FARHOF’s Roots That Built the Hall Playlist

Located inside the historic Wang Theatre and founded by the Boch Center, the Folk Americana Roots Hall of Fame is Boston’s premier cultural and educational initiative dedicated to celebrating America’s rich musical heritage. Since its launch in 2019, FARHOF has honored the artists, songs, and movements that have shaped folk, Americana, and roots music while creating immersive exhibits, educational programming, and live experiences that connect audiences to the stories behind the sound. Guided by iconic artists and industry leaders, the Hall exists to honor the past, celebrate the present, and nurture the future of these genres.

On March 24, 2026, FARHOF will host its 2026 Induction Celebration at the Wang Theatre, an unforgettable evening recognizing the artists and industry leaders who helped build the foundation of folk, Americana, and roots music. This year’s honorees, whose collective achievements include 30 GRAMMY Awards and countless other accolades, represent the influence and ongoing evolution of the genres we preserve.

Our playlist theme, Roots That Built the Hall, celebrates the legacy and influence of this year’s inductees. Each song reflects the innovation and cultural impact of the artists who shaped Folk and Roots music, reminding us why this music endures and continues to inspire. – Denise Arellano, The Boch Center

“(I’m Your) Hoochie Coochie Man” – Muddy Waters

Muddy Waters electrified the Delta blues and carried it into the urban North, shaping the sound of modern roots music. This track demonstrates that blues roots continue to inspire folk and Americana, exemplifying the music and legacy the Folk Americana Roots Hall of Fame celebrates.

“Chain of Fools” – Aretha Franklin

Aretha’s voice bridges gospel, soul, and rhythm & blues, reminding us that roots music is inseparable from the Black musical traditions that shaped America. Her artistry embodies FARHOF’s mission to celebrate music as both cultural expression and social force.

“Suzanne” – Leonard Cohen

With poetic lyricism and folk instrumentation, Cohen represents the storytelling tradition central to folk music. His work highlights how intimate songwriting can shape national culture and influence generations to come.

“Make Me A Pallet On Your Floor” – Mississippi John Hurt

Hurt’s fingerpicking style and oral storytelling roots in this country blues standard echo the preserved histories and rare artifacts celebrated within FARHOF’s exhibits.

“My Journey To The Sky” – Sister Rosetta Tharpe

Blending gospel and the electric guitar, Sister Rosetta Tharpe helped lay the groundwork for rock ‘n’ roll. Her inclusion reflects FARHOF’s commitment to honoring artists whose innovations continue to ripple across genres.

“Running on Empty” – Jackson Browne

A pillar of folk and Americana, Browne captures the restless spirit of life on the road. His songs blend roots traditions with raw, lived experience, shaping the sound and soul of a generation.

“Both Sides Now” – Judy Collins

A defining voice of the 1960s folk revival, Collins helped bring reflective and socially aware songwriting to the mainstream. Her work showcases the genre’s power to spark dialogue and deepen cultural understanding.

“Harvest Moon” – Neil Young

Young’s blending of folk intimacy and country influence illustrates the fluid evolution of roots music. Songs like this show how tradition can feel timeless while still speaking to contemporary audiences.

“The Last Thing on My Mind” – Tom Paxton

Paxton’s songwriting embodies the heart of the folk process, simple melodies carrying profound emotional truth. His legacy reinforces FARHOF’s mission to preserve the craft of storytelling through song.

“Urge for Going” – Tom Rush

Rush played a pivotal role in championing emerging songwriters and expanding the Boston folk scene. His work connects directly to FARHOF’s educational spirit by nurturing future generations while honoring those who paved the way.

“Go Down Sunshine” – Odetta

Odetta’s commanding voice became a soundtrack to the Civil Rights Movement, proving music’s power to inspire social change. Her artistry ties directly to FARHOF’s belief that folk and roots music are not just entertainment, but vessels for justice, unity, and cultural preservation.

“All I Want” – Joni Mitchell

Joni Mitchell’s intricate songwriting and emotional clarity helped redefine the possibilities of folk music in the 1970s. “All I Want” is built upon the deeply personal storytelling that continues to influence generations of artists, embodying FARHOF’s commitment to honoring innovation within tradition.

“Tear the Fascists Down” – Woody Guthrie

Woody Guthrie stands as one of the foundational voices of American folk music, using song as a vehicle for social conscience and collective resilience. This track underscores how roots music has amplified the voices of working people and movements for justice, a legacy FARHOF preserves.

“Black Betty” – Lead Belly

Lead Belly’s recordings carried traditional work songs and prison chants into the American mainstream, ensuring these stories were not lost to time. “Black Betty” represents the oral traditions and lived histories that form the foundation of roots music and the cultural preservation FARHOF continues to strive for.

“It Ain’t Me Babe” – Joan Baez

Joan Baez helped bring folk music into the national spotlight during a pivotal era of cultural change. Her interpretation of this song reflects the genre’s spirit of independence and social awareness, qualities that continue to shape the folk and Americana traditions celebrated within the Hall.


Graphics courtesy of the Folk Americana Roots Hall of Fame.

Wasn’t That A Time: Post-Revival Folk

Editor’s Note: On September 27, 2025, the Folk Americana Roots Hall of Fame in partnership with the Bruce Springsteen Archives and Center for American Music held a collaborative symposium entitled Wasn’t That A Time: The Boston Folk Revival 1958-1965. Over the course of the day, attendees at the Arrow Street Arts Center in Cambridge, Massachusetts, enjoyed sessions and panels on such subjects as Club 47, Joan Baez, Bob Dylan at Newport Folk Fest, a conversation with Peter Wolf, and much more. The symposium programming was captured and filmed, and over the last few weeks we’ve shared select sessions with our audience right here on BGS. We hope you’ve enjoyed learning more about how Boston was at the epicenter of the folk revival in the ’50s and ’60s. 

Our fourth and final installment focuses on the state of folk today, “Post-Revival Folk.” Watch above, learn more below. (Watch the first video in the series here. Watch the second in the series here. Watch the third in the series here.)

“Post-Revival Folk”

Speakers: Deana McCloud (moderator), Tom Paxton, Ralph Jaccodine, Ellis Paul, Jim Brown

About the Video: After the Folk Revival era, how has “folk” changed? What were the pivotal moments and artists who influenced these changes, while continuing the traditions of folk? What do you see as today’s folk scene and why is it still relevant?

“… Sadly, this is our last panel of the day. I say ‘sadly,’ because I’ve enjoyed and learned so much today and I hope all of you have, too. I hope that if we do this again that you all will come again, because it’s been such a great day for this community.

“Our final session today is on ‘Post-Revival Folk’ and it will be moderated by Deana McCloud and she’ll be speaking with Ralph Jaccodine, Ellis Paul, Tom Paxton, and Jim Brown. Enjoy!” – Casey Soward, President and CEO of the Boch Center


Check out the latest exhibits and events happening at the Folk Americana Roots Hall of Fame here. Learn about the 2025 inductees to the Folk Americana Roots Hall of Fame here.

Wasn’t That A Time: Dylan Goes Electric at Newport ’65

Editor’s Note: On September 27, 2025, the Folk Americana Roots Hall of Fame in partnership with the Bruce Springsteen Archives and Center for American Music held a collaborative symposium entitled Wasn’t That A Time: The Boston Folk Revival 1958-1965. Over the course of the day, attendees at the Arrow Street Arts Center in Cambridge, Massachusetts, enjoyed sessions and panels on such subjects as Club 47, Joan Baez, Bob Dylan at Newport Folk Fest, a conversation with Peter Wolf, and much more. The symposium programming was captured and filmed, and over the course of the next few weeks we’ll be sharing select sessions with our audience right here on BGS. Tune in and enjoy learning more about how Boston was at the epicenter of the folk revival in the ’50s and ’60s. 

Our third installment focuses on Dylan’s 1965 appearance at Newport Folk Festival. Watch above, learn more below. (Watch the first in the series here. Watch the second in the series here.)

“Dylan Goes Electric at Newport ’65”

Speakers: Bob Santelli (moderator), Elijah Wald, Douglas Brinkley, Jeannie Brand, Court Carney.

About the Video: When Bob Dylan traded his acoustic guitar for electric at the 1965 Newport Folk Festival, he ushered in a shift to the traditional folk scene. How did the audience and his fellow performers respond, and why? How did this change folk at the time and continue to influence the genre?

“Continuing the series from our Symposium, we tackle one of folk music’s defining moments: Dylan going electric at Newport ’65. What followed changed everything. This panel brings clarity, context, and insight to a moment that continues to shape American music.” – Casey Soward, President and CEO of the Boch Center


Check out the latest exhibits and events happening at the Folk Americana Roots Hall of Fame here. Learn about the 2025 inductees to the Folk Americana Roots Hall of Fame here.

Wasn’t That A Time: Joan Baez in Cambridge and Beyond

Editor’s Note: On September 27, 2025, the Folk Americana Roots Hall of Fame in partnership with the Bruce Springsteen Archives and Center for American Music held a collaborative symposium entitled Wasn’t That A Time: The Boston Folk Revival 1958-1965. Over the course of the day, attendees at the Arrow Street Arts Center in Cambridge, Massachusetts, enjoyed sessions and panels on such subjects as Club 47, Joan Baez, Bob Dylan at Newport Folk Fest, a conversation with Peter Wolf, and much more. The symposium programming was captured and filmed, and over the course of the next few weeks we’ll be sharing select sessions with our audience right here on BGS. Tune in and enjoy learning more about how Boston was at the epicenter of the folk revival in the ’50s and ’60s. 

Our second installment focuses on Joan Baez’s work in Cambridge and beyond. Watch above, learn more below. (Watch the first installment in the series here.)

“Joan Baez in Cambridge and Beyond”

Speakers: Aimee Zoeller (moderator), Betsy Siggins, Mitch Greenhill, Douglas Brinkley, Mitch Blank

About the Video: Joan Baez first played Club 47 when she was 17 and performed there every Tuesday night until her career took off at Newport Folk Festival. How did this shift from local coffeehouse performer occur, who and what were the pivotal influences on Joan and her career, and how do music archaeologists study her career?

“This panel on Joan Baez is one of the richest conversations we hosted at our September Symposium – a panel that captures Joan Baez’s artistic legacy through the voices of people who’ve both lived and studied her story up close. It’s smart, emotional, and full of perspective you won’t hear anywhere else. We’re excited to share it with BGS readers.” – Casey Soward, President and CEO of the Boch Center


Check out the latest exhibits and events happening at the Folk Americana Roots Hall of Fame here. Learn about the 2025 inductees to the Folk Americana Roots Hall of Fame here.

Wasn’t That A Time: Origins of Boston and Greenwich Folk Scenes

Editor’s Note: On September 27, 2025, the Folk Americana Roots Hall of Fame in partnership with the Bruce Springsteen Archives and Center for American Music held a collaborative symposium entitled Wasn’t That A Time: The Boston Folk Revival 1958-1965. Over the course of the day, attendees at the Arrow Street Arts Center in Cambridge, Massachusetts, enjoyed sessions and panels on such subjects as Club 47, Joan Baez, Bob Dylan at Newport Folk Fest, a conversation with Peter Wolf, and much more. The symposium programming was captured and filmed, and over the course of the next few weeks we’ll be sharing select sessions with our audience right here on BGS. Tune in and enjoy learning more about how Boston was at the epicenter of the folk revival in the ’50s and ’60s. 

Our first installment focuses on the origins of the folks scenes in Boston and Greenwich. Watch above, learn more below.

“Origins of Boston and Greenwich Folk Scenes”

Speakers: Melissa Ziobro (moderator), Mitch Greenhill, Jim Brown, Jim Rooney, Tom Paxton

About the Video: “Recorded at the Wasn’t That A Time: The Boston Folk Revival 1958-1965 symposium presented by the Folk Americana Roots Hall of Fame, ‘Origins of Boston and Greenwich Folk Scenes’ traces the beginnings of the American folk revival through the voices of those who lived it. Moderated by Melissa Ziobro, curator at the Bruce Springsteen Archives and Center for American Music, the panel features Jim Brown, Jim Rooney, Mitch Greenhill, and Tom Paxton in a wide-ranging conversation about the artists, venues, and cultural currents that gave rise to one of the most influential movements in American music.” – Casey Soward, President and CEO of the Boch Center


Check out the latest exhibits and events happening at the Folk Americana Roots Hall of Fame here. Learn about the 2025 inductees to the Folk Americana Roots Hall of Fame here.