You Gotta Hear This: New Music From EZRA, Lonesome River Band, and More

Okay, we say it every week, but really– You Gotta Hear This! Our weekly premiere and new music roundup includes bluegrass, the blues, Americana, indie, bebop influences, and so much more.

LA’s American Mile kick us off with a music video for “Waiting on a Sunday,” which is equal parts roots rock and alt country – into Tom Petty vibes? This one’s for you! The song was inspired by a mundane gas station encounter on a silent pandemic Sunday. Singer-songwriter Meir Levine also launches “I Wish It Was Over,” an indie rock-tinged Americana track with poppy textures that considers closure, moving on, and looking ahead.

Unfortunately, two of our string bands below have the blues this week! EZRA, a talented new acoustic quartet with bluegrass roots and a stacked roster of pickers, bring us a performance video for “Basically a Blues,” where they turn a typical 12-bar blues progression inside out and upside down with acrobatic, virtuosic picking. Plus, Lonesome River Band’s new single, “Blues,” is an Adam Wright-written song featuring Rod Riley on Telecaster. That track is from their upcoming project, Telegrass, and we’re receiving the message loud and clear.

Singer-songwriter Mac Cornish covers Danny O’Keefe’s “The Road” with a deliciously retro, twangy ’70s sound that’s appropriately melancholic and full of life, too. Elsewhere in our roundup, you’ll hear Julia Sanders, who’s also inhabiting grief, sadness, and nostalgia in a video for her new single, “Star Stickers,” during which her listeners will certainly be able to picture glow-in-the-dark decorations stuck haphazardly to their childhood ceilings.

Make sure to scroll all the way to the bottom, though, as you won’t want to miss “Foxology” from Tokyo’s Thompson the Fox, an exciting newgrass quartet with an uncommon lineup: banjo, bass, drums, and xylophone. It’s fantastic music, bebop and jazz influences leading to sonic surprises around every twist and turn of the original melody. When this one arrived in our inboxes, we were immediately charmed and entranced. You will be, too.

It’s all right here on BGS and, simply– You Gotta Hear This!

American Mile, “Waiting on a Sunday”

Artist: American Mile
Hometown: Los Angeles, California
Song: “Waiting on a Sunday”
Album: American Dream
Release Date: May 2, 2025 (single); June 6, 2025 (album)

In Their Words: “When I was writing ‘Waiting on a Sunday,’ I was on a couch in Vermont. It was silent and my thoughts were the only thing around. It was 2020, in the middle of the pandemic, and I walked to the gas station up the street, ’cause nothing was coming to me in that silence. There was a lady at the gas pump trying to wrestle her kids into the car and pump gas at the same time. I thought I recognized her from high school, so I helped her pump her gas while she dealt with her kids. She told me a little bit about her life and the struggles of being a single mom; she was heading to church that morning. It all kind of flooded into my mind at that point and I wrote most of the lyrics that day. I thought to myself, ‘We’re all in a way waiting for a Sunday,’ whatever that means to us.” – Eugene Rice


Mac Cornish, “The Road”

Artist: Mac Cornish
Hometown: Nashville, Tennessee
Song: “The Road”
Release Date: May 1, 2025

In Their Words: “‘The Road’ by Danny O’Keefe has been one of my favorite songs for years, because of Danny’s melancholic but beautiful lyrics about life on the road. Danny’s writing in general has always been important to me, but as time has passed and I’ve toured more, this song keeps resonating with me more. I started covering it with my backing band about a year ago and it quickly became a staple in our set and a favorite of our audiences. This past December we went into the studio and recorded the whole thing to tape, really trying to emulate the early ’70s sounds of this song, but also give our own spin on it. Our two acoustic guitars lay as the foundation for our version of the song. The bass and drums drive the song forward, but never distract from the delicate Travis picking. The pedal steel weeps through the whole song, emphasizing certain lyrics and complementing the vocal melody. I’m proud of my take on this ’70s classic and am excited to add my name to the list of artists who have covered this song.” – Mac Cornish

Track Credits:
Mac Cornish – Acoustic guitar, vocals
Bailey Warren – Acoustic guitar, backing vocals
Trevor Stellflug – Pedal steel
Jacob Miller – Bass
Hunter Maxson – Drums


EZRA, “Basically a Blues”

Artist: EZRA
Hometown: Oberlin, Ohio
Song: “Basically a Blues”
Album: Froggy’s Demise
Release Date: May 9, 2025
Label: Adhyâropa Records

In Their Words: “‘Basically a Blues’ takes the standard chords used in a 12-bar blues and flips them upside down. All the well-known bluesy harmonies become diminished when doing this, and I found the sound to be fairly intriguing. I especially love the solos and trades that Max [Allard] and Jake [Jolliff] take over this quirky tune and have to give major kudos to Craig [Butterfield] who burns constant 8th notes for the duration.” – Jesse Jones, guitar

Track Credits:
Jacob Jolliff – Mandolin
Max Allard – Banjo
Jesse Jones – Guitar, composer
Craig Butterfield – Double bass


Meir Levine, “I Wish It Was Over”

Artist: Meir Levine
Hometown: Upstate & Brooklyn, New York
Song: “I Wish It Was Over”
Album: Long & Lonely Highway
Release Date: June 6, 2025
Label: First City Artists

In Their Words: “‘I Wish It Was Over’ came in one of those exceedingly rare moments, where I woke up one morning and the song was already fully formed in my head. The song covers a pretty simple message I think, about the things that we can’t seem to let go of, that we seek out just to feel something – even if it’s bad or harmful to us.” – Meir Levine

Track Credits:
Meir Levine – Songwriter, vocals, guitars
Andrew Freedman – Producer, piano, keyboards
Will Graefe – Electric guitars, acoustic guitars
Jeremy McDonald – Bass
Mike Robinson – Pedal steel, guitars
Jordan Rose – Drums


Lonesome River Band, “Blues”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Blues”
Release Date: May 2, 2025
Label: Mountain Home Music Company

In Their Words: “We’ve all had the ‘Blues’ in our lives, but this Adam Wright song sees the ‘Blues’ in a whole different light. It’s a lighthearted break from the sad songs – one that we have a ton of fun with. Featuring our good friend Rod Riley on the Telecaster, it comes from our upcoming Telegrass project.” – Sammy Shelor

Track Credits:
Sammy Shelor – Banjo, harmony vocal
Jesse Smathers – Acoustic guitar, harmony vocal
Mike Hartgrove – Fiddle
Adam Miller – Mandolin, lead vocal
Kameron Keller – Upright bass
Rod Riley – Electric guitar


Julia Sanders, “Star Stickers”

Artist: Julia Sanders
Hometown: Asheville, North Carolina
Song: “Star Stickers”
Album: Dark Matter
Release Date: May 16, 2025

In Their Words: “Usually my songwriting process is the same. I start with a melody and then lyrics start to unfold as the idea of the song becomes more distilled. With this one, the chorus came lyrics, melody, and all, as I was laying in bed getting my daughter to sleep one night. I had been asking myself, ‘What am I avoiding writing about?’ and maybe more than any other theme, was my challenging and painful relationship with my own mother. My mother struggled with mental health her whole life and in her own pain, she hurt those around her. Just before I started working on this album, she was diagnosed with ALS. Her physical decline was very quick and heartbreaking. The grief was heavy, complicated, and messy. Lying in my daughter’s bed that night, watching the yellow-green glow of star stickers on the ceiling, I felt like I was time-traveling – to my own childhood bedroom, needing my mother to be different than she could be, then back to this room, trying hard to be a different kind of mother for my own children, and then to the future, where nothing is known except that none of this lasts.” – Julia Sanders

Track Credits:
Julia Sanders – Vocals, songwriter
John James Tourville – Guitar
Steve Earnest – Baritone guitar
Landon George – Bass
Bryce Alberghini – Drums

Video Credit: Ashlyn McKibben


Thompson the Fox, “Foxology”

Artist: Thompson the Fox
Hometown: Tokyo, Japan
Song: “Foxology”
Album: The Fox In Tiger’s Clothing, vol. 1: FOX
Release Date: May 3, 2025
Label: Prefab Records

In Their Words: “We’re a Tokyo-based instrumental quartet with a unique lineup – xylophone, banjo, bass, and drums. Each member comes from a different musical background: Rie Koyama (xylophone) from classical music, Tomohito Yoshijima (drums) from jazz, and Akihide Teshima (bass) and I (banjo) from bluegrass.

“Writing tunes for such an unconventional instrumentation always feels like an experiment. I’ve long had the idea that the rapid melodic lines and complex syncopation of bebop would suit the xylophone and banjo. So I wrote this tune with strong influences from Charlie Parker – which is why I named it ‘Foxology.’

“It was a lot of fun coming up with the A section melody that can be played in melodic style on the banjo, so is the B section featuring a double-stop chromatic scale played on the xylophone with four mallets. We hope you enjoy our new album!” – Takumi Kodera, banjo

Track Credits:
Rie Koyama – Xylophone
Takumi Kodera – Banjo, composer
Akihide Teshima – Bass
Tomohito Yoshijima – Drums


Photo Credit: EZRA by Tanya Rosen-Jones; Lonesome River Band by Sandlin Gaither.

7 Americana Songs That Should Absolutely Not Be Covered By Anyone (Even Bob Dylan)

We all know that feeling, the one we get when someone does a cover of one of our favorite songs. It's the same mix of excitement and fear we felt as teenagers, when we jumped into the back of Dad's Plymouth Reliant and started working on our 'Night Moves.' Will it be an ecstatic experience or will it completely suck? But just as there are people with whom we'd never endeavor to join in the back of that car, there are songs that are patently untouchable, recordings that should be left alone for posterity, never to be covered by anyone (even Bob Dylan). Here's a list of seven that are sacred.

"Wagon Wheel" — Old Crow Medicine Show

It’s not too farfetched to imagine that somewhere in this great musical land of ours some ‘record guy’ is hatching a plot to have Bob Dylan cover his own co-write, like some evil scientist plotting to destroy the North Carolina transit system. Don’t engage with the dark side, Bob. I gave you a pass on that semi-awful Frank Sinatra thing but, if you dare lay hands on this Americana classic (part owner though you may be), I’ll be compelled to give you a thorough tongue-lashing. Worse than I would’ve given Darius Rucker had I cared enough to talk about it. And don’t get me started on the other versions that are floating around from bands that ought to know better (but apparently don’t). Heck, there's even an entire website devoted to stopping the spread of "Wagon Wheel."

"La Cienega Just Smiled" — Ryan Adams

I have a 15-year old son who’s quite an accomplished musician, who does a pretty nice piano and vocal version of this song. But he’ll never record it or perform it in public, he says, “because the original version is perfect and I’ll never, ever come close.” Others should have such foresight. Out of the mouths of babes, as they say.

"Don’t Think About Her When You’re Trying To Drive" — Little Village

A good friend of mine, once the music editor of a hi-fi magazine, said the demise of Little Village came because there was no one in charge (so everyone thought he was in charge). I’m guessing that dogs like "Solar Sex Panel" had something to do with it, too. But tucked among the mutts was this Westminster Best In Show, a fervently heart-breaking ballad about being on the road to somewhere without someone. The arrangement is beautiful, the twanging Telecasters are glorious and drummer Jim Keltner has more taste in his left foot than most people have in their whole body.

"Quits" — Danny O’Keefe

“What will we call it now? It’s not a marriage anymore.” Seriously, I tear up every time I hear this song, probably the most heart-wrenching three minutes and nineteen seconds about divorce ever written. Weeping pedal steel, desolate strings, lonely harmonies (courtesy of Linda Ronstadt), lyrics that are hankie worthy, even for the toughest of tough guys. A couple of country dudes have covered this one and they're still meeting with their therapists to work through their guilt and shame.

"Windfall" — Son Volt

Quite possibly the greatest Americana song ever written, it’s hard to imagine why anyone would try to improve on this example of perfection. It’s all here: moaning vocals, steel guitars (settlin’ down), fabulous fiddles, all night radio stations, hands on the wheel, the wind in your face, troubles, troubles and more troubles at 134 beats per minute. I’ll give ‘Rusty Fender” a pass on his YouTube bass cover (Really? bass cover?) but that’s as far as my forgiveness will extend.

"Big Yellow Taxi" — Joni Mitchell

As much as my boy and I are pretty simpatico when it comes to music, I think about putting him up for adoption every time he cracks open Spotify and plays the isn't-he-cute boyfriend funk version of this song that Counting Crows massacred for the benefit of pop radio. The codpiece caterwaul of the emotive Mr. Durwitz that was somewhat charming when he was hanging with "Mr. Jones" just proves he has no clue what he's singing about. For God sakes, dude, the song isn't about the girl. It's about our collective loss of childhood innocence and appreciation that's leading us to destroy the planet. 

"Tenderness" — Paul Simon

There Goes Rhymin’ Simon was one of Paul Simon’s most popular records and "Tenderness" followed "Kodachrome" so, even by mistake, this song got played a lot back when vinyl and tape were all we had. And why wouldn’t it? It’s New Orleans blues meets New York folk in its finest form, perfectly framed by The Dixie Hummingbirds. And that’s why it should never be covered … ’cuz no one sings like those guys.