BGS & #ComeHearNC Celebrate the Cultural Legacy of North Carolina during #NCMusicMonth

On the national music scene, North Carolina sets itself apart by blending the heritage of traditional roots music with the innovation of modern indie and Americana sounds. The bluegrass canon of North Carolina encompasses pioneers like Charlie Poole and Earl Scruggs, as well as groundbreaking musicians like Elizabeth Cotten, Alice Gerrard, and Doc Watson. Today’s spectrum of talent spans from modern favorites such as Darin & Brooke Aldridge, Balsam Range, and Steep Canyon Rangers, and the progressive perspective of the Avett Brothers, Rhiannon Giddens, Mandolin Orange, Hiss Golden Messenger, Mipso, and many more.

One example of how the state is merging past with present is the recent opening of North Carolina’s only vinyl pressing plant — Citizen Vinyl in Asheville.

 

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Built over 15 months in 1938-1939, The Asheville Citizen Times Building (@citizentimes) was designed by architect Anthony Lord as the grand center for the city’s two newspapers and radio station WWNC. Located at 14 O’Henry Avenue, the massive three-story building of reinforced concrete, granite and limestone, utilizing 20,000 glass bricks, is considered Asheville’s finest example of Art Moderne design. In 2019, Citizen Vinyl claimed the first floor & mezzanine of this iconic landmark as the future home of a vinyl record pressing plant, as well as a café, bar and record store – and is reviving the historic third floor radio station as a modern recording and post-production facility.

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According to press materials, the building’s third floor played host to Asheville’s historic WWNC (“Wonderful Western North Carolina”) which was once considered the most popular radio station in the United States. In 1927, the station hosted live performances by Jimmie Rodgers and made his first recordings shortly before he went to Bristol, Tennessee.  In 1939, the station featured  the first ever live performance by Bill Monroe and the Bluegrass Boys during its Mountain Music Time segment.  Citizen Vinyl expects to keep the live music tradition alive in this former newspaper building, too.

Here at BGS, we’ve been committed to North Carolina music from our launch, notably with our Merlefest Late Night Jams, which are always worth staying up for. And how much do we love the IBMA World of Bluegrass week in Raleigh? Looking back on our archive, we gathered these songs from the artists we’ve covered over the years — and looking ahead, you’ll see all-new interviews with the Avett Brothers and Mipso, examine the classic country stars with roots in North Carolina, and spotlight some rising talent with video performances at the state’s most scenic destinations.

In the meantime, you can discover more about the North Carolina music scene through their website and on Instagram at @comehearnc


Editor’s note: This content brought to you in part by our partners at Crossroads Label Group.

LISTEN: Cf Watkins, “White Nights”

Artist: Cf Watkins
Hometown: Westfield, North Carolina (Currently in Nashville, Tennessee)
Song: “White Nights”
Album: Babygirl
Release Date: October 16, 2020
Label: Whatever’s Clever Records

In Their Words: “‘White Nights’ is based off of one of my favorite Dostoevsky short stories. On this album, I was trying to explore shifting the way I write music and, in a sense, share myself. I felt a lot of my music was coming from a place of my own longing, unrequited love, and heartbreak. Though I think all of those topics are worthy of our time and attention, I felt, as a woman especially, it was important for me to explore and show my strength as well. I started by simply shifting the focus from myself, and writing songs about something outside of myself. This was one of the first songs to come from that effort. I am singing from the male perspective, who has unrequitedly fallen in love with the female character. There was something very powerful for me to recontextualize romantic longing — to sing the male voice, and to have it honoring the power and magic of a woman.” — Cf Watkins


Photo credit: Griffin Hart Davis