WATCH: Jeremie Albino, “Acre of Land”

Artist: Jeremie Albino
Hometown: Toronto
Song: “Acre of Land”
Album: Past Dawn
Release Date: April 1, 2022
Label: Good People Record Co.

In Their Words: “Wrote this one with my pal Khalid Yassein (Wild Rivers) at a summer BBQ and my pal Michael Trent (Shovels & Rope) helped bring it to life via the power of the internet. At the time I wrote this song, I was stuck at home and all I seemed to write about was missing tour and at the same time missing home haha. Seems like there’s always a battle of wanting to have the stability of finding a partner, a home and settling down, and the pull of being out on the open road. I’m hoping I can find a balance in both one day. I guess this song leans more on the ‘yearning for a love and home’ type of song. I feel pretty grateful right now to have both those things but for some reason I have a feeling I’ll still be writing songs about missing something in years to come. Hopefully it’s just about missing my keys or misplacing my wallet haha! This song actually ended up being my favourite of the bunch of songs on my new EP, Past Dawn, in many ways. I especially loved making the video in one of the most beautiful places I’ve ever been. That deserted space between Nevada and California really helped capture that feeling of being free and wild roaming the highways of America!” — Jeremie Albino


Photo Credit: Colin Medley

BGS 5+5: Wild Rivers

Artist: Wild Rivers
Hometown: Toronto, Ontario, Canada
Album: SIDELINES
Personal nicknames or rejected band names: We were very close to being called Wolf Island. Someone else unfortunately snagged that Facebook page in 2015 so we decided against it.

Answers provided by Khalid Yassein of Wild Rivers

Which artist has influenced you the most … and how?

Very tough one. We all have many different influences for our songwriting, singing, playing, recorded music, live performances, they’re all different things. I’m going to go with Paul Simon. He’s probably my favourite songwriter, and over the course of his career he’s made so many incredible records with entirely different sounds. He has somehow found a way to have such depth, while sounding so light and casual. Love us some Paul.

What rituals do you have, either in the studio or before a show?

We all have been doing vocal warmups which has been awesome. It’s basically buzzing our lips for 20 minutes and it’s kind of silly and fun. Then we huddle up and someone does a pre-show speech and we bonk heads and say “TEAM!”

What other art forms — literature, film, dance, painting, etc — inform your music?

Probably movies and TV are the main ones that inform our music. Character studies and stories about people are so inspiring. Recent ones that come to mind are Call Me By Your Name, Nomadland, and Minari. All kind of slow burns about people just getting through it. There’s no better feeling than connecting to someone’s emotion. I think that’s what we try to do with our songs — pursue being as honest as we can with ourselves and dig into how we really feel. And then hopefully someone will connect with that.

What’s the toughest time you ever had writing a song?

One of our latest songs, “Long Time,” was a tough one to crack. I took breaks from it and came back to it throughout a year to really carve out the melody and find the lyrics that fit. Sometimes it’s fast and sometimes it takes a really long time (sorry).

What was the first moment that you knew you wanted to be a musician?

I think the moment I fully decided in my mind that this is what I wanted to do for my life was when we were making our first record. Going into the studio and crafting this big piece of art bit by bit was such an ambitious and exciting process. Everything coming together in real time. We had no idea what we were doing, and it was the best.


Photo Credit: Samuel Kojo

MIXTAPE: Mike McKenna Jr.’s Canadian Dream

We have some very chill vibes happening north of the border, so I’ve put together a playlist of my current isolation favourites, with a focus on the music scene here in my adopted home of Montreal. This is not a who’s who of club bangers or country twangers, although there’s a time and a place for both. Instead it’s my special collection of laid-back, Canadian, genre-fluid, slow afternoon-drive royalty. — Mike McKenna Jr.

Foxwarren – “Sunset Canyon”

I’ve been into this song somethin’ fierce lately so it’s at the top of the list, and it honestly makes me want to melt into my couch just hearing it now. If an ice cream sandwich started a band it would probably sound like Foxwarren, and no I don’t have any idea what I mean by that.

Deadhorse Beats – “Inglaterra”

When I first met Patrick Wade (AKA Dead Horse Beats) here in Montreal, through the small but tight-knit Nova Scotia community, we seemed to have skipped over the fact we were both musicians. Turns out he had some really fresh tracks up his sleeve, eventually showcased in his 2019 record Inglaterra, and since it dropped I’ve had it on repeat.

Hanorah – “Saturn Return”

One night I went out to meet a friend at a local dive bar, who told me she’d be singing backup for this artist named Hanorah. The bar was an absolute pile of trash, but as the music started this confident, natural voice cut through the nonsense… it was holiness.

Leif Vollebekk – “Elegy”

Another true Montreal gem, Leif is a piano and chill mastermind, with several other great songs from this album worth mentioning like “Vancouver Time” and “Into the Ether.” His music has a simple beauty and “Elegy” was a must include, or me getting stoned and making a playlist didn’t happen.

Buffy Sainte-Marie – “Helpless”

“Helpless” may have been written by Neil Young and first recorded by both Crazy Horse and Crosby, Stills, Nash & Young, but there is something raw and badass about Buffy’s 1971 rendition. She’s an icon, and this throwback has a little je ne sais quoi that I connected with as soon as it hit my ears.

Bahamas – “Lost In The Light”

The first time I heard Toronto-born songwriter Afie Jurvanen’s “Lost In The Light,” I was lost on a documentary binge, and it stood out while watching a short-doc about a guy from Nova Scotia living on a sailboat and cruising around the Caribbean. The melody cemented that image into my head; the clear turquoise water, the fresh fish, the freedom, the cool pocket knife… funny how vividly a great song can transport us somewhere.

Rosier – “Vie peníble”

This pastel-adorned, traditional turned indie band has strong roots in the folk music community here in Quebec, and it shows subtly throughout their youthful dream-pop songs à la française. My own newest release At the Edge of the World features two members of Rosier, so yes you’re right that I’m very biased, but unapologetically so.

Colter Wall – “Kate McCannon”

We’re deep into the session so we needed a dark horse, and “Kate McCannon” is not only an epic and old school tale, but my sister’s name happens to be Kate. So it sounds a hell of a lot like Kate McKenna to me sometimes when it’s on in the background, and then I have to stop whatever I’m doing and plan to avenge her death at the hand of this s.o.b. prairie boy. But honestly this song is captivating, vivid storytelling and I’m into it big time. Respect!

Andy Shauf – “The Magician”

The opening track to Andy Shauf’s 2016 record, The Party, sets the tone for an album written by an incredibly observational songwriter, and entirely about one awkward, eventful night. He’s the only artist to be featured twice on this list, and deservedly so, since he also happens to be the lead singer of Foxwarren.

City and Colour – “Sleeping Sickness”

This song reminds me of driving across Canada for the first time a few years ago, passing by fields and endless trees and more lakes than you could imagine. Although it doesn’t say in the title, “Sleeping Sickness” includes a guest spot by the late Gord Downie of the Tragically Hip, which makes this one a bit more special.

Geneviève Racette – “Magnetic Love”

My good friend, and a truly exceptional songwriter in both French and English, Geneviève Racette got some serious national attention last year after releasing her album No Water, No Flowers. It’s no accident that I placed this one right after City and Colour, since it was upon hearing her new track “Parachute” that lead singer Dallas Green became incredibly vocal about how strong of a record this truly was.

Jon Bryant – “Paradise”

People from my home in the Canadian Maritimes love to champion someone as our own, and even though Jon Bryant has relocated to the West Coast we know he’s a bluenosin’ Nova Scotian. “Paradise” is my favourite track from his new record, Cult Classic, and it demonstrates that he’s absorbed a lot of that laid-back, free-spirit energy BC is known for.

Mike McKenna Jr. – “At the Edge of the World”

It was suggested, maybe even encouraged, that I include at least one of my own songs, so I chose the single and title-track from my just released 8-song album, At the Edge of the World. It features some lush, dreamy production courtesy of Victoria, BC’s Quinn Bachand (Brishen, Kittel & Co., Rosier), and a ’70s-inspired, harmony laden, pedal-steel infused backing band.

Les Louanges – “La nuit est une panthère”

Yesterday I asked my bandmate Colin Savoie-Levac (Rosier, the Duhks) if he wanted to throw something into the mix that he’s really into right now. His pick was this sweaty, sexy number from Quebec’s indie pop powerhouse, Les Louanges, and I wasn’t disappointed!

Rose Cousins – “Freedom”

A live video recording of “Freedom” is what originally pulled me into a deep Rose Cousins wormhole, but the studio version is such a dramatic, powerful and universal piece of work. My natural conclusion is she’ll go down as one of our greats.

Mac DeMarco – “This Old Dog”

This song has been in a few of my playlists lately, as it’s strange but smooth lull makes me feel like I’m floating on a druggy cloud. Although I know “Chamber of Reflection” or something from his outstanding 2014 album Salad Days might be an easy crowd-pleaser, I really like the stripped-down, tight, melodic nature of “This Old Dog.”

Wild Rivers – “Thinkin ‘Bout Love”

I’ve been following the trajectory of this band for a while now, ever since we’d both entered a national song contest and I came across their soulful, catchy pop song “No Ribbons.” It was released under a different name, but when they launched into the mainstream as Wild Rivers and dropped “Thinkin ‘Bout Love,” I wasn’t surprised to see them selling-out shows and thriving.

The Sheepdogs – “The One You Belong To”

Trying to remember where I was when I first heard the Sheepdogs, but the memory is smothered by a thick cloud of smoke. The retro, soulful, southern-rockish band out of Saskatoon hits my nostalgia buttons with a Woodstock-esque punch, making this jam a perfect way to finish off my list!


Photo credit: Elena Samuel

WATCH: Wild Rivers, “Kinda Feels Alright”

Artist: Wild Rivers
Hometown: Toronto, Ontario
Song: “Kinda Feels Alright”
Album: Songs To Break Up To EP
Release Date: May 1, 2020
Label: Nettwerk

In Their Words: “‘Kinda Feels Alright’ holds an important place on the Songs To Break Up To EP, exploring the positive side of a breakup. It’s also a big part of the personal story of the record. It’s about beginning to accept a breakup and feel alright. Sonically, it feels like a bridge between a classic Wild Rivers song and the new territory we explore with the rest of the EP.” — Khalid Yassein, Wild Rivers


Photo credit: Stefan Kohli

BGS 5+5: Wild Rivers

Artist: Wild Rivers
Hometown: Toronto, Canada
Latest album: Eighty-Eight
Personal nicknames (or rejected band names): Wolf Island, Chancey Shoegaze (Andrew’s guitar pedal obsessed alias), Cortez the Killer (Khalid’s wannabe cowboy persona)

What other art forms — literature, film, dance, painting, etc. — inform your music?

The primary influences that inform our music are really our musical heroes. Many of the songs I write come out of listening to some piece of music, getting inspired by one part of it and examining and working around that. Film and TV are other inspirations that I think find their way into the songs. I’m intrigued by movies and TV that examine a specific character. There are so many movies right now that do an amazing job of showcasing a complex, flawed character, while allowing the audience to empathize with them. I think a lot of songwriting is doing just that, telling a story while unapologetically showing both the good and ugly sides of it. — Khalid Yassein

What’s the toughest time you ever had writing a song?

There have been many tough times writing songs. Not so much in an emotional sense, often the most difficult songs emotionally songs are the easiest for me to write. A lot of times in the last few years we’ve written songs where one part of it is really strong, so writing the rest of it to live up to that standard can be exceptionally hard. I’ve got some songs that have been in the works for a few years now, and you can absolutely hit a wall. It can be a lot of frustration, and sometimes 90% [of your time] can be spent toiling and thinking, and then in the span of a few minutes it suddenly becomes perfectly clear what you have to say. It’s about persistence and trying not to put too much pressure on what should be an organic experience. — KY

What rituals do you have, either in the studio or before a show?

We start every show with an off-stage huddle. We get into a circle, and whoever is feeling the most energetic will say a few words to pump us up. Then we count to 3, bonk our heads together and say “team!” It sounds pretty ridiculous, but it really gets us focused and in tune with one another. We haven’t developed many studio rituals yet, other than consuming lots of coffee and making Khal drink some whiskey when we want him to sound more raspy. — Andrew Oliver

Which elements of nature do you spend the most time with and how do those impact your work?

Living in Toronto, we experience the extremes of each season. From harsh winters to hot summers, and the beauty of mild springs and falls, it’s easy to be inspired by the changing landscape. Having distinct seasons also allows for memories to be tied to a specific time of year. I think this definitely informs my songwriting, as it creates a sort of nostalgia associated with each season. I know I definitely write more sad songs in the winter when I’m longing for a little sun. — Devan Glover

Getting away to spend time outside of the city is something we all love to do. Clearing your mind by spending time in nature can be very therapeutic, and always helps to put me in a creative headspace, so it probably indirectly informs a lot of my music and writing. Sometimes when I’m feeling stuck creatively, I’ll drive up to my cottage for a change of scene. — KY

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I usually write in first person, but I don’t think I’m fooling anyone with a sneaky pronoun change. If you think switching up “I” and “you” is going to protect yourself you’re probably in the wrong business! Most of our songs are really about us and our lives so we have to accept being vulnerable in a very public way. It can be difficult and scary but I think people can tell if you’re being authentic or if something is contrived. Some of my favourite writers say things in songs that are so raw and unashamed, and it’s incredible. Those are the lines that stick with you forever, they make you feel something. — KY


Photo credit: Laura Partain