LISTEN: Mr Sun, “Shovasky’s Transmogrifatron” (from Duke Ellington’s Nutcracker Suite)

Artist: Mr Sun
Hometown: Portland, Maine / Nashville, Tennessee / Brooklyn, New York
Song: “Shovasky’s Transmogrifatron” (Ballet Snow Scene)
Album: Mr Sun Plays Duke Ellington’s Nutcracker Suite
Release Date: December 1, 2023
Label: Adhyâropa Records

In Their Words: “Everybody’s familiar with the Nutcracker Suite, but there’s this really beautiful recording of Duke Ellington and Billy Strayhorn’s arrangement of it – it was a really joyful, playful reimagining of this classic piece… It was an easy idea to propose, not fully appreciating the amount of time it would take to do it. Luckily, everyone in the band brings a tremendous skill set to the project.” – Joe K. Walsh, mandolin

“They basically said, ‘We’re gonna take this essential seed of an idea, but we’re gonna play it like us.’ And we’re doing the same thing – we’re playing it like Mr Sun, without doing anything too verbatim. It’s all about being ourselves. That’s the impression you get from Ellington, and that’s a thing we very much are: Ourselves.” – Grant Gordy, guitar

“It sounds simple, ‘Let’s just play this big band arrangement with four stringed instruments.’ In practice it’s been a little more complicated!” – Aidan O’Donnell, bass

“Duke Ellington of course was volcanically creative. He was one of the most creative musicians ever. He was beyond category. Melody, harmony, and rhythm – if you can put those things together in a way that reaches people, it’s gonna be successful in a way that means something.” – Darol Anger, fiddle


Photo Credit: Dylan Ladds
Video Credit: Brian Carroll, Dos Gatos Filmworks

LISTEN: Grant Gordy, “Journey to Miniera”

Artist: Grant Gordy
Hometown: Brooklyn, New York
Song: “Journey to Miniera”
Album: Peripheral Visions
Release Date: March 3, 2023

In Their Words: “This music has been a long time coming: I made my debut record, Grant Gordy, 14 years ago with much the same band (Alex Hargreaves on violin, and Dominick Leslie on mandolin), and there’s been a small but consistent clamor for another ‘Grant Gordy Quartet’ record in the intervening years. Somehow it just took this long to come around to it. This time, it was us three with the great Aidan O’Donnell on bass — Aidan and I have been working together frequently since meeting here in NYC almost a decade ago, and we play in the band Mr. Sun together. So I have long-standing relationships with all three of these musicians, and I think that though the GGQ isn’t a full-time project (hence, to some degree, the record’s title Peripheral Visions), that spirit of experimentation and camaraderie comes through in the music. I played with the David Grisman Quintet/Sextet for six years and I feel like ‘Journey to Miniera’ displays the most direct connection to Dawg music on the album, though there are other musical inspirations at play here, too. The title is a dedication to some beautiful friends I’ve made working over in Italy, at a music camp called Minieracustica, truly a paradise-on-earth kind of situation. I can’t wait to make the return journey to Miniera.” — Grant Gordy

grantgordy · Journey To Miniera

Photo Credit: Jacob Blickenstaff

WATCH: Garrison, Gordy, Hargreaves, Walsh, “Sports”

Artist: Garrison, Gordy, Hargreaves, Walsh
Hometown: Brooklyn, New York/Denver, Colorado/Portland, Maine
Song: “Sports”
Album: Bluegrass and the Abstract Truth
Release Date: April 16, 2021

In Their Words: “Instrumental tunes are wonderfully subjective, like little movies whose narratives and meanings can transform and reflect the places they’ve seen. ‘Sports’ started as a little tune in my head riding the D train home from Manhattan to Brooklyn, and had its first public appearance on a local jazz gig. It followed me around, enjoyed some unveilings in the UK under a few different titles — I think I even took a fruitless audience survey to come up with a fitting appellation. When we went into the studio to record this group, its true title came to light and Joe, Alex, and Greg expressed its shifts of mood and character masterfully. We were so delighted to see our friend Danny Barnes’ take on what ‘Sports’ was communicating, and the video he made couldn’t have been a better fit for the mood of the piece.” — Grant Gordy


Photo credit: Dan Cardinal

Camp Tunefox Immerses New Musicians in Bluegrass and Creativity

Camp Tunefox strives to bring out the creativity in aspiring bluegrass musicians, even those who are just starting on guitar, banjo, or mandolin. This year’s camp takes place on May 15-19 in Montreat, North Carolina (right outside of Asheville), with teachers such as Danny Barnes, Wes Corbett, Grant Gordy, Clay Hess, Joe Walsh, and Mike Compton. Tunefox’s Bennett Sullivan answered a few questions by email about the upcoming event.

What sets Camp Tunefox apart from other instrument camps?

I’d say our focus on creativity and musicality over pure technique is what makes Camp Tunefox different. The schedule for the camp is organized using daily themes so each day all of the campers will have a focus that they can practice and discuss together. The teachers will teach their material with the theme in mind and the small group rehearsals will be aligned with it as well.

Tunefox is an app company and we have online content that will help support the students’ learning at camp. We’ll be launching a new feature and the campers will be the first ones to experience it in May.

How do you decide upon the instructors?

We wanted teachers that reflected both the tradition of bluegrass and pushing the envelope. Most of all, the teachers at camp are creators at heart. They’re people that have studied with the great bluegrass artists, either with their records or in person, and they bring that knowledge and passion with them to every gig, teaching event, or recording session.

I also am looking forward to learning from each of the teachers. As a professional musician, I know more than anyone the value of hearing a different perspective, be it musical or academic.

Your 2019 theme is Cultivating Individual Creativity. What does that mean to you?

It’s what I strive for every day! These days I’m writing more music in an attempt to further discover who I am. The creative process is a vulnerable, yet revealing space. At Camp I want the students to be inspired to look in themselves to not only technically play music but play it with intention. Bluegrass can be intimidating and when you label yourself as a ‘bluegrass musician’ it seems you have to play a lot of notes really quickly. I want the students to leave camp knowing themselves a little bit better. And I’d like that for myself, too.

What can a someone who is new to the instrument expect to learn at Tunefox?

[New players] will be immersed in an experience where they will learn foundational concepts like rhythm and chords but also be encouraged to create, improvise, and explore what music means to them. I think beginners can do this from the start. We’ve all listened to music before and we have a taste of what we like and dislike. So when you approach learning an instrument, you bring that discernment with you. It’s important to learn the fundamentals but when it comes to choosing songs to learn, pick what you dig most. Eventually, this will translate into ‘your sound.’

What is it like, from your perspective, to see these beginners develop their ability?

It’s exciting. The smallest breakthrough by a student gives me so much joy. All of the teachers resonate with this as well. Camp Tunefox will be a hands-on experience, giving students even more of an opportunity to make these breakthroughs with the guidance of experts at hand.

 


Photo courtesy of Tunefox

 

Discover more about Camp Tunefox and the Tunefox app at tunefox.com

MIXTAPE: Bobby Britt’s Songs of Hard-Won Joy

The songs and artists on this playlist evoke a sense of hard-fought, hard-won, deep and rich joy. It is not a simple, one-dimensional joy. It has the sound of being churned about, tried and tested again. And now, just maybe, the joy being properly vetted, can be enjoyed. I look up to these artists, as they convey a message of calm and confident optimism.

We are all faced with the dualities of a temporal world…birth and death, gain and loss, pleasure and pain.

These songs speak to the strength of the human spirit amidst that world, and give me courage to carry on regardless of what’s happening, good or bad. They also provide a glimpse at an eternal reality of peace and balance (that has nothing to do with time, space or duality) that is hard to see or believe in when I am churning in the opposites…fear of loss, a craving for more and more solidity, and the dread that I will never have or be enough.

We need artists for this very reason; to go beyond our normal, conditioned ways of thinking about life, and to give us a new perspective with which to test our old and sometimes outdated paradigms.

My area of expertise is bluegrass and old-time fiddle. Though I am not a vocalist or pop artist, I gain inspiration from all styles. The feeling and sound of the above mentioned “hard-won joy” is what transcends specific genres for me. A goal of mine is to take this base emotional element, and with it, transfuse my fiddle playing and songwriting.

My hope is that you can find some joy and something to relate to in these songs as I did. Thank you for listening.


Photo Credit Louise Bichan

Sam Reider, ‘Valley of the Giants’

Accordionist, pianist, and composer Sam Reider was inspired by wandering through the surreal landscape of Valle de los Gigantes in Baja California, Mexico. The park is named for the gargantuan cardón cactus, a species that resembles saguaros of the U.S., but grows larger and taller and can live longer than 300 years. It might seem that the Sonoran desert — dotted by enormous, otherworldly plants — would evoke meditative, minimal, dreamy sounds — a musical reflection of desolation and austere beauty — but “Valley of the Giants,” off Reider’s debut album, Too Hot to Sleep, is anything but.

It’s rollicking and frenetic, lilting and energetic — more like the Wild West, replete with stampedes and tumbleweeds, than a silent, spiritual desert. The album’s roster of savvy pickers (Dominick Leslie on mandolin; Alex Hargreaves on fiddle; Roy Williams and Grant Gordy on guitars; David Speranza on bass; and Eddie Barbash on saxophone) pull from their overarching bluegrass expertise to drive the tune forward at a pace just shy of breakneck, galloping-horse-chase soundtrack speeds. Dashes of folk influences from around the world are sprinkled into its string band aesthetic like melodic Easter eggs. Reider’s accordion is the unyielding anchor, giving a dose of soulful, raw timelessness, but with a modern crispness and confidence. Somehow, it simultaneously conjures arid Baja and transatlantic scenes in an Irish pub or the countryside in France. It’s like a mini-vacation, wrapped up tidily within an instrumental.

LISTEN: Grant Gordy and Ross Martin, ‘Dear Old Dixie’

Artist: Grant Gordy and Ross Martin
Hometown: Brooklyn, NY
Song: "Dear Old Dixie"
Album: Year of the Dog
Release Date: November 11

In Their Words: "This record has been a long time coming for us. We titled it Year of the Dog because we're dogs on the Chinese Zodiac, separated by one 12-year cycle. After many years of running in similar circles, lots of jamming, and mutual admiration, the album feels like a destined project come to fruition. (Incidentally, Ross recently found out that the dog is the 11th sign, which happens to perfectly suit our release date of 11/11!)

Ross and I are former Colorado residents who, at different times, relocated to New York City, and we've unintentionally followed our noses into some similar trajectories in life. We’re both adventurous guitarists with a strong grounding in roots music. We highly value improvisation — the dialogue aspect of making music together — and enjoy exploring the many possibilities of form and texture available to a guitar duo. This version of the classic 'Dear Old Dixie,' a tune usually associated with the banjo, was arranged by Ross and takes some interesting twists and turns, both planned and spontaneous." — Grant Gordy


Photo credit: Justin Camerer