WATCH: Appalachian Road Show, “Blue Ridge Mountain Baby”

Artist: Appalachian Road Show
Hometown: Nashville, Tennessee
Song: “Blue Ridge Mountain Baby”
Album: Jubilation
Release Date: October 7, 2022
Label: Billy Blue Records

In Their Words: “When we settled on the theme and title of Jubilation for this new project (intended to be sort of an ‘answer’ to our last project, Tribulation), we knew exactly the direction some of the material needed to head. But, sometimes finding just the right pieces to put it all together can be a task! One day the hook, ‘Blue Ridge Mountain Baby,’ popped into my head out of the blue sky. In that instant, I could just feel what the finished song ought to sound and feel like… We just needed to actually write it… and then perform it! When it was time to record it, man, did the guys sure scald it! If ever a song felt like it belongs on an album called Jubilation, I think ‘Blue Ridge Mountain Baby’ does!” — Jim VanCleve, Appalachian Road Show


Photo Credit: Erick Anderson

From Their Secret Studio in Nashville, The Grahams Cultivate a Community

Doug and Alyssa Graham dreamed big in 2018 when they opened 3Sirens, a hidden recording studio in East Nashville that’s become a go-to destination for independent musicians of all kinds. Now recording their own projects together as The Grahams, the couple grew up together in New Jersey and have since traversed the globe with their roots-pop blend of original music. But for their latest, they invited friends to record a cover song at 3Sirens for an upcoming compilation titled 3Sirens Presents: With Love Part 1. The Grahams themselves are getting in on the action with a mesmerizing cover of Mazzy Star’s “Fade Into You.”

“I always always wanted to cover that song. It spoke to me in a way that allowed me to wander through the magical world the band set up. It also spoke to me on a romantic level as it was something I could relate to with Doug as my lifelong partner,” Alyssa says. “For our cover version we slowed it down, leaned into the slow drip and embraced the jazzy mood of the changes. It felt a little more personal this way to us but nobody can do it even close to the original.”

Doug and Alyssa Graham invited the Bluegrass Situation to 3Sirens this spring for an afternoon hang.

BGS: What were the first steps in bringing 3Sirens from a good idea into reality?

ALYSSA: It took a while and it’s still not there. How’s that? (laughs) So, the good idea started when Doug and I started rambling on about how we grew up, which was together around campfires with everyone taking an instrument. Being hippie kids and playing music in any way we could. So, the idea has been there since we were kids. We have always loved that whole idea. Then we got caught up in the world and the business of music and forgot about the idea for a while.

But the idea really started becoming a possibility when we were holed up with our friend Davíd Garza in our New York apartment during a blizzard right before South by Southwest around 2014. And we were just talking about the idea of creating a space that was reminiscent of what they were doing in the ‘60s. Or the ‘20s in Paris where artists would come together. If you knew Garza, you’d know he was like, “No cell phones. No computers, no technology.” We got past that, but that was the idea. Like-minded people, artists of all kinds, together. Garza was like, “Let’s see if my friend John Doe would be a guinea pig.” Who doesn’t love John Doe? We were about to go down to South by Southwest, and we didn’t have this house yet, so we rented a studio and said, “John, do you want to try to somehow make this a reality, conceptually, for one session, and see what we get?” So, that’s how it started.

DOUG: Then we got Ben Kweller to do a session with us, and we’re still working on getting that release plan together. And then we had an idea where we wanted to make a movie. Wouldn’t it be really cool if we got a bunch of musicians together and made a soundtrack? Dex, our buddy here, called a bunch of people in Nashville to come up with a compilation. So, here’s three pieces of content we had sitting around – John Doe, Ben Kweller, and the compilation. Then we started hanging out with Dex a lot and said, “We want to buy a space.” And here we are, basically. With our friends, we were drilling holes in the floor and running wires underneath the house and into each room, getting the studio plugged in.

What are some of your favorite memories or moments here?

ALYSSA: I would say one of my favorite memories is closing on this house. We had been looking and looking, and we were recording our own record at that time in Blackbird, and next door at Creative Workshop. They are amazing studios with everything at your fingertips. But we were also actively looking for an old house to turn into this. We saw lots of properties with Dex and then we went on tour. We were in France when we bought the place. We were on tour with our whole band and had a few days off in Paris. We bought the place sight unseen. Dex saw it – he Facetimed me and I saw every inch of it. We bought the place and I think my favorite memory is when we came back from that tour, we came in here. It was an empty house. We had bought a few of these rugs and the three of us stayed up for five days rolling out the rugs and putting up chandeliers. Pumped great music through here for five days. It was a clean palette. It was the beginning of something. We still don’t know what that is, honestly.

Where do you go from here?

ALYSSA: Lots of places! (laughs) One of the main reasons we wanted to do this is that we eventually want to start a foundation element to 3Sirens. We’re working on developing that concept, whether it’s working on grants for struggling artists or specifically musicians, or whether it’s partnering with some of the music schools. At the core of this whole thing is a collaborative sensibility where we want to bring people together and try to support artists in some way. There’s gotta be a philanthropic element.

DOUG: We have this larger dream than just this place. This is one element of a creative support network that we want to figure out. This is the most relatable part for us. We’re musicians, we’re here, so let’s make this a spot. We’ll start to make it available to people. How do we do that? How do we make it available to as many people as we can without trashing the place? (laughs)

ALYSSA: You can’t call up and book space. It’s not like that. It’s either we know you, or Dex knows you, or a friend told you about it, or you’re somebody we’re interested in musically or artistically and we invite you to come. It’s sort of a network that way. But in the immediate future, there’s a compilation coming out with all Nashville artists, which is cool. We also want to start releasing albums. We have a working relationship with (music distributor) The Orchard, and basically we’re going to start putting out records of artists that we not only love and support, but also people that might not have the right story, or the right look, or the right sound for a niche label.

We’ve talked about how 3Sirens can benefit the artists who come here, but what is the reward for you personally in having this space?

ALYSSA: I think we’re at a place in our life where, yes, we’re always going to pursue our own music and we’re writing a new record right now. We love being The Grahams. We’ve been doing this together since we were 10 years old. That will never change, but we have a 3-year-old and we’re at the point right now where we want to see beautiful things going into the world. We have the means and the dream to make this a place that brings joy to people, including us. We love to be around great music. We love to support great music. We love to hear great music.

DOUG: We did grasp at this music business for a long time, and now we’re kind of over that. We figured out that we just want to make music. We don’t want to be famous. This is a bigger dream, to provide joy and to provide a space.


Photo Credit: Alex Berger of Weird Candy

LISTEN: Drew Kennedy, “Peace and Quiet”

Artist: Drew Kennedy
Hometown: New Braunfels, Texas
Song: “Peace and Quiet”
Album: Marathon
Release Date: June 17, 2022
Label: ATLAS AURORA

In Their Words: “I wrote this song with two heroes of mine — Matraca Berg and Jeff Hanna — at their house one cloudy morning in Nashville. The hook arrived all gift wrapped and ready to go during a conversation with a friend after a show. I asked him how he had survived a two-year stint in rural Arkansas for work, being more accustomed to the hustle and bustle of Dallas, and he shrugged his shoulders and said, ‘I guess I just made peace with the peace and quiet.’ I love it when songs find you like that. I took the idea to Matraca and Jeff and that morning the three of us made this magical little song. I love the second verse so much: I woke up with the morning raining down upon my windowpane in perfect harmony with ‘Faded Love,’ and you won’t catch me complaining. Still gets me every time I sing it!” — Drew Kennedy


Photo Credit: Carly duMenil-Martinez

Basic Folk – Cristina Vane

Blues musician Cristina Vane has lived many lives. She grew up in Europe listening to an eclectic mix of emo, pop, and rock. She came to the U.S. to study comparative literature at Princeton before moving to Los Angeles to pursue her songwriting career. Determined to get her music out there on her own terms, Cristina embarked on a life-changing solo tour that took her across the United States. She slept in her tent, took in the majesty of the National Parks, and learned more about American culture than most Americans learn in a lifetime.

LISTEN: APPLE • SPOTIFY • STITCHERAMAZON • MP3

Vane’s new album, Make Myself Me Again, is a sonic homecoming that showcases her remarkable talents as a guitarist, songwriter, and vocalist. Ever a student of the blues, Cristina pays homage to her forebears while telling her own stories with vulnerability. Some of the highlights of our conversation include central New Jersey deli memories, tour stories, Cristina’s approach to finding the perfect guitar tone, and a roundabout journey to identity.


Photo Credit: Stuart Levine

BGS 5+5: Michaela Anne

Artist: Michaela Anne
Hometown: Nashville, Tennessee
Latest Album: Oh to Be That Free

What’s your favorite memory from being on stage?

I love when I feel like I’m having a conversation with the audience and I’m not just standing up there singing at them. I’ve had so many fun shows like this but for some reason I remember a show at the Chapel in San Francisco, opening for Joe Pug in the fall of 2019. I was playing solo and I just remember laughing with the audience so much. Felt like I was in a room full of friends.

What other art forms — literature, film, dance, painting, etc. — inform your music?

Literature for sure. Richard Powers’ book The Overstory was especially influential to this album, specifically the song “Trees.” So is the work of Barbara Kingsolver whose novels all have some incredible way of showing how connected and necessary we all are in nature. I love being in nature. I love the mountains and desert, the ocean, the forests. But because of where I live in Nashville, I spend most of my time walking in the woods by Percy Priest Lake. Being in nature calms me immensely and helps me remember that a lot of the stuff that distracts me from my work, the business of it all…none of it really matters in the big picture. Just make art.

What rituals do you have, either in the studio or before a show?

I try to gather myself and do a short meditation of sorts before going on stage. It’s a way to make sure I don’t feel so scattered and can retain my focus.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I love good food… Bastion is one of my favorite restaurants in Nashville. I’d have to say my dream would be a dinner there with Emmylou Harris. There are so many things I want to ask her.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Not very often. I definitely have written about different characters from time to time but most of my songs in some way always come back to me.


Photo Credit: Natia Cinco

WATCH: Lauren Balthrop, “Thank You” (Featuring Maya de Vitry)

Artist: Lauren Balthrop
Hometown: Nashville, Tennessee
Song: “Thank You” (featuring Maya de Vitry)
Album: Things Will Be Different
Release Date: August 12, 2022
Label: Olivia Records

In Their Words: “I co-wrote this song one December morning in 2019 (the before times) with Maya de Vitry. When she got to my house, I started telling her about this deeply painful day the previous week during Thanksgiving. Without going into too much detail, that day brought closure to a relationship that was incredibly hard to leave behind. I had pinned a lot of hopes and dreams on that relationship. She had gone through something similar and what felt like a therapy session turned into this song about different stages of grief around past relationships. ‘Someday I’ll thank you when I’m ready to.’ Now having lived with this song and its recording, a new meaning has taken shape. The lyrics have come to be a conversation with myself and learning to love and let go of my own disappointments.” — Lauren Balthrop


Photo Credit: James Paul Mitchell

WATCH: Rod Picott, “Dirty T-Shirt”

Artist: Rod Picott
Song: “Dirty T-Shirt”
Album: Paper Hearts and Broken Arrows
Release Date: June 10, 2022

In Their Words: “Paper Hearts and Broken Arrows is an album with no filler. It is lean. There are twelve songs, carefully chosen to make the album feel a particular way. It is lush and enormous-sounding and at the same time raw as live-edge woodwork. That is all intentional. This was in fact the mission. My voice has changed over the years; with age, a few thousand shows, damage from bad technique and possibly the Jameson’s as well (though I don’t think the Blanton’s hurt it a bit). I’m comfortable with where my voice has landed. It suits the songs better than ever. I’ve always felt like a bit of an old man anyway and so my voice finally caught up.

“On ‘Dirty T-Shirt,’ the simple rocking between the Gm and F chord sounded like sex to me. There was something elemental in the feel and pace that my mind went to that place. I’ve not infused many songs with a sense of the erotic world; playfully a few times, but not head-on. It was very satisfying to go right to the heart of the thing. That mysterious thing that pulls our bodies together is not completely knowable. There is something primitive and temporal and also spiritual that happens when it works. A tide impossible to resist.” — Rod Picott


Photo Credit: Neilson Hubbard

BGS 5+5: Cristina Vane

Artist: Cristina Vane
Hometown: Nashville, Tennessee
Latest Album: Make Myself Me Again
Personal Nicknames: In college my friends called me X… it was the year DMX came out with a big hit and the name kinda just happened! Bluetip or Young Tippy happened when I first dyed my hair blue around 2014, and that was started by the same group of friends.

What has been the best advice you’ve received in your career so far?

The best lesson I learned was through some co-workers advising me at the guitar shop I worked at back in 2014. I had just moved to L.A. and had met a “famous” guitar player who befriended me and then blew up at me in a diva fashion for no reason. I remember my co-workers telling me how there is no excuse for that kind of behavior — it doesn’t matter who this man had played with or what he had done. There were endless examples of people far more “famous” who were kind and polite (like Jackson Browne, who came into that shop once while I was working!) That advice helped me feel better but it also taught me that it doesn’t ever matter who you are, you always have the option to be kind to people, and I try my best to do that even if I’m tired or stressed out.

What’s your favorite memory from being on stage?

My favorite memory of being on stage was at the Fillmore San Francisco when I got to open for Bob Weir, Wynonna Judd and Cass McCombs in 2020. That was the most magical feeling — to be in a place oozing with the history of all the talented people who had graced that stage was so electric. I felt similarly elated when I was called up to play Red’s in Clarksdale, Mississippi, for the same reason. The legacy from that area was tangible. I was just thinking about all the folks who had passed through before me.

Which artist has influenced you the most … and how?

One of the artists who I would say influenced me the most is Alanis Morissette. I listened to her when I was young and impressionable, but at the age just before I started becoming my own angsty person, right around 10 or 11. The sheer grit of her vocal delivery, the unapologetic sarcasm, the in-your-face tone…I loved it all. I thought her songs were so catchy, and still think so. I may not write like her but she shaped my understanding of the space a musician can take up in a deep way and I still rock out to songs like “Baba” and some of her other deeper cuts.

Which elements of nature do you spend the most time with and how do those impact your work?

I really love hiking, camping, and kayaking, and have incorporated so much of my travels into songs — some in a literal way (on my recent record, “Colorado Sky” was written under a stunning Northern Colorado sunset as I free camped in the hunting and wildlife land, “Dreaming of Utah” on the old album is about Moab, “Badlands” about the Badlands…) But in my opinion, what is cool about writing a song about a place is the challenge of trying to communicate what that place is making me feel. Sometimes I look out over some amazing vista and am inspired to capture that feeling in my chest. Sometimes it feels lonely, too. I’d say recently, I do more hiking than camping out, but I still enjoy it when I can.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

If it were possible, I’d love to sit down and eat a full four-course meal — cheese plate and wine starter included — while listening to Aretha Franklin. Main course could be lobster or pasta — and for dessert…anything with caramel. Preferably while she sings “Do Right Woman, Do Right Man.”


Photo Credit: Lizzy Oakley

LISTEN: Adia Victoria, “In the Pines”

Artist: Adia Victoria
Hometown: Mauldin, South Carolina; now Nashville
Song: “In the Pines”
Release Date: May 17, 2022

In Their Words: “In 2019, I spent an afternoon poring over the journal I kept during my junior year of high school in Mauldin, SC. Revisiting the frustrations and observations of my 16-year-old self would lead to the creation of ‘In the Pines’ — a song that tells the story of a teenage girl from a small conservative town whose slow slide towards self-destruction is recounted by her best friend. It is the all-too-familiar story of how young women desperately search in vain for escape from totalizing ideologies that define their lives and the lives around them. It is a young girl’s quest for autonomy via rebellion over her life. Failing that, she will ultimately have autonomy over her own death. The song centers the stories of those who fall victim to the ideologies of emotionally stunted men. I dedicate ‘In the Pines’ to every teenage girl who is desperately scratching at the walls of ideological imprisonment. It is a song that I hope reminds them that they are not alone in their hunt for freedom.” — Adia Victoria


Photo Credit: Huy Nguyen

WATCH: Banditos, “Here Tonight”

Artist: Banditos
Hometown: Birmingham, Alabama; now in Nashville
Song: “Here Tonight”
Album: Right On
Release Date: May 20, 2022
Label: Egghunt Records

In Their Words: “We’ve been in Nashville about 10 years now, but all came up in Alabama — the outskirts of Birmingham mainly. When we moved we all made the jump together. We were staying in a band house to cut cost of rent & be able to tour more, so naturally we moved into a house all together in Nashville. Our dear friend, Joshua Shoemaker, who grew up with us in those Birmingham outskirts, also lived in those houses & made that jump with us as well. He pushed us to make the move as he was expanding his career as a filmmaker. We had our friends’ bands come stay with us at our house. Banditos would play shows with them. Joshua would film videos. It was simpatico.

Long story long we adore this man & he does incredible work. He’s done several live videos with us over the years, but never a narrative. It’s always been a dream to make it happen & I think the excitement shines through. We had an amazing team, hired some really star actors from Facebook & it turned out beautifully. The song itself kind of throws back to our Birmingham days where we’d be at a bar & you’d see the lonely & ornery drink themselves dry at the end of the table. This one is about finding hope in those dark places & letting yourself love yourself despite life’s circumstances.” — Mary Beth Richardson, Banditos


Photo Credit: Citizen Wayne Kane