Artist of the Month: Vince Gill

Who doesn’t love Vince Gill? His pristine tenor fits beautifully into bluegrass, country, Western Swing, and even classic rock, as he tours as a member of the Eagles. Still, the good-natured Opry star tells BGS that bluegrass remains close to his heart.

“You get the right band, the right drive and the right thing — I tell people it rocks as hard as the Rolling Stones. When it’s right — it’s really, really right — it’s like a freight train coming at you,” he observed during a visit in his Nashville home, just a few days after his annual summer appearance at Bluegrass Nights at the Ryman.

He continues, “It’s awesome — even in the middle of it. I don’t know that it translates far away like it does in a circle of it. We practiced over here the other night, and just being in this room and being this close to everybody was so much fun.”

Gill’s childhood memories shape a large part of Okie, his exquisite new album — an acoustic-oriented project that puts his voice and songwriting at the forefront. Look for our two-part interview this month with this member of the Country Music Hall of Fame, and in the meantime, enjoy our Essentials playlist.


Photo credit: John Shearer

Kitty Wells at 100: Still the Queen of Country

Kitty Wells, who shall always remain the Queen of Country Music to its most traditional fans, would have marked her 100th birthday today. Her legacy is secure, due to the 1952 smash, “It Wasn’t God Who Made Honky Tonk Angels.”

Wells lived to be 92 years old, long enough to enjoy an exceptional exhibit about her life and career at the Country Music Hall of Fame and Museum in 2008. The hometown salute — she was born in Nashville — brought her back into a much-deserved spotlight one last time before her death in 2012.

And to think, she just about quit the music industry altogether after initial dismal response to her early records. Even though she recorded it with a $125 paycheck foremost on her mind, according to the Los Angeles Times, “It Wasn’t God Who Made Honky Tonk Angels” turned things around in a big way.

Beloved by fans and her peers, Wells was inducted into the Country Music Hall of Fame in 1976, while her singles were still charting. In all, Wells placed 81 singles on the Billboard chart, including classics like “Making Believe,” “Heartbreak U.S.A.,” and “I Can’t Stop Loving You.” Here are some of her finest moments on record.

Spotify Playlist Creator Enters Witness Protection

New York, NY — Ducking into the black, unmarked car and spending the next 24 hours memorizing her new identity, Molly Blackwell paused only to wonder how a job as seemingly innocuous as Spotify Playlist Creator could land her in federal witness protection. For years, Blackwell led a normal life and seemed to have the magic touch at the online streaming service: Most of her playlists reached over 20 million listeners resulting in dozens and dozens of dollars for the artists.

Though aggressively sought-out by managers, publicists, promoters, booking agents, and artists themselves, Blackwell’s identity was kept under wraps for several years until a member of the hacktivist group Anonymous exposed her information as a favor to his folk singer girlfriend.

“It was unreal,” recalls Blackwell. “I’d read about people being doxxed, but the reality of your phone ringing and receiving text messages constantly from numbers all over the world? Crazy. Inbound emails on my account alone caused the global Spotify servers to crash.”

The Anonymous member admitted he didn’t think making Blackwell’s contact details public would get out of hand. “It took me about 10 minutes, including a break to walk my dog,” he said. “I was like, who gives a shit about someone who makes digital mix tapes? Apparently everyone.”

A line of high-ranking music industry executives went on for miles at the Brooklyn brownstone where Blackwell’s address was listed and some had even set up tents on neighboring lawns. Tour bus and van congestion in the neighborhood caused the fire department to be called in to assist with traffic flow.

“We thought police escorts would only be needed for a few days,” said Blackwell. “But after two weeks, the harassment was so bad that the NYPD referred the case to federal law enforcement for witness protection. They said I’m the first, but several other Spotify employees are being considered.”

Blocking two lanes of Atlantic Avenue, touring band I’ll Have the Lobster said they wanted to swing through to try to get their new record into Blackwell’s hands. “It’s worth a shot,” shrugged lead guitarist Joey Frazier. “Getting on a Molly playlist is better than a year’s worth of touring money. I saw on Reddit that she gets home about eight o’clock, so we’ll hang here for a while.”

Unbeknownst to the swelling crowd, Blackwell had been escorted out of the city two nights prior.


The above is a work of satire. Any resemblance to actual persons, living or dead, or actual events is purely coincidental … although entirely likely.

Photo credit: downloadsource.fr