You Gotta Hear This: New Music From JOSEPH, East Nash Grass, and More

You Gotta Hear This! It’s another excellent roundup of track and video premieres plus new music arriving on digital “store shelves” today. There’s bluegrass, folk, Americana, and more.

Kicking us off, Kentucky’s Bibelhauser Brothers enlist their hero and friend Sam Bush on their rendition of “One Tin Soldier,” from their upcoming album, Down The Road. As an added bonus, Aaron Bibelhauser and Sam Bush had a nearly hour-long chat about the track, too – you can find and watch that video below. Also in a bluegrass space, Irish ‘grasser Danny Burns offers his cover of “Brother Wind,” a modern classic written by Tim O’Brien. Dan Tyminski joins Burns on the track, which does O’Brien and Darrell Scott’s versions of the song justice, for sure.

Alt- and indie-folk outfit JOSEPH return with new music, bringing us a video for their new track, “Bye and Bye,” borrowing a classic and often ecclesiastical line to explore growth, loss, and the drawn out transformations life brings each of us – while tipping their hat to a bar by the same name. You can also hear Appalachian mountain music duo the Wildmans perform “Autumn 1941,” a song co-written by Berklee’s Mark Simos and Roger Brown that touches on the harrowing reality of eugenics in the mountains of the Southeast.

East Nashville’s favorite band of lovable bluegrass delinquents, East Nash Grass, released a new single earlier this week, too! Don’t miss the excellent and lovely “Followin’ You,” written by ENG guitarist James Kee and new Travelin’ McCourys fiddler Christian Ward especially for Maddie Denton to sing. Plus, Nick Dumas is readying a bluegrass album, offering our readers a peek at a new video for “Where Have You Been,” a song about how sometimes folks you love “go away” without actually leaving.

There’s still more fantastic roots music, though! Award-winning fiddling phenoms Deanie Richardson and Kimber Ludiker are teaming up on a twin-fiddle album coming soon from Mountain Home Music Company; you can hear “Cacklin’ Hen,” the first offering from that project, below. And, wrapping us up this week, Jessica Willis Fisher went into the studio with Bryan Sutton playing guitar and mandolin to record the heartfelt and touching, “Seeds,” a country/Americana flavored track about interrupting generational cycles of pain and trauma and refusing to reap the seeds someone else may have sown in your heart and mind.

It’s quite the collection of music, and, as we say every week: You Gotta Hear This!

Bibelhauser Brothers, “One Tin Soldier” (Featuring Sam Bush)

Artist: Bibelhauser Brothers
Hometown: Louisville, Kentucky
Song:One Tin Soldier” featuring Sam Bush
Album: Down The Road
Release Date: May 15, 2025 (single)
Label: Common Loon Records

In Their Words: “Our latest collaborative effort, ‘One Tin Soldier,’ marks the first studio version of the familiar song that features Sam Bush singing and playing mandolin. The Father of Newgrass jumped right in as an honorary Bibelhauser Brother on this fourth single from our forthcoming album, Down The Road, slated for release this October. (I actually had a candid, nearly hour-long conversation with Sam on video to chat about the track – check that out here.) With his help, we’ve made an honest attempt to frame this song as a missing link in ‘newgrass’ history, connecting the dots between some larger-than-life personalities quintessential to the evolution of the bluegrass world. Much like many of our heroes, we’d like to keep the traditional torch burning bright, while igniting our own flame, fusing elements of blues, country-rock, and soul with our primordial bluegrass sensibilities.” – Aaron Bibelhauser

Track Credits:
Sam Bush – Mandolin, vocal
Adam Bibelhauser – Vocal, bass
Aaron Bibelhauser – Vocal, guitar
Steve Cooley – Banjo
Jeff Guernsey – Fiddle


Danny Burns, “Brother Wind” (Featuring Dan Tyminski)

Artist: Danny Burns
Hometown: Donegal, Ireland
Song: “Brother Wind” featuring Dan Tyminski
Album: Southern Sky
Release Date: May 16, 2025 (single); August 22, 2025 (album)
Label: Bonfire Recording Co.

In Their Words: “I first discovered ‘Brother Wind’ on the Transatlantic Sessions on BBC many moons ago. I’ve had the great pleasure of knowing Tim O’Brien and working with him — he was one of my very first collaborators in Nashville when we cut a few songs at John Prine and Ferg’s Butcher Shoppe [studio]. I asked him about ‘Brother Wind’ and he said, ‘Yeah, you should cut it.’ So, we did — tried to stay true to his original version while adding something new. Having Dan T. come in and sing on it brought it to another level of cool.” – Danny Burns

Track Credits:
Danny Burns – Vocals, guitars
Dan Tyminski – Vocals
Ethan Burkhardt – Upright bass
Billy Contreras – Fiddle
Matt Menefee – Banjo, mandolin
Cody Kilby – Guitars
Jerry Roe – Drums

Video Credit: Shot by Ryan Kay at the Station Inn, Nashville, Tennessee.


Nick Dumas, “Where Have You Been”

Artist: Nick Dumas
Hometown: Sturgeon Bay, Wisconsin
Song: “Where Have You Been”
Album: Where Have You Been
Release Date: May 16, 2025
Label: Skyline Records

In Their Words: “Everyone has been in that place – where someone close to you just isn’t there like they used to be, even if they haven’t gone anywhere. This song really struck me because of how real and universal that feeling is. And when Jim Van Cleve came in to mix it, he completely brought out the emotional tension in a way that blew me away. There’s this haunting, almost cinematic atmosphere that he created in the mix – it’s ominous, raw, and it elevates the story in a way that made me hear the song differently. It gave the whole track this weight, like you’re walking through fog trying to find someone.” – Nick Dumas

Video Credit: Thomas F. Obrien, TFOBV 


East Nash Grass, “Followin’ You”

Artist: East Nash Grass
Hometown: Madison, Tennessee
Song: “Followin’ You”
Album: All God’s Children
Release Date: May 13, 2025 (single); August 22, 2025 (album)
Label: Mountain Fever

In Their Words: “East Nash Grass was touring Ireland the first time I heard the demo recording of ‘Followin’ You,’ which I was told that our guitar player, James Kee, and our good songwriting pal and fiddler, Christian Ward, had written for me to sing on our upcoming record, All God’s Children. We were on the way to our next gig, driving through scenery too incredible to describe, and I was enchanted by an iPhone recording of Christian playing the guitar and singing this new song. The chorus is simple: following you. That’s all. And right there, in the beauty of simplicity, I understood that we had all been brought together to make this music to share, not because someone told us to or because of any hidden agenda; but purely because there was no other option for us.” – Maddie Denton

Track Credits:
Harry Clark – Mandolin
James Kee – Guitar
Jeff Partin – Bass
Maddie Denton – Fiddle
Cory Walker – Banjo
Gaven Largent – Dobro


JOSEPH, “Bye and Bye”

Artist: JOSEPH
Hometown: Portland, Oregon
Song: “Bye and Bye”
Release Date: May 16, 2025
Label: Nettwerk Music Group

In Their Words: “This song is about being a woman in her late thirties with none of the results she expected from the plans she made – no husband, no house, no kids, no religion. The start of the song came one night when I was getting dinner with my then-girlfriend Talia at a bar called the Bye and Bye on Alberta St. in Portland. Our sister Allie had just quit the band, I was about a year past my divorce, I had a hunch the relationship I was in couldn’t keep going in its current form. I told Talia, ‘I feel like, in a way, I just died. Like everything I am – every bit of identity I’ve had – is over.’ I started crying in the way that isn’t tidy so I ran to the bathroom and let the tears rip. It had been a rough few days and as I sat on the toilet lid bawling I opened my notes app and typed ‘Crying in the bathroom of the Bye and Bye/ Saturday’s mascara in my eye/ it’s Tuesday.’” — Natalie Closner


Deanie Richardson & Kimber Ludiker, “Cacklin’ Hen”

Artist: Deanie Richardson & Kimber Ludiker
Hometown: Nashville, Tennessee; Silver Spring, Maryland
Song: “Cacklin’ Hen”
Release Date: May 16, 2025
Label: Mountain Home Music Company

In Their Words: “I’ve been a Kimber Ludiker fan for many, many years now since I heard her play at the Grand Master’s Fiddler contest. I was a judge that year and she completely blew me away. I think Kimber is one of the most tasteful, versatile fiddlers that we have in bluegrass music today and the work she’s done with Della Mae speaks volumes for her integrity and her talent. Kimber and I have been talking about doing a twin fiddle record for at least three years now and we’re so glad that we found a home and so glad that we found a place to record this record. Mountain Home has been so generous and good to me and allowed Kimber and I the space to come record this twin fiddle record. And we took it back-old school — just twin fiddles through the whole thing and we’re super excited for you guys to hear some fun music.” – Deanie Richardson

“Deanie Richardson has long been one of my favorite fiddlers and has always been my favorite to play with. We’ve been dreaming about a twin fiddle record for years and Mountain Home is the perfect label to share our excitement and vision. With our bands Della Mae and Sister Sadie, we’ve both had a long commitment to showcase and create a platform for women in this music, and we’re excited to add our fiddling to the canon of tunes in our music. I especially hope young girls will be excited to have more and more recordings of instrumentals played by women to inspire their learning.” – Kimber Ludiker

Track Credits:
Deanie Richardson – Fiddle
Kimber Ludiker – Fiddle
Cody Kilby – Acoustic guitar
Hasee Ciaccio – Upright bass
Tristan Scroggins – Mandolin
Kristin Benson – Banjo


The Wildmans, “Autumn 1941”

Artist: The Wildmans
Hometown: Floyd, Virginia
Song: “Autumn 1941”
Album: Longtime Friend
Release Date: July 11, 2025
Label: New West Records

In Their Words: “‘Autumn 1941’ is a song Roger Brown, former Berklee College of Music President, co-wrote with Berklee songwriting professor Mark Simos. Mark has written for Alison Krauss, the Infamous Stringdusters, and Del McCoury. Del recently released the other song in this series titled ‘Working for the WPA.’ The ‘Autumn 1941’ story hails from Roger’s North Carolina Appalachian roots, it was passed down through his family and while some of the specifics remain unknown, different versions of this story of eugenics prove to be true across Appalachian regions and more largely other minorities throughout American early-mid 20th century history. Stories of this same movement took place in Virginia and communities like Floyd, our hometown. Once we got into the studio with this song, it just flowed and out of it came a haunting authenticity we hadn’t yet discovered in our music.” – The Wildmans


Jessica Willis Fisher, “Seeds”

Artist: Jessica Willis Fisher
Hometown: Nashville, Tennessee
Song: “Seeds”
Album: Blooming
Release Date: May 16, 2025
Label: Bard Craft Records

In Their Words: “When we’re young, much of our life is shaped in ways we can’t control. Seeds are planted in our life and when we grow up, we can be left reaping the effects of toxic generational patterns. A big part of my life the last few years has been weeding out so many beliefs and habits that, if left to continue to grow, would choke me to death in many ways. Some days are harder than others and I still have doubts that rise up about which way to go in life, how to best move forward, how to heal from the abuse I experienced when I was younger.

“That vulnerability and honesty felt important to include on this record which centers around healing and growth.” – Jessica Willis Fisher

Track Credits:
Jessica Willis Fisher – Vocals
Bryan Sutton – Acoustic guitar, mandolin
Ben Fowler – Engineer, producer, mix engineer


Photo Credit: JOSEPH by Gardenia Miramontes; East Nash Grass by Scott Simontacchi.

East Nash Grass Bring Their Weekly Residency to the World

The avant-garde, southern rock icon Col. Bruce Hampton had a belief that defined his career: don’t take yourself seriously – take what you do seriously. That saying holds strong for East Nash Grass, a group who have entertained the crowds at Dee’s Country Cocktail Lounge (in Madison, Tennessee) with incredible bluegrass and charming stage antics every Monday night for nearly six years.

Bluegrass music has a longstanding tradition of bands performing recurring shows. In the 1970s, J.D. Crowe & the New South rose to popularity while performing five nights a week at the Red Slipper Lounge in Lexington, Kentucky. Meanwhile, the Seldom Scene was gaining traction in the Washington, D.C., area with weekly performances at the Red Fox Inn and later the historic Birchmere. Performing that much allowed those bands to not only grow musically, but to grow their own, almost cult-like fanbase.

While the members East Nash Grass – Harry Clark (mandolin), Maddie Denton (fiddle), James Kee (mandolin), Gaven Largent (Dobro), Jeff Picker (bass), and Cory Walker (banjo) – are getting ready to celebrate six years of performing Monday nights at Dee’s, their sophomore record Last Chance to Win is charting No. 4 on Billboard’s Bluegrass Chart, they’re booked at festivals all over the country, and they’re nominated for IBMA’s New Artist of the Year award. 

BGS recently caught up with James Kee and Cory Walker to discuss the new album, the origins of the band, and the longstanding residency at Dee’s.

East Nash Grass started with a rotating cast in 2017, playing every Monday night at Dee’s Country Cocktail Lounge. Can you tell me about the origins of the group, and when the lineup came together as something more than a weeknight pickup band? 

James Kee: We had a lot of lineup changes in the early days – we solidified that lineup by 2018 or so, but it wasn’t as strong as the current lineup. We had Maddie [Denton] then, but Cory started playing with us full time in 2019, as did Harry [Clark]. And when that happened, East Nash Grass became serious. We just gelled together. It was super comfortable musically, and also professionally. 

Cory Walker: I got a gig in 2015 or ’16, at Arrington Vineyards, and came up with the band name then. There was such a resurgence of bluegrass in the East Nashville area. Putting together the band, if I couldn’t get this one person on mandolin, there were five others I could call. Then, Harry and I met this guy that worked at Dee’s and wanted to put together a weekly bluegrass show. So that’s how we were associated in the very beginning. But I wasn’t playing every Monday night, and around that same time Harry moved to Lexington for a couple of years to play with the Wooks. 

You’ve definitely become known for your unique stage presence and antics, between (and often during) songs, and you take that same energy from Madison to stages all over the country. How has playing a weekly gig for six years shaped the way you perform?

CW: I’ve played with so many people who use the same old formula. I don’t want to be a mouthpiece for the thing that has always worked. That’s one of the things I love about playing in this band, turning peoples heads upside down. It’s fresh air. 

JK: We’ve each been a sideman in all these different bands, and so many can suck the air out of the room between songs. They’re great, but we really wanted to loosen up from that. I have the same irreverence for the “same old” that Cory does. 

How has your stage presence been received in more traditional performance spaces?

JK: It’s not for everyone, but never any negative experiences. Often, they’re not sure what to think. People might think we do something different than other bands, but we do a lot of the same, just in our own way. We got on the Ryman stage and thanked Tim Allen – twice.

CW: But, he was there… this is really new territory, as far as the stage show. I love to go back to the Dee’s stream from the past week and watch the clown moments, where somebody does something off the wall and then everyone else responds to it in some way. In any other band scenario, that person would be fired, immediately.

Your performances are always unique, but so is this new record. How did you choose material, and go about recording Last Chance to Win?

JK: We knew there were some songs that people wanted us to record, that we’d already been doing. That was “Slippin’ Away,” “How Could I Love Her So Much,” three or four songs. We went in and cut those and got used to the environment, this particular studio and this first album with Jeff [Picker] on bass. I brought a lot of material to the first record, and I wanted to see what everybody else would bring to this one. It ended up having this old-time vibe that just naturally occurred, and so we ended up finishing out the record with more songs that fit that. 

Everyone in East Nash Grass seems to get their own voice, despite each of you having worked for countless solo artists. What’s it like to all come together and cultivate your own fanbase?

CW: Having a band where everyone has a say really makes people care more about the music and want to stick around. Even though we’ve all worked for bigger acts, we’re getting in together at the bottom floor. The people at our release show were primarily our age and younger. Those people will stick around, too. 


Photo Credit: Kaitlyn Raitz