Tag: christmas

BGS Wraps: The Rootsiest Time of the Year

Posted on by Justin Hiltner

In our eyes and to our ears, there’s no better family of musical genres to usher in the holiday season than roots music. Bluegrass, Americana, old-time, country, blues, and beyond – they’re all perfectly suited for the coziest time of year, for togetherness, for parties and gift-giving and cookie icing. Whether you celebrate Christmas, Hanukkah, Kwanzaa, or Winter Solstice – or even if you feel like opting out of the ruckus altogether – there is roots music for you.

Each year, we like to share our picks for the rootsiest time of the year in BGS Wraps, a weekly collection of songs, videos, albums, shows, tours, and events that celebrate the season. We share a few of our favorites, mostly brand new but often classics and timeless selections, too. Plus, we collect all that we can into a running playlist so you’re ready when the family or party hands you the aux cable.

We hope you enjoy BGS Wraps and tune in the next week as we continue our series celebrating the holiday season. (Catch up on week one here. And check out week two here.)

Merry Happy Whatever, The Doohickeys

Country duo the Doohickeys go fully original with their brand new Christmas EP, Merry Happy Whatever. Their trademark wit and humor are evident across the project’s five songs – including gut-busters like “Santa Needs A Beer” and “Santa Is A Stoner.” (Does Santa need a breathalyzer, as well?) On the EP’s title track, the delightfully crowd-pleasing and all-encompassing “Merry Happy Whatever,” Haley Spence Brown and Jack Hackett are joined by the Wolves of Glendale, with rich background vocals and holiday winds and brass to accomplish that full-tilt holiday sound. And a merry happy whatever to you, too!

A Cherry Valley Holiday, Carter Faith

A favorite of ours from the mainstream country space, Carter Faith released an excellent A-side/B-side holiday single this season, pairing “Nothin’ For Christmas” (featuring William Beckmann) with “Please Come Home For Christmas.” Packaged as a two-song collection titled A Cherry Valley Holiday, both tracks are perfectly suited for your countriest Christmas playlists. Faith’s duet with Beckmann showcases how both artists keep tradition alive while still looking to the future. You may be reminded of iconic duets like Lee Ann Womack with George Strait or Dolly Parton with Kenny Rogers. The holiday cheer doesn’t stop there, either, Faith recently joined Jimmy Fallon himself on “Ugly Sweater,” a funny seasonal track produced by Dave Cobb that the pair unveiled together on The Tonight Show. Between the Christmas singles and “Ugly Sweater,” there’s a country holiday flavor for everyone. Carter Faith does it all.

“Christmas in Yuma,” Cameron Knowler

One of our favorite albums of the year was released by guitarist, archivist, writer, and composer Cameron Knowler (who sometimes writes for BGS, too). CRK was released in April and, being set in the desert in and around Yuma, Arizona, the project feels properly warm and sunny, painting sonic pictures of red rocks and cactuses and blacktop baking in the sun. If that doesn’t sound properly Christmas-y to you, take a moment to inhabit the album’s lead track, “Christmas in Yuma.” A gorgeous prose poem set to sparse, textural guitar, the text was written by Knowler but is read by his friend and fellow Southwesterner, Jack Kilmer. It’s a truly stunning beginning to the project and we’ve been holding onto it all year for just this occasion. It may not be the most sing-along ready track of the holiday season, but its transportive feelings of nostalgia, grief, longing, and pain at seismic transformations – or at cloying, gluey stagnation, or both – are altogether more than perfect for the holidays.

“Christmas Love Song,” Willie Nelson

If the only present any of us received this year was a “Christmas Love Song” from Willie Nelson, well, that would feel like a pretty complete holiday season, wouldn’t it? With just one simple offering, every “need” could be checked off our wish lists. Written by fellow legend Bill Anderson (with help from Bobby Tomberlin and Marv Green) and produced by fellow legend Buddy Cannon, “Christmas Love Song” includes plenty of Nelson’s signature charm, whether in his languid phrasing or his tasteful nylon-string licks on his trusty guitar, Trigger. In the lyric itself Nelson is remarkably humble about his holiday offering: “It ain’t a lot, but every word of it’s true/ It don’t sparkle or shine/ But it’s one of a kind…” For all of us who’ve received this holiday gift from the legendary Willie Nelson, it feels like more than enough. And we will certainly cherish it.

“Oh, It’s Christmas,” Sage Palser and Prairie Wildfire featuring Danny Paisley

New bluegrass holiday hits are all too rare, so we relish them when we find them. This release from 2024 is a great example, cheery sleigh bells giving way to burning bluegrass that will warm the winter right out of your heart. Sage Palser joined Danny Paisley and the Southern Grass on a recent single that ended up on Paisley’s most recent album, Bluegrass State of Mind, and their knack for collaboration is showcased on “Oh, It’s Christmas,” as well. Paisley and Palser sing in duet while backed up by Palser’s band, Prairie Wildfire. This one has got us in the mood for Dollywood’s Smoky Mountain Christmas. It’s the perfect bluegrass track for some cinnamon bread and roller coasters.

“Office Christmas Party,” Brittany Ann Tranbaugh feat. Carsie Blanton

Ah, at long last, a tribute to everyone’s favorite events of the holiday season – the dreaded office Christmas party. From Brittany Ann Tranbaugh and Carsie Blanton, “Office Christmas Party” is silly and light-hearted, but with a message direct from Ebenezer Scrooge’s counting house employees: Sure, gifts of appreciation from our employer at this time of year are appreciated, but we’d much prefer workers’ rights, collective bargaining, and a living wage. Enjoy the free beer, cookies, and pizza at your corporate party, of course – and commiserating with our coworkers is solidarity, whether they know it or not – but focus on what will really bring the reason for the season into focus. A union! Tranbaugh and Blanton continue to showcase their penchant for making mission-focused music that’s also fun, engaging, and joyous.

“Where My Heart Is,” Randy Travis

Thanks to technology, AI, and contributions from vocalist James DuPré, Randy Travis “got his voice back” last year and began releasing brand new music featuring the low, smoky, dulcet tones for which he was adored. It’s one of the more interesting use-cases of AI in music, leveraged to give an artist their agency back instead of stealing it away forever. Travis’ pair of singles with his new AI-enabled voice are well-executed for what they are, but a newly released from-the-vault track like “Where My Heart Is” still reaffirms the ineffable in his hitmaking voice that we won’t ever get back. Even the best AI just cannot compare. “Where My Heart Is” was recorded prior to Travis’ fateful 2013 stroke that would render him unable to sing. It’s a lovely, heartfelt track that falls in perfect step with his beloved holiday albums An Old Time Christmas and Songs of the Season. We’ll take any/all Randy Travis songs we can get, but this one feels extra special.

Christmas with el Twanguero, Twanguero

Spanish guitarist Diego Garcia is Twanguero, maker of one of the finest holiday collections to be released this year, Christmas with el Twanguero. Recorded entirely to analog tape, the album of instrumental renditions of holiday favorites is tasteful, warm, and cozy. It would fit just perfectly bookended by Vince Guaraldi Trio and Sharon Jones & the Dap Kings. It’s understated in its execution, relying on retro vibes and sounds to do the heavy lifting holiday pomp and bling would normally bring on such a project. For an album centered on the guitar, it never feels like it has to rely on showboating or hot licks, instead leaning into familiarity to bring us something that feels refreshing and new. It’s cinematic and lush, but down to earth and intimate, too. Plus, the album supports El Patojismo, a school of arts and social transformation based in Jocotenango, Guatemala, fostering education and creativity within its community. All around, it’s a lovely holiday discovery.

Peace, Love, and Cowboys (Holiday Edition), Lainey Wilson

Not sure if or when we’ve ever enjoyed such a holiday treat as this! Lainey Wilson returns to “Peace, Love, and Cowboys” from the deluxe release of her 2024 hit album, Whirlwind, to offer us a lovely holiday rewrite of the track. Retooled for the season, the message of the song resonates all the same – we need more hippie cowboys, cowgirls, and cowbabes, this time of year and beyond. The Christmas EP also includes a duet with Bing Crosby himself on “Let it Snow! Let it Snow! Let it Snow!” – Wilson can get anyone on a feature! Plus, she revisits a prior holiday single, “Christmas Cookies;” she also includes instrumental versions of each number, if you happen to have a word-free playlist that needs new transfusions of seasonal songs. We love the way Wilson approaches country music, and this little collection shows the creativity and outside-the-box-thinking she brings to the table.

Lead Image: Randy Travis by Marisa Taylor; Carter Faith by Bree Marie Fish; The Doohickeys by Jesse DeFlorio.

Our Readers’ Writings on Food, Music, and Nostalgia

Posted on by Justin Hiltner

The winter season reverberates with deep nostalgia, often based around sensory memories of music and food. Songs and recipes are passed down from generation to generation, allowing people to live in the same sounds and smells as their parents and grandparents. Bluegrass has always had a deep appreciation for a great meal, from “Hot Corn, Cold Corn,” to “Keep My Skillet Good and Greasy.” It’s such an established relationship, we even put together a BGS roundup of “Songs to Whet Your Appetite” a few years ago. For further listening, check out this Apple Music Playlist, Bluegrass Feast: Songs About Food, and our archive BGS Podcast about chefs and their kitchen playlists, The Shift List.

This season, we asked our readers to submit creative writing about the marriage of music and food, to make our ears ring and our mouths water. In this collection, Miriam Story and Shatazha Mattingly remember their grandparents’ singing while cooking up biscuits and empanadas. Stay tuned for fake teeth and flying ladles.

“Six Biscuits, Every Time”

by Miriam Story

It’d be the weekend and we’d have to be up by 7 o’clock for the adults’ errands. Poppy had silver partials on his uppers and lowers, and he’d soak them in Efferdent overnight in a tiny tupperware dish perched on the edge of the sink. They’d stay there until he’d eaten his breakfast, brushed his real teeth, and gelled his wiry hair to this side and that. But in the couple of hours he was partially toothless, he clowned out and sang off-key, delighted and encouraged by groans and grimaces. As Nana’s back curved over the stove, cast iron skillets on every burner and one in the oven, he would bound down the hall like a horse, clapping his hands and hooting. My cousin andI, tucked into bed– this is before they differentiated us: boy and girl– curled away from the white sunshine. And we’d know he was coming. There was no missing it: he would bust open the door doing his vocal warmups for what he called “The Bikit Song.” Gums hidden by his sunken leather cheeks, he’d nuzzle his face into the back of our hair and sing between kisses, how many bikits can you eat in the mornin? how many bikits in a day? And this would go on with no particular melody and no more than those two lines until we sat up, bleary and laughing politely.

Miriam Story originates from Russell Springs, Kentucky. While she enjoys writing about her Appalachian roots, she thinks her favorite subjects are gray beaches, a good pot roast, and Jimmy Carter. Follow Miriam Story on Instagram at @mermstory.

“When Things Were Different”

by Shatazha Mattingly

I watch her start with a twirl around the kitchen, which turns into angelic dance moves. I’m never in the kitchen for the preparation part. That’s okay, because what I love is the creation and the foolishness in between. The kitchen looks the same as always with three potted plants in the windowsill right above the sink – that she always forgets to water – and her fascinating wine red and cheetah print decorations scattered here and there. My only regret is that I’m never allowed to stay more than one to two nights.

The smell of melted butter wafts through the kitchen, her signal to begin sautéing the chopped peppers – for that kick she likes – and the chopped onions ’til softened. She has this specific way that she sprinkles in sofrito and garlic, and she uses the same pose to add in white wine, followed by a can of tomato sauce. She never uses measurements. She always says, “The eyes measure the pit of the stomach.” I don’t even think she knows what that means.

As she works, I pull out my crayons and colorbooks that she hides in the little compartment drawer in the table doors – I think it’s laughable that the table was originally an office desk. But she has a knack for maximizing space with having as few objects as possible.

I sniff the air – the kitchen has become fragrant. She is now fully in her element, and my stomach is grumbling in anticipation. She hits high notes effortlessly, while swaying her hips in tandem with the beat – she’s magical. Later, I will discover that the song she sings with such passion is about a woman who loves a cheating man. I don’t understand why she plays that song first to get her in her zone.

Nevertheless, she has made the kitchen her stage, a performance only I can see. “Sing and dance with me my love,” she says, in that accent that felt like home.

The look I give her in response earns me sympathetic eyes.

She knows the words, without me ever allowing them to flow past my lips. She takes a second, and then giggles while pausing in her dancing to add in the ground beef and an array of seasoning. Still no measurements, and I bet the empanadillas will be just as perfect as always.

She stays focused for a while, cooking the ground beef. After the beef is nice and brown she’ll stir in a smidge of vinegar – dip her finger to taste – and then adjust seasonings by adding salt and pepper if needed. Perfection.

Then, our comfortable bubble goes from her and me, to three.

I hear him before I see him. She is singing – yet another heartbreaking song – while assembling the dough into discs. In all his glory, Abuelito sways his way into the kitchen. He bee-lines straight for her – his air, as he calls her. He dances with her, not skipping a beat, with one hand on her hip and the other in the air. One of his old tricks. As she becomes engrossed in the music, he steals a scoop of the picadillo filling and then steals a kiss as a distraction. I see her watching him out of the corner of her eye, a small smile playing on her lips. But she never allows him to get away with anything. As he tiptoes towards the door, a ladle flies across the kitchen aimed at the back of his head. It misses, but Abuelito pretends to be hurt anyway.

My picture is almost complete; I just need to add clouds and a sun to the sky.

Abuelito can’t stay away too long and eventually sits down with a book at the refurbished table with me. The tobacco and woodsy smell from his aftershave float in the distance between us, while her singing and the music play in the background. She’s standing at the counter, placing calculated scoops of filling to the middle of the dough. My favorite part is when she folds them into what she calls “little half moons” and presses in the edges to seal them. When she dips them into the bubbling oil, she begins dancing again.

Without turning around she says, “You don’t have to understand to feel, love. It’s okay to let the music guide you. Music connects us all in one way or another, just like food can.” Her English comes out crystal clear over the thrums of the music.

I don’t look up, because I can feel his eyes on me, he thinks the same too. He’s different from her though, his words aren’t words at all. It’s silence filled with love and encouragement, and with that – I get up and dance. With her everything feels otherworldly.

An entire song later, she lifts the empanadillas out of the oil and places them on a paper towel that covers a plate. When we sit at the table – originally meant for four – we talk, laugh, sing a little, and eat while basking in the aroma that only this kitchen can provide. I may never understand the words or perfect the dialect, but I’ll always remember how the music feels.

Abuelito is the first to go, and now, I hold her close to my chest. A stylish urn – wine red – her new stage.

Shatazha Mattingly is a first-year MFA student at Western Kentucky University originally from Nashville, Tennessee. She currently writes reviews for advance reader copies by indie authors and has her own book-related column, “The Literary Radar,” with The College Heights Herald. Follow Shatazha Mattingly on Instagram at @shatazha.

Stay tuned for more opportunities to share your own writing or art on BGS in a future collection!

Collection edited by Rachel Baiman and BGS staff.

BGS Wraps: Seasonal Musical Favorites

Posted on by Justin Hiltner

In our eyes and to our ears, there’s no better family of musical genres to usher in the holiday season than roots music. Bluegrass, Americana, old-time, country, blues, and beyond – they’re all perfectly suited for the coziest time of year, for togetherness, for parties and gift-giving and cookie icing. Whether you celebrate Christmas, Hanukkah, Kwanzaa, or Winter Solstice – or even if you feel like opting out of the ruckus altogether – there is roots music for you.

Each year, we like to share our picks for the rootsiest time of the year in BGS Wraps, a weekly collection of songs, videos, albums, shows, tours, and events that celebrate the season. We share a few of our favorites, mostly brand new but often classics and timeless selections, too. Plus, we collect all that we can into a running playlist so you’re ready when the family or party hands you the aux cable.

We hope you enjoy BGS Wraps and tune in the next week as we continue our series celebrating the holiday season. (Catch up on week one here.)

Christmas at the Ryman, Amy Grant & Vince Gill

“When I Think of Christmas” I think of Amy Grant and Vince Gill holding down the holiday fort with their iconic annual Christmas at the Ryman series. This year, they’ll offer 12 performances over eight days at the lauded venue known as the most famous former home of the Grand Ole Opry and the birthplace of bluegrass. Grant and Gill epitomize Music City and how tightly knit this town and its music creators are. There are sure to be plenty of memorable and one-of-a-kind moments across their holiday residency. Limited tickets are still available, so secure yours today. The series begins today, Wednesday, December 10 and concludes on December 20.

“Joy,” Kirby Lyle

Nashville-based songwriter and multi-instrumentalist Kirby Lyle is joined by Maya de Vitry on a brand new seasonal track, “Joy.” Featuring trickling banjos, fiddles, cellos, and guitars in a cozy and grooving 6/8 time, “Joy” feels like a folk holiday mantra, with Lyle and de Vitry singing in a call-and-response style perfect for the often ecclesiastical vibes of this time of year. “Joy” centers the feelings of working class and downtrodden folks in the holiday season, finding radical hope not through toxic positivity but through intention and community. It’s both a sonic and rhetorical antidote for those weary of capitalism and consumerism masquerading as togetherness and holiday cheer.

“Merry Christmas, Baby,” Miko Marks

Does Christmas give you the blues? Well, the blues can cure your holiday blues, too – as evidenced by Oakland-based artist and singer-songwriter Miko Marks’ brand new rendition of “Merry Christmas, Baby.” With twangy resonator guitar and whining harmonica, Marks’ ensemble stomps their way through the deep-pocketed number. The classic form and chord progression are as comforting as Christmas cookies and a mug of hot cocoa, and Marks’ soaring and soulful voice is more than angelic enough for the season.

“Santa Claus Is Coming to Town,” Parker McCollum on CMA Country Christmas

Young country superstar Parker McCollum performed a quintessential classic, “Santa Claus Is Coming to Town,” on this year’s primetime broadcast of CMA Country Christmas. Flanked by thousands of twinkle lights and backed by brass, strings, and background vocalists, McCollum wore a crisp white “Fresh Western” trucker cap as he brought his trademark country energy to the beloved carol at Belmont University’s Fisher Center for the Performing Arts. If you missed the original broadcast of CMA Country Christmas on December 2 and the encore broadcast on December 9, don’t worry – you can stream CMA Country Christmas via Hulu or Disney+. The single version of the track is also available exclusively via Apple Music.

“Every Season,” MORGXN

On the opposite end of the mainstream country continuum from bro country and country trap you have artists like MORGXN innovating on the genre in similar sonic ways, but without the genre cognitive dissonance, toxic masculinity, or petty litmus testing of the other end of the spectrum. See how much fun, engaging, and innovative country can be with pop and electronic influences from other territories than what we most commonly find on the country airwaves? “Every Season” is the first holiday release from MORGXN, an original song that draws as much upon rootsy textures and tones as crisp and modern software sounds.

We always love when we find new seasonal music that’s inclusive of everyone’s faiths and traditions, too, so we’re especially excited to add “Every Season” to our holiday playlists this year.

Opry Country Christmas

Are you also devastated our Opry 100 Artist of the Month series concluded already? Here’s your solution, as mere days after the Grand Ole Opry’s special 100th Anniversary shows on November 28, Opry Country Christmas began in earnest at the Grand Ole Opry House on November 30. The festive, star-stacked shows will continue through December 23, each performance featuring Opry members the Gatlin Brothers, Riders In The Sky, Mandy Barnett, and Charlie McCoy plus varying special guests each night like Connie Smith, Marty Stuart, Maddie & Tae, the Isaacs, Ricky Skaggs, Marcus King, and many more.

If you’re nearby or traveling to Nashville this December, get your tickets and more info here. Not able to make it in person? Stream Opry Country Christmas on WSM Online and the Opry’s digital platforms, or listen like we do most often, over the good ol’ fashioned airwaves at 650 AM. When you hear Country Music Hall of Famer Charlie McCoy wail through a medley of Christmas carols on his harmonica, you’ll be glad you did.

Snow Globe Town, Brad Paisley

Brad Paisley’s brand new country Christmas album, Snow Globe Town, was inspired by him being asked by Hallmark Channel to write and record music for their brand new A Grand Ole Opry Christmas movie. Paisley has already taken his festive songs to The Tonight Show Starring Jimmy Fallon and NBC’s “Christmas in Rockefeller Center” – and the album rose rapidly to the very top of the Billboard Current Country Album chart, scoring a No. 1 while it landed on their Top Country Albums and Holiday/Seasonal Albums charts, too. With his signature croon and hearth-hot telecaster licks, Paisley offers brand new numbers and favorite classics. Snow Globe Town has been called “unmistakably Brad” and we certainly agree.

Wrapped in Paper, Sofia Talvik

We’ve enjoyed featuring Swedish singer-songwriter Sofia Talvik’s holiday songs in BGS Wraps over the years. Now, she’s collected all of her Christmas singles and tracks since 2018 into a new holiday album, Wrapped in Paper. The project also includes three brand new tracks, two originals – “Merry Christmas, Adios, So Long” and “Let Peace be the Song” – as well as her version of “Silent Night.” “Let Peace be the Song” is more than apt for the uncertain and extreme times we find ourselves living in. Seemingly a response to the attention economy of social media and the sensationalism of the news cycle, Talvik calls for peace – the true meaning of this season, regardless of faiths or traditions – while wars, conflicts, and political frays are fought all around us. If only peace could be the gift we all give each other this year.

Heart of the Holidays, Tenille Townes

A new three-song EP from singer-songwriter Tenille Townes, Heart of the Holidays, is inviting, cozy, and classic. The collection’s title track is warm and jazzy, with round hollow-body electric guitar tone that feels like a comforting hug. The drum kit shuffles along as Townes gives us an excellent track for all kinds of wintry holiday celebrations. “I love writing and singin Christmas songs,” Townes said on social media, “because it brings out all the jazzy, cozy melodies.” The project continues with “Auld Lang Syne” – preemptively add that to your New Year’s playlist now! – and a lovely three-part harmony rich version of “Go Tell It On The Mountain” featuring Caylee Hammack and Fancy Hagood rounding out the vocal trio. It’s a perfect fit for BGS Wraps!

Lead Image: Miko Marks by Karen Santos; Amy Grant & Vince Gill by Robby Klein; Tenille Townes by Robert Chavers.

The Festival-Lover’s Ultimate Holiday Shopping Guide

Posted on by Shelby Williamson

2025 has flown by and as we enter December we once again find ourselves preparing for the holiday season. We think it’s important to focus on slowing down, being together, and being more intentional in our gift-giving. Which is why we’re thrilled to bring you the second year of the BGS holiday gift guide.

This installment of our guide, featured below, is specifically tailored to the avid outdoor festival-goer. Maybe they’re already planning out their next festival season a year in advance. Or maybe they’re the type who always has a bag ready, so they can pack up and pitch a tent when the music calls. Whatever their style, these gift recommendations from our friends, partners, and staff will be well-loved by those who like to take their musical experiences outside.

 

BGS Bluegrass Metal and Banjo Beanies

Warm noggins are all the rage this winter, and you can keep yours cozy with our two new original beanie designs. Freshly added to the BGS Mercantile, choose between two styles that are both sure to turn heads and start great conversations wherever you wear them.

Purchase Metal Beanie | Purchase Banjo Beanie

Green Goo Ultimate First Aid Care Bundle

Festivals can be unpredictable. This is why we love them, of course, but it’s also why we always arrive prepared. Green Goo’s Ultimate First Aid Care Bundle is the perfect prep kit for festival season, with four handmade herbal salves meant to soothe bug bites, bruises, scrapes, sore muscles, dry skin, and much more. Best of all, BGS readers can get 25% off their order with code HOLIDAY25.

Purchase

 

Guest Gifter: Chris Pandolfi
(GRAMMY-Winning Musician with The Infamous Stringdusters & Avid Fly Fisherman)

“If you know someone who travels to fish, they need the Orvis Carry-It-All Bag! It’s ideal for carrying a bunch of gear without all the rod tubes/bulk and you can carry it on to any plane, so you’ll never be without your essentials. I used to make the rounds just stuffing everything into my suitcase, but this Orvis gear bag is a total game changer and I never leave home without it if I’m heading out to explore.

The Flylow Micah Fleece is a really quality, stylish midlayer from one of my favorite apparel brands out there, Flylow. They make gear that lasts but also looks great, from the mountain to the stream to the stage. You can never have too many midlayers!” – Chris Pandolfi

Purchase Orvis Carry-It-All Bag | Purchase Flylow Micah Fleece

Chris Pandolfi is a founding member of The Infamous Stringdusters. He is also the host of the Inside the Musician’s Brain podcast and an avid fly fisherman and guide.

 

Eagle Nest Outfitters Lounger DL Chair

Please, for the love of god, replace your rickety old camping chair. At every festival campsite, the good chair is always obvious… and that one you “borrowed” from your parents’ garage ten years ago might just collapse at any moment. Upgrade your festival seating experience with Eagle Nest Outfitters’ Lounger DL Chair. This lightweight, portable hammock chair sets up quickly, is fully adjustable, and has a cushioned pillow and armrests — just trust us, it’s the good chair.

Purchase

Natural Life Cozies

After a long day at an outdoor music festival, there’s nothing like getting cozy back at your campsite. Natural Life has you covered on cozy essentials, with warm socks, sherpa-lined slippers, the super soft (and versatile) boho bandeau, and your new favorite mug for hot toddy night caps or coffee on a chilly morning. And the best part about gifting these around the holidays? Break them out early and stay warm all winter long.

Purchase

Guest Gifter: Amy Reitnouer Jacobs
(BGS Co-Founder & Executive Director)

“I spend enough time at music festivals to know that these days a sturdy clear bag is an absolute essential. But finding something that is efficient and cute is easier said than done. That’s why the Away Stadium Bag is on my wish list this year. It’s a hard shell clear bag that’s big enough to hold your phone, keys, glasses, lip balm, Loop earplugs, etc., getting you through security without skipping a beat. Added bonus: you can even get it monogrammed!” – Amy Reitnouer Jacobs

Purchase

Amy Reitnouer Jacobs is the co-founder of BGS and Good Country, as well as producer for concerts, stages, and experiential events throughout the country. She also collects and sells vintage homewares with her company Fernweh Flea.

 

WinterWonderGrass Tickets

One of the most unique and anticipated festivals of the year is always WinterWonderGrass. This year’s lineup is one of their most fun yet with The Infamous Stringdusters, Leftover Salmon, The Devil Makes Three, Daniel Donato’s Cosmic Country, and so many other BGS faves jamming out over three days alongside the perfect powder of Steamboat Resort in Colorado. Tickets, packages, and more info here.

Purchase

 

Zeal Optics

The right eyewear is essential for a good festival weekend, and from the desert landscapes of Stagecoach to the mountains of Telluride Bluegrass, Zeal Optics has your eyes covered. Their polarized Rangely sunglasses will keep you glare-free at Bourbon & Beyond, while their Meridian Goggles are perfect when you hit the slopes between sets at WinterWondergrass.

Purchase

_

This content brought to you in partnership with Green Goo and WinterWonderGrass.

BGS Wraps: Roots Music for the Season

Posted on by Justin Hiltner

In our eyes and to our ears, there’s no better family of musical genres to usher in the holiday season than roots music. Bluegrass, Americana, old-time, country, blues, and beyond – they’re all perfectly suited for the coziest time of year, for togetherness, for parties and gift giving and cookie icing. Whether you celebrate Christmas, Hanukkah, Kwanzaa, or Winter Solstice – or even if you feel like opting out of the ruckus altogether – there is roots music for you.

Each year, we like to share our picks for the rootsiest time of the year in BGS Wraps, a weekly collection of songs, videos, albums, shows, tours, and events that celebrate the season. We share a few of our favorites, mostly brand new but often classics and timeless selections, too. Plus, we collect all that we can into a running playlist so you’re ready when the family or party hands you the aux cable.

To kick off the season this year, we’ve got a BGS Wraps full of Good Country, jingle bells, Texas snow, holiday generosity, and plenty of glittering lights and joyous cheer. We hope you enjoy BGS Wraps and tune in the next two weeks as we continue our series celebrating the holiday season.

A Very Carper Christmas, Melissa Carper

One of our favorite purveyors of Good Country in the most legit old-school, Texas, Western swing, and outlaw styles, Melissa Carper has just launched her own album of holiday music, A Very Carper Christmas. It boasts quite a few originals and co-writes and a couple covers of classics, too. The collection is silky smooth and timeless, a perfect accompaniment to holiday cooking, decorating, gallivanting from store to store, or cozying up by the fire with your loved one of choice.

Starting December 4, Carper will join JD McPherson’s “Socks: A Rock & Roll Christmas” tour around the Southeast, East Coast, and Midwest. So don’t miss your chance to catch these Good Country seasonal songs live in person. Melissa Carper tour details here.

“When It Snows in Texas,” Chaparelle & Sierra Ferrell

Let’s keep it going with more Austin-based Good Country! Last month, alt-country supergroup Chaparelle announced a brand new co-write and collaboration with everyone’s current favorite old-time Americana goddess, Sierra Ferrell. “When It Snows in Texas” is the perfect seasonal holiday number, apt for each and every rootsy holiday playlist and certainly suited to occasions beyond just Christmas. With a languid, loping groove, it’s all wrapped up in alt sounds that remind of Nitty Gritty Dirt Band and a casual sing-along sidled up to a shiny wooden bar all at the same time. This is the country & western (heavy on the ampersand western) vibe we all crave – this time of year or anytime.

Feels Like Christmas, Mickey Guyton

Singer-songwriter and country star Mickey Guyton is no stranger to festive song releases, but Feels Like Christmas is officially her first full-length holiday album. From the adorable “Sugar Cookie” to the classic pop trappings of the title track to her “Christmas Isn’t Christmas” duet with the Michael Bolton, Feels Like Christmas feels… well, grown up. Fully realized. Ready for your moody, ambient Christmas cocktail hour or a laughter-rich, full kitchen, too. Guyton makes some of the best crisp, modern, radio-ready country around today, and this holiday collection – like most if not all of her discography – feels made to last the ages, too.

Further leaning into the festivities of the season, Guyton will also appear in a brand new Hallmark movie, A Grand Ole Opry Christmas, which is premiering this year during Hallmark Channel’s 16th annual Countdown to Christmas programming event. Guyton certainly has our number, and we’ll be camped out in front of the TV with our hot ciders and sugar cookies ready and waiting for this incredible Opry, country music, and Hallmark crossover.

I’ll Be Home for Christmas, Drew & Ellie Holcomb

Drew & Ellie Holcomb have added to their deep-and-wide catalog of holiday and seasonal music with a brand new EP entitled I’ll Be Home For Christmas. The project adds three lovely covers of Christmas favorites to the stacked roster of selections the couple and their Neighbors trot out each winter for the season. This year, they’ll perform two “Neighborly Christmas Special” shows in Tennessee – in Memphis on December 5 and in Nashville on December 12 – before heading out on their next headline tour in February. Find ticket info here, then put on I’ll Be Home For Christmas while you make your holiday lists and check them twice.

The Greatest Christmas On Earth, Robert Earl Keen

Now this right here sounds like our kind of Americana Christmas circus! Robert Earl Keen kicks off his “The Greatest Christmas On Earth” tour this week, crisscrossing the South and Southeast through the month of December spreading cheer, joy, silliness, and light – and keeping the party going down the road forever, as he does.

The tour will kick off on December 4 in REK’s hometown of Kerrville, Texas, and you can be sure each night will feature his paean to the beauty and dysfunction of families at the holidays, “Merry Christmas From The Family.” Put all your own rowdy relatives in the van and don’t miss these shows. Ticket info here.

“Dream a Dream of Christmas,” Lydia Luce

Lydia Luce just released her excellent brand new album, Mammoth, in late October, but even before the project’s release she was looking ahead to the winter and holiday seasons with a A-side / B-side single release, “Dream a Dream of Christmas.” Like her songs in general, the A-side selection is contemplative, emotional, and rich with text painting and lush piano and vocals. Resonant strings play along with the contours of her vocal, punctuated by Christmas-y percussion and scoring, like Hollywood holiday offerings of the ’50s and ’60s. The track’s B-side is a delightful rendition of the beloved carol “Silent Night” that’s dramatic and rich – and features guest vocals by Caroline Spence. Both songs would be excellent additions to your themed playlists for the season.

OCMS XMAS, Old Crow Medicine Show

It’s hard to believe one of bluegrass and old-time’s longest running party string bands, Old Crow Medicine Show, have just released their first holiday album this year – but it’s true! OCMS XMAS is zany, rollicking, and unhinged. (As it should be.) It’s a collection of stories, songs, and tableaus that are just as fantastic and engaging as any of their rip-roaring live shows or any of their adored albums from their stacked discography. It’s a Christmas album as only Old Crow could make, and frontman Ketch Secor’s fingerprints are all over the track listing. From “Corn Whiskey Christmas” to “Breakin’ Up Xmas” to “Krampus Night” and beyond, this set of material will certainly be a Holiday Hootenanny on stage. Catch their Holiday Hootenanny on tour through December 20, before the band returns yet again to the Ryman Auditorium for their iconic annual New Year’s celebration performances to close out the year.

Sweet Relief’s Annual Holiday Auction

Sweet Relief is a non-profit organization with a mission that we all – in the music industry and outside of it – can get behind. For more than 30 years Sweet Relief has worked to provide financial assistance to musicians and music industry workers who are facing illness, disability, or age-related challenges. Just last week, they launched their annual holiday auction yet again, offering signed memorabilia and in-person experiences with a variety of artists in roots music and beyond, all of which benefit their important mission and vital work supporting music professionals’ mental and physical health.

Folks can bid on offerings from artists and musicians like Billy Strings, Hozier, Pearl Jam, Walker Hayes, The Decemberists, the Black Keys, Amanda Shires, Gregory Alan Isakov, and many, many more. If you’re planning your Giving Tuesday donations and also wondering what to get the music lover in your life who already has everything, perhaps you can check two things off your list in one go by supporting Sweet Relief. Learn more and view the auction items here.

Jingle All The Way Tour, Béla Fleck & the Flecktones

No holiday season would be complete without regularly returning to one of the best roots holiday albums ever made, Béla Fleck & the Flecktones’ Jingle All The Way. Released in 2008, the GRAMMY Award-winning album is beloved in and outside of roots music spheres – it even landed a mention in Oprah’s O Magazine back in ’08! Now, Fleck and the band – including Victor Wooten, Roy “Future Man” Wooten, Howard Levy, and special guests Jeff Coffin, Alash, and Sierra Hull (on select dates) – are taking their virtuosic cheer back on the road with a full slate of Jingle All The Way Tour shows. The tour kicked off in Nashville and will continue through December 20 hitting performing arts centers and theaters in the Midwest and across the Eastern U.S. To mark the occasion, Fleck & the Flecktones released their first holiday music since Jingle All The Way, a single medley of “The First Noel/Joy To The World.” If you can’t make the shows, put the original album and new single on the stereo – but we really recommend snagging tickets and seeing them live, with this superlative lineup, if you can.

Lead Image: Mickey Guyton, Feels Like Christmas; Melissa Carper by Lyza Renee; Old Crow Medicine Show courtesy of the artist.

The Musician’s Holiday Gift Guide

Posted on by Shelby Williamson

2025 has flown by and as we enter December we once again find ourselves preparing for the holiday season. We think it’s important to focus on slowing down, being together, and being more intentional in our gift giving. Which is why we’re thrilled to bring you the second year of the BGS holiday gift guide.

Below is the first of our guides – this one specifically geared towards avid musicians, be they recreational or professional players. Check out personal product selections from our friends, partners, and staff.

 

D’Addario Humidipak

Most beginner or hobby-level acoustic players don’t consider the proper storage environment for their instrument, but did you know that maintaining humidity and temperature can be just as important as buying a sturdy case? D’Addario’s Humidipak is a two-way humidification system automatically maintaining the ideal humidity level to preserve tone and protect damage. They even have three different variants to accommodate your specific humidification needs.

Purchase

Guest Gifter: Hannah Connolly
(Singer-Songwriter & BGS Social Media Director)

“Traveling as a guitarist you can never have too many capos. This Shubb C1 capo is my usual go-to, but I have friends who swear by the F1. It’s on my wishlist because although it’s a little more of an investment, it can be stored on the guitar itself (behind the nut of the headstock) when it’s not in use… making it nearly impossible to misplace on tour!” – Hannah Connolly

Purchase Hannah’s Pick | Purchase Budget Option

Hannah Connolly is a singer-songwriter based between Nashville and Los Angeles. Her latest release is Shadowboxing, and her third album is set for release in 2026. When she’s not writing or performing, Hannah also serves as the Social Media Director for BGS and Good Country.

 

nugs Annual Subscription

If you’re a regular reader of BGS, chances are you know that one person in your life who worships bootleg Grateful Dead recordings or would drive thirteen hours just to catch one more Billy Strings show. (If you don’t know that person, perhaps it’s you…?) Why not gift them All Access to a one-stop destination for concert livestreams, on-demand videos, and high-quality audio recordings with a nugs annual subscription? nugs partners with legendary artists such as Bruce Springsteen, Dead & Company, Pearl Jam, Goose, Greensky Bluegrass, Johnny Blue Skies – and of course Billy Strings – to ensure you always have a concert on the calendar.

For a limited time, BGS readers can get a nugs 1-year All Access subscription for 50% off the regular price using the link below. Offer valid through January 5, 2026.

Purchase

 

Preston Thompson Guitars – DMC Model

At a studio deep in the heart of Oregon, Preston Thompson Guitars has long been making some of our favorite high-end custom instruments. Their new model, DMC, is a smaller, deep bodied guitar which is fashioned after Willie Nelson’s famous “Trigger,” a N-20 Hybrid Classical. Between now and January 31, you can get one of these Spruce-top beauties for 15% off. After all, we could all stand to be a little more like Willie.

Direct orders only. Contact [email protected] for more info.

Qobuz or TIDAL Streaming Subscription

Suffice to say, we really hate that streaming services are paying out less than ever to musicians and songwriters in royalties (and don’t get us started on the lack of regulation over AI-generated music). But with that said, it’s more important than ever to make purchasing decisions that actually make an impact and help support your favorite artists. Consider gifting a subscription to an alternative streaming service like Qobuz or TIDAL — both platforms pay some of the highest streaming royalties to artists, and streaming at a higher audio quality audio than their major competitors. It’s the gift that keeps on giving.

Qobuz | TIDAL

And on a similar note, we all know a live music lover that has been shut out of a recent ticket on-sale that may be feeling frustrated about inflated prices on the secondary ticket market. A CashorTrade Gold Membership is a great way to support the face value ticketing movement. All transactions are insured so you can feel confident you’re not getting scammed.

Guest Gifter: Sierra Hull
(GRAMMY-Winning Musician)

“I’ve had my eye on getting one of these Crossrock double mandolin cases so I can more easily bring along both of my new signature model Gibson mandolins (both the master model and the F5G) on tour! The last few months I’ve been carrying around three different mandolin cases, so I think it would be awesome to consolidate a couple of them into a single case. I currently have one of the smaller fitted Crossrock cases and they are really solid [and] such affordable little cases!” – Sierra Hull

Purchase

Sierra Hull’s latest record, A Tip Toe High Wire, recently garnered four GRAMMY nominations. Discover more and find out how to catch her on tour with the Milk Carton Kids in 2026 at SierraHull.com.

 

Yamaha Acoustic Guitars – FG/FS9 Series

For over fifty years, Yamaha has been handcrafting their acoustic artistry, incorporating traditional Japanese woodworking with innovative Japanese technology. Their flagship model, the FG/FS9 steel-string acoustic guitar, is ideal for singer-songwriters.

Check out bluegrass guitarist Jake Eddy playing his FG9 RX below.

Purchase

This content brought to you in partnership with D’Addario, nugs, Preston Thompson Guitars, and Yamaha Guitars.

Righteous Babes All Around: Joy Clark in Conversation with Ani DiFranco

Posted on by Justin Hiltner

Joy Clark and Ani DiFranco connected over something unexpected: a Christmas song. Slated to perform at the same benefit show in 2022, the two singer-songwriter-guitarists were grouped to take the stage together and needed a holiday tune, ideally an original one. Clark’s “Gumbo Christmas” made it to DiFranco before the show, and the legendary artist and founder of Righteous Babe Records heard a hit. Once the pair synced up, they felt an instant musical kinship, and it wouldn’t be long before DiFranco signed Clark to her label.

Last October, Clark released her critically acclaimed debut album, Tell It to the Wind. Informed by her experience as a side player and imbued with a deep reverence for her craft as a solo artist, the record was one of 2024’s finest releases, announcing Clark as an artist with a keen sense of who she is and what she wants to create. The album sonically pulls from Clark’s roots as a Louisiana native and thematically from her experiences as a Black and queer woman making her way through the world. Highlights include “Lesson,” a bluesy, groovy reminder to keep your head up in the face of struggle, and the record’s vulnerable closing title track.

Before the holiday break, BGS caught up with DiFranco and Clark over Zoom to chat about Clark’s signing to Righteous Babe, her album Tell It to the Wind, and what she and DiFranco admire most in one another – as they prepare to hit the road together on tour next month.

Let’s start by having you share how you met and what drew you to one another.

Joy Clark: Well, it started with a Christmas song. It was 2022, and we were both on a Christmas show. There was a big lineup, with Big Freedia, John Goodman, and a lot of other people. So, they tried to group the performers together and I got grouped with Ani and Dayna Kurtz, and I happen to have a Christmas song called “Gumbo Christmas.” My agent contacted me and said, “Hey, can you make a recording of your song and send it to Ani?” He sent it to Ani and I heard back that it was a hit. She liked the song. So, they grouped us together and we performed it.

Ani DiFranco: It’s a total hit, this song. I mean, I don’t understand why people are not holding hands all over America singing this song right now.

JC: I wrote about my grandmother making gumbo every Christmas, it got to Ani, and I think that’s how I got on the radar.

AD: From my perspective, I’m asked to do a benefit and it’s just tons of New Orleans usual suspects involved, like she said. Then, I found out a little later everybody had to play Christmas songs for this thing. I was thinking I’d just show up and play a song or two of my own. I’m like, “Oh, man, Christmas. What the hell?” So, I’m combing through Christmas songs, and I’m like, “I don’t know.” And then I thought, “Oh, I’ll just write one. I’ll write a Christmas song.” I pounded my head against that wall for a few days and discovered that it’s harder than you think to write a Christmas song that anybody ever wants to hear.

Finally, somebody rescued me by saying, “Well, you know, Joy’s got a Christmas song. Maybe you could sing with Joy Clark.” And in comes this little video of Joy singing. I was like, “Oh, my God, that’s the best. That’s the best.” Now I know how hard it is to write a Christmas song, so my respect for this woman is already right up here for making this sweet, soulful Christmas song. And then [Joy] came and recorded it.

You don’t hear many artists getting signed off a Christmas song or even having that be their entry point to meeting their eventual label. That’s a great story.

AD: It was also just hooking up, you know, in person, doing a little rehearsal at Joy’s house, and then going and doing the gig. We got to hang out. It’s not just like I heard the song somewhere. I got to see firsthand that Joy can play and sing her ass off and was an artist in the world doing her thing. I always say that we’re not really a label with tons of resources that can create something out of nothing, or market somebody into existence or something. But what we can do is support working artists and try to get behind them and help facilitate what they’re already doing.

JC: I think that’s the cool part, because I’ve been a working musician for a long time. And not just being Joy Clark, just writing my songs and performing – I played in a lot of different bands, playing guitar, singing harmony. … I’ve really just been working, been doing the thing. I played as a side person for a long time, which is how you learn. That’s how you learn to just be a musician. I feel like that’s been a gift for me. So, now to be able to just to step out up front and write and put out music, I feel pretty lucky. But it also feels really right.

It sounds like you came into the picture with a fully realized sense of who you are and the kind of music you make and what you want to do. And it sounds like the label is a great home for artists like that, who already have strong senses of self and don’t necessarily need, like you mentioned, Ani, a lot of development and marketing.

AD: Certainly at Righteous Babe, you’re not going to have some pencil pusher telling you what you should do with your songs. The thing about an artist-run label is the artist has to follow their heart. That much is clear at Righteous Babe.

Joy, I’m going back to what you were saying a moment ago about being a side player and the opportunities that provides – or sometimes forces – for you to adapt and learn and be able to do things on the fly. How do you feel that those experiences have shaped your solo work?

JC: There’s pressure in it, but then there’s not really pressure, too, because it’s not about me. I think it allows me to just be and not think about, “What do I look like?” or “How do I feel about this certain thing?” It’s giving somebody else space to do their thing. And that gave me a lot of confidence, actually. It gave me a lot of freedom. … I think that helped me step into my work, because when you do need people, when you do need support, you get both sides of it. I think it’s made me more compassionate. I hope I’m not an ass. I don’t think I’m an asshole. [Laughs] I understand what it is to support somebody’s work.

AD: I can really relate, too. I remember the first time I worked on somebody else’s record that wasn’t my shit, and I was like, “Whoa. This is all the fun of making music without the crushing emotional baggage of exposing your guts and putting yourself up for judgment.” So, I completely hear what you’re saying about how it’s a different experience to make music when you’re not on the hot seat, when it’s not you being judged. I love working on other people’s music for exactly that reason. It’s so freeing emotionally. … And now we’re about to go out to make some live music together. That will be fun times.

I wanted to ask about that. As you get ready to hit the road together, is there anything you can share about your plans, or what you’re looking forward to, in particular, about getting to share a bill with one another?

AD: Another thing that is always in the back of my mind with Righteous Babe, if we’re considering releasing a record, is whether this is an artist we could have the means to help. Somebody came to us with a very different genre of music recently and it was a super cool record, but I just thought, “I don’t know how to get to the right audience and get this project where it needs to go.” But from the minute I met Joy and saw her play and interact with an audience, I thought to myself, “My audience will love this person.” So, that’s always in the back of my mind, like, if we put out a record on Righteous Babe, could we do shows together? That’s a really easy way for me to assemble a bunch of people and then point, “Look at her. Check this out.” I just know that they’ll eat you up, Joy. And I haven’t told you yet, but I was hoping to ask you if we could play a song or two together.

JC: Of course! Just let me know what you want. I’ve already been listening. You know it.

AD: I’ll text them to you.

JC: One thing I’m looking forward to is being on a bus. My dates have been fly, pick up a car, then drive, you know? And it’s not like I have a right hand. It’s me and my guitar, driving. When I’m driving, I can’t do anything.

AD: And it’s exhausting. Most of your energy is zapped when you get to the gig.

JC: Yeah, it’s like, “Can I just sit in the green room? Can I just recover from that?” I’m looking forward to having that tour experience of being on a bus and chatting it up and maybe even writing. We’ll see if I can actually write on the road.

AD: Yeah, you need a certain amount of space just to do that, like your own dressing room and your own hotel room. It’s so hard when you’re just out there driving around, doing all the things. Funnily enough, Joy and I were just at another benefit the other night, both playing a tribute to Irma Thomas, singing Irma Thomas songs and benefiting the New Orleans Musicians’ Clinic. We were joking and I was like, “You got to be careful because once you get on that bus, it’s so hard to get off.”

JC: I can feel that coming. I’m looking forward, too, because I’ve really only seen Ani perform once, at French Quarter Fest in 2023. Now, I get to check out the show night after night.

Ani, you mentioned a moment ago that feeling of knowing that your audience will love Joy’s music. I see a lot of connection points in what both of you do. There’s a lot of vulnerability there, for one – I think you described it as “exposing your guts” earlier, Ani, and that feels true for both of you, at least from my perspective as a listener. What points of connection do you see in one another’s music?

JC: I think Ani is a badass guitarist. I respect that, because it takes a lot to be able to play with the band and then to just be a person on stage with a guitar. I think I really connect with that fingerstyle picking. I prefer fingerstyle because it gives you a lot of different textures and it gives you different choices. Instead of strum – a strum is great, it’s just when you can pick, there are these other things happening. These little flavors and lines that I connect with, because that’s the type of player I am. I don’t have the picks on my fingers, it’s just my fingers. But I think that’s how I connect [to the instrument].

AD: Ditto for me. Keep those naked fingers, because it sounds so much better. I put on these plastic nails, but that’s just because I get so violent with my guitar and I bloody myself if I don’t have them. But the sound is so, so great with the real finger and the real nail. I’m really more of a rhythm player, and I just sort of play by ear, but you can play solos. You know what key we’re in and what the notes are supposed to go with that – all the things that I don’t actually freaking know. [Laughs]

I’m just super impressed with anybody who can legitimately play guitar like you do. There’s knowing how to play or knowing how to sing or this or that, and then there’s knowing how to stand there alone on stage and hold an audience. And Joy can do that, too.

I’m glad y’all brought up each other’s guitar playing, because there’s clearly so much passion and care there for both of you. And I don’t think we ask musicians about their instruments enough. People ask a lot of questions about songwriting and lyrics but not so much about, say, devising chord progressions. How does incorporating guitar into your songs work for each of you?

JC: It’s always different. When I write, there is no one way that it comes. But there is a feeling. There are colors that appear. Sometimes, there are sounds that come out. But one thing that I can say, for me, is that [writing] happens simultaneously with messing around on a guitar. I often sing as I play. I’m not usually writing. I do write, but the core of it is a feeling. If it’s something sentimental, then sentimental lines appear. Sometimes it happens if I’m driving, then I pick up my phone and I hum, and then when I pick up the guitar, I’m flowing. There’s an improvisation that happens and it’s a little bit mysterious. I don’t really understand it. It’s just mystery. But I love chords and I love to pick out cool shit. Then, I just put words to the thing that I’m picking.

AD: I can basically relate to everything you’re saying. Same for me. It’s different all the time. There’s no, like, set process, of course, and each song happens in a different way. But generally, it’s just being able to hang out with your instrument and just be with your guitar, hang out, and process your feelings with it. I miss that myself in life these days. I’m older and at a different point in my road than Joy. And I, many moments, wish I could put myself back where you are, Joy, just embarking on something and being really focused and having that guitar by your side all the time. Now, my kids are in the way most of the time, you know? [Laughs] … But that’s really what it is, having a relationship with the guitar that deepens and deepens. The understanding between you and this instrument deepens, and the guitar starts finishing your sentences.

JC: You can find some really pretty jewels in something that didn’t really feel good [while] writing it. But I want something to grow on me. Maybe it doesn’t fit so perfectly, but in time, “Oh, yeah, that does make sense.”

AD: I feel like that’s what you want for other people, too. It’s not necessarily to always be making songs that are instantly like, “Oh, Skittles! It’s sweet and fruity.” But, something that, maybe, on repeated listens, it takes its time to get under somebody’s skin. Then it really lives there. … What I’ve learned over many years and many albums and hundreds of songs is that, even after you get back to your disillusionment or you sour on something that’s not new anymore, you just have to have faith that somebody out there in the world is still going to have that first experience that you had with it. Somebody is going to feel that way about it, even if it’s not you anymore.

That feels like a lovely place to wrap. Before we sign off, do you have any parting words for one another?

JC: I’m really freaking grateful. I’ve been doing my work and I feel pretty lucky that people want to hear what I have to say. And I feel really lucky to have an album out on Righteous Babe, on your label, Ani. I feel like it’s right. I just turned 40 a couple months ago, and I think it’s pretty fantastic to feel like I’ve just started.

AD: Well, I would say – in a way that’s not weird, in a way that [reflects] that we’re on the same level – that I’m proud of you. It makes me so happy to see you stepping into yourself and your music and stepping out there in the world. You’ve paid a lot of dues and you completely deserve this moment. I can’t wait to see what’s next.

Photo Credit: Joy Clark by Steve Rapport; Ani DiFranco by Shervin Lainez.

BGS Wraps: Our Wintry, Holiday Collection

Posted on by Justin Hiltner

Each year, the BGS Team likes to “wrap up” the year in music by featuring holiday, seasonal, and festive tunes and songs throughout the month of December. It’s a perfect way to generate holiday cheer while shining a light on some of the high quality new – and timeless! – seasonal music we’ve got playing on repeat each winter. And, it gives us the chance to infuse our veteran/stalwart holiday playlists with some new life, too.

This year, we’ll be sharing songs, albums, shows, and events each day for the first three weeks of December, a musical bridge to bring us to the peak holiday season, the end of one year, and the beginning of another. Check back each day as we add more selections to these weekly posts, highlighting roots music that will soundtrack our solstice, Christmas, Hanukkah, Kwanzaa, and New Year.

What are you listening to this time of year? Let us know on social media! You can scroll to find our complete BGS Wraps playlist for 2024 below. Check out Week 1 of BGS Wraps here and Week 2 of BGS Wraps here.

Tim O’Brien and Ben Winship, “Santa Ate a Gummy”

Artist: Tim O’Brien & Ben Winship
Song: “Santa Ate a Gummy”
Release Date: November 22, 2024

In Their Words: “Hope you enjoy this video for my new single with Tim O’Brien, ‘Santa Ate a Gummy’ animated by Peter Wallis.” – Ben Winship, via social media

“Share away! It is sure to put a much needed smile on your faces. Thank you Ben for taking me on this trip with you.” – Tim O’Brien, via social media

From The Editor: “Let’s follow in Santa’s footsteps on this one, for a perfect way to close BGS Wraps for 2024 and really enter the holidays, full plunge. Multi-instrumentalist and singer-songwriter Ben Winship joins forces with bluegrass legend Tim O’Brien on a hilarious and charming new holiday single they co-wrote, ‘Santa Ate a Gummy,’ about an extra exciting and dreamy Christmas Eve journey for the ol’ Kris Kringle. Sugar plum fairies may be dancing in his head, but that toy-making-season backache must surely be on retreat. As we move into the holiday break, take a page out of St. Nick’s playbook – got a headache? Need a moment of chill? Consumerism wearing you out? Wrapping paper cuts riddling your fingers? Pop your favorite THC or CBD treat, sit back, relax, and put on ‘Santa Ate a Gummy’ on our BGS Wraps playlist. And we’ll see you in January. Happy Holidays!”

Zach Top, “Hard Candy Christmas”

 

@zachtop Tis officially the season! Go stream the Christmas hits! #classiccountry #countrymusic #christmasmusic ♬ Hard Candy Christmas – Zach Top

Artist: Zach Top
Song: “Hard Candy Christmas”
Release Date: November 17, 2023

In Their Words: “Tis officially the season! Go stream the Christmas hits!” – Zach Top, via social media

From The Editor: “One of our favorite Good Country artists of 2024, Zach Top often delights his fans and followers with incredible covers of country standards and hits on his social media feeds. This short cover of ‘Hard Candy Christmas’ has more than 2.1 million views since it was posted at the beginning of this month. We can see why! Just over a minute of the iconic holiday country number – popularized by Dolly Parton – has us immediately returning to his 2023 single release of the song. (We wouldn’t have survived without a full rendition!) The picker-singer-songwriter and ’90s country time capsule has certainly been one of the major music stories of the year, with a grassroots, ground-up following hellbent on loving the honesty and ease of his trad sounds. Check out our GC interview with Top from earlier this year as we crank the classic country Christmas vibes on the stereo. We’ll be fine and dandy…”

Authentic Unlimited, “Christmas Time Is Here”

Artist: Authentic Unlimited
Song: “Christmas Time Is Here”
Album: Christmas Time Is Here
Release Date: November 15, 2024

In Their Words: “A Christmas song is like wrapping up a warm memory, ready to be shared with the world. In true Authentic Unlimited fashion, we unwrap our musical gift to listeners, hoping it brings joy and a touch of holiday spirit to every heart.” – Jerry Cole, bass, via press release

From The Editor: “Reigning IBMA Vocal Group of the Year Authentic Unlimited released their first full-length Christmas album in November. Christmas Time Is Here features an array of covers, from veteran classics to modern hits, rendered in the group’s clean, crisp, signature sound with those striking (award-winning!) vocals. The title track is beautifully done, with mandolin trills to emulate Vince Guaraldi’s twinkling piano keys and acrobatic, jazz fiddle licks inserted tastefully just like the iconic original recording from A Charlie Brown Christmas. Sure, this doesn’t listen like Authentic Unlimited’s standard, largely traditional bluegrass fare – for one, there’s piano, and the track does sounds perfectly suited for wafting through a JCPenney – but the album’s polish and shine certainly serves the season. And there’s still plenty of ‘grassy grit to go around.”

The Wildwoods, “Somewhere in the Snow”

Artist: The Wildwoods
Song: “Somewhere in the Snow”
Album: Christmas Through the Years (EP)
Release Date: November 19, 2023 (single); November 29, 2024 (EP)

In Their Words: “Ladies and gentlemen! Our Christmas EP, Christmas Through the Years, is now available on all streaming platforms. … Celebrating the holiday season with an original Christmas song captured on our favorite AEA mic.” – The Wildwoods, via social media

From The Editor: “Diehard fans of Nebraska-based Americana trio The Wildwoods will remember this strikingly lovely song, ‘Somewhere in the Snow,’ from 2023, when it was first released as a single and animated video. This year, they’ve released the track on an equally lovely EP, Christmas Through the Years, accompanied by a few tasteful and unique covers of holiday classics, too.

“The group’s brand new live performance of ‘Somewhere in the Snow’ shines bright through the winter cold, lush and warm, shot in a beautifully reverby church sanctuary decorated with twinkle lights and a festive wreath. Their tight vocal harmonies and lonesome (or perhaps winsome) chord changes bring that slight existential tinge we know and love in stalwart Christmas songs and traditional carols. It’s a fresh take on the idea of snow and winter as purifying, cleansing, and a transformative time of year – especially as we all look ahead to 2025 and what the new year might bring. Let’s bury our troubles somewhere in the snow? Sounds like a great idea to us.”

Shane Pendergast, “Winter Grace”

Artist: Shane Pendergast
Song: “Winter Grace”
Album: Winter Grace
Release Date: November 22, 2024 (single); January 2025 (album)

In Their Words: “It was such a liberating and joyous feeling, as if we were skating on the world’s biggest rink. Wintertime on [Prince Edward] Island can be so stifling, so it was a gift to be able to get outside for a skate.” – Shane Pendergast, via press release

From The Editor: “Each winter, it’s a bit of a brain teaser or a musical sudoku puzzle trying to find festive, wintry, holiday-themed songs that aren’t just about Christmas. We want holiday music for everyone, after all! We especially crave music for those of us reaching, ever-so-longingly, for solstice and the eventual lengthening of the days.

“We were very excited, then, to discover Shane Pendergast’s ‘Winter Grace,’ released late last month. The title track for his upcoming album, dropping in January 2025, ‘Winter Grace’ is cozy, warm, and enveloping. It’s a tender paean to Prince Edward Island that has a timeless production style, as if plucked from late ’60s or early ’70s folk songs of the Atlantic seaboard. A perfect soundtrack for your ice skating date – whether on a plastic public square rink, slipping and sliding on dull skates at a shopping mall, or speeding off on wild Canadian ice.”

BGS Wraps: It’s the Rootsiest Time of the Year

Posted on by Justin Hiltner

Each year, the BGS Team likes to “wrap up” the year in music by featuring holiday, seasonal, and festive tunes and songs throughout the month of December. It’s a perfect way to generate holiday cheer while shining a light on some of the high quality new – and timeless! – seasonal music we’ve got playing on repeat each winter. And, it gives us the chance to infuse our veteran/stalwart holiday playlists with some new life, too.

This year, we’ll be sharing songs, albums, shows, and events each day for the first three weeks of December, a musical bridge to bring us to the peak holiday season, the end of one year, and the beginning of another. Check back each day as we add more selections to these weekly posts, highlighting roots music that will soundtrack our solstice, Christmas, Hanukkah, Kwanzaa, and New Year.

What are you listening to this time of year? Let us know on social media! You can scroll to find our complete BGS Wraps playlist for 2024 below. Check out Week 1 of BGS Wraps here and Week 3 of BGS Wraps here.

Megan Moroney, “All I Want For Christmas Is a Cowboy”

Artist: Megan Moroney
Song: “All I Want for Christmas is a Cowboy”
Album: Blue Christmas …duh (EP)
Release Date: November 1, 2024

In Their Words: “Well since it comes out tonight, I guess now would be a good time to let y’all know I recorded a lil 3 song holiday EP that features 2 original songs & a cover of a classic. It’s called Blue Christmas …duh.

sleigh, I guess.” – Megan Moroney, via social media

From The Editor: “Megan Moroney was everywhere in 2024 – and we certainly didn’t mind! Three CMA Awards nominations, her sophomore album, Am I Okay?, reached No. 9 on Billboard‘s Hot 200 chart, she’s MusicRow‘s Breakout Artist of the Year, and so much more. Plus, she released this excellent holiday EP, Blue Christmas …duh, in November featuring two new originals and her rendition of the classic made popular by Elvis. We adore Moroney’s brand of high-end, sequin-studded, mainstream country. Catch her and her music on the Am I Okay? Tour in 2025!”

Spencer Hatcher & Aubrie Sellers, “Mr. and Mrs. Santa Claus”

Artist: Spencer Hatcher & Aubrie Sellers
Song: “Mr. and Mrs. Santa Claus”
Release Date: November 1, 2024

In Their Words: “‘Oh, yeah, you bet. Uh… ho ho ho and stuff’ 🎄 ‘Mr. and Mrs. Santa Claus’ is out now!!” – Spencer Hatcher & Aubrie Sellers, via social media

From The Editor: “Decked out in their holiday best and performing in front of a classic Airstream trailer, bluegrass influencer Spencer Hatcher and garage country artist Aubrie Sellers play the mother and father of Christmas for their new single, ‘Mr. and Mrs. Claus.’ Throwing it back to the ’70s in more ways than one, their rendition pays tribute to George and Tammy’s cut of the song released in 1973. It combines so many things we love about bluegrass, country, and roots music – from the steel guitar and tasty harmonies to the retro trimmings and honky-tonkin’ tempo. We’re even here for the iconic knotty pine wood paneling! Perfect for BGS Wraps.”

Sierra Hull, “The First Snowfall”

Artist: Sierra Hull
Song: “The First Snowfall”
Release Date: November 8, 2024

In Their Words: “‘The First Snowfall’ is the B side from my upcoming limited edition 7” vinyl release, Holiday Favorites V1  … Can anyone guess which classic artist I discovered this song from?” – Sierra Hull, via social media

From The Editor: “Every seasonal playlist deserves a selection of songs about the season, as well as the festive holidays we celebrate during it. So we were especially excited to hear impeccable mandolinist Sierra Hull’s rendition of this Bing Crosby classic, ‘The First Snowfall,’ when it dropped last month. With a newgrass groove that skips and hops along, Hull and her crack band bring a modern glitz to the number. Don’t miss the A side of her special holiday single release, too – it’s ‘Country Christmas’ pulled from the catalog of one of Hull’s heroes, Loretta Lynn. Bluegrass winter leads to bluegrass Christmas, and we wouldn’t have it any other way.”

Blind Boys of Alabama & Jay Buchanan, “I Heard the Bells on Christmas Day”

Artist: Blind Boys of Alabama & Jay Buchanan
Song: “I Heard the Bells on Christmas Day”
Release Date: November 29, 2024

In Their Words: “Get in the holiday & shopping spirit with ‘I Heard the Bells on Christmas Day.’ Produced and arranged by Hall & Oates Music Director Shane Theriot, we sing it alongside rocker Jay Buchanan of Rival Sons.” – Blind Boys of Alabama, via social media

From The Editor: “Every holiday needs soul. Who better to provide a bit of a Christmas slow burn – besides a yule log – than the Blind Boys of Alabama with Rival Sons’ Jay Buchanan? ‘I Heard the Bells on Christmas Day’ has limitless pocket and a funky, slow dance groove. A brand new addition to our Non-Crappy Christmas Songs playlist? Most certainly! This rockin’, soulful, Americana-steeped rendition of a holiday classic is just too good.”

William Prince, “The Sound of Christmas”

Artist: William Prince
Album: The Sound of Christmas (EP)
Release Date: October 18, 2024

In Their Words: “Produced by the wonderful Boy Golden, featuring the talents of Alyshia Grace, FONTINE, Cody Iwasiuk, John Baron, Stephen Arundell, Keiran Placatka, Matt Kelly, Kris Ulrich, Austin Parachoniak, Kaitlyn Raitz, Ben Plotnick, and with beautiful artwork from Roberta Landreth, these songs were a treat to put together for you and I hope you enjoy them as much as we enjoyed making them. … Happy early holidays, folks.” – William Prince, via social media

From The Editor: “Christmas arrived right on time – in mid-October – via this delicious three-song EP from First Nations country singer-songwriter William Prince. We’ve covered Prince quite a bit over the years, relishing the plains patina and down-to-earth quality of his albums and songs. The Sound of Christmas is a bit more polished, shiny, and draped in tinsel (especially the primed-for-Times-Square title track), but the other tracks on the project, ‘Silver Bells’ and ‘Don’t Go Leaving Me (It’s Christmas Eve),’ still display plenty of that signature grit and duality. Here’s a sound direct from (what we now call) rural Canada that’s also very much ready for the mainstream.

“Something else we love about The Sound of Christmas: Prince is selling 1000-piece jigsaw puzzles of the festive, holiday village cover artwork for the EP. Adding it to our holiday gift list now!”

BGS Wraps: Roots Music For the Season

Posted on by Justin Hiltner

Each year, the BGS Team likes to “wrap up” the year in music by featuring holiday, seasonal, and festive tunes and songs throughout the month of December. It’s a perfect way to generate holiday cheer while shining a light on some of the high quality new – and timeless! – seasonal music we’ve got playing on repeat each winter. And, it gives us the chance to infuse our veteran/stalwart holiday playlists with some new life, too.

This year, we’ll be sharing songs, albums, shows, and events each day for the first three weeks of December, a musical bridge to bring us to the peak holiday season, the end of one year, and the beginning of another. Check back each day as we add more selections to these weekly posts, highlighting roots music that will soundtrack our solstice, Christmas, Hanukkah, Kwanzaa, and New Year.

What are you listening to this time of year? Let us know on social media! Scroll to find our complete BGS Wraps playlist for 2024 below. You can check out Week 2 of BGS Wraps here and Week 3 of BGS Wraps here.

Chapel Hart, Hartfelt Family Christmas

Artist: Chapel Hart
Album: Hartfelt Family Christmas
Release Date: October 25, 2024

In Their Words: “The Hartfelt Family Christmas album feels like a true classic with a fresh, updated feel that I can’t get enough of. The mix of songs on the album range from ones that make you want to get up and dance to ones that will have you driving and bawling your eyes out. This album is a must-have for the holiday season, as it truly captures the spirit of Christmas, and I believe gives you a warm welcome into the Christmas season with Chapel Hart! I highly recommend adding this album to your holiday music collection.” – Danica Hart, via press release

From The Editor: “One of our favorite groups in country, Chapel Hart are continuing collectivist country sounds a la the Chicks, Pistol Annies, Little Big Town – while keeping it in the family. Sisters Danica and Devynn Hart and their cousin Trea Swindle render classic holiday songs and originals with crisp, mainstream production plus a cozy, living room family reunion vibe. Plenty of special guests appear on the project, too, from Gretchen Wilson and Rissi Palmer to Vince Gill and the Isaacs. It sometimes feels tough to discover new holiday music when the classics we return to each year are such high quality; Hartfelt Family Christmas fits right in, though, and is sure to become a wintry stalwart for many Christmas playlists to come.”

The McCrary Sisters, A McCrary Kind of Christmas

Artist: The McCrary Sisters
Event: A McCrary Kind of Christmas
Date: December 6, 2024
Location: Riverside Revival, Nashville, Tennessee

In Their Words: “I have always loved this time of the year, because people seemed to love or like each other. We should love all year long, but unfortunately we don’t. So I will take a season of love, rather than no love at all. We take this time of the year to be a blessing to others. It brings my heart joy to be able to give to others. When you have lived without yourself, then you know how it feels when someone takes the time to acknowledge you and bless you. It is important to us to be a blessing to others. This annual benefit show has blessed so many families over the years, and each year we want to give more and more. St. Jude Children’s Research Hospital helps so many families, so it is an honor to be able to give back to them along with local Nashville families. IT IS A BLESSING TO BE A BLESSING.” – The McCrary Sisters, via press release

From The Editor: “The McCrary Sisters are a Nashville institution, as is their annual holiday celebration, A McCrary Kind of Christmas – now in its 15th year. Happening tomorrow, December 6, at Riverside Revival in Nashville, Tennessee, A McCrary Kind of Christmas will benefit St. Jude’s Children’s Research Hospital and will feature performances by Emmylou Harris, Jim Lauderdale, Buddy Miller, Raul Malo, Dave Pomeroy, the McCrarys, and many more.

“This is a Music City holiday extravaganza not to be missed! Tickets are already sold out for A McCrary Kind of Christmas, but for those who didn’t get a chance to support the music and the cause, donations can be made directly to St. Jude’s here. And, lucky for all of us, the McCrarys released their essential Christmas album, A Very McCrary Christmas, back in 2019 – so make a donation, put on the album, and enjoy your own taste of A McCrary Kind of Christmas wherever you are.”

Väsen & Hawktail, “The Tobogganist”

Artist: Väsen & Hawktail
Song: “The Tobogganist”
Release Date: September 20, 2024

In Their Words: “We can’t really believe that we got to make this album with our heroes in Väsen. But we did! It’s called Väsen & Hawktail…” – Hawktail, via social media

From The Editor: “Two virtuosic, groundbreaking trad instrumental groups join forces and cross-pollinate continents – and generations – on Väsen & Hawktail (released in September by Padiddle Records and Olov Johansson Musik). This is a standout acoustic album of the year, certainly; a perfect selection among the album’s stunning tracks for BGS Wraps is ‘The Tobogganist,’ a composition we first highlighted when it was recorded by Hawktail for their album Formations in 2020. Bluegrass, old-time, and fiddle music from any/all countries of origin have catalogs packed full of seasonal and holiday tunes that may be connected to holiday and year-end festivities by title alone. ‘The Tobogganist’ is a perfect example of the form, though its peaks and valleys text paint an exciting and joyous wintry scene for listeners, lyrics or no.”

Caylee Hammack, “Blue Christmas”

Artist: Caylee Hammack
Song: “Blue Christmas”
Release Date: October 18, 2024

In Their Words: “I never knew ‘Blue Christmas’ needed a steel guitar solo until I spent some time reimagining this song, and Bruce Bowden brought the twang we needed to country fry this classic Christmas canon. I take the holidays as a time to revisit old memories and old songs, even when it wasn’t always a happy time for me, but I’ve come around that bend. Every year that I get to produce another Christmas record to share, makes me feel more in love with this season.” – Caylee Hammack, via press release

From The Editor: “Every holiday playlist needs some Good Country – and Caylee Hammack certainly checks that box with her Blue Christmas EP released in October. Don’t miss her playful, personable reimaginations of ‘Christmas (Baby Please Come Home)’ and ‘Hard Candy Christmas’ alongside her twangy rendition of ‘Blue Christmas.’ Hammack has been on the Music City beat for years, the groundwork for the well-deserved momentum she’s enjoying at the moment being laid deliberately and intentionally over time.”

Adam Chaffins, “Layaway Momma”

Artist: Adam Chaffins
Song: “Layaway Momma”
Release Date: November 15, 2024

In Their Words: “I’m not sure co-writer Eric Paslay and I knew we were actually writing a Christmas song when we started on ‘Layaway Momma.’ Little by little, we unwrapped this tale of overcoming adversity while staying true to yourself – told through the story of a mother’s determination to ensure her little boy has a good Christmas. I think in the end, we wrote an anthem to the single parent who is not looking for pity, but is working her way towards the American Dream.” – Adam Chaffins, via press release

From The Editor: “Country and string band textures combine on Chaffins’ timely and tender seasonal track, ‘Layaway Momma.’ While much noise is made in the media, pre- and post-election, about ‘the economy’ and its performance, Chaffins – an accomplished multi-instrumentalist, vocalist, and songwriter in bluegrass, Americana, and beyond – and his co-writer Paslay point out that for many, our economy has never functioned properly. This is especially clear this time of year, as consumption snowballs and those with less feel the financial pinch even more prominently. Chaffins treats his subject, the Layaway Momma herself, with dignity and care – this isn’t just your typical holiday poverty porn, and that’s certainly a breath of fresh air.”