LISTEN: Grain Thief, “Tangled up in Blue” (Live)

Artist: Grain Thief
Hometown: Boston, Massachusetts
Song: “Tangled up in Blue”
Album: Ain’t Hungover Yet
Release Date: November 19, 2022
Label: Plow Man Records

In Their Words: “‘Tangled up in Blue’ has become one of our favorite songs to play live. Fast, very fun to sing, and everybody loves this song! I never made any attempt to learn the lyrics; I just realized one day (after having listened to every known version of the song for years) that I knew all the words. If you can manage to remember an opus like ‘Tangled,’ you are pretty much duty bound to play it. On this particular day at Podunk Bluegrass Festival it was about a thousand degrees Fahrenheit during our first set, which may explain some of the vocal outbursts caught on this recording.” — Patrick Mulroy, Grain Thief

GrainThief · Tangled Up In Blue

Photo Credit: Matt Gardner

BGS 5+5: Ali McGuirk

Artist: Ali McGuirk
Hometown: Greater Boston
Latest Album: Til It’s Gone
Personal Nicknames: McJerk

Which elements of nature do you spend the most time with and how do those impact your work?

Vermont is a magical place and I certainly felt something open in me when I moved here in 2020. Spending time on the lake, among the mountains never gets old. There is a tiny island in a cove of Lake Champlain where my boyfriend lives and we like to canoe there, camp out and hang. I find that time to be incredibly restorative and I believe everyone deserves time in open nature to feel comfortable and connected.

What’s the toughest time you ever had writing a song?

Some songs come real easy and others are jigsaw puzzles that take years to solve. The songs that took me the longest to lyrically unlock on this album were “The Work” and “Evelyn.” Both of those were in process for over a year because I was more ambitious with the themes I wanted to take on. The trick with writing any song is that you want to say a lot with a little, but it’s like, which little?

In “Evelyn,” I’m pulling from some specific stories from my family’s past, but also to the general experience of feminine sacrifice. There is a lot of darkness I am navigating in this song, so managing that was a heavy lift. It was also the first song I ever wrote that was a story, abstract as it is. Figuring out what the story really was that I wanted to tell was a struggle, but it was also very therapeutic and I’m glad I got there.

“The Work” was especially tricky, too, because it is about touchy conversations around privilege and oppression. (Remember the early Trump years and the beginning of what I like to call the Great American Polarization?) Those conversations take a lot of emotional labor (patience, empathy) and can be really painful, especially for those who are more acquainted with suffering at the hands of unjust institutions. The first line I wrote was the hook that said “I’m so tired of explaining it.” I was stuck on that melody and knew there was something there, but I was really self conscious not to center myself, or make it sound like I knew everything, which I don’t, or just say the wrong thing in general and offend somebody. But I also didn’t want to be too fearful and shy away from the subject. Saying what I meant in those lyrics took time.

If you had to write a mission statement for your career, what would it be?

Keep getting better always. Play with great musicians. Make the music mean something real. Build financial stability in my life that is disconnected from exploitation.

What has been the best advice you’ve received in your career so far?

Susan Tedeschi told me to “keep singing” and that was pretty cool, and then she ripped the first solo on the first tune, and I was a puddle.

What other art forms — literature, film, dance, painting, etc. — inform your music?

God, art is amazing. All of it. That being said, I love reading novels and I think that they probably do the most for my songwriting. Good authors are able to go deep on the human experience on so many levels. I think that we can often access truths that are more profound in novels than even in nonfiction (not to knock nonfiction) and I want the same thing for my songwriting.


Photo Credit: Ben Collins

WATCH: GA-20, “Dry Run”

Artist: GA-20
Hometown: Boston, Massachusetts / Providence, Rhode Island
Song: “Dry Run”
Album: Crackdown
Release Date: September 9, 2022
Label: Colemine Records

In Their Words: “‘Dry Run’ is a ‘tear in my beer’ country blues story of being strung along and ghosted by a girl that Pat was sweet on. When he eventually ran into her a while later and figured it all out, Pat says he wrote the melody in his head on the drive home, feeling like a sucker. ‘This girl I thought was really into me was just practicing her flirting,’ he tells audiences, and they always laugh and nod. We had all been listening to a lot of country tunes at the time and that Jimmy Reed and Lazy Lester influence slipped in.” — Matthew Stubbs, GA-20


Photo Credit: Fancey Pansen

WATCH: Mike Block Trio, “One Fine Day”

Artist: Mike Block Trio
Hometown: Boston, Massachusetts
Song: “One Fine Day”
Album: What Now?
Release Date: September 30, 2022
Label: Bright Shiny Things

In Their Words: “As I approached a milestone birthday, it occurred to me that I’ve been living much of my life with the expectation that I’ll eventually ‘get my life together… at some point.’ This song is a somewhat sarcastic celebration of my naïve optimism that happiness is just around the corner, and that I can earn, or work, my way to it. We shot the music video on that milestone birthday, my 40th. My wife put together a surprise concert for me. It was an exciting way for me to see a bunch of musician friends who came into town to perform with me. We had already intended to shoot the video for ‘One Fine Day’ that day, so we just decided to make it the concert/party. You see us soundchecking and performing and hanging out with friends on my last night as a 39-year-old. It really was a special day, and I’m so grateful to have had the opportunity to document it in video and share a piece of it with this music.” — Mike Block


Photo Credit: Meadowood Media

Basic Folk – Dietrich Strause

Dietrich Strause, raised in Lancaster, Pennsylvania, was classically trained on trumpet growing up, but the allure of songwriting and performing his own music pulled him into the Americana world. He found his way to the Boston area and into its super collaborative and supportive community.

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On his new album, You And I Must Be Out Of My Mind, Dietrich found himself more in control of the creative process thanks to spending years cultivating his skills at Great North Sound in Parsonsfield, Maine. Under the mentorship of producer Sam Kassirer, he became empowered in his craft by offering up his services as a session player, engineer and studio handyman. The record took several years to record, but due to his experiences with Sam, he was able to see the way that bands made decisions in the studio and how a record takes shape, which all culminated on his latest record.

Dietrich’s known in the Boston area for sitting in on sessions and live shows with people like Rose Cousins, Kris Delmhorst, and Session Americana. He’s built a home and a community there. Now, Dietrich is in the process of moving his base to London, which sounds challenging to do at any time, never mind during a global pandemic. He talks about how it’s been a strange move and how the pandemic has impacted his relationship with touring. Full disclosure: Dietrich is a close pal of mine and one of my favorite hangs. When I spend time with Dietrich, I feel like a little kid: anything is possible and the day is ours. His music gives me that feeling, too. Hope you enjoy getting to know Dietrich and his perfect songs.


Photo Credit: Sam Kassirer

Basic Folk – Grace Givertz

Grace Givertz, born and raised in South Florida, began writing and performing at age eleven when she got a guitar and learned to play off of YouTube videos. Grace is a survivor in many ways: She manages and confronts several chronic illnesses, she survived having her Berklee scholarship rescinded due to a systematic error and lived through being struck by a city bus in 2015.

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The accident left her unable to play her instruments for several months. During that idle time, she reflected on how being a musician defines who she is. Her writing changed and became more open and honest about chronic illnesses. In her most recent single, “Papa,” she writes about the traumatic murder of her grandfather and how he lives on in Grace.

I first came across Grace working at Club Passim in the Boston area, where she currently lives. Grace’s visual appearance, sense of humor and sparkling personality are undeniable. In addition to music, she’s super crafty and her reputation for cute outfits, cute earrings (which she sells on Etsy) and her cute apartment (which I’ve seen a lot of thanks to Zoom concerts and social media) proceeds her. She surrounds herself with her adorable pets that pop up frequently on her social media. One time, my mom (unprovoked – she doesn’t know Grace!) sent me a video of Grace’s bearded dragon, Baby Pancake, being cuddled by her peachy cat Persimmon. Yes, I know most of her pets’ names and have a Grace Givertz t-shirt with a sweet Baby Pancake design on it. I am a fan all around.


Photo Credit: Omari Spears

WATCH: Dietrich Strause, “Out of Mind”

Artist: Dietrich Strause
Hometown: Boston, Massachusetts / London, UK
Song: “Out of Mind”
Album: You and I Must Be Out of My Mind
Release Date: April 29, 2022
Label: Blueblade Records

In Their Words: “‘Out of Mind’ was the the last song I wrote for my new album, You and I Must Be Out Of My Mind, and it became the artistic center for the project. The track went down easy, spacious, and free. Co-produced by Brian Joseph, Shane Leonard, Sam Kassirer and myself, it captured a feeling I have been struggling to express in a song. I have come to see songwriting as a potentially dangerous personal endeavor. Like walking along a beautiful mountain path with a sheer drop on one side. Through songs I have the power to create icons, symbols, and myths about my experience and point of view over the years. I paint a picture that I find alluring. I worry through singing them night after night, that I might start to believe them and see the painting as real. I worry because what ends up in a song comes from that space between my best recollections and my best rhymes. If a detail from my memory doesn’t fit, I can change it until it does and sounds good. My experience of the world and the people around me is far more complex, and I don’t want to live inside myself in such a way.

“Sam Kassirer and I made the video together. He shot the film on a Super 8 camera, capturing the footage at the recording studio where we made the album.” — Dietrich Strause


Photo Credit: Sam Kassirer

WATCH: Ira Klein, “Jubilee”

Artist: Ira Klein
Hometown: Jerusalem, Israel; Boston, Massachusetts
Song: “Jubilee”
Album: Invisible Treasure
Release Date: Dec 18, 2021
Label: Nine Athens Records

In Their Words: “Inspired by Jean Ritchie’s iconic version, I reimagined this great folk song. I find its lyrics in particular moving and captivating. Supported by the beautiful musicianship of a stellar ensemble (Hazel Royer – vocals; Kevin Barry – lap steel guitar; Maxfield Anderson – mandolin), I tried to create a fresh take of this classic. The result is one of my favorite tracks on my debut EP, Invisible Treasure. When creating my music, I take an open-ended, melting pot approach — my influences come from folk, blues, singer-songwriter music, and jazz. I enjoy using traditional materials such as this one as a springboard for creativity, expanding upon the traditions I love to create my own personal, modern sound.” — Ira Klein


Photo Credit: Emi McSwain

WATCH: Rakish, “New Shoe Maneuver”

Artist: Rakish (Maura Shawn Scanlin, fiddle & Conor Hearn, guitar)
Hometown: Boston-Based (Conor is from Washington D.C., Maura is from Boone, North Carolina)
Song: “New Shoe Maneuver”
Album: Counting Down the Hours
Release Date: February 4, 2022

In Their Words: “This tune formed during a phase in which I was exploring the possibilities of three-part tune writing. There’s something about adding a third section that opens a tune up to more melodic and harmonic variety that is so hard to beat. The tune stems from the language of the bagpipes; it draws on much of the compact and cyclical melodic ideas that are at the center of the piping style. The idea for the name came about when I went over to Conor’s place to play some music and discovered that we’d both bought pretty much identical new running shoes without talking to one another about it. The title is a reflection of that coincidence. We had a really special time getting to make the live video of this track, which is the first single off of our upcoming album, Counting Down the Hours. It was filmed at a great neighborhood gallery near us called Gallery 263 on one of the last hot days of the summer with Dan Jentzen filming and Peter Atkinson audio engineering.” — Maura Shawn Scanlin, Rakish


Photo credit: Dan Jentzen

WATCH: Mile Twelve, “Romulus”

Artist: Mile Twelve
Hometown: Boston, Massachusetts
Song: “Romulus”

In Their Words: “Sometimes when you start writing a song you know exactly what it’s going to be about, and sometimes you have no idea. This was the latter. It was a total collage of phrases and images set to music, just bits of language that seemed to sing themselves over the melody. The line ‘wolves in the hills’ reminded me of Romulus and Remus, the mythical founders of the Roman Empire. The song started to make sense to me at that point. Here’s Romulus, this king who has accomplished so much, looking back on his life and wondering what the point of it all was, and maybe missing his one real friend in the world: His brother who he himself killed. We shot this video in the backyard of Brad Kolodner’s childhood home in Baltimore, Maryland. Brad’s been a great friend and supporter of the band since the start, and it was so great of him to lend this space to us for the day.” — Evan Murphy, Mile Twelve


Photo Credit: Dave Green Photography