the desert in my old Ford Explorer, listening to the Beatles and feeling like anything was possible.” – Kashena Sampson

Track Credits:
Kashena Sampson – Vocals, songwriter
Jolana Sampson – Songwriter
B.L. Reed – Guitar
Tom Myers – Drums
Jon Estes – Bass

Photo Credit: Eddie Barbash by Jeremy Stanley; Caitlin Canty by Brian Carroll.

Sam Reider, “Trio Sonata”

Posted on by Justin Hiltner

All disbelief suspended, composer and accordionist Sam Reider’s work is essentially string band music. Yes, he’s an accordionist (which shouldn’t really be remarkable, because… Sally Ann Forrester), and yes, Eddie Barbash plays saxophone on the most recent album, The Human Hands EP, but we’ve suspended disbelief here for a reason. Whether the rest of the band were rounded out by Dominick Leslie, Duncan Wickel, Alex Hargreaves, Dave Speranza, and Roy Williams or not, these tunes would feel fiddle-y. They’re folky and down-to-earth and approachable and danceable and they cheekily, defiantly traipse across the borders of bluegrass. 

The truly remarkable thing about this music is not this feat in the face of (gasp) an accordion and a saxophone!? It’s that these folky-feeling tunes are… composed. These melodies and ideas are directly tied to a musical history and tradition often regarded as devoid of any idea rootsy or vernacular. “Trio Sonata,” a two-part composition on the new The Human Hands video EP, draws from the Baroque trio sonata, a 400-year-old musical form that derived from popular dances of the day. The three parts of Reider’s “Trio Sonata” are I. Reel, II. Jig, and III. Breakdown, amounting to an unlikely, four-century-old parallel to modern fiddle contest song selections. 

In this way, there’s a satisfying sense of symmetry to Reider’s idiosyncratic approach to fiddle-oriented instrumental music. It defies any so-called logic we might try to use to justify certain genre designations, it mocks the idea that we ought try to delineate between “classical” versus “folky” approaches to writing and creating music, and perhaps above all else, the music centers dance. Movement is certainly a unifier, and in this case, it unifies all of these musical eccentricities — from squeezebox to Bill Monroe to Baroque compositions to sax — in a perfectly digestible package.