WATCH: Margo Price’s “Letting Me Down” Won’t Let You Down

Soulful songbird Margo Price is making the most of her quarantine with an inventive music video for “Letting Me Down” from her latest album, That’s How Rumors Get Started. It’s the singer-songwriter’s debut project for Loma Vista Recordings and first collection of new music since 2017’s All American Made.

On “Letting Me Down,” Price harnesses her inner badass with the cutting hook, “You have a way of letting me down.” That’s How Rumors Get Started is an encapsulation of Price’s energetic live show, which is wrought with the same high-flying spirit and tenacity seen in this artfully-captured music video. Already respected as a country singer, this project from exudes rock ‘n’ roll and firmly places Price in a category with other country rockers.

The video’s director Kimberly Stuckwisch drove an RV from Los Angeles to Nashville to film in Margo’s home and an abandoned hospital. She recalls, “We bought a cheap ’80s travel trailer with a bathroom, kitchen, and a propane-powered refrigerator, so we wouldn’t have to go inside anywhere for food or bathrooms. We were able to abide by the six-feet social distance CDC recommendation as we set up a remote head for the camera that we operated from a closet outside of the room. We wore masks the entire time and Margo supplied us with multiple bottles of hand sanitizer and spiked seltzers. We parked our RV in her driveway and worked solely out of there and the room we were filming in. We wanted to speak to what was going on at that moment, to a world that was/is shut down, to the fear we all feel, and to the hope of breaking free.”

Watch “Letting Me Down” and check out Price’s “Runaway Horses with Margo Price” live stream, too.


Photo credit: Bobbi Rich

MIXTAPE: Brent Cobb’s Songs from the Road

Brent Cobb may have the coolest summer job ever – opening shows across the U.S. for Chris Stapleton and Marty Stuart. During some downtime in Oregon, the Georgia native gave the Bluegrass Situation the lowdown on 11 of his favorite songs.

“Lord, I Hope This Day Is Good” – Don Williams

I woke up today singing Don Williams’ “Lord I Hope This Day is Good.” Because it just felt that way, you know? It’s just a beautiful day, I kind of want to smell the smell of hickory smoke rollin’ around in the wind. That’s also what Don Williams makes me think of, you know? We got a little somethin’ on the smoker and a little Don Williams playin’ – it’s hard to beat that.

“New South” – Hank Williams Jr.

That kind of leads into the next one, it’s sort of the same path, but Hank Jr., “New South.” It’s on his album, The New South, his first record after he fell off the mountain. Waylon Jennings, Toy Caldwell, and Marshall Tucker — they helped him produce that record. The whole album is so good, you want to sit around a campfire sound, you know? That particular song, “New South,” it also makes me want to put something on the smoker on a beautiful sunny day, pick a guitar, and maybe throw some horseshoes.

“I Wonder Do You Think of Me” – Keith Whitley

After that, I got Keith Whitley, “I Wonder Do You Think of Me.” The other night, I was sittin’ up, a lot of times when I’m on the road it’s the only time that I have to go back to my regularly scheduled writing process program. My daughter’s not out here so I don’t have to wake up at 6 o’clock every morning like I do when I’m home, so a lot of times I’ll sit up and play music and I sat up the other night till about three in the morning listening to songs. This particular one – I had forgotten about this song, I rediscovered it and listened to it about 25 times in a row the other night. It’s just so damn well-written and the chords in that song are amazing. It seems like such a simple country song, but I can’t play it. I try to pick it out.

“Leaving Trunk” – Taj Mahal

Something we listen to every night before we go on stage is Taj Mahal, “Leaving Trunk.” It’s just got that dirty south, down south, funky, country feel that I love. You can tell that the Allman Brothers were borrowing a lot from Taj. And well obviously “Statesboro Blues,” that song particularly, it’s just got that … I don’t know, it feels funky. It also would be great on a day like today, just kind of walkin’ around and have that song playin’ in your mind and be-bopping to your own beat.

“Coming Home” – Delaney & Bonnie

That makes me start thinking of other songs you could listen to, to get in the zone. So I got Delaney & Bonnie’s “Coming Home.” That’s another one we listen to before we play. I know you probably know who that is, but for those who don’t, they would have Clapton and George Harrison and folks play on their records. They influenced a lot of their peers of that time, and Dave [Cobb, Brent’s cousin] actually turned me on to that track. I’d never heard it before. Yeah, just kind of that funky country, man, gets ya goin’.

“Ohoopee River Bottomland” – Larry Jon Wilson

Which leads us into Larry Jon Wilson. Larry Jon Wilson was from Swainsboro, Georgia. He did a couple of records in the ‘70s that were super funky country. “Ohoopee River Bottomland” is the song I’m thinkin’ of. It’s also just that pre-show jam, you know? It kind of gets you down the road a little bit, and the way Larry – especially that song – would use Southern-isms or just rural-isms. He’d talk about, “this low rent land has turned to sand and I’ve done stood ’bout all I can I’m leaving…I’m leaving,” and “I got a wore-out mule and a no ‘count tractor quit now…and this is it now.” I just love the way he talks. You really capture his South Georgia background, but then he’s able to put it to some funky music.

“Play Something We Know” – Adam Hood

Alright so after Delaney and Bonnie and Larry Jon Wilson, that made me think of my buddy Adam Hood, because those are two songs that a lot of people may not know. It made me think of my friend Adam, I do a lot of writing with him. We wrote a lot of songs with this newest album of mine. He has a song called “Play Something We Know.” It’s all about hearing “play something we can sing to and play us something we know.” It’s about that guy or girl in the bar that’s slightly belligerent at your show, and they’re like “play me some ‘Brown Eyed Girl.’” You should check it out, it’s hilarious. Adam is just a great all-around artist.

“Forever Lasts Forever” – Nikki Lane

After thinking of Adam, it made me think of some other peers that I’m into, that I love, that have been good to me. Nikki Lane took us out at the top of last year and I think, in my humble opinion, she’s about the most authentic of our time. She has a song called “Forever Lasts Forever.” If you haven’t heard it, you should really check it out. It’s inspiring to listen to anything she writes, but that song is so wonderfully written. Just a wonderful breakup song, you know? Everybody loves a good breakup song.

“Hole in the Sky” – The Steel Woods

That brought me also to some other peers and also pre-show jams. The Steel Woods did a cover of Sabbath’s “Hole in the Sky.” I don’t know if you’re familiar with them, but son of a gun… It’ll get ya goin’, man. Their whole record is great. They’re recording a new record right now. That “Hole in the Sky” song, I remember the first time I heard it, I had no idea it was an old Sabbath song. It blew my hair back, it’s incredible.

“Anyhow, I Love You” – Guy Clark

Now this is gonna take us to after-show jams….the slow jams. Made me think of Guy Clark, “Anyhow, I Love You.” Man, talk about a damn well-written song. It took me a long time to get into Guy, not because I wasn’t into him…it’s just some things you gotta live enough to really appreciate it. That was one of those songs, man, “Anyhow, I Love You.” I could listen to that one, same as “I Wonder Do You Think of Me,” over and over and over and over again.

“Open the Door” – Otis Redding

That made me think of Georgia because Guy Clark is so good at writing about Texas. It made me think of an old Georgia artist, Otis Redding. Everybody knows him. “Open the Door” by Otis Redding feels like church. It’s like being back at Antioch Baptist Church when the preacher’s talkin’ to you and then he lays it on you.


Photo credit: Don Van Cleave

Steve Earle, ‘Goodbye Michelangelo’

These days, everyone has a voice. Famous or not, you can spew anything you like in a matter of seconds — on Twitter, Instagram, or Facebook, or in the words of a national publication. It’s our detriment as much as it’s our strength: And when you’re an artist, doing an interview to promote an album, it can absolutely help as much as it hurts. Gentle thoughts don’t make headlines, but bombastic ones do, and so, over and over again, musicians make waves when they should be respecting the current.

Thus is the case with Steve Earle, undoubtedly one of our master songwriters, whose new album, So You Wannabe an Outlaw, is just out. It’s a great record, but it’s his curmudgeonly thoughts in a recent Guardian interview that have everyone talking: He rails against Noel Gallagher, insults Hayes Carll, and takes down all of modern country (except Chris Stapleton) in a few breaths. Maybe it goes with the theme of the LP, which spends some time taking to task those aspiring “outlaws,” who praise the lifestyle that is not quite as aspirational as it looks. But it’s easy to get lost in sensational interviews, and miss the music.

Which would be a shame on So You Wannabe an Outlaw, because there is so much beauty, perhaps at its height on the raw “Goodbye Michelangelo,” written for Earle’s late friend Guy Clark. Here, any grit is restricted to Earle’s voice, as ragged as ever, plucking in minor key about the songwriting legend and fellow “outlaw” Clark. “I’m bound to follow you someday. You have always shown the way,” sings Earle, brushing up with his own mortality and juggling thoughts of his legacy, too. Many call Clark a craftsman, but here, Earle equates him with the ultimate Renaissance man. “Taught me everything I know,” he adds, before the album comes to a close on a somber, humble note. It’s a moment to allow the music do the talking, letting it drown out all that other white noise.