Tag: Lafayette

Elise Leavy is the Faerie Kid of Folk

Posted on by Shelby Williamson

Dive into the enchanting world of Elise Leavy – who hails from picturesque Monterey, California – through her latest album, A Little Longer. Leavy’s artistic journey is steeped in the influences of her magical childhood surroundings. Her life growing up was filled with music and art, thanks to her mom’s painting and her stepdad’s own musical talents. Growing up with a deep appreciation for nature and a belief in faeries, Leavy shares how these elements shaped her musical perspective.

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As we explore Elise’s musical evolution in this episode of Basic Folk, we touch on her experiences with live performances, overcoming stage fright, and the art of songwriting. Her unique approach to music, drawing from her magical way of thinking, is reflected in her exploration of various musical instruments – from accordion to guitar, piano, fiddle, and more. We also uncover the impact of her time at summer camps, which fostered a sense of community that continues to shape her artistic expression to this day.

This episode delves into the intriguing intersection of Leavy’s musical journey with homeschooling, highlighting the unconventional path she took to prioritize her love for songwriting and music making. She left public school in eighth grade to focus on her craft and built her schedule around attending music camps. She would go on to study at New England Conservatory and she lived briefly in New York. After several years in Nashville, she has recently found herself living in Lafayette, Louisiana.

The songs on Leavy’s new album, A Little Longer, were mostly written while she was based in the Northeast. In our conversation, Elise opens up about her connections to music, magical creatures, and the harmonious blend of romance and fantasy in her musical creations.

Photo Credit: Kaitlyn Raitz

LISTEN: K.C. Jones, “Heat Rises”

Posted on by Editor

Artist: K.C. Jones
Hometown: Lafayette, Louisiana
Song: “Heat Rises”
Album: Queen of the In Between
Release Date: June 18, 2021

In Their Words: “‘Heat Rises’ was my songwriting attempt at making the ending of a relationship, any relationship really, relatable through the imagery of one night around a dying campfire. Musically, I wanted the ‘campfire song’ sing-along elements to meet the cosmic psychedelia of the strangeness of the universe somewhere in beautiful harmony. I think it’s definitely one of the ‘twangier’ cuts on the album but it’s kind of thematically the one that brings my love of classic country and singing with friends around a campfire together with the dreamier and more outlandish aspects of the way I write songs and the other genres of music that inspire me.” — K.C Jones

Photo credit: Olivia Perillo

BGS 5+5: The Brother Brothers

Posted on by Editor

Artist: The Brother Brothers (Adam and David Moss)
Hometown: Peoria, Illinois
Latest Album: Calla Lily (out April 16, 2021, on Compass Records)

Which artist has influenced you the most … and how?

If I have to pick one, which is quite difficult, I’d have to pick John Hartford. I constantly admire, rediscover, and celebrate the effortlessness with which music and words flow out of him. When he writes, he writes about what he knows, and we are convinced to join him in his love of steamboats, old time Nashville, and so many other things that I’d normally walk on by. His musicality is so honest and of himself, and damn, it just sounds so good. He doesn’t subscribe to any “rules” and yet he’s so completely inside a style. — Adam

What other art forms — literature, film, dance, painting, etc. — inform your music?

I have done a fair share of composition for dance, which has opened a whole new universe of creativity to me — the idea that movement, once catalogued, becomes an intentional means of expression has such a real and vibrant quality that no other art form can ever hope to encapsulate. Working with ballet dancers is amazing because the rigid tradition and pure athleticism of the art form creates an amazing palette that can really get inside different kinds of music, and the creativity flowing from choreographers of modern dance in NYC and around the world is just something so otherworldly but yet incredibly accessible. For some reference, I would recommend Batsheva Dance Company and the surrounding tradition of Gaga, and Nederlands Dance Theater. And of course the ever famous and incredible stewards of George Balanchine, the New York City Ballet. — David

Which elements of nature do you spend the most time with and how do those impact your work?

This last year we’ve both been displaced by the pandemic and as a result have continuously traveled. Now, David is living with his fiancée and their dog in a scamp trailer, spending every day entirely surrounded by nature. I’m currently living in California and surfing every day. When you make your life in nature, you can’t help but let the waves and your wetsuit influence your rhythm and rhyme. The sunset is an impossible thing to describe, but we can keep trying. — Adam

What’s the toughest time you ever had writing a song?

There isn’t really such a thing as “a tough time writing a song,” in my experience. Songs, for me, are things found and worked out. If the process feels difficult, it usually requires waiting and trying different avenues. If you asked, “What is the longest it’s taken to write a song?” The answer would be a very very long time. — David

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Honestly, I can’t imagine a better pairing than Russ & Daughters’ smoked fish spread and dancing to one of the hottest klezmer bands in NYC. Second only to that would be another trip to Lafayette, Louisiana, to spend another weekend at Blackpot Festival, hanging with our Cajun friends down there, playing music and eating the contest-winning gumbo, jambalaya, and gravies of the year. — Adam

Photo credit: Shervin Lainez

BGS 5+5: The Rayo Brothers

Posted on by Editor

Artist: The Rayo Brothers
Hometown: Lafayette, Louisiana
Latest album: Victim & Villain
Personal nicknames: Daniel – “The Squirrel”; Jesse – “Banjovi”; Lance – “Mandolin” (he’s the drummer); Jordan – “Sad Samurai”

What’s your favorite memory from being on stage?

Daniel: We were playing at a dirty dive bar with a bluegrass band from Texas. It was one of those gigs where you have more people on stage than in the bar. After the show the bar closed and we went into a vacant lot next door and jammed with the other band until 3 a.m. Bluegrass music was a big influence on us growing up and it’s so much fun to play. We really bonded with that band, and that night always remains in our memory as one of our favorites. One of the best things about playing in a band is finding kindred spirits from around the world to share music with. Even when the audience doesn’t turn out and the pay sucks, there’s always the music itself. That’s the reason we’re doing this.

What other art forms — literature, film, dance, painting, etc — inform your music?

Jesse: Daniel and I both write lyrics for the band and literature is a big influence on both of us. Before I realized I was writing songs, I was just writing poems not meant for music. I often don’t have a melody in mind when writing lyrics, so I try to make them sound good on their own even without music. A lot of the poetry that inspires me is from the late 19th and early 20th century – Robert Frost, Rudyard Kipling, and William Ernest Henley. And as cliché as it is, we’re both into Shakespeare, so that has probably informed some of our writing too.

What rituals do you have, either in the studio or before a show?

Jordan: We used to do shirtless chest bumps backstage after shows. I don’t remember how that got started, but we did it for a long time. But once we started having a female violinist playing shows with us, that ritual died out.

Which elements of nature do you spend the most time with and how do those impact your work?

Daniel: This might be an odd answer, but it’s a path. Whether it’s a narrow road through fields and woods, or even a hiking trail. It’s where the human element meets the natural element. The road is like time – our perpetual motion through life. It moves us forward, brings us from one place to another. It’s a guide to move you through vast landscapes of possibility.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Jesse: We almost always write in the first person. Usually we’re writing a song by taking some thought or emotion that we have had and building a story around that. But even if it’s not from personal experience, you still have to be able to think like your character when writing a song. So that naturally leads to speaking in the first person, even if the character is not really me.

Photo credit: LeeAnn Stephan

WATCH: Runner of the Woods, “Acadiana Girls”

Posted on by Editor

Artist: Runner of the Woods
Hometown: Nashville, Tennessee
Song: “Acadiana Girls”
Release Date: March 5, 2019
Label: Twinpost Music

In Their Words: “Who doesn’t love watching a bunch of accordions being smashed to bits? I wanted to celebrate the release of our new single, ‘Acadiana Girls,’ with a video depicting the chaos that ensues when children discover a stash of prized instruments. Acadiana is the Cajun region of Louisiana and the home of the song’s narrator. With its rich musical heritage, cuisine, and close family ties, it’s a place he loves deep down but needs to leave for now. This need to escape from Lafayette, Louisiana, ties in with the video’s theme of accordions being destroyed. I can definitely relate to this as an accordionist who loves Cajun music but also writes tunes for different genres. I feel that same push-pull between the urge to write original songs and the need to perform traditional music that never fails to pack a dance floor. That said, smashing these instruments with my two sons is probably the most fun I’ve ever had!” — Nicolas Beaudoing, Runner of the Woods

Photo credit: Michael Ernst