MIXTAPE: Flamy Grant’s Songs for Healing Gay Religious Trauma

Welcome to the playlist you probably didn’t have on your bingo card this year: a series of songs spanning from gospel music to ’90s folk to contemporary singer-songwriters, all curated by a drag queen with a number one Christian album under her belt. I’m Flamy Grant, and I’m honored that BGS invited me to share the songs that healed my very gay, very religious trauma.

My first record was called Bible Belt Baby, so I know a thing or two about growing up in the shadow of a religious fervor that wants boys to be boys, girls to be girls, and gays to keep it in the closet. Here are a few of the songs that helped me not only to come out, but to let this little light of mine keep shining in the faces of a lot of people who’d prefer it were hidden under a bushel. Not today, gatekeepers. Not today. – Flamy Grant

“If You Ever Leave” – Flamy Grant

Oh, hello darling. I’m a drag queen with wares to sell. Of course I’m starting off this playlist with my new single! It is, at least, very much on topic. This ballad from my forthcoming record, CHURCH, pretty much speaks for itself, but I will offer this one, brief, supplemental thought: if there’s a God demanding your worship, but as you get to know him you discover that you are capable of loving people better and more completely than he is… don’t worship that God. Girl… it’s a trap.

“Undamned” – Over the Rhine

Outside of Amy Grant, no artist has had as much of an impact on me as Ohio-based duo Over the Rhine. Karin and Linford have saved my life ten times over. “I’m not your little lost lamb, God might still get my world undamned.” This song somehow manages to be both defiant (personally, my favorite posture) and repentant. Brazenly owning your apostasy while unabashedly surrendering to a cosmic, supernatural love at the same time? Slay. (Bonus: Lucinda Williams delivers an absolutely divine featured vocal. Undamn me anyday, Over the Rhine.)

“Wrap My Arms Around Your Name” – Sarah Masen

When I was growing up, I was only allowed to listen to Christian music. Sarah Masen was always a bit of a square peg in a round Christian music industry hole, and one of the first songwriters I encountered who addressed the conflict, doubt, and dissonance inherent to the faith everyone else around her was putting such a sheen on.

From the first line, “Mystery’s walking on my head again,” I was hooked on this song about yearning to feel deeply spiritually connected. “Does hallelujah wear the same old face?” Excellent existential question, Sarah. Thanks for giving my teenage angst a place to freely ask it.

“Amy’s Song” – Matt Simons

Back in 2018, I was a worship leader for a queer-affirming church in San Diego and we decided for Pride month that year that we would put on a worship service that was 100% produced, led, and delivered by our queer members. I even wanted to make sure every song we sang had been written (or co-written, in this case) by a card-carrying member of the alphabet mafia. I found “Amy’s Song” and loved the music and the message: “Does your God really give a damn” about who I love?

The twist for me was in discovering that one of the song’s co-writers, and its namesake, Ames, and I had played a show together years before in when we were both closeted and going by different stage names. I led “Amy’s Song” at our church that Sunday and Ames and I have since reconnected online. We’ve even been talking about writing something together one of these days. “Amy’s Song 2: The Ballad of Flamy,” perhaps? (Pro tip: after you listen, go watch the music video and making-of mini-doc, both on Matt Simons’ YouTube page. Bring Kleenex.)

“breathe again” – Joy Oladokun

Honestly, it was hard to pick just one song from Joy Oladokun’s extensive repertoire of musical remedies for the religiously wronged. She is both plainspoken and poignant, capturing the heartbreak so many queer people experience when we grow up in families and cultures that suffocate us in a shame-inducing, manipulative desecration of divine love. Joy’s voice in this song just melts me, and it’s a breath of fresh air for the closeted kid I used to be when she uses it to sing, “If I hold my breath until I’m honest, will I ever breathe again?”

“Someday You’ll Wake Up Okay” – Spencer LaJoye

This is inner child work of the highest order and nobody translates the specific into the universal with such clarity as my friend Spencer. “You won’t hear me, but I’ll think it from the future.” Oof. Also, who knew healing your inner child could be such a bop?

“Holy Sunlight” – Steven Delopoulos

Something about the music of Stephen Delopoulos, who fronted the ’90s Christian band Burlap to Cashmere, just feels reverent. It’s like high-church Paul Simon. This song reminds me that even when we’re leaving, we’re really not. “Pack my luggage, fake a smile/ Don’t cry, we’re all connected like the ocean sea.”

“Faith” – Semler

No one is more emblematic of a reckoning for the Christian music industry to me than my pal Semler, who was the first out queer artist to have a number one Christian record a couple years back. In “Faith,” they are eye-level with the abusers of power in the church they’re confronting. “Don’t pretend I’m not your body.” GOOSEBUMPS, HUN. And it’s a song that somehow doubles as a powerful worship anthem of sorts for the disenfranchised? We’re here, we’re queer, and we still have faith, dear. I live.

“Shiloh” – Audrey Assad

I had stopped listening to CCM by the time Audrey got her record deal with juggernaut Christian label Sparrow Records back in 2010, so I missed most of her early career. But during the pandemic, I learned about this (wildly-talented) artist that Christian media outlets were criticizing for “backsliding.” Don’t tempt me with a good time, I said. Audrey and I have become friendly on social media since then, and she’s so much more than a good time. She’s a healer. This song in particular patches up a new part of me every time I hear it. God bless the ones who leave the church but never stop providing care for souls.

“The Way You Get Found” – Story & Tune

I’m proud to say I was the first person to ever hear this excellent song, in the basement of the San Diego house I shared during pandemic with its writers, Karyn and Ben. The line that got me then still gets me today: “I bless the way you carve your name on the gate-kept inner sanctums where they said you couldn’t stay.” Absolute pros, these two, crafting an artful turn of phrase that not only perfectly fits the demanding cadence of the song, but delivers a well-placed gut punch to folks who know what it’s like to stand up to religious bullies when they say we can’t be on their playground.

“Jacob from the Bible” – Jake Wesley Rogers

This song came through my Spotify algorithm one day and stopped me in my tracks. Of course, now Jake is a world famous colorful crooner and besties with Elton John, etc., but when this song came out, I was able to reach him online and successfully petitioned him to be on my podcast. You can still listen to that conversation. We talk about this song, where it came from, what it meant to each of us, and why Jake should definitely be our first gay president. For me, it feels like a life-giving extraction from all the oppressive weight of religious expectation. “I don’t want to be held down by a heavenly man.” Makes me think of Jacob from the Bible when he defeated the angel in an all night wrestling match. (Hot!) And honey, wrestling with God? Relatable.

“Testify to Love” – Wynonna

Okay, this might be the only bonafide CCM hit in the mix. It was originally recorded by Christian supergroup Avalon and if you were anywhere near Christianity in 1997/98, this song is In. Your. Bones. Every once in a while when I’m playing to an audience of a certain age — the ones who were in youth group about the same time as me — I’ll bust this out as a cover during my set and, well, let’s just say it’s so cute to watch half the room have a dramatic That’s So Raven-style flashback. But I propose to you that at the end of the day, it’s a gay song. I mean, the opening lyric is, “All the colors of the rainbow!” It’s all about how love wins!

What really seals the deal is Wynonna Judd’s countrified cover of the song from a very special episode of Touched by an Angel. I dare you to listen and not agree that Christianity peaked in 1997 and we should frankly just ignore everything that’s come out of evangelicalism since this song ruled the airwaves.

“House of Spirits” – Allman Brown

London-based singer-songwriter Allman Brown taps right into all of our generational trauma and father wounds with this achingly gorgeous spiritual about how it feels to sit vigil by the deathbed of a parent who “damned my soul to the fires.” As someone with a damaged and deeply strained relationship with an ultra-religious father who’s still alive, this song gives me a glimpse into the journey ahead, and I find myself praying along with Allman that one day that house of spirits “will feel like home.”

“What You Heard” – Amy Grant

An Amy Grant song on this list was inevitable, but far less likely is a song from a parent who learned better communication skills by going to family therapy with her kids. But that’s exactly what we have in this, the first new song from the Queen of Christian Pop in a decade. I saw Amy perform it last year and she told the story of how group therapy with her family helped her understand that some of the ways she thought she was communicating love to her kids weren’t exactly landing that way on their ears. It’s the kind of thing most survivors of religious trauma can only dream of: a God-fearing parent gaining perspective later in life and using therapy tools to change behavior? A better relationship through effective communication? May we all be so fortunate. But even if we’re not, my favorite diva (she would never call herself that, so someone has to) has gifted us with this beautifully-written song that shows it’s possible. Amy and amen.

“May I Suggest” – Susan Werner

I’ll leave you with the best benediction that’s ever been spoken (sung) over me. I wish someone had invited me to the Susan Werner party years ago, so I’m making it my mission to bring as many plus-ones as possible now that I’m here. Actually, in a way, I’ve been here since high school, I just didn’t know it. The first time I heard this song was as a cover by Ellis Paul and Vance Gilbert back in the late ’90s, but I just assumed it was theirs. Then about a year ago, a friend sent me a track by Susan called “Our Father,” in which she expertly/hilariously reimagines the Lord’s Prayer (“Deliver us from those who think they’re you”). I was hooked and started working my way through her catalog, but it wasn’t until I saw her live at the Kerrville Folk Festival earlier this year that I learned she was the composer of this song I loved when I was 17.

When she sat down at a baby grand and soulfully set out to convince a field full of festival-goers that “this is the best part of your life,” I openly wept. It’s tempting after you escape from oppressive, high-demand religion to fall into the trap of regret for a lost youth and years of missed chances. Susan invites us to consider the other side of that coin: thanks to the trauma you’ve survived, “Inside you know what’s yours to finally set right.” The next time Susan is anywhere near you, drag yourself (yes I said DRAG) and everyone you love to the show — and hope that she sings this benediction over you, too.


Photo Credit: Sydney Valiente

Out Now: Izzy Heltai

Izzy Heltai is an indie-folk artist whose songs touch on themes like growing older, feeling lost, and finding yourself – his music resonates with many people. Izzy played the first Queerfest event, a virtual festival in 2021 hosted in partnership with Club Passim. His latest single, “My Best Friend Sam,” came out on April 25.

Izzy has a debut New York headline show coming up. If you’re in the area, be sure to check out his show at Union Pool in Brooklyn on Friday, June 21. Our Out Now conversation covers work-life balance (a large theme in his new single), his favorite LGBTQ+ artists, and his current state of mind. We’re so excited to highlight this phenomenal artist, Izzy Heltai!

Your lyrics cover themes that many people can relate to such as being anxious, growing older, self-esteem, feeling lost, etc. Do you write with the listener in mind for the relatability of these topics? Are you mostly thinking of your own experiences and emotions? Or are you considering both during the creative process?

Izzy Heltai: I think a lot of what I experience is universal. I think as we get older we all deal with issues of identity, anxiety, a sense of feeling lost, etc. I don’t really think about writing, or creating, for the purpose of being relatable. I think inherently what I write about is relatable, but the only way I can keep it authentic is by simply saying exactly what I’ve experienced. I don’t claim to know, or want to tell other people what they’ve gone through, all I can do is talk about what I experience.

Your single that came out last month, “My Best Friend Sam,” includes the lyrics, “I’ve wasted close to a decade chasing dreams and expectations / I wanna leave, I wanna stop everything / I wanna be hanging out with my best friend Sam.” How are you balancing a demanding career in the music industry with taking time for yourself and personal relationships?

Honestly, it’s been tough. This work exists in oscillations of highs and lows. One day it can feel like you have everything at the tips of your fingertips and the next day it can feel like everything’s falling apart. I’m trying to block out a lot of that. I’m trying to focus on what makes me happy about all of this, creating music with my friends, playing shows and connecting with people.

Recently, I’ve just been focusing on being in one place. Trying to be present, spending time with people I love, working on my next body of work and doing things throughout the day that make me feel the most present I can be. Reading, riding my bike, climbing, and writing songs.

What is your current state of mind?

If I’m honest, it isn’t the best it’s ever been. I broke my hip about a year ago and some things changed in my life that I had a hard time adjusting to. I’ve been refocusing recently and just putting energy into making things I love. Working on new songs I’m really proud of, investing in my friendships, riding my bike a lot, climbing with my friends. Things that make me feel grounded and most myself!

What’s your ideal vision for your future?

I love making my music, I love my friends here in Nashville and my routine, but I also love touring. Touring and playing shows, connecting with people, seeing new things, is such a big part of this for me. My ideal future consists of a balance between a routine at home, bike rides, yoga, rock climbing, writing and creating my next body of work, and a consistent sustainable touring schedule.

What would a “perfect day” look like for you?

This one’s easy. A sunny hot day, a very long bike ride, and cooking with my friends.

Why do you create music? What’s more satisfying to you, the process or the outcome?

I make music, because at one point I was a lonely, confused kid, and for some reason this was the way I processed the world. I’ll always make music regardless of who’s paying attention, but it’s easy to lose sight of that sometimes. I’m fully aware, with my identity, if my music reaches a certain level of success it has the power to really impact a marginalized population quite powerfully. I think my music becomes much more than “just for me,” because of that.

Who are your favorite LGBTQ+ artists and bands?

Lucky and honored to call her a close friend, Katie Pruitt is absolutely at the top of that list. Leith Ross, Ethel Cain, and Chappell Roan are other favorites of mine.


Photo Credit: Cait Frances

BGS Celebrates Pride 2018

It’s June! The most rainbowy time of the year! BGS is proud to celebrate Pride this month while the world marks the anniversary of the riots that began the modern LGBTQ+ rights movement, nearly 50 years ago at The Stonewall Inn in New York City, with parades, parties, protests, and loads of glitter.

Queer voices are an integral part of the roots music communities we all love — and they always have been. Let’s revisit some of our favorite pieces and stories that focus on LGBTQ+ identities, music, and perspectives as we raise up this incredibly strong, vibrant, open, and loving community.

 

Last year, we celebrated 30 years of queer goddesses The Indigo Girls by naming them our Artists of the Month. Some of our favorite songwriters — like Angaleena Presley and Becky Warren — paid them tribute as well. The Indigo Girls blazed a trail for openly queer folks to make music loud and proud. Their wide-reaching influence cannot be overstated.

 

Brandi Carlile gave the remaining 10 months of 2018 an impossibly high standard to live up to when she released her most recent record, By the Way, I Forgive You, in February. One song off of the new project, “The Joke,” is poised to become a queer anthem for our generation — and President Obama himself listed it as one of his favorite songs of 2017. It’s one of our favorites ad infinitum.

 

Southwest Virginia natives and old-time, bluegrass, and folk musicians Sam Gleaves & Tyler Hughes are helping to dispel the all too common assumption that rural communities are devoid of LGBTQ+ folks. “When We Love,” a song off of their self-titled, debut duo release made our Class of 2017 list of favorite songs from the year.

 

We were honored and proud to support the first ever Bluegrass Pride last year, partnering with the California Bluegrass Association on a float in the San Francisco Pride Parade. The float ended up winning Best Overall Contingent and brought live bluegrass music to literally hundreds of thousands of potential fans. The icing on the cake is this bluegrass version of Whitney Houston’s “Dance with Somebody” by Front Country and some fabulous friends.

 

Singer/songwriter Mary Gauthier demonstrates the incredible power of empathy on her record Rifles & Rosary Beads, a collection of songs written with veterans of the armed services. It’s an important message for this day and age — one that Gauthier delivers with, once again, empathy.

 

Americana singer/songwriter Becca Mancari may be based in Nashville, but her debut album, Good Woman, released last fall, draws inspiration from well beyond Music City. The critically-acclaimed album can thank its lyric-driven, personality-rich songs for its success — a reminder that living one’s truth and letting that truth shine is always the best plan of action.

 

Country music is for queers too, damnit! Karen Pittelman of Karen & the Sorrows believes that if we edit our own personalities, perspectives, and identities out of our art, it’s a disservice to everyone. Especially given the fact that queer people have have been making all kinds of art and all kinds of music all along.

 

She took home the crown from RuPaul’s Drag Race: All Stars Season 3, but last year, before her return to the iconic reality TV show, drag superstar Trixie Mattel (AKA Brian Firkus) released an album of folk-tinged country songs. This year, she released its follow up. We spoke to Trixie after her first album dropped about how a drag queen can fit into roots music communities.

 

Singer/songwriter and “poster child for intersectionality” Crys Matthews carries on the legacy of Martin Luther King Jr. through her music, writing relevant, hard-hitting, convicting songs that champion social justice and activism.

 

Country artist Sarah Shook is an activist just by being herself, unapologetically. It’s a classic outlaw perspective and a perfect fit for a queer voice in the country realm.

 

Folk legends, GRAMMY winners, producers, and life partners Cathy Fink & Marcy Marxer released their forty-fifth recording, Get Up and Do Right, early last year. It’s no surprise that it has a social justice bent, given that the pair has spent their entire lives and careers on the front lines of the battle for LGBTQ+ rights and women’s rights.

 

Artist and Americana/soul singer Chastity Brown contemplated heartbreak and healing on her latest album, Silhouette of Sirens, released a little over a year ago. To Brown, the personal is political, “Just by me being a bi-racial, half-black, half-white woman living in America right now is political. Just being a person of color, a queer woman of color, for that matter, is freaking political.”

 

Of course, we’ve been proud to highlight diverse and underrepresented identities at the International Bluegrass Music Association’s business conference for the past two years – and continuing this year! The inclusion and diversity movement swept IBMA’s events in Raleigh last year, and we took a look at how and why.

 

And last but certainly least, how could we celebrate Pride without going back to our conversation with the most busted, washed-up, wannabe country star in the universe, Ms. Marlene Twitty-Fargo? As she would holler from stage, “Happy Pride, biscuits! Though I don’t know why all you queers love Charley Pride so much.”


Lede photo by torbakhopper on Foter.com / CC BY-ND