LISTEN: Tim Stafford & Thomm Jutz, “Take That Shot”

Artist: Tim Stafford & Thomm Jutz
Hometown: Kingsport, Tennessee; and Buehl, Germany (actual) / Nashville, Tennessee (felt)
Song: “Take That Shot”
Album: Lost Voices
Release Date: June 28, 2022
Label: Mountain Fever

In Their Words: “‘Take That Shot’ is a song about how images influence our perceptions of people and events. We cover a pretty wide range of photos in this song. From Billy the Kid, to Marilyn Monroe, to Bill Monroe and Robert Johnson. Tim and I are both very interested in history, so writing these types of songs comes natural to us.” — Thomm Jutz

“If you’re like me, you can’t pass up the chance to snap a photo in certain situations — a beautiful scene, something unusual that catches your eye. ‘Take That Shot’ is kind of unique in the bluegrass field, since there aren’t many ‘grass songs about photography, and especially historically important ‘shots.’ But they capture so much, about us individually and our culture — without words.” — Tim Stafford


Photo Credit: Jefferson Ross

LISTEN: Julian Taylor, “Seeds”

Artist: Julian Taylor
Hometown: Toronto, Ontario
Song: “Seeds”
Release Date: June 24, 2022

Editor’s Note: “Seeds” was inspired by a text that Taylor received from his cousin the morning after it was announced that 215 uncovered remains of buried Indigenous children had been discovered at a former residential school in Kamloops, British Columbia. The message simply read: “They tried to bury us, but they didn’t know we were seeds.”

In Their Words: “Seeing and reading messages from members of my family felt crushing because genocide has and continues to be attempted where me and my loved ones live and it’s happening all over the world. When I look at my family I see a group of undeniably strong people with stories to share and that also gives me hope and that’s when I started to write ‘Seeds.’ I hope that this song touches people’s hearts in some way and makes them think. Think about their lives in a different way. One that brings them closer to the natural world and the universe. I hope it makes them feel the need to help others and see just how important and special the teachings of the ancient ones truly are.” — Julian Taylor


Photo Credit: Lisa MacIntosh

From Their Secret Studio in Nashville, The Grahams Cultivate a Community

Doug and Alyssa Graham dreamed big in 2018 when they opened 3Sirens, a hidden recording studio in East Nashville that’s become a go-to destination for independent musicians of all kinds. Now recording their own projects together as The Grahams, the couple grew up together in New Jersey and have since traversed the globe with their roots-pop blend of original music. But for their latest, they invited friends to record a cover song at 3Sirens for an upcoming compilation titled 3Sirens Presents: With Love Part 1. The Grahams themselves are getting in on the action with a mesmerizing cover of Mazzy Star’s “Fade Into You.”

“I always always wanted to cover that song. It spoke to me in a way that allowed me to wander through the magical world the band set up. It also spoke to me on a romantic level as it was something I could relate to with Doug as my lifelong partner,” Alyssa says. “For our cover version we slowed it down, leaned into the slow drip and embraced the jazzy mood of the changes. It felt a little more personal this way to us but nobody can do it even close to the original.”

Doug and Alyssa Graham invited the Bluegrass Situation to 3Sirens this spring for an afternoon hang.

BGS: What were the first steps in bringing 3Sirens from a good idea into reality?

ALYSSA: It took a while and it’s still not there. How’s that? (laughs) So, the good idea started when Doug and I started rambling on about how we grew up, which was together around campfires with everyone taking an instrument. Being hippie kids and playing music in any way we could. So, the idea has been there since we were kids. We have always loved that whole idea. Then we got caught up in the world and the business of music and forgot about the idea for a while.

But the idea really started becoming a possibility when we were holed up with our friend Davíd Garza in our New York apartment during a blizzard right before South by Southwest around 2014. And we were just talking about the idea of creating a space that was reminiscent of what they were doing in the ‘60s. Or the ‘20s in Paris where artists would come together. If you knew Garza, you’d know he was like, “No cell phones. No computers, no technology.” We got past that, but that was the idea. Like-minded people, artists of all kinds, together. Garza was like, “Let’s see if my friend John Doe would be a guinea pig.” Who doesn’t love John Doe? We were about to go down to South by Southwest, and we didn’t have this house yet, so we rented a studio and said, “John, do you want to try to somehow make this a reality, conceptually, for one session, and see what we get?” So, that’s how it started.

DOUG: Then we got Ben Kweller to do a session with us, and we’re still working on getting that release plan together. And then we had an idea where we wanted to make a movie. Wouldn’t it be really cool if we got a bunch of musicians together and made a soundtrack? Dex, our buddy here, called a bunch of people in Nashville to come up with a compilation. So, here’s three pieces of content we had sitting around – John Doe, Ben Kweller, and the compilation. Then we started hanging out with Dex a lot and said, “We want to buy a space.” And here we are, basically. With our friends, we were drilling holes in the floor and running wires underneath the house and into each room, getting the studio plugged in.

What are some of your favorite memories or moments here?

ALYSSA: I would say one of my favorite memories is closing on this house. We had been looking and looking, and we were recording our own record at that time in Blackbird, and next door at Creative Workshop. They are amazing studios with everything at your fingertips. But we were also actively looking for an old house to turn into this. We saw lots of properties with Dex and then we went on tour. We were in France when we bought the place. We were on tour with our whole band and had a few days off in Paris. We bought the place sight unseen. Dex saw it – he Facetimed me and I saw every inch of it. We bought the place and I think my favorite memory is when we came back from that tour, we came in here. It was an empty house. We had bought a few of these rugs and the three of us stayed up for five days rolling out the rugs and putting up chandeliers. Pumped great music through here for five days. It was a clean palette. It was the beginning of something. We still don’t know what that is, honestly.

Where do you go from here?

ALYSSA: Lots of places! (laughs) One of the main reasons we wanted to do this is that we eventually want to start a foundation element to 3Sirens. We’re working on developing that concept, whether it’s working on grants for struggling artists or specifically musicians, or whether it’s partnering with some of the music schools. At the core of this whole thing is a collaborative sensibility where we want to bring people together and try to support artists in some way. There’s gotta be a philanthropic element.

DOUG: We have this larger dream than just this place. This is one element of a creative support network that we want to figure out. This is the most relatable part for us. We’re musicians, we’re here, so let’s make this a spot. We’ll start to make it available to people. How do we do that? How do we make it available to as many people as we can without trashing the place? (laughs)

ALYSSA: You can’t call up and book space. It’s not like that. It’s either we know you, or Dex knows you, or a friend told you about it, or you’re somebody we’re interested in musically or artistically and we invite you to come. It’s sort of a network that way. But in the immediate future, there’s a compilation coming out with all Nashville artists, which is cool. We also want to start releasing albums. We have a working relationship with (music distributor) The Orchard, and basically we’re going to start putting out records of artists that we not only love and support, but also people that might not have the right story, or the right look, or the right sound for a niche label.

We’ve talked about how 3Sirens can benefit the artists who come here, but what is the reward for you personally in having this space?

ALYSSA: I think we’re at a place in our life where, yes, we’re always going to pursue our own music and we’re writing a new record right now. We love being The Grahams. We’ve been doing this together since we were 10 years old. That will never change, but we have a 3-year-old and we’re at the point right now where we want to see beautiful things going into the world. We have the means and the dream to make this a place that brings joy to people, including us. We love to be around great music. We love to support great music. We love to hear great music.

DOUG: We did grasp at this music business for a long time, and now we’re kind of over that. We figured out that we just want to make music. We don’t want to be famous. This is a bigger dream, to provide joy and to provide a space.


Photo Credit: Alex Berger of Weird Candy

Basic Folk – Edie Carey

Edie Carey’s last solo full length album was in 2010 (holy smokes!) so we are more than ready to dig into her new record, The Veil, encompassing themes like motherhood, infertility, love, being a lady while raising a girl and all the things that make you cry in your cereal.

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Edie first appeared on Basic Folk in episode 18 and if you haven’t, you should listen. Not only does she talk about her history, but she very openly details her experience with infertility, including winning her son in a raffle (TLDR: her husband won a free IVF treatment at an infertility conference, which then turned into their son Luca). In this conversation, Edie and I go track by track on her new album, which is a JOY because #1 I love Edie’s songs and #2 I love Edie. A winning combo.

These days, Edie is residing in Colorado Springs, working with area musicians, touring occasionally (when COVID is not raging) and raising her two young kids. Something that’s extraordinary about Edie is that she is not afraid of saying things out loud that most people are. She experienced burn-out after her first baby was born, longed for her pre-baby life, and felt guilty about it. The good news is that she turns emotions like this into fully formed songs where people can see themselves through her experience, and then be okay with talking about hard things. Enjoy this conversation – Edie is so fun and inspiring!


Photo Credit: Steve Willis

LISTEN: Kevin Galloway, “Not That Far Removed”

Artist: Kevin Galloway (formerly of Uncle Lucius)
Hometown: Austin, Texas
Song: “Not That Far Removed”
Album: Secondhand Starlight
Release Date: June 24, 2022
Label: Natchile / Nine Mile Records

In Their Words: “My overall outlook is less self-centered now. I’ve quite enjoyed the transition to solo work. I had gotten burned out by album cycles and the ever-spinning wheel. Now, not pushing myself constantly to keep the machine running has led to more freedom and happiness for me. And there are other advantages to solo decision-making, as opposed to an all out democracy. I’ve grown more confident in my abilities, and more mature in my handling of the ups and downs. I can’t really tell if my approach to the music has really changed. But I realized long ago that I’m at my best when I pay attention to inspiration and feeling, and just let everything unfold on its own.

“Long walks in nature, and reflections upon life’s mysteries, birthed this song. Listen closely in the first verse after the lyrics ‘birds fly in patterns, singing songs’ and you may hear what sounds like birds chirping. This is perhaps a cosmic coincidence. We believe it’s organ and/or guitar frequencies in a high register. Either way, leaving it in there was a no-brainer. Jamie Lin Wilson and Kelley Mickwee, formerly of The Trishas, provide the angelic background vocals.” — Kevin Galloway


Photo credit: Mary Bruton

LISTEN: Parker Twomey, “Til the Morning Comes”

Artist: Parker Twomey
Hometown: Dallas, Texas
Song: “Til the Morning Comes”
Album: All This Life
Release Date: July 15, 2022

In Their Words: “I wrote ‘Til the Morning Comes’ with Paul Cauthen back in 2018 at his old apartment in Dallas. I showed up, and Paul already had some defined melodic ideas that I loved and resonated with as soon as he played ’em for me. We poured some coffee, sat down, and knocked the song out before I finished my cup. Definitely, the fastest song I’ve ever written. To me, this song feels like the thumping heartbeat of young love and everything that comes with it. The first-time feelings, the losing yourself in another, the heartbreak, and the longing once they’re gone. This song embodies a relatable innocence and loss of it that I believe is deeply ingrained in all of our hearts.” — Parker Twomey


Photo Credit: Sam Tippets

LISTEN: Micah Edwards, “Can’t Without You”

Artist: Micah Edwards
Hometown: Houston, Texas
Song: “Can’t Without You”
Album: Jean Leon
Release Date: June 10, 2022

In Their Words: “This concept album is filled with grief, heartbreak, and familial baggage. There are several points on the record that seem pretty grim and hopeless. But threaded through every track, there is that sliver of hope for redemption, and that’s the role this track serves on the album. It wraps up the record with a prayer. ‘Lord, I can’t conquer any of this familial baggage on my own — I need You.’ The only track that incorporates fiddle, this one also stretches the Texas soul spectrum a bit more. It swings pretty far country, reminding the listener just exactly where we call home.” — Micah Edwards


Photo Credit: Of The Rose Studios

WATCH: Nikki Lane Lets Go of Small-Town Inhibitions in “First High” Music Video

Nikki Lane is all the way back. The singer-songwriter is fresh off an extended hiatus with the announcement of a new album titled Denim & Diamonds to be released on New West Records on September 23. And if it’s anything like the lead single “First High” suggests, then it is going to rock. The album was produced by Queens of the Stone Age’s Joshua Homme and will feature members of other rock bands such as the Arctic Monkeys and Autolux in the liner credits.

“This song is about chasing that feeling of the first roller coaster, the first drag of a cigarette, that first kiss,” she says. “Those moments are harder to come by the older we get, yet only get better each time. The video captures that feeling of being young in a small town on a summer day, and the lack of inhibition that came with it.”

Paired with the announcement of the new record, the Nashville-based musician put out a music video for “First High.” Almost as if it is a period piece, the clip matches the classic rock feel of the song while also highlighting more of the ’90s angst captured in the lyric. The song and video feel like a nod to Sheryl Crow, but in a refreshing way. To promote the new album, Lane and company are taking their show on the road, starting in July with select dates throughout October. Check out this seriously badass new song and check Nikki Lane’s site for tour stops near you.


Photo Credit: Jody Domingue

LISTEN: Drew Kennedy, “Peace and Quiet”

Artist: Drew Kennedy
Hometown: New Braunfels, Texas
Song: “Peace and Quiet”
Album: Marathon
Release Date: June 17, 2022
Label: ATLAS AURORA

In Their Words: “I wrote this song with two heroes of mine — Matraca Berg and Jeff Hanna — at their house one cloudy morning in Nashville. The hook arrived all gift wrapped and ready to go during a conversation with a friend after a show. I asked him how he had survived a two-year stint in rural Arkansas for work, being more accustomed to the hustle and bustle of Dallas, and he shrugged his shoulders and said, ‘I guess I just made peace with the peace and quiet.’ I love it when songs find you like that. I took the idea to Matraca and Jeff and that morning the three of us made this magical little song. I love the second verse so much: I woke up with the morning raining down upon my windowpane in perfect harmony with ‘Faded Love,’ and you won’t catch me complaining. Still gets me every time I sing it!” — Drew Kennedy


Photo Credit: Carly duMenil-Martinez
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Basic Folk – Cristina Vane

Blues musician Cristina Vane has lived many lives. She grew up in Europe listening to an eclectic mix of emo, pop, and rock. She came to the U.S. to study comparative literature at Princeton before moving to Los Angeles to pursue her songwriting career. Determined to get her music out there on her own terms, Cristina embarked on a life-changing solo tour that took her across the United States. She slept in her tent, took in the majesty of the National Parks, and learned more about American culture than most Americans learn in a lifetime.

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Vane’s new album, Make Myself Me Again, is a sonic homecoming that showcases her remarkable talents as a guitarist, songwriter, and vocalist. Ever a student of the blues, Cristina pays homage to her forebears while telling her own stories with vulnerability. Some of the highlights of our conversation include central New Jersey deli memories, tour stories, Cristina’s approach to finding the perfect guitar tone, and a roundabout journey to identity.


Photo Credit: Stuart Levine