BGS 5+5: Wilder Woods

Artist: Wilder Woods
Hometown: Currently: Nashville. Born: Possum Kingdom, South Carolina
Latest Album: FEVER / SKY

What other art forms — literature, film, dance, painting, etc — inform your music?

Film and comedy inform a lot about my writing. I feel like art leads culture and the conversations that are maybe less acceptable to have are taken on in those places.

What was the first moment that you knew you wanted to be a musician?

The first moment I knew I wanted to play music the rest of my life was when I saw the Black Crowes for the first time. I had been dabbling with music at the time, but the combination of rock, gospel, and soul unlocked something for me. I literally bought a Les Paul the next day.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I don’t know if I’d use the word “hide” but I definitely write most of my songs from my own perspective and use a ghost figure in the lyric. A lot of times I try to write a conversation between my subconscious and my “shadow” self, for lack of a better term. The things in this world we know, but can’t seem to grasp in real life is maybe the greatest human struggle.

What’s your favorite memory from being on stage?

Favorite memory from on stage was probably the first time my band sold out our local club. It was a goal that seemed so incredible to me at the time and I remember feeling like I had really made it… Like I belonged.

Which artist has influenced you the most … and how?

I think the artist that made the biggest impact on me coming up was a band called Jump Little Children. They were a local act that made it out and were able to tour the country and have people sing the words back. I’ll never forget the feeling that if they can do it, why can’t we?


Photo Credit: Darius Fitzgerald

BGS 5+5: Wesley Dean

Artist: Wesley Dean
Latest Album: unknown
Hometown: I’m a drifter. Born in Adelaide. Lived in Sydney for 20 years and we left the Sunshine Coast, Queensland, to move to Nashville, Tennessee, in February 2021.
Personal Nicknames: Wes

Which artist has influenced you the most … and how?

John Lennon gave me the permission at 13 to create whatever I wanted to create through music. Mum bought me the Anthology box set for my 13th birthday, and I was obsessed by his raw home recordings. It gave me permission to write my own music and create my music, on my terms. Songs like ‘Working Class Hero’ and ‘I Found Out,’ the home recording versions really resonated with me. It was so familiar. Before that it was Michael Jackson. His presence on stage was like something other worldly. The way he danced and commanded the audience. I learnt about the power of stage presence through imitating him since I was 2 years old.

Nirvana was my favourite band growing up. When I stayed up late one night and watched the MTV Unplugged gig, the next day I strung my Mum’s old nylon string guitar that had been in the cupboard for 20 years, and my life changed forever. Kurt also gave me the permission to be honest and autobiographical. I resonated with the spirit of the music. It hit me at the right time. I was just becoming a teenager and he sang as if he knew how I felt. I wanted to be a light like that for somebody, and dreamed that one day my music could help someone through life also.

What has been the best advice you’ve received in your career so far?

“Major in the major” as opposed to “minoring in the minor.” In this business you can easily get bogged down in all the things that aren’t working, and fall into the trap of becoming a victim about things that don’t go your way. It’s a long road to build anything of worth, and I’ve been in this business for 20-plus years, writing songs and playing shows from small venues to stadiums. I’ve played in every venue I can think of in Australia over the span of 20-plus years, and to me, every gig, good and bad, have been the best blessings that have made me who I am today. I couldn’t think of doing anything else, even though sometimes the struggle is so intense. I could never give it up. My good friend once said, just keep majoring in the major and the blessings will follow. You have to stop yourself daily and ask yourself, “What’s most important? Where are you going? And who are you serving?” That’s what drives me, to be able to leave a legacy for my boys, and anyone who walks a similar path, to know that they will hopefully one day realise that I did everything I can to carve my own way in this life. When you major in the major, the small things don’t seem to matter.

What’s the toughest time you ever had writing a song?

Songwriting is a sacred craft for me. It’s one of the only ways I can feel truly at peace with myself. Twelve notes and yet infinite possibilities. I’ve never had a problem with writer’s block; it’s only when I think about something too much, that’s when the barriers come up and I can’t seem to finish what I started. My friend and co-writer Fred said to me once, “Take a big idea and make it smaller.” I really like that approach. Sometimes the big ideas can seem torturous and can play on your mind for weeks, years. I always put a lot of expectations on myself. I strive to be the best at what I do, because I don’t like to settle at anything worth doing well.

What rituals do you have, either in the studio or before a show?

I practice TM (transcendental meditation) frequently. My non-negotiable routines, in order to feel well and look after my mental health, are eating well, 20 minutes of meditation and a 20-minute HIIT workout daily. I have a history of anxiety and depression, and both practices in the morning are the best way to start my day. Over the years I have discovered that food also has a major impact on how I think and feel. Sugar being the worst for me, mainly. I’m pretty sure I’m allergic to sugar, so when I’m eating clean, I’m in a much better frame of mind. It’s the old “what you eat, you are” mantra. Of course it’s easier said than done sometimes, when you’re on the road. I make sure I know where I’m eating before heading out on the road, so I keep strong and fit to perform every night. Nothing worse than trashing yourself and then trying to perform every night. Which I’ve done a few times. It’s an insult to the people who pay good money to see you play live.

What’s your favorite memory from being on stage?

So many favorite memories. I’ve sung with some Aussie icons in my time. Singing a song I wrote called “Lost” with Cold Chisel at the Sydney entertainment centre the night before it was demolished was one the best. Performing on the steps of the Opera House to a sold out crowd on a national TV show was a highlight. Playing inside the Opera House with the Sydney Symphony Orchestra was incredible. So many great moments with my best friends in my Aussie band. Playing with a band to me has to have a feeling of camaraderie. We are all on the journey together, telling a story, conveying a message. It has to feel like an experience not just a job that you clock in and get paid, but something that transcends the normal every day way of life. People that pay good money to see you play expect that you as the performer take them on a journey. They turn up to forget about the world for a while and just wanna be swept up in a moment and that’s the responsibility of an artist/performer.


Photo Credit: Anthony Scarlati

MIXTAPE: Penny & Sparrow’s Songs Begging to Be Covered

From Joe Cocker covering The Beatles, Bon Iver covering Bonnie Raitt, Glen Hansard covering The Pixies, and many, many more, WE LOVE COVER SONGS. In fact, one of the most commonly had tour van conversations is “What should we cover next?” (And we deliberate that almost daily.) The art of taking someone else’s song and making it your own is difficult and praise-worthy. … THUS, when The Bluegrass Situation asked us to cultivate a playlist, we knew exactly where to go. So here it is, dear friend!! A list of songs — in our opinion — that are begging to be covered.” — Andy Baxter and Kyle Jahnke, Penny and Sparrow

Eagles – “New Kid in Town”

Like a lot of Eagles tunes, “New Kid in Town” manages to have emotional depth WITH a hook that’s catchy as hell. Not a lot of folks can do that. They did it over and over again. It reminds me of “Fun Times in Babylon” and for that reason I must have Father John Misty cover this as soon as possible. Please make that happen for me, FJM. You would sound delightful. (Andy)

Willie Nelson – “Buddy”

This song was on Parks and Recreation and it made the reconciliation of Leslie and Ron one of the most iconic scenes in TV history. For the month after, I listened to it over and over and over again. After 30 days of it I started to imagine who I wanted to hear cover it. I landed on one of two extremely recognizable (and lovely) voices: Ashley Monroe or Anaïs Mitchell. Please Universe, hear my cry. (Andy)

John Denver – “Sunshine on My Shoulders”

I would love to hear this covered by someone like Daniel Caesar. The melody with some R&B voicing would sound insane. (Kyle)

Miya Folick – “Thingamajig”

This song is admittedly new for me and (before it came along) it had been more than a year since a song made me cry on first listen. This one undid me. Eight straight listens and now I might die unless I hear I’M WITH HER cover this damn song in three-part harmony. (Andy)

Ace of Base – “Don’t Turn Around”

I love a good ‘80s/’90s jam saddened by some sad indie folk. Thinking if James Vincent McMorrow took this and pitched it to his gorgeous falsetto I would listen on every rainy morning and cry just a little. Maybe give it to Jason Isbell and let him turn it into an Americana masterpiece. (Kyle)

Alvvays – “Archie, Marry Me”

A friend of ours called this song a “We’ll be young forever” anthem. It toes some strange line between the grunge pop of “Cherry Bomb” and the new age sad rock of Phoebe Bridgers. I love it and really really wanna hear a slickly crooned version by Sam Smith. Take all my money Sam, just get it done. (Andy)

George Strait – “Lovesick Blues”

I love the yodeling in this one. Basically I want Miley Cyrus to imitate Dolly Parton imitating a ‘90s George Strait. I love this track. (Kyle)

Slim Whitman – “Rose Marie”

This one feels unfairly unknown. How this song got lost in the shuffle of history is beyond us but I damn sure wanna hear The Kernal or Robert Ellis do a version! (Andy)

All-4-One – “So Much in Love”

This could either be an Ariana Grande acapella jam, or in my wildest dreams a Simon & Garfunkel reunion where they folk harmonize it to perfection and the world is happy since they are friends again and that’s all I really want. (Kyle)

Anaïs Mitchell – “He Did”

Lyrically this song is masterful and angst ridden and haunting. As I think about it now, it would be an incredibly tall order to cover this monster, but I genuinely think a blues/soul rendition could be badass. The lyrics of the song mourn and bleed and I kinda wanna hear Cedric Burnside or Leon Bridges take it on. (Andy)

Cutting Crew – “(I Just) Died In Your Arms”

GIVE ME HAIM SINGING THIS SONG AND IT WILL BE THE RESURRECTION OF AN ‘80S POP RELIC!!!! It would also stream millions of times in a matter of days. It’s a jam and they’re the maestros I wanna hear introduce it to the next generation. (Andy)


Photo credit: Noah Tidmore

MIXTAPE: Red Shahan’s Orange is the New Remodeling

In this edition of “Orange is the New Remodeling,” I cover music the human brain needs to survive a world of DIY home renovations amidst the Whip Cracker herself. Strap on your father’s 1987 radial arm saw and your most valued curse words and join me for your first day of remodel prison while you enjoy the music I’ve selected as my soundtrack. – Red Shahan

The Doors – “Riders on the Storm”

Today’s the day. Your hand is outstretched to the handle of the front door and the only thought you’re clinging to is, “What the hell have I done and who the hell do I think I am?”

Faron Young – “Hello Walls”

You’ve entered the home after nearly losing your life to the wasps that were conveniently located above the door jamb. It’s time to assess the damage you’re about to create. This is the calm before the storm.

Eddy Arnold – “Make the World Go Away”

Imagine yourself flung into a Quentin Tarantino-esque version of This Old Fuc$#%* House as the chorus and the head of your sledgehammer synch up perfectly in a slow-motion battle with the wall you will later regret removing.

Glen Campbell – “Wichita Lineman”

Despite the chaos you’ve just created, the Hiroshima-like living room leaves you with a slight feeling of accomplishment and the thought, “Hell, sing it to me, Glen. I know your pain.”

Melanie – “Brand New Key”

Your first taste of the midday crazies has ensued. Out of the drywall dust appears the neighbor’s dog who lets himself into your home and relieves himself on the ‘70s shag carpet your MeeMee once adorned; but you say nothing and stare in envy as it’s what you’ve wanted to do all morning.

LeAnn Rimes – “Blue”

LUNCH TIME. But this is no enjoyable burger as the only thing in your area is Johnny Wang’s “Sushi, Burgers, and More” while LeAnn plays in the background reminding you of that faded, computer-blue house you just bought.

Seal – “Kiss From a Rose”

Back to work, tough guy! With mustard on your shirt and hate in your heart, the Whip Cracker gives you a sign of approval and a sensual tap on the rear as if to say, “Keep it up and I might let you rub my back tonight….shirtless.”

Tom Waits – “Heartattack and Vine”

If a remodeled house could grow a salty swagger and sing to you while you work, old Computer Blue would have a raspy voice and abundant smell of cigarettes, just like Tom. But this place has the smell of a nasty wax ring under the toilet you just removed. Not even the bubonic plague came close to that stench.

Al Green – “I’m Glad You’re Mine”

Time for the first of many, many return trips to Home Depot. Strap on your gas station-purchased measuring tape, load your freshly-sharpened pencil in its fleshy holding device otherwise known as an ear, and walk into that Home Depot like it’s covered in neon lights and you’re an eligible bachelor ready to peel paint with your swanky presence. Strut your stuff, handy man. (*Needle scratches record) but then Whip Cracker calls to say she’ll meet you there. *leaves suspenders in the Subaru.

The Notorious B.I.G. – “Hypnotize”

You walk back into Computer Blue with your sacks of suggested tools and materials from “Leonard,” the 17-year-old pimple-faced smart-aleck that acts like he hung the handyman’s moon, when in all reality he goes to a school that doesn’t teach cursive and believes in trophies for everyone…. Anyways, with an attitude and a second wind you’re ready to pull up the urine-soaked carpet. *curses loudly* “I forgot to get gloves.”

Michael Jackson – “Smooth Criminal”

The sun is setting and your mind is telling you to go home but it’s winter solstice and only 5 p.m. You know Whip Cracker expects a solid 22 hours of labor or you can bet she’ll overcook Rachael Ray’s “Peach Bellini Chicken Thighs” because she’s too busy pacing the house with outlandish ideas. So suck it up, buddy, and let Michael moonwalk you into that kitchen you’ve been turning a blind eye to.

Joe Cocker – “With a Little Help From My Friends”

There comes a time in a man’s life when he deciphers the difference between his friends and his brothers. Just imagine peering out the window after hearing three car doors shut. To your amazement while shedding a slow tear, the “Regulators” show up with some Keystone tall boys and some judgments like slander to help you finish the day. Despite the endeavor you blindly took on and the lies you told the Whip Cracker, where there’s a will there’s a way. And when your light switch turns on the refrigerator and you’re slinging nachos at the Cowboys when they don’t make the playoffs, just remember the music that got you to that point. But for now, it’s just day one, sucka.

BGS 5+5: The Teskey Brothers

Band Name: Sam Teskey (of the Teskey Brothers)
Hometown: Warrandyte, AUS
Latest Album: Half Mile Harvest
Personal Nicknames: Sammy

Which artist has influenced you the most … and how?

I’ve gone through a lot of stages that different artists have influenced me more, but I would have to say B.B King has always been there, and I’ve always come back to his work.

I feel there are two elements to great music — the song and the soul behind it. The marriage of the two really is something special. For example, take the Beatles song “With a Little Help trom My Friends” and give it to Joe Cocker … say no more. B.B does this with ease in his music — simple, but great songs played in just the right way with so much soul behind it.

What was the first moment that you knew you wanted to be a musician?

Well, firstly, I saw a Jimi Hendrix DVD, and I was sold then. But also, I think growing up around St. Andrews pub (near where we grew up) got me very interested. Seeing working musicians come through every weekend showed me that it was possible if I worked at it.

What rituals do you have, either in the studio or before a show?

When we are recording, I usually get to the studio early, before the band arrives, so I can get the tape machine warmed up and aligned. It takes the length of a record to get it ready, so I choose one for the morning to also align my head and ears. Most commonly Traffic or Neil Young’s Harvest.

Which elements of nature do you spend the most time with and how do those impact your work?

We have our studio upstream of Melbourne on the Yarra River in a beautiful town called Warrandyte. This is where we all grew up, among the trees, swimming and jamming by the river. It is a very refreshing place to write music and share song ideas. There seems to be a lot of musos making music out there. Must be something in the water, or just a great space to make music. Whatever it is, we feel at home there.

What’s the weirdest, hardest, nerdiest, or other superlative thing about songwriting that most non-writers wouldn’t know?

The strangest thing about songs for me is, where do they come from? I imagine them to be something that is always floating around us like microscopic dust. Learning to write a song is like trying to catch them all and fitting them together like a puzzle. Once you’ve completed one puzzle, you don’t know how you are going to find the next one … but they always seem to find you. You just have to be open to finding them or letting them find you.