You’ve got to have some durability to name your album A Heavy Duty Heart. For Drayton Farley, paying a decade’s worth of dues is an important part of the story.
After a slow but steady build of recording albums and relentless touring, Farley picked up four significant synch placements in 2025, with songs “Blue Collar,” “Touch and Go,” and “It’s Called Doubt” heard in the Paramount+ series Landman, and “Turn Around” appearing in the CBS show Sheriff Country. That remarkable achievement seemed like a perfect way to set up A Heavy Duty Heart, which was recorded with his touring band and produced by Sadler Vaden.
“What I found is, usually the biggest enemy is me when it comes to how I’m feeling about how it’s going,” Farley says. “When things like that happen, it pulls you again out of your head and reminds you, ‘No, everything’s going great, actually. You’re doing really well, and you should just keep doing it and get out of your head a little bit.’”
In an interview with Good Country, the Birmingham, Alabama-based singer-songwriter retraces his trajectory to becoming one of roots music’s most promising performers. He explains why he considers Robert Earl Keen a role model and shares the song that still makes his wife cry.
The opening song, “Love We Mean,” captures that moment in a relationship where you have a rare moment to reflect. What was on your mind as that song was taking shape?
Drayton Farley: Yeah, it was pretty much that. I wanted to write a song about that moment where the kids are gone and you’re not on the road and there’s not a lot going on. All of a sudden, you’re both just at the house and there’s nothing to do or worry about. [Laughs] And you’ve both been going a hundred miles an hour, sometimes in the same direction, sometimes in the other direction, but all of a sudden, everything just kind of stops and gets quiet. Then you’re both looking at each other like, “What the hell just happened?” And you start kind of taking stock and checking in.
I sensed a theme throughout this album of assessing where you are in life and asking those big questions. Then I looked you up and saw that you’re just 30 years old. Have you always been the kind of guy who’s willing to look inward and analyze the world around you?
Yeah, I think so. I don’t know why. I think that feels easier to do. I celebrate my 10th wedding anniversary in May. You know, I’m only 30, but I guess I’ve worked enough of the real jobs and been married long enough with two daughters now, these kinds of things feel required to do.
What were the day jobs you had before you could finally dedicate yourself to music?
Out of high school, I spent about three and a half years working on the railroad [as a subcontractor for Norfolk Southern doing derailment cleanups]. I got married while I was working there, then quit that job, and I got a job working for Mercedes-Benz. I worked on the assembly line building cars for the next four years. During that last year is when I started releasing music. I spent the last two years there, kind of gigging after work every day that I could, just trying to build whatever local presence I could and release as much music as I could and build a catalog. And this is just me and a guitar with a few microphones. Just lo-fi. It’s really demo tapes. They’re live recordings really, just in the house.
Then I left that job so that I could gig more. I got a job working for Safelite, doing auto glass for about two months. Then I booked myself opening a few tours and I booked a little headline run for myself. I told my boss, “Man, I gotta do music. I thought I could just open my schedule a little more and that would make me happier. But it’s pretty obvious now that music is what I have to do.” In the next month or two, I met my agent at CAA, met my manager, and hit it off with David Macias at Thirty Tigers. All the dominoes started falling immediately. Within three months of quitting that last job, I was already booked to open two shows for Willie Nelson. So it all happened fast, and it’s like reassurance that I’d made the right choice.
I’m going to quote a lyric back to you, which is “Somewhere deep inside I knew/ And I know you knew it, too/ Couldn’t be more proud to see we saw each other through.” That’s got to be the best feeling to know it actually happened for you. You held onto the dream. How did you stay motivated when things weren’t exactly going fast for you?
I think, especially for those times, the struggle was the motivation. It came pretty naturally. That song specifically, “Dream Come True,” that is mine and my wife’s story. I spent those years working the jobs – and even on the railroad I brought my guitar with me to write songs in the hotel rooms. I played open mics after work. We traveled for work on that job. So, those days, all the way leading up to, I guess around ‘22, that was it.
It was always just like, “How do you even make a career in music?” You know, “I’ve never been to Nashville. I don’t know anybody in Nashville. I really don’t know anyone in the Birmingham music scene. I don’t even know where to start or what to do, other than use social media to try to get my stuff out there.” And then fast forward to Mercedes. I was gigging after work for a few years, like Thursday, Friday, Saturday, as many shows as I can play, and I’m releasing EPs that I’ve self-recorded. The dream was always to do music and just find a way to be able to support us with music, instead of these other jobs that aren’t what I’m supposed to do.
We were trying to have kids and start a family and we ended up losing the first pregnancy. We kept trying after that, we had a second pregnancy, and we lost that one. So there for a while, it just felt like music wasn’t going to happen. How do you get that to kick off? And we’ve lost two pregnancies, so who knows if we can even have kids? That was our shared dream. That is what the whole song is about. We have two daughters now and this is what I do. When my wife hears that song now, she cries.
Being married myself, I appreciate these songs about the depth of that relationship, just leaning on each other and trusting each other.
I just needed something in my catalog that would reflect those parts of my life, because I’ve written so much about other things. Just looking back through all the songs, I was like, I have a severe lack of love songs going on, you know? Why not write an entire album of it?
I also picked up on the Robert Earl Keen reference in “Feel Like Getting High.” What do you enjoy about the music that he’s made over the years?
It spans a lot of different moods and I want to be more that way. So far, a lot of my projects and albums and catalog have had a similar atmosphere around it all. What he’s talking about, and what he sings about and writes about, is a pretty broad spectrum. As a writer, I want to get more in that direction where I’m not gridlocking myself to a certain topic or a certain mood. I would say that’s inspiring from him.
Why did the album title, A Heavy Duty Heart, seem to fit?
That was the hardest part of this whole thing, just naming it. It had me stuck for a while, trying to figure out the name. I don’t know where that came from. It was just a thought and I kind of liked the way it rolled off the tongue. Looking through the songs, almost all of these songs say the word “heart,” and it’s talking about the inward, deeper, zoomed-in struggles and details of my life, being a touring musician and having children and a wife, and our journey to get there. So, it felt like it would take a pretty strong heart and will to keep going through all that and keep your eye on the prize. I thought that title reflected the overall idea of the album.
I really like “Turn Around” right there at the end of the record. What was going on in your life when you were when you wrote that song?
That was a similar thing to what I was talking about earlier, where it was kind of throwing yourself a pity party and losing perspective. “Why is this going on?” “Why are these tickets not selling more?” “Why is this artist doing more than I’m doing? Two years ago, we were at the same place.” It’s just a game of comparison on social media and that can really begin to affect you, just wondering if you’re stalling, or if you’re doing well or not.
But the truth is, that’s just your mind going to those places because you haven’t kept your own perspective on everything. Like, me five years ago wouldn’t believe anything that me right now would have to tell them about all the things I’ve done and accomplished. That’s the real perspective. And when you lose it, you get too far in your head, for no good reason. And then stopping and turning around, kind of taking stock of where you’re at, and what all you have, and measuring yourself again.
Photo Credit: Leah Dockery
