Artist: The Hello Darlins
Song: “Do You Hear What I Hear”
Album: Heart in the Snow EP
Release Date: November 6, 2020
In Their Words: “To us, Christmas is about our connection with loved ones. There’s also something peaceful, comforting and familiar during this time of year. It’s a time of looking back and wishing others well, but the true magic lay in memories of experiencing everything with a child-like spirit.” — Candace Lacina, The Hello Darlins
Artist: Ron Pope
Song: “Christmas Where I Come From”
Release Date: December 3, 2020
In Their Words: “This pandemic has taken all sorts of things from us. I know that in the grand scheme of things, not getting to see my extended family this Christmas isn’t as big of a deal as so many of the things that people are dealing with, but it’s something that I’m sad about nonetheless. A big family Christmas is just another thing that this year has taken from us. I want to be able to sneak off with my cousins and drink too much on December 23rd, until a teenaged waitress at Chili’s has to ask us to quiet down. I’m grateful that we’re all still alive and I recognize that it could be much worse, of course; I just wish I could go sit at Grandma’s table and laugh until my jaw hurts from smiling. I miss my family. I was sitting around singing Christmas songs one day and once I started thinking about Christmas this year, this song is what came out.” — Ron Pope
Artist: Colin & Caroline
Single: “It Isn’t Even Christmas Yet”
Release Date: December 4, 2020
In Their Words: “For the two of us, the holidays have always carried with them fond memories of childhood, and growing up within our families. For me [Caroline], this meant sitting on the steps with my two brothers as Nat King Cole and Sinatra’s holiday songs filled our house, and waiting patiently to run downstairs on Christmas morning. For Colin, it meant reading ‘Twas the Night Before Christmas on Christmas Eve with his family (a tradition that still stands today)… There’s a certain nostalgia that we feel around Christmas time that is reflective of our own relationship as well as our individual upbringings. We recognize that this isn’t the case for everyone surrounding the holidays, and that we’re lucky to feel this way. 2020 has been one of the most uncertain and difficult years our world has seen in a long time, and through our Christmas music, we want to spread a message of hope, and bring our listeners a sense of comfort, joy, and some extra love during perhaps the most important holiday season yet.” — Colin & Caroline
Artist: The Wild Feathers
Hometown: Nashville, Tennessee
Album: Medium Rarities
Release Date: November 20, 2020
In Their Words: “Medium Rarities is a group of songs that we’ve always loved, but just kinda fell through the cracks when it came to sequencing each record. We wrote and recorded some new songs and had some fun doing some covers of tunes we’ve always loved. Putting new music out into the world is always a great and strange feeling. We’re so proud of it and can’t wait for people to hear them.” — Ricky Young, The Wild Feathers
Photo credit: Rachel Moore
Artist: Marc Scibilia
Hometown: New York/Nashville
Latest Album: Seed of Joy
Which artist has influenced you the most … and how?
I would say Paul Simon. His lyrics are so perfect. His music is so joyful. It’s complex to create, but so easy to listen to.
What’s your favorite memory from being on stage?
The first time I played my song “Summer Clothes” live after it was released as a single. There is a lyric that says, ‘They built a new casino and they called it Little Reno, but the blinking sign’s got a busted light says Welcome to eno…’ On a whim I paused on the word ‘eno’ and the whole crowd sang it. They got the joke. It’s a good feeling when you put a lot of time into a lyric and the audience gets exactly what you were trying to do.
What other art forms — literature, film, dance, painting, etc, — inform your music?
Film would be the most direct correlation. I can’t help when I watch a Terrence Malick movie to hear melodies and lyrics. He is such an amazing director. One of his latest films, A Hidden Life, really challenged me creatively while I was finishing the album. It really encompassed all that, in my view, art can be about. The human condition.
What’s the toughest time you ever had writing a song?
Some songs come really easy, a few hours and done. Others I have mulled over and rewritten over the course of a few years. Now having a daughter… most songs are hard to write, because there’s so much going on in our house. I need concentration to really get the best out that time.
What rituals do you have, either in the studio or before a show?
In the studio I have a pretty extensive day planner. I plot out my entire day, review my big goals in life and a few other points. I can easily blow a day on Instagram, which usually just leads to anxiety, jealousy, and a sad, lost feeling. So if I have a grid I can avoid that stuff.
Photo credit: Sean Hagwell
Artist: Lera Lynn
Hometown: Nashville, Tennessee
Latest album: On My Own
What other art forms — literature, film, dance, painting, etc — inform your music?
I think everything we consume ends up informing our art. It’s difficult for me to pinpoint any one art form that influences me, but I did use the act of painting with intention while making my new record, On My Own. Because I was working completely alone on the record, I desperately needed some method for gaining perspective, so I kept my easel set up in the room where I was recording and would bounce back and forth between the two mediums. Where I would reach a roadblock with one, I would move to the other.
What was the first moment that you knew you wanted to be a musician?
Music was always a big part of life for me growing up. If there wasn’t a record or the radio blasting, someone was playing guitar or keyboards and singing. I, however, had always planned on becoming an astronaut until one fateful day as a 10-year-old, when I learned that my eyesight was too poor for me to ever be accepted into the space program. I happened to be watching Star Search minutes after that disappointing realization and distinctly remember thinking, “Oh well, I’ll just do that.” It wasn’t until a couple of years later, playing violin in the school orchestra that I understood, for the first time, the hypnotic power of playing music with and for others and I was hooked.
What’s the toughest time you ever had writing a song?
I once spent 10 months working on a song, because someone I shared the song with suggested that the chorus wasn’t strong enough. I must’ve written six or eight different choruses and ultimately decided that the original chorus was the one. The song is called “Fade Into the Black.”
What rituals do you have, either in the studio or before a show?
My rituals are pretty different for live shows vs. studio work. I have to be pretty straight before getting on stage. I sing the old jazz standard “Lover Man” for its vocal range as a warmup and just before going on stage I get pumped up by yelling like I’m at a drag race. In the studio, a good buzz goes a long way for getting inside the song and tracking vocals.
If you had to write a mission statement for your career, what would it be?
Let art guide the process and decisions, not the prospect of money or success. Maintain autonomy by nurturing meaningful engagement with fans; let them be the guide and support system. And finally, trust your gut!!
Photo credit: Alysse Gafkjen
Artist: Sarah Dooley
Hometown: Brooklyn, New York
Song: “Is This Heartbreak?”
Album: Is This Heartbreak?
Release Date: October 23, 2020
In Their Words: “This song is kind of the thesis statement of the album. I wrote it when I was falling for someone, and terrified. I’d been burned badly fairly recently and yet there I was, making myself vulnerable again. You feel like an idiot. Like, will I ever learn? It’s about that terrifying moment where you lose control and let emotions take over. Your brain’s instinct is always to protect your heart, and attempt to prepare for the two options that every relationship presents: ‘is this love? is this heartbreak?’ But ultimately, living a full life means taking that plunge, regardless of future pain, fully knowing the devastation that may wait for you on the other side.” — Sarah Dooley
Photo credit: Carly Hoogendyk
Artist: Black Violin
Hometown: Fort Lauderdale, Florida
Song: “Impossible Is Possible”
Album: Take the Stairs
In Their Words: “This video captures the innocence and raw potential that lives inside of our youth. If molded with love and understanding, that young soul can foster hope and achieve the impossible. The little black boy is everyone of us. Running towards an uncertain future, inspired by those who love him most. He ultimately wins the race that no one thought was possible.” — Kev Marcus and Wil Baptiste, Black Violin
Photo credit: Mark Clennon
Artist: Cf Watkins
Hometown: Westfield, North Carolina (Currently in Nashville, Tennessee)
Song: “White Nights”
Album: Babygirl
Release Date: October 16, 2020
Label: Whatever’s Clever Records
In Their Words: “‘White Nights’ is based off of one of my favorite Dostoevsky short stories. On this album, I was trying to explore shifting the way I write music and, in a sense, share myself. I felt a lot of my music was coming from a place of my own longing, unrequited love, and heartbreak. Though I think all of those topics are worthy of our time and attention, I felt, as a woman especially, it was important for me to explore and show my strength as well. I started by simply shifting the focus from myself, and writing songs about something outside of myself. This was one of the first songs to come from that effort. I am singing from the male perspective, who has unrequitedly fallen in love with the female character. There was something very powerful for me to recontextualize romantic longing — to sing the male voice, and to have it honoring the power and magic of a woman.” — Cf Watkins
Photo credit: Griffin Hart Davis
Lydia Loveless wrote her fifth studio album, Daughter, after a self-confessed period of personal upheaval. The dissolution of a marriage and an interstate move away from her longtime home of Columbus, Ohio, left her seeking to redefine herself both inwardly and societally. Released independently, Daughter presents an electric balance of deep vulnerability and power, replete with wry humor and honest, unadorned regret.
Recorded by Tom Schick (Mavis Staples, Norah Jones, Wilco) at The Loft in Chicago, Daughter features anthemic hooks and reflective moments of spaciousness. With Loveless writing on keyboards, synths and drum loops, the work comes together to present a group of compelling songs that create a treatise on selfhood, womanhood, hypocrisies of Western society, and the reverberant pain and joy of being human. Loveless spoke with BGS from her North Carolina home about the album she considers her most personal one yet.
BGS: Daughter lays out so many emotions and states of being that women are usually cut off from expressing — there’s a lot of sardonic humor, a lot of anger and frustration, there’s this rejection that every woman should have maternal desires. I love these very plain descriptions of living with depression, and the vocals sit right on top of the mix so you can hear every single word you’re saying. What was your internal process like while writing these songs?
Loveless: I mean, I’ve always been a bit of a sad sack. [Laughs] But I always couched it with humor. I feel like I found my place on this record with that. Because I’ve had a lot of people say that it’s… they don’t really say that it’s funny, but they can sense a lot of the humor and sarcasm in it. So I feel like I got to a solid place with that and I was probably reading a lot of depressing old ‘60s writers [Laughs] so that helped pull the content along I think.
In Daughter, you write very honestly about how your personal and professional life has shifted in the last three years — a move and the end of a marriage. What is it like to make a piece of art that dealt directly with that change?
It was super cathartic. I feel particularly excited about it and confident in it because it’s a self-release so it pretty much has got my stamp all over it. I think the idea that it’s up to me to make it more successful has had some sort of reverse psychology. Like I’m not very freaked out, I’m just excited and proud, and happy with the whole process.
One of the aspects of this record that I love are the variances in instrumentation and gear — the drum loops and keys as well as analog synths. It adds this whole other dimension to the album. How did these different instruments affect the way you write, if at all?
I think it helped me a lot to come up with better melody and more focused songwriting. I think in the past I’ve always been a very hard guitar player. [Laughs] It’s not like I don’t like that or that I’m embarrassed by it, but I wanted to try something different. I felt like it opened things up a lot. The whole band was playing every instrument except the drums because we’re not all that good. [Laughs] It was very exploratory and it helped me to give the songs a lot more space than I usually do.
Is that something that you’re hoping to continue?
Yeah. I feel like every time I make a record, the only way I really break through my inevitable period of writer’s block is by doing something that I don’t know how to do, so that I can learn it and be inspired by the newness of it. I’m sure I’ll run out of things like that eventually but I think it’s what helps me stay mentally in shape, for sure.
In past interviews you’ve talked about having been totally exhausted by touring. What was it like to sort of…stop? Because right now, many of us are at home dealing with having to be still. It’s very jarring for a lot of people. What was your experience with stillness in making Daughter and also now, during the pandemic?
It’s pretty tough, because the thing I miss the most about regular life is traveling and touring. Not necessarily going to the bar or getting dinner at a restaurant. I just miss being somewhere else all the time [Laughs], because that’s my natural state. It’s definitely something that I’ve had to work really hard on not going crazy with. Because it’s something I really enjoy — so that’s been the hardest part… not being able to just go random places and hop on a plane or go to the beach or whatever, you know?
Do you have three records, books, or movies that you’re enjoying right now and would recommend to readers?
I’m reading My Brilliant Friend right now. I’m studying Italian so I wanted to read something set in Italy — not that I’m reading in Italian. [Laughs] It’s great writing and the characters are very real. My movie watching has been lots of cornball thrillers. I think everyone should see Face/Off at some point in their life to feel better about their creative endeavors. Musically, I’ve been listening to a lot of Harry Styles. I’m a basic, basic human.
This record is a compelling statement on feminism, and specifically the concept that women only have worth insofar as they can be associated relationally with a man, as a daughter, wife, sister, etc. What do you hope people take from this record — this listening experience?
I think a lot of people have been frustrated with that whole “it’s somebody’s daughter” thing for a long time. I’m sure there’s been commentary on it, but I just have personally struggled with it for so long. So I am glad that I was able to get it down in a sonically pleasing — to me — way. [Laughs] So hopefully other people find it not just moving, lyrically, but think of it as a set of solid songs instead of just me screaming into the ether about how much it sucks that people don’t get feminism!
You’ve said that “Love Is Not Enough” is the closest to a political song you’ve been able to write thus far. What are you hoping to communicate with listeners through that song specifically?
I mean, I guess it’s sort of a grumpy song. But yeah, I think we’re all going through that right now. Everyone’s taking a lot more action than before and I don’t think we can really fool ourselves of this idea that if we just vote and say kind words, everything will be okay. [Laughs] There’s a lot more work to do. I think that society is really maybe finally coming together in that sense. But I also feel like this is in some ways my most personal record ever. And I think in some ways that makes it a lot more relatable. I feel like the more personal something is, the more people can connect with it. That’s my hope.
Photo credit: Megan Toenyes
