BGS Wraps: Lydia Loveless, “Merry Christmas”

Artist: Lydia Loveless
Single: “Merry Christmas”

In Their Words: “I wanted to try my hand at a holiday song. Every year I intend to write one and give up. This year, the only thing I feel like I have any control over is my creativity — so it seemed like now or never. One of the things I have missed most is making music with others, so I asked my bandmates George (Hondroulis) and Todd (May) to add to it. It was a little spark of joy in a super bummer season.” — Lydia Loveless

Editor’s Note: “Merry Christmas” is available exclusively via Bandcamp, with all profits benefiting Mid-Ohio Food Bank.


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LISTEN: Taylor Ashton, “Alex” (Featuring Rachael Price)

Artist: Taylor Ashton (Featuring Rachael Price)
Hometown: Vancouver, Canada & Brooklyn, New York
Song: “Alex”
Album: Romanticize EP
Release Date: February 5, 2021
Label: Signature Sounds

In Their Words: “’Alex’ is a duet between two people living in a house with a bunch of other housemates and a thriving backyard garden. They’re both named Alex and they haven’t admitted their feelings for each other yet, and I don’t know if they ever will. These characters came to me in a dream, although I recognize in them aspects of myself and people from my past, and I imagine their house as some combination of all the ones I’ve lived in or stayed at over the years. Each time I imagine them, things change: they age forwards and backwards, their gender identities shift, and their reasons for keeping their feelings secret change.

“It’s a treat to sing this with the great Rachael Price, who I happen to be married to — we are roommates in a sense, but we definitely don’t have the same name and our feelings for each other are not a secret.” — Taylor Ashton


Photo credit: Shervin Lainez

The Show On The Road Presents: Under The Radar Featuring Fantastic Negrito

This week The Show On The Road is bringing you an episode from another podcast we think you’ll really like! This episode of Under The Radar features the truly fantastic Oakland-based artist, Fantastic Negrito.


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Under The Radar is a monthly music podcast by host and producer Celine Teo-Blockey. She’s a music journalist who writes for the longtime indie music mag, also called Under the Radar. She interviews indie songwriters and independent artists, going deep into their childhood memories and the musical milestones that have helped shape their most recent albums.

Committed to giving voice to a diverse host of artists, her guests have included gender non-conforming, Native American singer-songwriter and Black Belt Eagle Scout, Ezra Furman (who also crafted the soundtrack for the popular Netflix show Sex Education,). Other guests include Scottish band Travis and Caroline Rose, who started with an earnest country sound and evolved to electro-pop. The whole series is sound-immersive, using archival tape, field recordings, and music from the back catalogue of these artists.

Under the Radar will be back with new episodes in March 2021 and has some great guests lined up, including Wayne Coyne from the Flaming Lips and Emmy the Great, a Hong Kong-born British singer-songwriter.

Subscribe to Under the Radar wherever you get your podcasts to catch up on their first season and get ready for what’s to come in 2021.


Photo credit: Lyle Owerko

LISTEN: Stephen Kellogg, “I’ve Had Enough”

Artist: Stephen Kellogg
Hometown: Connecticut
Song: “I’ve Had Enough ”
Album: I’ve Had Enough
Release Date: December 18, 2020

In Their Words: “I’ve always been in theory, and actuality, an optimistic person. This year has tested that. 2020 has been scary and exhausting in myriad ways. Can we agree on that? No? Of course, we can’t. Because that’s what it’s like when you are homeschooling four kids through a pandemic while trying to knock out a living and swallow the bitter injustice of a morally bankrupt president who would rather take down a great nation than admit legitimate defeat.” — Stephen Kellogg


Photo credit: Jeff Fasano

BGS Wraps: The Hello Darlins, “Do You Hear What I Hear”

Artist: The Hello Darlins
Song: “Do You Hear What I Hear”
Album: Heart in the Snow EP
Release Date: November 6, 2020

In Their Words: “To us, Christmas is about our connection with loved ones. There’s also something peaceful, comforting and familiar during this time of year. It’s a time of looking back and wishing others well, but the true magic lay in memories of experiencing everything with a child-like spirit.” — Candace Lacina, The Hello Darlins


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BGS Wraps: Ron Pope, “Christmas Where I Come From”

Artist: Ron Pope
Song: “Christmas Where I Come From”
Release Date: December 3, 2020

In Their Words: “This pandemic has taken all sorts of things from us. I know that in the grand scheme of things, not getting to see my extended family this Christmas isn’t as big of a deal as so many of the things that people are dealing with, but it’s something that I’m sad about nonetheless. A big family Christmas is just another thing that this year has taken from us. I want to be able to sneak off with my cousins and drink too much on December 23rd, until a teenaged waitress at Chili’s has to ask us to quiet down. I’m grateful that we’re all still alive and I recognize that it could be much worse, of course; I just wish I could go sit at Grandma’s table and laugh until my jaw hurts from smiling. I miss my family. I was sitting around singing Christmas songs one day and once I started thinking about Christmas this year, this song is what came out.” — Ron Pope


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BGS Wraps: Colin & Caroline, “It Isn’t Even Christmas Yet”

Artist: Colin & Caroline
Single: “It Isn’t Even Christmas Yet”
Release Date: December 4, 2020

In Their Words: “For the two of us, the holidays have always carried with them fond memories of childhood, and growing up within our families. For me [Caroline], this meant sitting on the steps with my two brothers as Nat King Cole and Sinatra’s holiday songs filled our house, and waiting patiently to run downstairs on Christmas morning. For Colin, it meant reading ‘Twas the Night Before Christmas on Christmas Eve with his family (a tradition that still stands today)… There’s a certain nostalgia that we feel around Christmas time that is reflective of our own relationship as well as our individual upbringings. We recognize that this isn’t the case for everyone surrounding the holidays, and that we’re lucky to feel this way. 2020 has been one of the most uncertain and difficult years our world has seen in a long time, and through our Christmas music, we want to spread a message of hope, and bring our listeners a sense of comfort, joy, and some extra love during perhaps the most important holiday season yet.” — Colin & Caroline


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STREAM: The Wild Feathers, ‘Medium Rarities’

Artist: The Wild Feathers
Hometown: Nashville, Tennessee
Album: Medium Rarities
Release Date: November 20, 2020

In Their Words:Medium Rarities is a group of songs that we’ve always loved, but just kinda fell through the cracks when it came to sequencing each record. We wrote and recorded some new songs and had some fun doing some covers of tunes we’ve always loved. Putting new music out into the world is always a great and strange feeling. We’re so proud of it and can’t wait for people to hear them.” — Ricky Young, The Wild Feathers


Photo credit: Rachel Moore

BGS 5+5: Marc Scibilia

Artist: Marc Scibilia
Hometown: New York/Nashville
Latest Album: Seed of Joy

Which artist has influenced you the most … and how?

I would say Paul Simon. His lyrics are so perfect. His music is so joyful. It’s complex to create, but so easy to listen to.

What’s your favorite memory from being on stage?

The first time I played my song “Summer Clothes” live after it was released as a single. There is a lyric that says, ‘They built a new casino and they called it Little Reno, but the blinking sign’s got a busted light says Welcome to eno…’ On a whim I paused on the word ‘eno’ and the whole crowd sang it. They got the joke. It’s a good feeling when you put a lot of time into a lyric and the audience gets exactly what you were trying to do.

What other art forms — literature, film, dance, painting, etc, — inform your music?

Film would be the most direct correlation. I can’t help when I watch a Terrence Malick movie to hear melodies and lyrics. He is such an amazing director. One of his latest films, A Hidden Life, really challenged me creatively while I was finishing the album. It really encompassed all that, in my view, art can be about. The human condition.

What’s the toughest time you ever had writing a song?

Some songs come really easy, a few hours and done. Others I have mulled over and rewritten over the course of a few years. Now having a daughter… most songs are hard to write, because there’s so much going on in our house. I need concentration to really get the best out that time.

What rituals do you have, either in the studio or before a show?

In the studio I have a pretty extensive day planner. I plot out my entire day, review my big goals in life and a few other points. I can easily blow a day on Instagram, which usually just leads to anxiety, jealousy, and a sad, lost feeling. So if I have a grid I can avoid that stuff.


Photo credit: Sean Hagwell

BGS 5+5: Lera Lynn

Artist: Lera Lynn
Hometown: Nashville, Tennessee
Latest album: On My Own

What other art forms — literature, film, dance, painting, etc — inform your music?

I think everything we consume ends up informing our art. It’s difficult for me to pinpoint any one art form that influences me, but I did use the act of painting with intention while making my new record, On My Own. Because I was working completely alone on the record, I desperately needed some method for gaining perspective, so I kept my easel set up in the room where I was recording and would bounce back and forth between the two mediums. Where I would reach a roadblock with one, I would move to the other.

What was the first moment that you knew you wanted to be a musician?

Music was always a big part of life for me growing up. If there wasn’t a record or the radio blasting, someone was playing guitar or keyboards and singing. I, however, had always planned on becoming an astronaut until one fateful day as a 10-year-old, when I learned that my eyesight was too poor for me to ever be accepted into the space program. I happened to be watching Star Search minutes after that disappointing realization and distinctly remember thinking, “Oh well, I’ll just do that.” It wasn’t until a couple of years later, playing violin in the school orchestra that I understood, for the first time, the hypnotic power of playing music with and for others and I was hooked.

What’s the toughest time you ever had writing a song?

I once spent 10 months working on a song, because someone I shared the song with suggested that the chorus wasn’t strong enough. I must’ve written six or eight different choruses and ultimately decided that the original chorus was the one. The song is called “Fade Into the Black.”

What rituals do you have, either in the studio or before a show?

My rituals are pretty different for live shows vs. studio work. I have to be pretty straight before getting on stage. I sing the old jazz standard “Lover Man” for its vocal range as a warmup and just before going on stage I get pumped up by yelling like I’m at a drag race. In the studio, a good buzz goes a long way for getting inside the song and tracking vocals.

If you had to write a mission statement for your career, what would it be?

Let art guide the process and decisions, not the prospect of money or success. Maintain autonomy by nurturing meaningful engagement with fans; let them be the guide and support system. And finally, trust your gut!!


Photo credit: Alysse Gafkjen