Sierra Ferrell, Beyoncé, Many More Roots Musicians Win at 67th GRAMMY Awards

Yesterday, the 67th Annual GRAMMY Awards show was held in Los Angeles, handing out dozens of awards across the primetime broadcast and premiere ceremony while highlighting the city’s ongoing response to last month’s extreme wildfires, which displaced hundreds of musicians, artists, industry professionals, and creatives. The marquee event was kicked off by Dawes – whose sibling frontmen, Taylor and Griffin Goldsmith, had homes, their studio, and countless instruments and equipment destroyed in the blazes. They performed a moving rendition of “I Love L.A.” with a host of special guests.

Throughout the show, audience members were encouraged to support MusiCares Fire Relief, a collaborative fundraiser launched by the Recording Academy and MusiCares in partnership with Direct Relief, the California Community Foundation, and the Pasadena Community Foundation to help expand wildfire relief efforts across the broader Los Angeles community. Despite the somber shadow cast by the disaster over LA and its creative community, the show was convivial, joyous, and restorative – and included more than a few show-stopping and jaw-dropping moments.

As usual, the crème de la crème of roots musicians could be found across both the pre-telecast and primetime awards, scooping up golden gramophones in seemingly endless varieties of categories. The evening’s big winners in the Country & American Roots Music categories included superstar Beyoncé, who finally picked up her first Album of the Year win, as well as becoming the first Black woman to ever win Best Country Album. She also won the trophy for Best Country Duo Performance with Miley Cyrus for “II Most Wanted,” bringing her GRAMMY Awards totals to 99 nominations and 35 wins – the most wins of any recipient in the history of the awards.

Sierra Ferrell, a West Virginia native and firebrand bluegrass and country starlet quickly on the rise these past handful of years, was indisputably the day’s other big winner, scoring in each of the four categories in which she was nominated. She quickly followed her very first GRAMMY win with three more, landing awards for Best Americana Album, Best American Roots Performance, Best Americana Performance, and Best American Roots Song – an honor she shares with her co-writer, musician, songwriter, and vocalist Melody Walker (Front Country, BERTHA: Grateful Drag).

The award for Best Bluegrass Album was yet again snatched by the world’s premier flatpicker, Billy Strings, for Live Vol. 1, logging his second win at the GRAMMYs after seven nominations over the last five years.

Pop phenom Chappell Roan won Best New Artist, Kacey Musgraves took home Best Country Song for “The Architect,” Chris Stapleton racked up his 11th GRAMMY win for Best Country Solo Performance, and Woodland, the latest album by Gillian Welch & David Rawlings, was recognized as Best Folk Album. Chick Corea won a posthumous award – Best Jazz Instrumental Album – for Remembrance, a duo project helmed by banjoist Béla Fleck that was released in honor of his hero, friend, and collaborator.

The GRAMMYs yet again demonstrate that the impact of bluegrass, folk, Americana, and country on the mainstream music industry cannot be overstated. Congratulations to all of the winners and nominees for the 67th GRAMMY Awards!

Give now to support MusiCares Fire Relief here and find out many more ways to support LA as it recovers from the devastating wildfires here. Find the full list of Country & American Roots Music winners below, including several additional related categories boasting roots music nominees and winners.

(Winners denoted in BOLD)

Best Country Solo Performance

“16 CARRIAGES” – Beyoncé
“I Am Not Okay” – Jelly Roll
“The Architect” – Kacey Musgraves
“A Bar Song (Tipsy)” – Shaboozey
“It Takes A Woman” – Chris Stapleton

Best Country Duo/Group Performance

“Cowboys Cry Too” – Kelsea Ballerini with Noah Kahan
“II MOST WANTED” – Beyoncé featuring Miley Cyrus
“Break Mine” – Brothers Osborne
“Bigger Houses” – Dan + Shay
“I Had Some Help” – Post Malone featuring Morgan Wallen

Best Country Song

“The Architect” – Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
“A Bar Song (Tipsy)” – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
“I Am Not Okay” – Casey Brown, Jason DeFord, Ashley Gorley & Taylor Phillips, songwriters (Jelly Roll)
“I Had Some Help” – Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen & Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)
“TEXAS HOLD ‘EM”– Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)

Best Country Album

COWBOY CARTER – Beyoncé
F-1 Trillion – Post Malone
Deeper Well – Kacey Musgraves
Higher – Chris Stapleton
Whirlwind – Lainey Wilson

Best American Roots Performance

“Blame It On Eve” – Shemekia Copeland
“Nothing In Rambling” – The Fabulous Thunderbirds featuring Bonnie Raitt, Keb’ Mo’, Taj Mahal, & Mick Fleetwood
“Lighthouse” – Sierra Ferrell
“The Ballad Of Sally Anne” – Rhiannon Giddens

Best Americana Performance

“YA YA” – Beyoncé
“Subtitles” – Madison Cunningham
“Don’t Do Me Good” – Madi Diaz featuring Kacey Musgraves
“American Dreaming” – Sierra Ferrell
“Runaway Train” – Sarah Jarosz
“Empty Trainload Of Sky” – Gillian Welch & David Rawlings

Best American Roots Song

“Ahead Of The Game” – Mark Knopfler, songwriter (Mark Knopfler)
“All In Good Time” – Sam Beam, songwriter (Iron & Wine featuring Fiona Apple)
“All My Friends” – Aoife O’Donovan, songwriter (Aoife O’Donovan)
“American Dreaming” – Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell)
“Blame It On Eve” – John Hahn & Will Kimbrough, songwriters (Shemekia Copeland)

Best Americana Album

The Other Side – T Bone Burnett
$10 Cowboy – Charley Crockett
Trail Of Flowers – Sierra Ferrell
Polaroid Lovers – Sarah Jarosz
No One Gets Out Alive – Maggie Rose
Tigers Blood – Waxahatchee

Best Bluegrass Album

I Built A World – Bronwyn Keith-Hynes
Songs Of Love And Life – The Del McCoury Band
No Fear – Sister Sadie
Live Vol. 1 – Billy Strings
Earl Jam – Tony Trischka
Dan Tyminski: Live From The Ryman – Dan Tyminski

Best Traditional Blues Album

Hill Country Love – Cedric Burnside
Struck Down – The Fabulous Thunderbirds
One Guitar Woman – Sue Foley
Sam’s Place – Little Feat
Swingin’ Live At The Church In Tulsa – The Taj Mahal Sextet

Best Contemporary Blues Album

Blues Deluxe Vol. 2 – Joe Bonamassa
Blame It On Eve – Shemekia Copeland
Friendlytown – Steve Cropper & The Midnight Hour
Mileage – Ruthie Foster
The Fury – Antonio Vergara

Best Folk Album

American Patchwork Quartet – American Patchwork Quartet
Weird Faith – Madi Diaz
Bright Future – Adrianne Lenker
All My Friends – Aoife O’Donovan
Woodland – Gillian Welch & David Rawlings

Best Regional Roots Music Album

25 Back To My Roots – Sean Ardoin And Kreole Rock And Soul
Live At The 2024 New Orleans Jazz & Heritage Festival – Big Chief Monk Boudreaux & The Golden Eagles featuring J’Wan Boudreaux
Live At The 2024 New Orleans Jazz & Heritage Festival – New Breed Brass Band featuring Trombone Shorty
Kuini – Kalani Pe’a
Stories From The Battlefield – The Rumble Featuring Chief Joseph Boudreaux Jr.

Best Roots Gospel Album

The Gospel Sessions, Vol 2 – Authentic Unlimited
The Gospel According To Mark – Mark D. Conklin
Rhapsody – The Harlem Gospel Travelers
Church – Cory Henry
Loving You – The Nelons

Best Jazz Performance

“Walk With Me, Lord (SOUND | SPIRIT)” – The Baylor Project
“Phoenix Reimagined (Live)” – Lakecia Benjamin featuring Randy Brecker, Jeff “Tain” Watts & John Scofield
“Juno” – Chick Corea & Béla Fleck
“Twinkle Twinkle Little Me” – Samara Joy featuring Sullivan Fortner
“Little Fears” – Dan Pugach Big Band featuring Nicole Zuraitis & Troy Roberts

Best Jazz Instrumental Album

Owl Song – Ambrose Akinmusire featuring Bill Frisell & Herlin Riley
Beyond This Place – Kenny Barron featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins & Steve Nelson
Phoenix Reimagined (Live) – Lakecia Benjamin
Remembrance – Chick Corea & Béla Fleck
Solo Game – Sullivan Fortner

Best Traditional Pop Vocal Album

À Fleur De Peau – Cyrille Aimée
Visions – Norah Jones
Good Together – Lake Street Dive
Impossible Dream – Aaron Lazar
Christmas Wish – Gregory Porter

Best Contemporary Instrumental Album

Plot Armor – Taylor Eigsti
Rhapsody In Blue – Béla Fleck
Orchestras (Live) – Bill Frisell featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston & Thomas Morgan
Mark – Mark Guiliana
Speak To Me – Julian Lage

Best Instrumental Composition

“At Last” – Shelton G. Berg, composer (Shelly Berg)
“Communion” – Christopher Zuar, composer (Christopher Zuar Orchestra)
“I Swear, I Really Wanted To Make A “Rap” Album But
This Is Literally The Way The Wind Blew Me This Time” – André 3000, Surya Botofasina, Nate Mercereau & Carlos Niño, composers (André 3000)
“Remembrance” – Chick Corea, composer (Chick Corea & Béla Fleck)
“Strands” – Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman)

Best Arrangement, Instrumental or A Cappella

“Baby Elephant Walk” – Encore, Michael League, arranger (Snarky Puppy)
“Bridge Over Troubled Water” – Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier Featuring John Legend & Tori Kelly)
“Rhapsody In Blue(Grass)” – Béla Fleck & Ferde Grofé, arrangers (Béla Fleck featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz & Bryan Sutton)
“Rose Without The Thorns” – Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy & Amanda Taylor, arrangers (Scott Hoying featuring säje & Tonality)
“Silent Night” – Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje)

Notable General Field Categories:

Record Of The Year

“Now And Then” – The Beatles
“TEXAS HOLD ‘EM” – Beyoncé
“Espresso” – Sabrina Carpenter
“360” – Charli XCX
“BIRDS OF A FEATHER” – Billie Eilish
“Not Like Us” – Kendrick Lamar
“Good Luck, Babe!” – Chappell Roan
“Fortnight” – Taylor Swift featuring Post Malone

Album Of The Year

New Blue Sun – André 3000
COWBOY CARTER – Beyoncé
Short n’ Sweet – Sabrina Carpenter
BRAT – Charli XCX
Djesse Vol. 4 – Jacob Collier
HIT ME HARD AND SOFT – Billie Eilish
Chappell Roan The Rise And Fall Of A Midwest Princess – Chappell Roan
THE TORTURED POETS DEPARTMENT – Taylor Swift

Song Of The Year

“A Bar Song (Tipsy)” – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
“BIRDS OF A FEATHER” – Billie Eilish O’Connell & FINNEAS, songwriters (Billie Eilish)
“Die With A Smile” – Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars & Andrew Watt, songwriters (Lady Gaga & Bruno Mars)
“Fortnight” – Jack Antonoff, Austin Post & Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)
“Good Luck, Babe!” – Kayleigh Rose Amstutz, Daniel Nigro & Justin Tranter, songwriters (Chappell Roan)
“Not Like Us” – Kendrick Lamar, songwriter (Kendrick Lamar)
“Please Please Please” – Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
“TEXAS HOLD ‘EM” – Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)

Best New Artist

Benson Boone
Sabrina Carpenter
Doechii
Khruangbin
RAYE
Chappell Roan
Shaboozey
Teddy Swims


Lead image: Screenshot from GRAMMYs pre-telecast.

See the Nominees for the 67th GRAMMY Awards

This morning, Friday, November 8, the Recording Academy announced the nominees for the 67th GRAMMY Awards, to be held in Los Angeles on February 2 at the Crypto.com Arena. Roots musicians can be found at all levels and across all fields of the buzzworthy awards, which are voted on by the vast Recording Academy membership of music makers, artists, and creatives.

Notably, Beyoncé, her groundbreaking country fusion album COWBOY CARTER, and its tracks can be found throughout the general field and American Roots categories, including landing nominations for Best Country Album, Best Country Song, Best Americana Performance, Album of the Year, Record of the Year, and more. Banjoist and composer Béla Fleck collected more than a handful of nominations for his work with Chick Corea – released posthumously – and Rhapsody in Blue, as well.

The Best Bluegrass Album category this year includes releases from Bronwyn Keith-Hynes, the Del McCoury Band, Sister Sadie, Billy Strings, Tony Trischka, and Dan Tyminski, making for an incredibly stout and superlative lineup.

From Kacey Musgraves to Shemekia Copeland, Aoife O’Donovan to Lake Street Dive, below we’ve collected all of the nominees in the Country & American Roots Music fields, plus we feature select categories from across the many fields, genres, and communities that also include roots musicians and our BGS friends and neighbors. Check out the list and mark your calendars for the 67th GRAMMY Awards, Sunday, February 2, 2025.

Best Country Solo Performance

“16 CARRIAGES” – Beyoncé
“I Am Not Okay” – Jelly Roll
“The Architect” – Kacey Musgraves
“A Bar Song (Tipsy)” – Shaboozey
“It Takes A Woman” – Chris Stapleton

Best Country Duo/Group Performance

“Cowboys Cry Too” – Kelsea Ballerini with Noah Kahan
“II MOST WANTED” – Beyoncé featuring Miley Cyrus
“Break Mine” – Brothers Osborne
“Bigger Houses” – Dan + Shay
“I Had Some Help” – Post Malone featuring Morgan Wallen

Best Country Song

“The Architect” – Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
“A Bar Song (Tipsy)” – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
“I Am Not Okay” – Casey Brown, Jason DeFord, Ashley Gorley & Taylor Phillips, songwriters (Jelly Roll)
“I Had Some Help” – Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen & Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)
“TEXAS HOLD ‘EM”– Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)

Best Country Album

COWBOY CARTER – Beyoncé
F-1 Trillion – Post Malone
Deeper Well – Kacey Musgraves
Higher – Chris Stapleton
Whirlwind – Lainey Wilson

Best American Roots Performance

“Blame It On Eve” – Shemekia Copeland
“Nothing In Rambling” – The Fabulous Thunderbirds featuring Bonnie Raitt, Keb’ Mo’, Taj Mahal, & Mick Fleetwood
“Lighthouse” – Sierra Ferrell
“The Ballad Of Sally Anne” – Rhiannon Giddens

Best Americana Performance

“YA YA” – Beyoncé
“Subtitles” – Madison Cunningham
“Don’t Do Me Good” – Madi Diaz featuring Kacey Musgraves
“American Dreaming” – Sierra Ferrell
“Runaway Train” – Sarah Jarosz
“Empty Trainload Of Sky” – Gillian Welch & David Rawlings

Best American Roots Song

“Ahead Of The Game” – Mark Knopfler, songwriter (Mark Knopfler)
“All In Good Time” – Sam Beam, songwriter (Iron & Wine featuring Fiona Apple)
“All My Friends” – Aoife O’Donovan, songwriter (Aoife O’Donovan)
“American Dreaming” – Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell)
“Blame It On Eve” – John Hahn & Will Kimbrough, songwriters (Shemekia Copeland)

Best Americana Album

The Other Side – T Bone Burnett
$10 Cowboy – Charley Crockett
Trail Of Flowers – Sierra Ferrell
Polaroid Lovers – Sarah Jarosz
No One Gets Out Alive – Maggie Rose
Tigers Blood – Waxahatchee

Best Bluegrass Album

I Built A World – Bronwyn Keith-Hynes
Songs Of Love And Life – The Del McCoury Band
No Fear – Sister Sadie
Live Vol. 1 – Billy Strings
Earl Jam – Tony Trischka
Dan Tyminski: Live From The Ryman – Dan Tyminski

Best Traditional Blues Album

Hill Country Love – Cedric Burnside
Struck Down – The Fabulous Thunderbirds
One Guitar Woman – Sue Foley
Sam’s Place – Little Feat
Swingin’ Live At The Church In Tulsa – The Taj Mahal Sextet

Best Contemporary Blues Album

Blues Deluxe Vol. 2 – Joe Bonamassa
Blame It On Eve – Shemekia Copeland
Friendlytown – Steve Cropper & The Midnight Hour
Mileage – Ruthie Foster
The Fury – Antonio Vergara

Best Folk Album

American Patchwork Quartet – American Patchwork Quartet
Weird Faith – Madi Diaz
Bright Future – Adrianne Lenker
All My Friends – Aoife O’Donovan
Woodland – Gillian Welch & David Rawlings

Best Regional Roots Music Album

25 Back To My Roots – Sean Ardoin And Kreole Rock And Soul
Live At The 2024 New Orleans Jazz & Heritage Festival – Big Chief Monk Boudreaux & The Golden Eagles featuring J’Wan Boudreaux
Live At The 2024 New Orleans Jazz & Heritage Festival – New Breed Brass Band featuring Trombone Shorty
Kuini – Kalani Pe’a
Stories From The Battlefield – The Rumble Featuring Chief Joseph Boudreaux Jr.

Best Roots Gospel Album

The Gospel Sessions, Vol 2 – Authentic Unlimited
The Gospel According To Mark – Mark D. Conklin
Rhapsody – The Harlem Gospel Travelers
Church – Cory Henry
Loving You – The Nelons

Best Jazz Performance

“Walk With Me, Lord (SOUND | SPIRIT)” – The Baylor Project
“Phoenix Reimagined (Live)” – Lakecia Benjamin featuring Randy Brecker, Jeff “Tain” Watts & John Scofield
“Juno” – Chick Corea & Béla Fleck
“Twinkle Twinkle Little Me” – Samara Joy featuring Sullivan Fortner
“Little Fears” – Dan Pugach Big Band featuring Nicole Zuraitis & Troy Roberts

Best Jazz Instrumental Album

Owl Song – Ambrose Akinmusire featuring Bill Frisell & Herlin Riley
Beyond This Place – Kenny Barron featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins & Steve Nelson
Phoenix Reimagined (Live) – Lakecia Benjamin
Remembrance – Chick Corea & Béla Fleck
Solo Game – Sullivan Fortner

Best Traditional Pop Vocal Album

À Fleur De Peau – Cyrille Aimée
Visions – Norah Jones
Good Together – Lake Street Dive
Impossible Dream – Aaron Lazar
Christmas Wish – Gregory Porter

Best Contemporary Instrumental Album

Plot Armor – Taylor Eigsti
Rhapsody In Blue – Béla Fleck
Orchestras (Live) – Bill Frisell featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston & Thomas Morgan
Mark – Mark Guiliana
Speak To Me – Julian Lage

Best Instrumental Composition

“At Last” – Shelton G. Berg, composer (Shelly Berg)
“Communion” – Christopher Zuar, composer (Christopher Zuar Orchestra)
“I Swear, I Really Wanted To Make A “Rap” Album But
This Is Literally The Way The Wind Blew Me This Time” – André 3000, Surya Botofasina, Nate Mercereau & Carlos Niño, composers (André 3000)
“Remembrance” – Chick Corea, composer (Chick Corea & Béla Fleck)
“Strands” – Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman)

Best Arrangement, Instrumental or A Cappella

“Baby Elephant Walk” – Encore, Michael League, arranger (Snarky Puppy)
“Bridge Over Troubled Water” – Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier Featuring John Legend & Tori Kelly)
“Rhapsody In Blue(Grass)” – Béla Fleck & Ferde Grofé, arrangers (Béla Fleck featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz & Bryan Sutton)
“Rose Without The Thorns” – Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy & Amanda Taylor, arrangers (Scott Hoying featuring säje & Tonality)
“Silent Night” – Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje)

General Field:

Record Of The Year

“Now And Then” – The Beatles
“TEXAS HOLD ‘EM” – Beyoncé
“Espresso” – Sabrina Carpenter
“360” – Charli XCX
“BIRDS OF A FEATHER” – Billie Eilish
“Not Like Us” – Kendrick Lamar
“Good Luck, Babe!” – Chappell Roan
“Fortnight” – Taylor Swift featuring Post Malone

Album Of The Year

New Blue Sun – André 3000
COWBOY CARTER – Beyoncé
Short n’ Sweet – Sabrina Carpenter
BRAT – Charli XCX
Djesse Vol. 4 – Jacob Collier
HIT ME HARD AND SOFT – Billie Eilish
Chappell Roan The Rise And Fall Of A Midwest Princess – Chappell Roan
THE TORTURED POETS DEPARTMENT – Taylor Swift

Song Of The Year

“A Bar Song (Tipsy)” – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
“BIRDS OF A FEATHER” – Billie Eilish O’Connell & FINNEAS, songwriters (Billie Eilish)
“Die With A Smile” – Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars & Andrew Watt, songwriters (Lady Gaga & Bruno Mars)
“Fortnight” – Jack Antonoff, Austin Post & Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)
“Good Luck, Babe!” – Kayleigh Rose Amstutz, Daniel Nigro & Justin Tranter, songwriters (Chappell Roan)
“Not Like Us” – Kendrick Lamar, songwriter (Kendrick Lamar)
“Please Please Please” – Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
“TEXAS HOLD ‘EM” – Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)

Best New Artist

Benson Boone
Sabrina Carpenter
Doechii
Khruangbin
RAYE
Chappell Roan
Shaboozey
Teddy Swims


Graphic courtesy of the Recording Academy.

Banjo Innovator Danny Barnes Lands a Grammy Nomination With ‘Man on Fire’

The spring is often the peak time for artists to drop a new release — the festival season is just warming up, and a new album can bring about immense plans for an exciting year on the road. But for many road warriors like Danny Barnes, who released a new album in March 2020, release tours were turned upside down by the pandemic. Fortunately, in his true spirit, Barnes has managed to stay as creative as ever.

Man on Fire is Barnes’ 10th major solo release, not to mention his ‘barnyard electronic’ Bandcamp work, and an extensive collaborative discography including the likes of Bad Livers and David Grisman’s Dawg Trio. Though he often utilizes taste over flash, Barnes has been long recognized among the top banjo players — for example, he was the 2015 recipient of the Steve Martin Prize for Excellence in Banjo and Bluegrass. The new record, though released during an unprecedented time, garnered a Grammy nomination for Best Bluegrass Album.

BGS caught up with Barnes to talk about recording Man on Fire, how he’s filled his time during the pandemic at home in Washington, and his major creative methods, from finding the right collaborators to populating his songs with characters who will surprise you.

BGS: With the release of Man on Fire last March, how have you managed to best stay creative during the pandemic?

Barnes: One great thing is not spending so much time in transit. I was flying three weekends a month for decades, really. The amount of time I spent in a hotel, rental car, or airplane was astronomical. So when you pull all that out of the equation, I can just make stuff like crazy. I’ve been writing a bunch of songs, studying music like crazy, studying art, I just make things like crazy. I have a lot of ideas, you know.

I’ve heard you talk about using the banjo as a pencil. Can you explain that idea, and how it informs your creative process?

If you’re trying to play an instrument, say if you take up the saxophone or something like that, you spend a lot of years just chasing the instrument. I’m in my 50th year of playing [the banjo], and after a few years of working on it, it sort of gets where you can go the other way with it, where you’re expressing things through it. It’s like a different operating system; typically it takes a lot of years to get that familiarity with something. Over time, you develop this atomic understanding of things, a really good objective look, you know. I use the banjo to get ideas out. 

There’s so much music in the banjo itself that’s untapped… In the traditional styles it has a certain role, like the shortstop on the baseball team. There’s a lot of guys like John Hartford that pointed the way before me. My experience was, I spent a lot of years just trying to wrench something out of it. With a pencil too, it’s a really simple thing, but you can do incredibly complex things with it. Similar to a 5-string banjo, it’s real simple in a certain way. Spending time figuring out how to play the banjo gives you a way of putting energy out the other way. 

You’ve done a lot of collaborating with folks throughout the years. Can you tell me about some of the friendships that went into Man on Fire?

A lot of those guys I’ve known for a long time. I guess I met Bill [Frisell] right when I first got up [to the Pacific Northwest], I met Dave [Matthews] shortly after that, and I’ve known John Paul Jones since around there too as a matter of fact, early 2000s. I’d never met Geoff [Stanfield], who produced the record. I was talking about making a record and Dave suggested Geoff, who’s a friend of his. He’s a Seattle guy, so I could work here, I wouldn’t have to fly to L.A. or something like that. 

I’m really blessed to have really close friends that care about me, and are super-elevated in the art where they really have another way of looking at things. It’s been a real honor to be able to work with those guys, I’ll tell you that. It’s tough when you’re in the music world, because everybody is involved in it. There are certain subjects that people just in general don’t have opinions about, say for instance like microscopes or something. Music though, people are so used to manning the ship as it were. I’m talking about the audience, people that would potentially listen. So you’ve really gotta think about how you want to stage things and get things out.

The trick about music is that it’s tough to get really really good opinions about stuff. Sometimes guys will make criticisms about stuff just because they want to work on it, you know what I mean? So you still don’t know anything. There’s a lot of ego. What I’ve found is that you have people that know you really well — I’ve been really blessed to work with a lot of what I call true masters of music, guys who are super elevated in my field. Those guys, when they have something to say, you can really count on it. Especially if they love you and care about you. If you know them and their kids, you know… it’s relationships. It’s not like you met them at Folk Alliance or somewhere and you’re just gonna make a record with this guy. 

You have one of the most unique songwriting styles, between the vastness of your characters from beautiful love songs (“Fun” off of Rocket) and angry men mad at the world (“Bone” from Pizza Box). What is your inspiration behind creating the characters and stories surrounding them?

It’s really like being a poet or something like that. I feel like there’s something that happens to you, I’m not trying to brag on myself, but when you put out a lot of records over the years, there’s a place where you kind of meet yourself. And you go, “Oh, there I am, this is what I do.” If I wanna deviate from this, I now have something to deviate from. I figured out from my poetry that it’s sort of this southern outsider art, like art brut, the French saying for raw art. Kinda like Reverend Howard Finster, Flannery O’Connor, Walker Percy, sort of southern gothic, bleak but funny at the same time. And that’s who populates a lot of my little movies. I find it fascinating, when you can make all these characters, and they can do all of these things and have all these experiences.

The video for “Hey Man” is one of my favorite pieces from the new album. What was your inspiration behind that song, as well as creating the video?

I got this idea from a friend of mine, who went out to his garage, whipped the door open, and there was a dude living in his garage. I just use stuff like that for songs. I thought about telling the story from the homeless guy’s view, and he’s trying to explain why he’s in there as he’s getting all his stuff and getting out of there. Like on that show Cops, they’re stuffing a guy in a car and he’s trying to explain how he got into this situation, and no one is really listening. 

David (Dave Matthews) really liked that song, and he’s got this guy Fenton, his lighting guy, who’s really smart about imagery, along with a couple dudes from the DMB crew who are really into editing. We storyboarded the whole thing, shot it in a couple of days over in Seattle. We put a lot of work and time into it. I’m really proud of it. I’ve never been able to do a budgeted video before. It was a real honor to get that out. 

Any major plans you’re looking forward to when things resume?

I’m always doing stuff with David Grisman. He and I have a record that we put out a year or so ago, and a whole new record written, just waiting for a good time to record it. The Bad Livers, we’re kinda working on a record. I’m working on this music for tuba and banjo, kind want to make a record build around that. I’ve been writing a bunch of music for the 12-string guitar. I kinda want to make another ambient record. I’ve always got a lot of ideas.


Photo by Sarah Cass